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Marta D. Rădulescu (April 24, 1912 – September 5, 1959) was a Romanian poet, journalist, and novelist, made famous in the 1930s for her autofictional work. From an academic family with a penchant for radical politics, she veered into fascist politics, supporting the Iron Guard. The commitment shaped part of her work, which, from a satirical rendition of education in the provinces, becomes a document of interwar radicalization and student political battles. Scandal followed the publication of her early prose works, particularly after claims that they had been largely or entirely written by her father—or, alternatively, by her friend and putative lover N. Crevedia. Her polemic with Crevedia was consumed in the national press and in books written by both participants.

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  • Marta D. Rădulescu (24 de abril de 1912 – 1959) fue una poeta, periodista y novelista rumana, famosa en los 1930s por su obra autofictional. De una familia académica con una inclinación por la política radical, virando a la política fascista, apoyando la Guardia de Hierro. La parte en forma de compromiso de su trabajo, el cual, a partir de una versión satírica de la educación en las provincias, se convierte en un documento de radicalización entre guerras y batallas políticas estudiantiles. Escándalo tras la publicación de sus obras en prosa tempranas, sobre todo después de las reclamaciones había sido gran parte o totalmente escrita por su padre o, en su defecto, por su amigo y amante putativo N. Crevedia. Su polémica con Crevedia se consumió en la prensa nacional y en los libros escritos por ambos participantes. (es)
  • Marta D. Rădulescu (April 24, 1912 – September 5, 1959) was a Romanian poet, journalist, and novelist, made famous in the 1930s for her autofictional work. From an academic family with a penchant for radical politics, she veered into fascist politics, supporting the Iron Guard. The commitment shaped part of her work, which, from a satirical rendition of education in the provinces, becomes a document of interwar radicalization and student political battles. Scandal followed the publication of her early prose works, particularly after claims that they had been largely or entirely written by her father—or, alternatively, by her friend and putative lover N. Crevedia. Her polemic with Crevedia was consumed in the national press and in books written by both participants. A believer in antisemitic conspiracy theories, Rădulescu put out the Iron Guard magazine Revista Mea between 1935 and 1937. By then, however, her sincerity and political literacy had been put into question by Crevedia. She faded into obscurity by 1940, when she issued her last novel, the first installment of an uncompleted cycle. Her other published works include modern fairy tales and a travelogue of her hiking trips. (en)
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  • 1912-04-24 (xsd:date)
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  • 1959-09-05 (xsd:date)
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  • 1912-04-24 (xsd:date)
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  • Marta Rădulescu (en)
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  • journalist, political militant (en)
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  • 1922 (xsd:integer)
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  • Marta D. Rădulescu (24 de abril de 1912 – 1959) fue una poeta, periodista y novelista rumana, famosa en los 1930s por su obra autofictional. De una familia académica con una inclinación por la política radical, virando a la política fascista, apoyando la Guardia de Hierro. La parte en forma de compromiso de su trabajo, el cual, a partir de una versión satírica de la educación en las provincias, se convierte en un documento de radicalización entre guerras y batallas políticas estudiantiles. Escándalo tras la publicación de sus obras en prosa tempranas, sobre todo después de las reclamaciones había sido gran parte o totalmente escrita por su padre o, en su defecto, por su amigo y amante putativo N. Crevedia. Su polémica con Crevedia se consumió en la prensa nacional y en los libros escritos (es)
  • Marta D. Rădulescu (April 24, 1912 – September 5, 1959) was a Romanian poet, journalist, and novelist, made famous in the 1930s for her autofictional work. From an academic family with a penchant for radical politics, she veered into fascist politics, supporting the Iron Guard. The commitment shaped part of her work, which, from a satirical rendition of education in the provinces, becomes a document of interwar radicalization and student political battles. Scandal followed the publication of her early prose works, particularly after claims that they had been largely or entirely written by her father—or, alternatively, by her friend and putative lover N. Crevedia. Her polemic with Crevedia was consumed in the national press and in books written by both participants. (en)
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  • Marta Rădulescu (es)
  • Marta Rădulescu (en)
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