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Margarita Luna de Espaillat (July 31, 1921 – 2016) was a composer, pianist, and organist from the Dominican Republic. Born in Santiago de los Caballeros, Luna de Espaillat began her studies under Juan Francisco García; later instructors included Manuel Antonio Rueda González, with whom she studied piano; Juan Urteaga, with whom she studied organ; and , with whom she studied harmony, counterpoint, and fugue. From 1964 until 1967 she was a pupil of Hall Overton at the Juilliard School. For many years she was director of the National Conservatory of Music in the Dominican Republic. During her career Luna de Espaillat composed an oratorio, Vigilia eterna, and Elegie for choir, narrator, and orchestra, as well as chamber music and piano works. She also taught music history and theory. Her Cambi

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  • Ana Margarita Luna García (* 31. Juli 1921 in Santiago de los Caballeros; † 2016) war eine dominikanische Pianistin und Komponistin. Luna hatte ab dem zehnten Lebensjahr Klavierunterricht bei Juan Francisco García. Sie erwarb einen Abschluss als Maestra im Fach Klavier am Liceo Musical in Santo Domingo und besuchte dann Kurse für Klaviertechnik und Interpretation bei Paul Marx und Manuel Rueda. Daneben war sie Assistentin Manuel Simós in dessen Klassen für Kontrapunkt, Musikanalyse und Harmonielehre. 1953 gründete sie das Liceo Musical José Oviedo García, das sie zehn Jahre lang leitete. Mitte der 1960er Jahre ging sie in die USA und besuchte Kurse für Komposition und Instrumentation bei Hall Overton, in deren Ergebnis sein ein Streichquartett komponierte. 1969 wurde im Palacio de Bellas Artes ihr Stück Cambiantes für Cello und Orchester unter Leitung von Manuel Simó uraufgeführt. In ihren Kompositionen knüpfte Luna an die serielle Musik an und nahm zeitgenössische Kompositionstechniken wie die Dodekaphonie und Aleatorik auf. Ana Margarita Luna García starb 2016 im Alter von 94 Jahren in Kanada, wo sie mehr als 20 Jahre lang gelebt hatte. (de)
  • Margarita Luna de Espaillat (July 31, 1921 – 2016) was a composer, pianist, and organist from the Dominican Republic. Born in Santiago de los Caballeros, Luna de Espaillat began her studies under Juan Francisco García; later instructors included Manuel Antonio Rueda González, with whom she studied piano; Juan Urteaga, with whom she studied organ; and , with whom she studied harmony, counterpoint, and fugue. From 1964 until 1967 she was a pupil of Hall Overton at the Juilliard School. For many years she was director of the National Conservatory of Music in the Dominican Republic. During her career Luna de Espaillat composed an oratorio, Vigilia eterna, and Elegie for choir, narrator, and orchestra, as well as chamber music and piano works. She also taught music history and theory. Her Cambiantes, which dates to 1969, is held to be the first dodecaphonic composition written by a Dominican composer. Luna de Espaillat was married to businessman Víctor Espaillat Mera (a first cousin of First Lady Asela Mera and 3x-great-grandson of Francisco Espaillat), with whom she had three children, Víctor Manuel, Carmen, and Pilar Espaillat Luna. She died in Canada, where she had lived for over twenty years. (en)
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  • Ana Margarita Luna García (* 31. Juli 1921 in Santiago de los Caballeros; † 2016) war eine dominikanische Pianistin und Komponistin. Luna hatte ab dem zehnten Lebensjahr Klavierunterricht bei Juan Francisco García. Sie erwarb einen Abschluss als Maestra im Fach Klavier am Liceo Musical in Santo Domingo und besuchte dann Kurse für Klaviertechnik und Interpretation bei Paul Marx und Manuel Rueda. Daneben war sie Assistentin Manuel Simós in dessen Klassen für Kontrapunkt, Musikanalyse und Harmonielehre. (de)
  • Margarita Luna de Espaillat (July 31, 1921 – 2016) was a composer, pianist, and organist from the Dominican Republic. Born in Santiago de los Caballeros, Luna de Espaillat began her studies under Juan Francisco García; later instructors included Manuel Antonio Rueda González, with whom she studied piano; Juan Urteaga, with whom she studied organ; and , with whom she studied harmony, counterpoint, and fugue. From 1964 until 1967 she was a pupil of Hall Overton at the Juilliard School. For many years she was director of the National Conservatory of Music in the Dominican Republic. During her career Luna de Espaillat composed an oratorio, Vigilia eterna, and Elegie for choir, narrator, and orchestra, as well as chamber music and piano works. She also taught music history and theory. Her Cambi (en)
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  • Margarita Luna de Espaillat (en)
  • Margarita Luna García (de)
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