| dbo:abstract
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- Amarna letter EA 252, titled: Sparing One's Enemies, is a square, mostly flat clay tablet letter written on both sides, and the bottom edge. Each text line was written with a horizontal line scribed below the text line, as well as a vertical left margin-line, (beginning of text at left) scribe line on the obverse of the tablet. The letter contains 14 (15) lines on the obverse, continuing on the bottom tablet edge to conclude at line 31 on the reverse, leaving a small space before the final tablet edge. At least 4 lines from the obverse intrude into the text of the reverse (appearing as upside-down cuneiform into the text of the reverse), actually dividing the reverse into a top half and bottom half, and even creating a natural spacing segue to the reverse's text, and the story. Letter EA 252 is authored by Labaya, by the 'Man, city-state' (of) Šakmu (Shechem today), and written to the Pharaoh. The letter is letter one of three letters authored by him, to the Pharaoh. In the current List of Amarna letters by size, it is the smallest clay tablet letter, being only ~3 in tall by ~2 in wide. The Amarna letters, about 300, numbered up to EA 382, are a mid 14th century BC, about 1350 BC and 20–25 years later, correspondence. The initial corpus of letters were found at Akhenaten's city Akhetaten, in the floor of the Bureau of Correspondence of Pharaoh; others were later found, adding to the body of letters. (en)
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| rdfs:comment
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- Amarna letter EA 252, titled: Sparing One's Enemies, is a square, mostly flat clay tablet letter written on both sides, and the bottom edge. Each text line was written with a horizontal line scribed below the text line, as well as a vertical left margin-line, (beginning of text at left) scribe line on the obverse of the tablet. The letter contains 14 (15) lines on the obverse, continuing on the bottom tablet edge to conclude at line 31 on the reverse, leaving a small space before the final tablet edge. At least 4 lines from the obverse intrude into the text of the reverse (appearing as upside-down cuneiform into the text of the reverse), actually dividing the reverse into a top half and bottom half, and even creating a natural spacing segue to the reverse's text, and the story. (en)
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