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Statements

Subject Item
dbr:Symphony_No._3_(Sessions)
rdf:type
yago:Symphony107044760 yago:Sonata107044088 yago:Communication100033020 yago:ExpressiveStyle107066659 yago:MusicGenre107071942 yago:WikicatSymphoniesByRogerSessions yago:Music107020895 yago:AuditoryCommunication107109019 yago:ClassicalMusic107025900 yago:Abstraction100002137
rdfs:label
Symphonie no 3 de Sessions Symphony No. 3 (Sessions)
rdfs:comment
The Symphony No. 3 of Roger Sessions was written in 1957. It was a result of a commission by the Koussevitzky Foundation to celebrate the 75th anniversary of the Boston Symphony Orchestra, and was premiered by the Boston Symphony on December 6, 1957, conducted by Charles Munch. Sessions later was commissioned by the Boston Symphony on their centenary, when he provided them with his Concerto for Orchestra (premiered 1981). Andrea Olmstead describes all of Sessions's symphonies as "serious" and "funereal", with No. 3 being one of four with, "quiet reflective endings." La Symphonie no 3 de Roger Sessions a été écrite en 1957. Elle a été commandée par la Fondation Koussevitzky pour célébrer le 75e anniversaire de l'Orchestre symphonique de Boston. Elle a été créée par Charles Munch et l'Orchestre symphonique de Boston le 6 décembre 1957. Plus tard l'Orchestre symphonique de Boston pour son centenaire a commandé à Sessions son Concerto pour Orchestre (créé en 1981).
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dbo:abstract
La Symphonie no 3 de Roger Sessions a été écrite en 1957. Elle a été commandée par la Fondation Koussevitzky pour célébrer le 75e anniversaire de l'Orchestre symphonique de Boston. Elle a été créée par Charles Munch et l'Orchestre symphonique de Boston le 6 décembre 1957. Plus tard l'Orchestre symphonique de Boston pour son centenaire a commandé à Sessions son Concerto pour Orchestre (créé en 1981). The Symphony No. 3 of Roger Sessions was written in 1957. It was a result of a commission by the Koussevitzky Foundation to celebrate the 75th anniversary of the Boston Symphony Orchestra, and was premiered by the Boston Symphony on December 6, 1957, conducted by Charles Munch. Sessions later was commissioned by the Boston Symphony on their centenary, when he provided them with his Concerto for Orchestra (premiered 1981). Andrea Olmstead describes all of Sessions's symphonies as "serious" and "funereal", with No. 3 being one of four with, "quiet reflective endings."
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