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dbr:List_of_poetry_groups_and_movements
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Poetas espasmódicas Poetas espasmódicos Spasmodic poets
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Espasmódica é um termo aplicado William Edmonstoune Aytoun a um grupo de poetas ingleses da era vitoriana, com alguma intenção depreciativa, bem como humorado. O epíteto em si é atribuído, por Thomas Carlyle, de Lord Byron. Poesia espasmódica frequentemente tomava a forma de drama em verso, o protagonista do que foi muitas vezes um poeta. Caracterizou-se por uma série de recursos, incluindo longos solilóquios introspectivas pelo protagonista, o que levou à acusação de que a poesia era egoísta. Los poetas espasmódicos fueron un grupo de poetas británicos de la época victoriana. La «escuela espasmódica» debe su denominación al profesor Aytoun,​ quien parodió su estilo en Firmiliano. El epíteto, sin embargo, se lo aplicó por primera vez Carlyle a Byron.​ The spasmodic poets were a group of British poets of the Victorian era. The term was coined by William Edmonstoune Aytoun with some derogatory as well as humorous intention. The epithet itself is attributed, by Thomas Carlyle, to Lord Byron. Spasmodic poetry frequently took the form of verse drama, the protagonist of which was often a poet. It was characterized by a number of features including lengthy introspective soliloquies by the protagonist, which led to the charge that the poetry was egotistical.
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Espasmódica é um termo aplicado William Edmonstoune Aytoun a um grupo de poetas ingleses da era vitoriana, com alguma intenção depreciativa, bem como humorado. O epíteto em si é atribuído, por Thomas Carlyle, de Lord Byron. Poetas espasmódicas incluem George Gilfillan, o amigo e inspiração de William McGonagall. Gilfillan trabalhou por 30 anos em seu longo poema da noite, mas ele é mais conhecido por seu encorajamento dos jovens espasmódicos em seus comentários literários escritos sob o pseudônimo Apollodorus. Outros associada foram Philip James Bailey, Richard Hengist Horne, Sydney Thompson Dobell, Alexander Smith, John Stanyan Bigg, Gerald Massey, John Marston Westland, e Ebenezer Jone O termo "espasmódica" também foi aplicado por colaboradores contemporâneas de Elizabeth Barrett Browning Aurora Leigh, Maud de Tennyson, Golden Legend de Longfellow, ea poesia de Arthur Hugh Clough. Esses poetas geralmente não são incluídos na escola Spasmodic pelos modernos críticos literários. A Poesia espasmódica era extremamente popular desde o final de 1840 através da década de 1850, quando de repente saiu de moda. Firmilian paródico de William Edmondstoune Aytoun: A Tragédia espasmódica é creditado com a obtenção do verso da escola Spasmodic riu-se da linguagem bombástica. Poesia espasmódica frequentemente tomava a forma de drama em verso, o protagonista do que foi muitas vezes um poeta. Caracterizou-se por uma série de recursos, incluindo longos solilóquios introspectivas pelo protagonista, o que levou à acusação de que a poesia era egoísta. The spasmodic poets were a group of British poets of the Victorian era. The term was coined by William Edmonstoune Aytoun with some derogatory as well as humorous intention. The epithet itself is attributed, by Thomas Carlyle, to Lord Byron. Spasmodic poets include George Gilfillan, the friend and inspiration of William McGonagall. Gilfillan worked for thirty years on his long poem Night, but he is best known for his encouragement of the young Spasmodics in literary reviews which he wrote under the pseudonym "Apollodorus". Others associated were Philip James Bailey, Richard Hengist Horne, Sydney Thompson Dobell, Alexander Smith, John Stanyan Bigg, Gerald Massey, John Westland Marston, and Ebenezer Jones. The term "spasmodic" was also applied by contemporary reviewers to Elizabeth Barrett Browning's Aurora Leigh, Tennyson's Maud, Longfellow's Golden Legend, and the poetry of Arthur Hugh Clough. These poets are not generally included in the Spasmodic school by modern literary critics. Spasmodic poetry was extremely popular from the late 1840s through the 1850s when it abruptly fell out of fashion. William Edmondstoune Aytoun's parodic Firmilian: A Spasmodic Tragedy (1854) is credited with getting the verse of the Spasmodic school laughed down as bombast. Spasmodic poetry frequently took the form of verse drama, the protagonist of which was often a poet. It was characterized by a number of features including lengthy introspective soliloquies by the protagonist, which led to the charge that the poetry was egotistical. Los poetas espasmódicos fueron un grupo de poetas británicos de la época victoriana. La «escuela espasmódica» debe su denominación al profesor Aytoun,​ quien parodió su estilo en Firmiliano. El epíteto, sin embargo, se lo aplicó por primera vez Carlyle a Byron.​
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