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Statements

Subject Item
dbr:Deconstructing_Beck
rdf:type
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rdfs:label
Deconstructing Beck
rdfs:comment
Deconstructing Beck is a compilation album released on February 17, 1998 by an anonymous group posing as Illegal Art. The album is a compilation of 13 tracks created completely from samples of American musician Beck which, by artistic intention of the group, were not approved by Geffen Records, and its release set off a large scale legal battle between the two record labels which attracted worldwide media attention. According to cultural critic Steven Shaviro, the release of Deconstructing Beck served as a challenge to the music industry since Beck's discography prominently features samples, and paved the way for new media art that became oriented around the limitations of copyright law.
dbp:name
Deconstructing Beck
dcterms:subject
dbc:Sampling_controversies dbc:Tribute_albums dbc:Beck dbc:Anonymous_musical_compositions dbc:1998_remix_albums
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dbt:Tracklist dbt:Italic_title dbt:Authority_control dbt:Start_date dbt:Infobox_album dbt:Reflist dbt:Beck
dbp:artist
various artists
dbp:extra
Hromlegn Kainn J. Teller Spacklequeen Mr. Meridies The International Bankers Steev Hise dbr:Evolution_Control_Committee Huk Don Phun Jane Dowe Corporal Blossom
dbp:extraColumn
Created by
dbp:genre
Experimental plunderphonics
dbp:label
Illegal Art Seeland Records
dbp:length
217.0 287.0 353.0 196.0 179.0 264.0 3292.0 146.0 267.0 244.0 369.0 249.0 299.0
dbp:producer
Philo T. Farnsworth
dbp:recorded
1997
dbp:released
1998-02-17
dbp:title
Killer Control Enters Blackhole Fat Zone Doublefolded Bust a Move Carpet Tunnel Syndrome Eggs Eggs, Arms Legs Paving the Road to Hell Pt2 So Cal Weevil Dream Stuck Together, Falling Apart Puzzels & Pagans Burning Today's Memory One Beck in the Grave Void Transaction
dbp:type
Compilation
dbo:abstract
Deconstructing Beck is a compilation album released on February 17, 1998 by an anonymous group posing as Illegal Art. The album is a compilation of 13 tracks created completely from samples of American musician Beck which, by artistic intention of the group, were not approved by Geffen Records, and its release set off a large scale legal battle between the two record labels which attracted worldwide media attention. According to cultural critic Steven Shaviro, the release of Deconstructing Beck served as a challenge to the music industry since Beck's discography prominently features samples, and paved the way for new media art that became oriented around the limitations of copyright law.
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dbr:Deconstructing_Beck
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dbr:Illegal_Art
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