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- «Who Cares if You Listen?» es un artículo escrito por el compositor estadounidense Milton Babbitt (1916-2011) y publicado en la edición de febrero de 1958 de High Fidelity. Titulado por Babbitt como «The Composer as Specialist» (y posteriormente retitulado por los editores de High Fidelity ), se encuentra entre las obras más conocidas de Babbit y personifica la distancia que se había formado entre muchos compositores y sus oyentes. En palabras de Anthony Tommasini en The New York Times, "Hasta el día de hoy, se toma como evidencia de que él y los de su calaña desprecian al público". Babbitt usaba la técnica del serialismo integral en sus composiciones, que en sus manos podía ser un modo altamente técnico de composición musical. El artículo no se refiere en absoluto al serialismo, sino que adopta la posición de que la música "seria", "avanzada", como las matemáticas, la filosofía y la física avanzadas, es demasiado compleja para que un "hombre normalmente bien educado sin una preparación especial" pueda "comprenderla". (es)
- "Who Cares if You Listen?" is an article written by the American composer Milton Babbitt (1916–2011) and published in the February, 1958, issue of High Fidelity. Titled by Babbitt as "The Composer as Specialist" (and subsequently retitled by the High Fidelity editors), it is among the best known of Babbit's works and epitomized the distance that had grown between many composers and their listeners. In the words of Anthony Tommasini in The New York Times, "To this day, it is seized as evidence that he and his ilk are contemptuous of audiences" Babbitt was a practitioner of integral serialism, which in his hands could be a highly technical mode of musical composition. The article does not refer to serialism at all, but rather takes the position that "serious", "advanced" music, like advanced mathematics, philosophy, and physics, is too complex for a "normally well-educated man without special preparation" to "understand". (en)
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- 1950.0
- Babbitt, Milton . "A Life of Learning: Charles Homer Haskins Lecture for 1991". ACLS Occasional Paper 17. New York: American Council of Learned Societies. (en)
- Simms, Bryan R. . Untitled review of Stephen Peles, Stephen Dembski, Andrew Mead and Joseph N. Straus , The Collected Essays of Milton Babbitt . Music & Letters 86, no. 1 : 157–160. (en)
- Zuckermann, Gabrielle . "An Interview with Milton Babbitt". American Mavericks on American Public Media . (en)
- Grant, M[orag]. J. . Untitled review of Stephen Peles, Stephen Dembski, Andrew Mead and Joseph N. Straus , The Collected Essays of Milton Babbitt . Music Analysis 26, no. 3:365–372. (en)
- Lister, Rodney . Untitled review of The Collected Essays of Milton Babbitt edited by Stephen Peles, with Stephen Dembski, Andrew Mead, and Joseph N. Straus. Princeton University Press. Tempo 59, no. 233 : 67–69. (en)
- Beckerman, Michael . "Tonality Is Dead; Long Live Tonality". The New York Times : H23. (en)
- Rockwell, John . "When Practice Refuses to Make Perfect". The New York Times . (en)
- Nicholls, David. 2007. Untitled review of: Voices in the Wilderness: Six American Neo-Romantic Composers by Walter Simmons . Music & Letters 88, no. 4 : 704–706. (en)
- Tommasini, Anthony . "Finding Still More Life in a 'Dead' Idiom: Babbitt Has Never Expected His Music to Be Popular but Contrary to Myth, He Does Care if You Listen". The New York Times : H39. (en)
- Schwarz, K. Robert . "In Contemporary Music, A House Still Divided". The New York Times : H24 & 28. (en)
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- «Who Cares if You Listen?» es un artículo escrito por el compositor estadounidense Milton Babbitt (1916-2011) y publicado en la edición de febrero de 1958 de High Fidelity. Titulado por Babbitt como «The Composer as Specialist» (y posteriormente retitulado por los editores de High Fidelity ), se encuentra entre las obras más conocidas de Babbit y personifica la distancia que se había formado entre muchos compositores y sus oyentes. En palabras de Anthony Tommasini en The New York Times, "Hasta el día de hoy, se toma como evidencia de que él y los de su calaña desprecian al público". (es)
- "Who Cares if You Listen?" is an article written by the American composer Milton Babbitt (1916–2011) and published in the February, 1958, issue of High Fidelity. Titled by Babbitt as "The Composer as Specialist" (and subsequently retitled by the High Fidelity editors), it is among the best known of Babbit's works and epitomized the distance that had grown between many composers and their listeners. In the words of Anthony Tommasini in The New York Times, "To this day, it is seized as evidence that he and his ilk are contemptuous of audiences" (en)
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- Who Cares if You Listen (es)
- Who Cares if You Listen (en)
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