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- La violetta fue un instrumento musical del siglo XVI. Se cree que fue similar a un violín, pero con solo tres cuerdas. El término se usó luego como un paraguas para una variedad de instrumentos de cuerda. Algunos de los instrumentos que quedan bajo su paraguas son el viol, viola, viola bastarda, viola da braccio, viola de amor, violetta marina, tromba marina y la viola da gamba, viola pomposa, violino piccolo, violonchelo y, por supuesto, el violín. Muchos de los instrumentos dentro de esta familia contenían entre tres y ocho cuerdas (también juegos dobles de cuerdas como una mandolina), tenían trastes o no, se construyeron con costillas muy estrechas o anchas, y la más singular de todas (en por lo menos para los estándares modernos) contenían o no cuerdas simpáticas. Las cuerdas simpáticas (a veces también llamadas cuerdas resonantes), son cuerdas que se sientan debajo de las cuerdas regulares y vibran, o resuenan, en simpatía con las cuerdas sobre ellas mientras se tocan. Según The New Grove Dictionary of Musical Instruments, uno de los primeros inicios del término provino de G.M. Lanfranco, un compositor italiano menos conocido del siglo XVI, que usa el término «violetta» en uno de sus libros titulado Scintille di musica en 1533. (es)
- The violetta was a 16th-century musical instrument. It is believed to have been similar to a violin, but occasionally had only three strings, particularly before the 17th century. The term was later used as an umbrella for a variety of string instruments. Some of the instruments that fall under its umbrella are the viol, viola, viola bastarda, viola da braccio, viola d'amore, violetta marina, tromba marina and the viola da gamba, viola pomposa, violino piccolo, violoncello, and the violin. Many of the instruments within this family contained anywhere from three to eight strings (also double sets of strings like a mandolin), either had frets or did not, was built with either very narrow ribs or wide ribs, and most unique of all (at least by modern standards) either did or did not contain sympathetic strings. Sympathetic strings (sometimes also referred to as resonating strings), are strings that sit below the regular strings and vibrate, or resonate, in sympathy with the strings above them as they’re played. According to The New Grove Dictionary of Musical Instruments, one of the earliest inceptions of the term came from G.M. Lanfranco, a lesser known 16th century Italian composer, who uses the term “violetta” in one of his books titled Scintille di musica in 1533. (en)
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- La violetta fue un instrumento musical del siglo XVI. Se cree que fue similar a un violín, pero con solo tres cuerdas. El término se usó luego como un paraguas para una variedad de instrumentos de cuerda. Según The New Grove Dictionary of Musical Instruments, uno de los primeros inicios del término provino de G.M. Lanfranco, un compositor italiano menos conocido del siglo XVI, que usa el término «violetta» en uno de sus libros titulado Scintille di musica en 1533. (es)
- The violetta was a 16th-century musical instrument. It is believed to have been similar to a violin, but occasionally had only three strings, particularly before the 17th century. The term was later used as an umbrella for a variety of string instruments. Some of the instruments that fall under its umbrella are the viol, viola, viola bastarda, viola da braccio, viola d'amore, violetta marina, tromba marina and the viola da gamba, viola pomposa, violino piccolo, violoncello, and the violin. Many of the instruments within this family contained anywhere from three to eight strings (also double sets of strings like a mandolin), either had frets or did not, was built with either very narrow ribs or wide ribs, and most unique of all (at least by modern standards) either did or did not contain sy (en)
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