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In music, a two hundred fifty-sixth note (or occasionally demisemihemidemisemiquaver) is a note played for 1⁄256 of the duration of a whole note. It lasts half as long as a hundred twenty-eighth note and takes up one quarter of the length of a sixty-fourth note. In musical notation it has a total of six flags or beams. Since human pitch perception begins at 20 Hz (1200/minute), then a 256th-note tremolo becomes a single pitch in perception at quarter note ≈ 18.75 bpm. * 256th note * 256th rest

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  • La semigarrapatea és una figura musical. Dura 1/256 del que dura una rodona, és a dir la quarta part d'una semifusa o la meitat d'una garrapatea. Sobretot es va usar a la música barroca, però la dificultat de la seva interpretació va fer que gairebé deixés de ser utilitzada. (ca)
  • Garrapateaerdi musikan biribil baten berrehun eta berrogeitamaseirena eta beltz baten hirurogeitalaurena irauten duen bat da. Garrapatea baten erdia da. 6 kortxete edo neuma irtetzen zaizkio plikatik, bata bestearen gainean, eta halakoak dituzten gainontzeko musika irudiak bezala, zenbait gertu eta konpas berean daudenean, neuma hauek elkartu egiten dira euren artean sei lerro paraleloren bidez. Interpretatzeko zaila denez, egungo musika lanetan ia ez da erabiltzen, egungo opera barne. erabili zen, egungo konposatzaileek ia erabat baztertu dutelarik. (eu)
  • La semigarrapatea es una figura musical que equivale a 1/256 del valor de la redonda, esto es, 1/64 pulsos de la negra. Al igual que todas las figuras musicales, la semigarrapatea cuenta con un silencio de su misma duración e implica que durante ese tiempo no se emite sonido alguno.​​​​Debido a su brevedad no es habitual encontrar esta figura en la música impresa. Sin embargo, compositores como Vivaldi, Couperin, Mozart o Dussek la han incluido en algunas de sus composiciones.​ (es)
  • In music, a two hundred fifty-sixth note (or occasionally demisemihemidemisemiquaver) is a note played for 1⁄256 of the duration of a whole note. It lasts half as long as a hundred twenty-eighth note and takes up one quarter of the length of a sixty-fourth note. In musical notation it has a total of six flags or beams. Since human pitch perception begins at 20 Hz (1200/minute), then a 256th-note tremolo becomes a single pitch in perception at quarter note ≈ 18.75 bpm. A single 256th note is always stemmed with flags, while two or more are usually beamed in groups. Notes this short are very rare in printed music but not unknown. One reason that notes with many beams are rare is that, for instance, a thirty-second note at =50 lasts the same amount of time as a sixteenth note at =100; every note in a piece may be notated as twice as long but last the same amount of time if the tempo is also doubled. They are principally used for brief, rapid sections in slow movements. For example, they occur in some editions of the second movement (Largo) of Beethoven's Third Piano Concerto (Op. 37) (1800), to notate rapid scales. Another example is in Mozart's Variations on "Je suis Lindor" (1778), where four of them are used in the slow (molto adagio) eleventh variation. A further example occurs (Grave.Adagio non troppo) in Jan Ladislav Dussek's (1760–1812) Fifth Piano Sonata, Op. 10 No. 2. They also occur (Largo) in Vivaldi's (1678–1741) Concerto, RV 444, and in bar 15 of François Couperin's Second Prelude from L'art de toucher le clavecin (1716). * 256th note * 256th rest (en)
  • 256분음표(이백오십육분음표, 문화어: 이백오십륙분소리표;영어: demisemihemidemisemiquaver)는 온음표의 256분의 1의 길이의 박자를 가지는 음표이다. 꼬리는 6개이다. (ko)
  • Nella notazione musicale, una semifusa o duecentocinquantaseiesimo è un valore musicale eseguito con la durata pari a 1⁄256 del valore dell'intero. Nota (it)
  • 在音樂記譜中,二百五十六分音符是一種音符時值。在五線譜記法中,二百五十六分音符表示為一個實心的橢圓符頭加上一個帶六條旗幟狀的符尾的符桿(如上圖的記號)。當二百五十六分音符與其它有符尾的音符連寫時,可以共用符尾(也是一般的情形),這時旗幟狀的符尾變為六根連接用的短線。當符頭位於五線譜第三線上方(包括第三線)時,符干朝下,否則符干朝上,符干改變方向時,符頭的左右方向也要作相應改變。符尾的上下方向也改變,但始終在符干右邊。二百五十六分音符的音長是全音符的二百五十六分之一,即4/4拍中的六十四分之一拍,3/8或6/8拍中的三十二分之一拍。二分音符的音長是其一百二十八倍,四分音符的音長是其六十四倍,八分音符的音長是其三十二倍,六十四分音符的音長是其四倍,一百二十八分音符的音長是其兩倍。 * 二百五十六分音符 * 二百五十六分休止符 二百五十六分音符在樂譜中極為罕見,但並不陌生。主要用在動作緩慢時有著簡潔有力的部分,實際例子位於貝多芬《第三鋼琴協奏曲》(作品37)第二章節的一些版本表露出音符的快速尺度;還有一個例子在莫扎特的變奏曲《Je suis Lindor》,有四個二百五十六分音符被用於較緩慢的第十二個變奏中;其他例子包括的《第五鋼琴奏鳴曲》(作品10)第二章節,他們還出現RV 444維瓦爾第的協奏曲。 (zh)
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  • La semigarrapatea és una figura musical. Dura 1/256 del que dura una rodona, és a dir la quarta part d'una semifusa o la meitat d'una garrapatea. Sobretot es va usar a la música barroca, però la dificultat de la seva interpretació va fer que gairebé deixés de ser utilitzada. (ca)
  • Garrapateaerdi musikan biribil baten berrehun eta berrogeitamaseirena eta beltz baten hirurogeitalaurena irauten duen bat da. Garrapatea baten erdia da. 6 kortxete edo neuma irtetzen zaizkio plikatik, bata bestearen gainean, eta halakoak dituzten gainontzeko musika irudiak bezala, zenbait gertu eta konpas berean daudenean, neuma hauek elkartu egiten dira euren artean sei lerro paraleloren bidez. Interpretatzeko zaila denez, egungo musika lanetan ia ez da erabiltzen, egungo opera barne. erabili zen, egungo konposatzaileek ia erabat baztertu dutelarik. (eu)
  • La semigarrapatea es una figura musical que equivale a 1/256 del valor de la redonda, esto es, 1/64 pulsos de la negra. Al igual que todas las figuras musicales, la semigarrapatea cuenta con un silencio de su misma duración e implica que durante ese tiempo no se emite sonido alguno.​​​​Debido a su brevedad no es habitual encontrar esta figura en la música impresa. Sin embargo, compositores como Vivaldi, Couperin, Mozart o Dussek la han incluido en algunas de sus composiciones.​ (es)
  • 256분음표(이백오십육분음표, 문화어: 이백오십륙분소리표;영어: demisemihemidemisemiquaver)는 온음표의 256분의 1의 길이의 박자를 가지는 음표이다. 꼬리는 6개이다. (ko)
  • Nella notazione musicale, una semifusa o duecentocinquantaseiesimo è un valore musicale eseguito con la durata pari a 1⁄256 del valore dell'intero. Nota (it)
  • 在音樂記譜中,二百五十六分音符是一種音符時值。在五線譜記法中,二百五十六分音符表示為一個實心的橢圓符頭加上一個帶六條旗幟狀的符尾的符桿(如上圖的記號)。當二百五十六分音符與其它有符尾的音符連寫時,可以共用符尾(也是一般的情形),這時旗幟狀的符尾變為六根連接用的短線。當符頭位於五線譜第三線上方(包括第三線)時,符干朝下,否則符干朝上,符干改變方向時,符頭的左右方向也要作相應改變。符尾的上下方向也改變,但始終在符干右邊。二百五十六分音符的音長是全音符的二百五十六分之一,即4/4拍中的六十四分之一拍,3/8或6/8拍中的三十二分之一拍。二分音符的音長是其一百二十八倍,四分音符的音長是其六十四倍,八分音符的音長是其三十二倍,六十四分音符的音長是其四倍,一百二十八分音符的音長是其兩倍。 * 二百五十六分音符 * 二百五十六分休止符 二百五十六分音符在樂譜中極為罕見,但並不陌生。主要用在動作緩慢時有著簡潔有力的部分,實際例子位於貝多芬《第三鋼琴協奏曲》(作品37)第二章節的一些版本表露出音符的快速尺度;還有一個例子在莫扎特的變奏曲《Je suis Lindor》,有四個二百五十六分音符被用於較緩慢的第十二個變奏中;其他例子包括的《第五鋼琴奏鳴曲》(作品10)第二章節,他們還出現RV 444維瓦爾第的協奏曲。 (zh)
  • In music, a two hundred fifty-sixth note (or occasionally demisemihemidemisemiquaver) is a note played for 1⁄256 of the duration of a whole note. It lasts half as long as a hundred twenty-eighth note and takes up one quarter of the length of a sixty-fourth note. In musical notation it has a total of six flags or beams. Since human pitch perception begins at 20 Hz (1200/minute), then a 256th-note tremolo becomes a single pitch in perception at quarter note ≈ 18.75 bpm. * 256th note * 256th rest (en)
rdfs:label
  • Semigarrapatea (ca)
  • Garrapateaerdi (eu)
  • Semigarrapatea (es)
  • Semifusa (it)
  • 256분음표 (ko)
  • Two hundred fifty-sixth note (en)
  • 二百五十六分音符 (zh)
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