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- Touch and Gone is the fifth album by American rock musician Gary Wright. It was released in November 1977 on Warner Bros. Records as the follow-up to The Light of Smiles. Wright changed his approach to songwriting for the album by collaborating with other writers on six of the nine songs. The album was recorded with only keyboard instruments, aside from drums and percussion. Touch and Gone failed to achieve commercial success. According to Wright, his manager, Dee Anthony, told him that Warner Bros. were disappointed by the album and considered that none of its songs had hit potential. Having started a U.S. tour in late 1977 to promote the release, Wright was forced to cancel it due to poor ticket sales. The album peaked at number 117 in the United States, while the title track reached number 73 on the Billboard Hot 100 singles chart. Billboard's reviewer said that the keyboards were "beautifully played and arranged" but that Wright appeared to be overly focused on repeating the success of his 1975 album, The Dream Weaver. The reviewer also wrote: "Openings, breaks, arrangements – all are reminiscent of earlier Wright material, yet no cut emerges to break new ground. Vocals and lyrics are exceptional, but the melodies are uninspired." In a review of the "Touch and Gone" single, however, the same publication admired the song as a "spirited rocker" and again highlighted the synthesizer playing. Writing in The Rolling Stone Record Guide, Dave Marsh dismissed Touch and Gone, along with its predecessor, as examples of how, following Wright's breakthrough on The Dream Weaver, he had "indulged himself with increasing flatulence in a spacy, mystical froth of synthesizers and remarkably poor vocalizing". In his 2014 autobiography, Wright recalls that "Fear had paralyzed my creative efforts on Touch and Gone, resulting in my being overinfluenced by currently successful albums." He says that its failure made him take stock of his career. After spending the New Year with his friend George Harrison in England, where the pair collaborated on the song "If You Believe", Wright returned to India to gain a better perspective on his career. (en)
- Touch and gone is het vijfde studioalbum van Gary Wright, het verscheen in 1977. Na de twee (toen) opmerkelijke albums The dream weaver en The light of smiles kwam de sleur in de muziek. De eens zo bewonderde nieuwe klank bijna volledig onttrokken aan synthesizers begonnen Wright tegen te werken. Dit kwam mede omdat de muziekstromingen in Europa onder in vloed kwamen te staan van de opkomende punkmuziek, die weer "terugging" naar de basisinstrumenten van de popmuziek: gitaar, basgitaar en drums.. In de Verenigde Staten, die daarin wat achter liepen, scoorde het album nog redelijk. Het album is opgenomen in de Sound Lab en High Waves Studio, de eigen geluidsstudio van Wright. Voor de Oberheim moest een programmeur ingeschakeld worden, het was Gary Mileke ook verantwoordelijk voor datzelfde muziekinstrument bij Supertramp (album Even in the Quietest Moments...). (nl)
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- 6774 (xsd:nonNegativeInteger)
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- Touch and Gone 1977 cover.jpg (en)
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- *Sound Labs, Hollywood, CA
*High Wave Studios, Los Angeles, CA (en)
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- Touch and Gone is the fifth album by American rock musician Gary Wright. It was released in November 1977 on Warner Bros. Records as the follow-up to The Light of Smiles. Wright changed his approach to songwriting for the album by collaborating with other writers on six of the nine songs. The album was recorded with only keyboard instruments, aside from drums and percussion. (en)
- Touch and gone is het vijfde studioalbum van Gary Wright, het verscheen in 1977. Na de twee (toen) opmerkelijke albums The dream weaver en The light of smiles kwam de sleur in de muziek. De eens zo bewonderde nieuwe klank bijna volledig onttrokken aan synthesizers begonnen Wright tegen te werken. Dit kwam mede omdat de muziekstromingen in Europa onder in vloed kwamen te staan van de opkomende punkmuziek, die weer "terugging" naar de basisinstrumenten van de popmuziek: gitaar, basgitaar en drums.. In de Verenigde Staten, die daarin wat achter liepen, scoorde het album nog redelijk. Het album is opgenomen in de Sound Lab en High Waves Studio, de eigen geluidsstudio van Wright. Voor de Oberheim moest een programmeur ingeschakeld worden, het was Gary Mileke ook verantwoordelijk voor datzelfde (nl)
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- Touch and gone (nl)
- Touch and Gone (en)
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