About: Thai poetry

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Poetry has been featured extensively in Thai literature, and constituted the near-exclusive majority of literary works up to the early Rattanakosin period (early 19th century). Most of imaginative literary works in Thai, before the 19th century, were composed in poetry. Consequently, although many literary works were lost with the sack of Ayutthaya in 1767, Thailand still has a great number of epic poems or long poetic tales -- some with original stories and some with stories drawn from foreign sources. The Siamese poetical medium consists of five main forms, known as khlong, chan, kap, klon and rai; some of these developed indigenously while others were borrowed from other languages. Thai poetry dates to the Sukhothai period (13th–14th centuries) and flourished under Ayutthaya (14th–18th

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  • Poetry has been featured extensively in Thai literature, and constituted the near-exclusive majority of literary works up to the early Rattanakosin period (early 19th century). Most of imaginative literary works in Thai, before the 19th century, were composed in poetry. Consequently, although many literary works were lost with the sack of Ayutthaya in 1767, Thailand still has a great number of epic poems or long poetic tales -- some with original stories and some with stories drawn from foreign sources. The Siamese poetical medium consists of five main forms, known as khlong, chan, kap, klon and rai; some of these developed indigenously while others were borrowed from other languages. Thai poetry dates to the Sukhothai period (13th–14th centuries) and flourished under Ayutthaya (14th–18th centuries), during which it developed into its current forms. Though many works were lost to the Burmese conquest of Ayutthaya in 1767, sponsorship by subsequent kings helped revive the art, with new works created by many great poets, including Sunthorn Phu (1786–1855). Prose writing as a literary form was introduced as a Western import during the reign of King Mongkut (1851–68) and gradually gained popularity, though poetry saw a revival during the reign of King Vajiravudh (1910–25), who authored and sponsored both traditional poetry and the newer literary forms. Poetry's popularity as a mainstream form of literature gradually declined afterwards, although it is still written and read, and is regularly employed ceremonially. (en)
  • 本項はタイ文学における定型詩の古典的な詩形の一覧である。 (ja)
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  • Siang Lue Siang Lao Ang.ogg (en)
  • Siang Lue Siang Lao Ang, thamnong sano.ogg (en)
  • Stanza from Inlarat Kham Chan.ogg (en)
  • Three stanzas from Nirat Phukhao Thong.oga (en)
  • Two stanzas from Chant in honour of the Dhamma.ogg (en)
  • Two stanzas from Kap He Ruea, thamnong sano.ogg (en)
  • Two stanzas from Kap He Ruea.ogg (en)
  • Three stanzas from Nirat Phukhao Thong, thamnong sano.oga (en)
  • Two stanzas from Na Hat Sai Chai Thale Haeng Nueng.ogg (en)
  • Two stanzas from Na Hat Sai Chai Thale Haeng Nueng, thamnong sano.ogg (en)
  • Two stanzas from Veneration of the Dhamma, thamnong sano.ogg (en)
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  • Inlarat Kham Chan , c 1913 (en)
  • Kap He Ruea (en)
  • Lilit Phra Lo , c 15th–16th centuries (en)
  • Na Hat Sai Chai Thale Haeng Nueng (en)
  • Nirat Phukhao Thong (en)
  • Veneration of the Dhamma (en)
  • the Nitra Chakrit (en)
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  • สรวมสวัสดิวิชัย เกริกกรุงไกรเกรียงยศ เกียรติปรากฏขจรขจาย สบายทั่วแหล่งหล้า ฝนฟ้าฉ่ำชุ่มชล ไพศรพณ์ผลพูนเพิ่ม เหิมใจราษฎร์บำเทิง...ประเทศสยามชื่นช้อย ทุกข์ขุกเข็ญใหญ่น้อย นาศไร้แรงเกษม โสตเทอญ (en)
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  • Two stanzas from Na Hat Sai Chai Thale Haeng Nueng, read in thamnong sano (en)
  • Stanza from Lilit Phra Lo, read with regular intonation (en)
  • Two stanzas from Na Hat Sai Chai Thale Haeng Nueng, read with regular intonation (en)
  • Two stanzas from Veneration of the Dhamma, read with regular intonation (en)
  • Stanza from Inlarat Kham Chan (en)
  • Stanza from Lilit Phra Lo, read in thamnong sano (en)
  • Two stanzas from Kap He Ruea, read with regular intonation (en)
  • Three stanzas from Nirat Phukhao Thong, read in thamnong sano (en)
  • Three stanzas from Nirat Phukhao Thong, read with regular intonation (en)
  • Two stanzas from Veneration of the Dhamma, read in thamnong sano (en)
  • Two stanzas from Kap He Ruea, read in thamnong sano (en)
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  • 本項はタイ文学における定型詩の古典的な詩形の一覧である。 (ja)
  • Poetry has been featured extensively in Thai literature, and constituted the near-exclusive majority of literary works up to the early Rattanakosin period (early 19th century). Most of imaginative literary works in Thai, before the 19th century, were composed in poetry. Consequently, although many literary works were lost with the sack of Ayutthaya in 1767, Thailand still has a great number of epic poems or long poetic tales -- some with original stories and some with stories drawn from foreign sources. The Siamese poetical medium consists of five main forms, known as khlong, chan, kap, klon and rai; some of these developed indigenously while others were borrowed from other languages. Thai poetry dates to the Sukhothai period (13th–14th centuries) and flourished under Ayutthaya (14th–18th (en)
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  • Thai poetry (en)
  • 詩形 (タイ文学) (ja)
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