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- controversia (it)
- מחלוקת על הבעלות על הקלטות שירים (iw)
- dispute over ownership of song recordings (en)
- sengketa kepemilikan rekaman lagu (in)
- disputa sobre la propiedad de las grabaciones de canciones (es)
- 음악계 논란 (ko)
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- Man in a black shirt playing a guitar (en)
- Woman in a blue coat and spectacles (en)
- Woman in a pink outfit (en)
- Woman in a red lipstick standing in front the US flag (en)
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- Katie Rosseinsky, "How Taylor Swift is changing the music industry one re-record at a time" (en)
- Church Arnold (en)
- Eilish Gilligan (en)
- James Sammataro, music attorney (en)
- Swift to Billboard in 2019 (en)
- – Scott Borchetta on selling Big Machine to Scooter Braun (en)
- – Taylor Swift (en)
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- Musicians ranging from senior artists like Bryan Adams to 2021 newcomers like Olivia Rodrigo were influenced by the controversy (en)
- US Democratic politicians Elizabeth Warren and Alexandria Ocasio-Cortez criticized the "predatory" purchases of creative businesses by private equity groups (en)
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- Alexandria Ocasio-Cortez Official Portrait.jpg (en)
- Elizabeth Warren, official portrait, 114th Congress .jpg (en)
- Olivia Rodrigo at Vice President's West Wing office.jpg (en)
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- Scooter and I have been aligned with 'big vision brings big results' from the very first time we met in 2010. Since then I have watched him build an incredible and diverse company that is a perfect complement to the Big Machine Label Group. Our artist-first spirit and combined roster of talent, executives, and assets is now a global force to be reckoned with. This is a very special day and the beginning of what is sure to be a fantastic partnership and historic run. (en)
- At a time when many artists are selling their catalogs for major money — from Bruce Springsteen and Bob Dylan to Katy Perry and Justin Bieber — ownership meant everything to [Swift]. This was personal.
And while it's not something that every act can afford or demand, it certainly makes a strong statement about the fundamental right of being in charge of the music that you create. For Swift, you can't really put a price on it — and she couldn't just shake it off.
As a woman especially, Swift felt bullied by the men in the industry who didn't take her seriously enough and sought to control her. She took a stand against them that, with her enormous influence, greatly impacted and emboldened her largely female fan base. (en)
- For years I asked, pleaded for a chance to own my work. Instead I was given an opportunity to sign back up to Big Machine Records and 'earn' one album back at a time, one for every new one I turned in.... I learned about Scooter Braun's purchase of my masters as it was announced to the world. All I could think about was the incessant, manipulative bullying I've received at his hands for years. (en)
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- 0001-06-30 (xsd:gMonthDay)
- dbr:Refinery29
- Forbes (en)
- The Hollywood Reporter (en)
- Evening Standard (en)
- The New York Post (en)
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- Every week, we get a dozen synch requests to use "Shake It Off" in some advertisement or "Blank Space" in some movie trailer, and we say no to every single one of them. And the reason I'm rerecording my music next year is because I do want my music to live on. I do want it to be in movies, I do want it to be in commercials. But I only want that if I own it. (en)
- Swift is one of few artists with the power and profile to create change in the music world—when she acts, the industry listens. In reclaiming her masters, and drawing attention to the saga surrounding it, she has made a dramatic statement about the importance of artists owning their work and refusing to let others capitalise on their creativity. Sure, she's a multi-millionaire but in using her platform in this way, she's galvanising other, less established artists to fight for a better deal. (en)
- Any time Taylor brings attention to an issue, it gets magnified... She has a very loud megaphone and she's not afraid to use it. She's had great success in effectuating change. (en)
- Unlike most artists when faced with this kind of injustice, Swift actually had the ability to stand up for herself, and in doing so, invoke meaningful dialogue and inspire change within the notoriously slow-moving music industry... Re-recording a back catalogue of six full albums and respective secret bonus tracks, then developing a hugely successful campaign to drive loyal fans towards the new versions of their beloved albums—and away from the original master recordings, prompting a dip in streams that will be mimicked in the rights holders' income statement—is something only very, very few artists can do. Taylor Swift is, indeed, amongst that handful. (en)
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- Taylor Swift's Re-Recordings Expose The Music Industry's Chokehold On Intellectual Property (en)
- "What Taylor Swift buying her masters means for her — and the music industry" (en)
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- Taylor Swift masters dispute (en)
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