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Stellar Pulsations / Three Composers is an album by pianist Marilyn Crispell on which she performs works written for her by composers Robert Cogan, Pozzi Escot, and Manfred Niehaus. The Cogan work, "Costellar Pulsations," features Crispell with a second pianist, Ellen Polansky, and was recorded on February 11, 1992, at Jordan Hall, New England Conservatory of Music in Boston. Escot's piece, "Mirabilis II," was performed by Crispell along with clarinetist Don Byron and drummer Gerry Hemingway, and was recorded on March 26, 1992, at Studio One, WGBH-FM in Boston. "Concerto for Marilyn," the composition by Niehaus, features Crispell as soloist with the WDR Radio Orchestra, conducted by David de Villiers, and was recorded on July 10 and 13, 1992, at the Grosser Sendesaal (Great Hall) of WDR Co

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  • Stellar Pulsations / Three Composers is an album by pianist Marilyn Crispell on which she performs works written for her by composers Robert Cogan, Pozzi Escot, and Manfred Niehaus. The Cogan work, "Costellar Pulsations," features Crispell with a second pianist, Ellen Polansky, and was recorded on February 11, 1992, at Jordan Hall, New England Conservatory of Music in Boston. Escot's piece, "Mirabilis II," was performed by Crispell along with clarinetist Don Byron and drummer Gerry Hemingway, and was recorded on March 26, 1992, at Studio One, WGBH-FM in Boston. "Concerto for Marilyn," the composition by Niehaus, features Crispell as soloist with the WDR Radio Orchestra, conducted by David de Villiers, and was recorded on July 10 and 13, 1992, at the Grosser Sendesaal (Great Hall) of WDR Cologne. The album was released in 1994 by Leo Records. Cogan's "Costellar Pulsations" involves the juxtaposition of an improvising pianist (Crispell) and one who performs from a notated score that uses mobile form (Polansky). The composer stated: "Among musicians and listeners, composition and improvisation have become quasi-religious issues, with dogmatic absolutists on both sides of the fence. My personal folly is to try to reconnect the two." The title of Escot's "Mirabilis II" is from a work by the medieval composer Hildegard of Bingen. The score provides precise rhythmic, harmonic, and melodic notation, providing a framework for improvisation. Niehaus's "Concerto for Marilyn" contains references to the Marx Brothers, and features a piano part that is a mix of notated and improvised music. The orchestra part is fully notated. (en)
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  • Crispell_Stellar_Pulsations.jpg (en)
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dbp:name
  • Stellar Pulsations / Three Composers (en)
dbp:recorded
  • 0001-02-11 (xsd:gMonthDay)
  • 0001-03-26 (xsd:gMonthDay)
  • 0001-07-10 (xsd:gMonthDay)
dbp:released
  • 1994 (xsd:integer)
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  • B (en)
dbp:studio
  • WDR Cologne (en)
  • Jordan Hall, NEC, Boston; (en)
  • WGBH-FM, Boston; (en)
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  • album (en)
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  • Stellar Pulsations / Three Composers is an album by pianist Marilyn Crispell on which she performs works written for her by composers Robert Cogan, Pozzi Escot, and Manfred Niehaus. The Cogan work, "Costellar Pulsations," features Crispell with a second pianist, Ellen Polansky, and was recorded on February 11, 1992, at Jordan Hall, New England Conservatory of Music in Boston. Escot's piece, "Mirabilis II," was performed by Crispell along with clarinetist Don Byron and drummer Gerry Hemingway, and was recorded on March 26, 1992, at Studio One, WGBH-FM in Boston. "Concerto for Marilyn," the composition by Niehaus, features Crispell as soloist with the WDR Radio Orchestra, conducted by David de Villiers, and was recorded on July 10 and 13, 1992, at the Grosser Sendesaal (Great Hall) of WDR Co (en)
rdfs:label
  • Stellar Pulsations / Three Composers (en)
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