| dbo:abstract
|
- Soli IV is a brass trio witten in 1967, the last of a series of four works by Mexican composer Carlos Chávez, each featuring a succession of solos. In contrast to the more traditional character of most of Chávez's large-ensemble work, the Solis belong to the more "experimental", high-modernist strand of his compositional output, which features an abstract, atonal musical language based on the principle of non-repetition. In the composer's own words, the objective is one of "constant rebirth, of true derivation: a stream that never comes back to its source; a stream of eternal development, like a spiral, always linked to, and continuing, its original source, but always searching for new and unlimited spaces". (en)
|
| dbo:thumbnail
| |
| dbo:wikiPageID
| |
| dbo:wikiPageLength
|
- 5835 (xsd:nonNegativeInteger)
|
| dbo:wikiPageRevisionID
| |
| dbo:wikiPageWikiLink
| |
| dbp:reference
|
- Chávez, Carlos. 1961. Musical Thought. The Charles Eliot Norton Lectures, 1958–1959. Cambridge: Harvard University Press. Spanish translation, as El pensamiento musical. Sección de obras de arte. México: Fondo de Cultura Económica, 1979. . (en)
- Parker, Robert L. 1994. "Carlos Chávez's Orchestral Tribute to the Discovery of San Francisco Bay". Latin American Music Review / Revista de Música Latinoamericana 15, no. 2 : 177–88. (en)
- Chávez, Carlos. 1972. Untitled liner notes to Chávez Conducted by Carlos Chávez: Soli I, Soli II, Soli IV. LP recording. Odyssey Y31534. New York: Columbia Records. (en)
- Parker, Robert L. 1998. "A Life's Work". In Robert L. Parker, Carlos Chávez: A Guide to Research, 3–18. Garland Composer Research Manuals 46; Garland Reference Library of the Humanities 1925. New York and London: Garland Publishing, Inc. . Reprinted, New York: Routledge, 2013. . (en)
- von der Schmidt, Jeff. 2004. "'Triumph through Integrity': The Human Abstractions of Carlos Chávez". Booklet accompanying Carlos Chávez: Complete Chamber Music Vol. 2. CD recording, 1 disc. Cambria CD8851, pp. 1–17. (en)
- Bauer, Amy. 2015. "Non-Repetition and Personal Style in the Inventions and Solis". In Carlos Chávez and His World, edited by Leonora Saavedra, 165–77. Princeton: Princeton University Press. ; . (en)
|
| dbp:wikiPageUsesTemplate
| |
| dcterms:subject
| |
| rdfs:comment
|
- Soli IV is a brass trio witten in 1967, the last of a series of four works by Mexican composer Carlos Chávez, each featuring a succession of solos. In contrast to the more traditional character of most of Chávez's large-ensemble work, the Solis belong to the more "experimental", high-modernist strand of his compositional output, which features an abstract, atonal musical language based on the principle of non-repetition. In the composer's own words, the objective is one of "constant rebirth, of true derivation: a stream that never comes back to its source; a stream of eternal development, like a spiral, always linked to, and continuing, its original source, but always searching for new and unlimited spaces". (en)
|
| rdfs:label
| |
| owl:sameAs
| |
| prov:wasDerivedFrom
| |
| foaf:depiction
| |
| foaf:isPrimaryTopicOf
| |
| is dbo:wikiPageDisambiguates
of | |
| is dbo:wikiPageWikiLink
of | |
| is foaf:primaryTopic
of | |
