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- To begin with, one will play all unfigured basses with simple consonant chords: from that performance the Master will clearly understand if his pupil has correctly understood the principles thereof. Secondly, one shall introduce all feasible dissonances for that given bass. Lastly, one shall shape the properly said imitation. (en)
- For those who want to learn counterpoint, it is necessary first to thoroughly study the first and second books of partimenti, and then the moti del basso of the third book. (en)
- [Imitations] occur when the right hand imitates, that is answers to, the motive of the bass, that the left hand has played; or rather, when the right hand anticipates the motive that the left hand will play shortly after. (en)
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