Node Magazine is a literary project in the guise of a fictional magazine created to annotate the novel Spook Country by William Gibson. The project is essentially a hypertext version of the novel. It takes its name from Node, a non-existent magazine in Spook Country owned by Hubertus Bigend, which employs the novel's protagonist to pursue the source of locative art. The project drew attention from the novelist,Cite error: Invalid <ref> tag; refs with no name must have content and has been featured in The Guardian, The Washington Post, Salon, The Seattle Times and the Santa Cruz Sentinel. The academic literary critic John Sutherland has claimed that the project threatened "to completely overhaul the way literary criticism is conducted".
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| - Node Magazine is a literary project in the guise of a fictional magazine created to annotate the novel Spook Country by William Gibson. The project is essentially a hypertext version of the novel. It takes its name from Node, a non-existent magazine in Spook Country owned by Hubertus Bigend, which employs the novel's protagonist to pursue the source of locative art. The project drew attention from the novelist,Cite error: Invalid <ref> tag; refs with no name must have content and has been featured in The Guardian, The Washington Post, Salon, The Seattle Times and the Santa Cruz Sentinel. The academic literary critic John Sutherland has claimed that the project threatened "to completely overhaul the way literary criticism is conducted". (en)
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| - Cover of the fictional magazine (en)
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| - "Everything Is Potential" (en)
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| - Node Magazine is a literary project in the guise of a fictional magazine created to annotate the novel Spook Country by William Gibson. The project is essentially a hypertext version of the novel. It takes its name from Node, a non-existent magazine in Spook Country owned by Hubertus Bigend, which employs the novel's protagonist to pursue the source of locative art. The project drew attention from the novelist,Cite error: Invalid <ref> tag; refs with no name must have content and has been featured in The Guardian, The Washington Post, Salon, The Seattle Times and the Santa Cruz Sentinel. The academic literary critic John Sutherland has claimed that the project threatened "to completely overhaul the way literary criticism is conducted". (en)
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