About: Missa L'homme armé sexti toni

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Missa L'homme armé sexti toni is probably the latter of two L'homme arme masses by Josquin des Prez, both published in 1502. "sexti toni" refers to the use of the sixth Gregorian mode. It uses Paraphrase technique in which the L'homme armé tune is shared between all voices rather than being confined to a single one, as in Josquin's (Missa L'homme armé super voces musicales). The five sections of the mass contain several examples of compositional virtuosity, including strict canons in the Sanctus/Osanna and simultaneous statements of the theme both forwards and in retrograde in the final Agnus Dei.

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  • Missa L'homme armé sexti toni is probably the latter of two L'homme arme masses by Josquin des Prez, both published in 1502. "sexti toni" refers to the use of the sixth Gregorian mode. It uses Paraphrase technique in which the L'homme armé tune is shared between all voices rather than being confined to a single one, as in Josquin's (Missa L'homme armé super voces musicales). The five sections of the mass contain several examples of compositional virtuosity, including strict canons in the Sanctus/Osanna and simultaneous statements of the theme both forwards and in retrograde in the final Agnus Dei. (en)
  • La Missa l'homme armé sexti toni è probabilmente l'ultima delle due messe, basate sulla melodia L'homme armé, composte da Josquin des Prez dove sexti toni si riferisce all'uso del sesto modo ipolidio. (it)
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  • Missa L'homme armé sexti toni is probably the latter of two L'homme arme masses by Josquin des Prez, both published in 1502. "sexti toni" refers to the use of the sixth Gregorian mode. It uses Paraphrase technique in which the L'homme armé tune is shared between all voices rather than being confined to a single one, as in Josquin's (Missa L'homme armé super voces musicales). The five sections of the mass contain several examples of compositional virtuosity, including strict canons in the Sanctus/Osanna and simultaneous statements of the theme both forwards and in retrograde in the final Agnus Dei. (en)
  • La Missa l'homme armé sexti toni è probabilmente l'ultima delle due messe, basate sulla melodia L'homme armé, composte da Josquin des Prez dove sexti toni si riferisce all'uso del sesto modo ipolidio. (it)
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  • Missa l'homme armé sexti toni (it)
  • Missa L'homme armé sexti toni (en)
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