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- Michael Light (born 1963) is a San Francisco-based photographer and book maker whose work focuses on landscape, the environment, and American culture's relationship to both. He is known for aerial photographs of American western landscapes collectively titled "Some Dry Space: An Inhabited West" and for two archival projects focused on historical photographs of the Apollo lunar missions and U.S. atmospheric nuclear detonation tests, represented by the books Full Moon (1999) and 100 Suns (2003), respectively. Los Angeles Times critic Leah Ollman characterized his work as "largely about what we consider ours, how we act on that assumption, and what the visual manifestations of those claims look like ... [It] seduces and troubles in shifting measure." Light's projects have been exhibited at museums including San Francisco Museum of Modern Art (SFMOMA), American Museum of Natural History, Hayward Gallery (London), Museum of Contemporary Art, Sydney, and Nevada Museum of Art. His work belongs to the collections of the Los Angeles County Museum of Art (LACMA), Victoria & Albert Museum (London), Hasselblad Foundation, and SFMOMA, among others. In 2007, Light was awarded a Guggenheim Fellowship in photography. (en)
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- 25818 (xsd:nonNegativeInteger)
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- Guggenheim Fellowship, Artadia Award (en)
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- Clearwater, Florida, United States (en)
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- Photography, books, landscape, archival photographic projects (en)
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- Michael Light (born 1963) is a San Francisco-based photographer and book maker whose work focuses on landscape, the environment, and American culture's relationship to both. He is known for aerial photographs of American western landscapes collectively titled "Some Dry Space: An Inhabited West" and for two archival projects focused on historical photographs of the Apollo lunar missions and U.S. atmospheric nuclear detonation tests, represented by the books Full Moon (1999) and 100 Suns (2003), respectively. Los Angeles Times critic Leah Ollman characterized his work as "largely about what we consider ours, how we act on that assumption, and what the visual manifestations of those claims look like ... [It] seduces and troubles in shifting measure." (en)
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