The Melattur style of Bharatanatyam dance was developed largely out of the devadasi traditions and Melattur Bhagavata Mela by (1900–1980), a sanyasi following . He re-established the from kuchipudi(intricate tapping footwork that explores different time measures in different tempos), and Perani Natyam (dance on the clay pot). Mangudi became interested in Shuddha Nrittam after watching a performance by devadasi of Cheyyur Sengalvarayar temple, who performed it along with other 71 types of items (e.g. Kavita, , Vadya, and others).
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