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- Lorraine Shemesh is an American artist whose practice focuses on painting, drawing, and ceramics. Since the early 1990s, she has created investigations of the human form that balance contemporary realism with an abstract expressionist concern for gesture, rhythm and pattern. Her best-known series depict active swimmers in pools viewed from above and underwater or intertwined, costumed dancers set in ambiguous, compressed spaces. In the 2000s, her work has increasingly moved towards abstraction, with figures dissolving into faithfully rendered optical phenomena or geometric patterning. Describing these qualities, Art in America critic Jonathan Goodman wrote, "being true to nature enables Shemesh to record a dazzling array of painterly gestures, some of them squarely within the tradition of Abstract Expressionism … Her use of abstract effects in the service of representation is striking and makes her art complex." Shemesh’s work has been exhibited at institutions including the San Francisco Museum of Modern Art, Bronx Museum of Art, National Academy of Design, Institute of Contemporary Art, Boston (ICA), Museum of the City of New York, and Musée de Carouge (Switzerland). Her work belongs to the public collections of the National Academy Museum, DeCordova Sculpture Park and Museum, and Rhode Island School of Design Museum, among others. (en)
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- National Academy of Design, Boston University, Rhode Island State Council for the Arts (en)
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- Jersey City, New Jersey, United States (en)
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- Painting, drawing, figurative art, ceramics (en)
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- Lorraine Shemesh is an American artist whose practice focuses on painting, drawing, and ceramics. Since the early 1990s, she has created investigations of the human form that balance contemporary realism with an abstract expressionist concern for gesture, rhythm and pattern. Her best-known series depict active swimmers in pools viewed from above and underwater or intertwined, costumed dancers set in ambiguous, compressed spaces. In the 2000s, her work has increasingly moved towards abstraction, with figures dissolving into faithfully rendered optical phenomena or geometric patterning. Describing these qualities, Art in America critic Jonathan Goodman wrote, "being true to nature enables Shemesh to record a dazzling array of painterly gestures, some of them squarely within the tradition of (en)
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