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The Johnson City Sessions were a series of influential recording auditions conducted in Johnson City, Tennessee, in 1928 and 1929 by Frank Buckley Walker, head of the Columbia Records "hillbilly" recordings division. Certain releases from the Johnson City Sessions—especially Clarence Ashley's "The Coo-coo Bird" and The Bentley Boys' "Down On Penny's Farm"—are considered by music scholars as important recordings of early country music that influenced a whole generation of revivalist folk musicians of the 1950s and 1960s, including Bob Dylan, Joan Baez, and Doc Watson.

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  • The Johnson City Sessions were a series of influential recording auditions conducted in Johnson City, Tennessee, in 1928 and 1929 by Frank Buckley Walker, head of the Columbia Records "hillbilly" recordings division. Certain releases from the Johnson City Sessions—especially Clarence Ashley's "The Coo-coo Bird" and The Bentley Boys' "Down On Penny's Farm"—are considered by music scholars as important recordings of early country music that influenced a whole generation of revivalist folk musicians of the 1950s and 1960s, including Bob Dylan, Joan Baez, and Doc Watson. (en)
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  • The Johnson City Sessions were a series of influential recording auditions conducted in Johnson City, Tennessee, in 1928 and 1929 by Frank Buckley Walker, head of the Columbia Records "hillbilly" recordings division. Certain releases from the Johnson City Sessions—especially Clarence Ashley's "The Coo-coo Bird" and The Bentley Boys' "Down On Penny's Farm"—are considered by music scholars as important recordings of early country music that influenced a whole generation of revivalist folk musicians of the 1950s and 1960s, including Bob Dylan, Joan Baez, and Doc Watson. (en)
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  • Johnson City sessions (en)
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