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- F. McGrew Willis (August 18, 1891 – October 13, 1957) was an American screenwriter of the silent and early sound film eras. Born Frank McGrew Willis on August 18, 1891, in Pleasanton, Iowa, he broke into the film industry writing film shorts in 1914 and 1915 as a freelance screenwriter. His first feature credit came in 1915, with The Quest, the first of three features he would pen in 1915. Over the next fourteen years he would write the scripts or stories for 43 silent films, three of which, The Girl in the Pullman (1927), Annapolis (1928), and A Blonde for a Night (1928), he also produced for either De Mille Pictures and/or Pathé Exchange. He would also produce another three films in 1928. In 1929, and through the next 6 years of the blossoming talking picture era, he would write the screenplays or stories for another 18 films. In the late 1930s he would work in England, where he scripted 6 films during the remainder of the decade. His final screenwriting credit would come on 1941's Sis Hopkins, for which he wrote the story. Willis died on October 13, 1957, in Menlo Park, California, and was buried in Mountain View Cemetery in Oakland, California. (en)
- Frank McGrew Willis, crédité le plus souvent F. McGrew Willis, (né le 18 août 1891 à Pleasanton, dans l'Iowa et mort le 13 octobre 1957 à Menlo Park, en Californie) est un scénariste, réalisateur et producteur de cinéma américain. (fr)
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- Frank McGrew Willis, crédité le plus souvent F. McGrew Willis, (né le 18 août 1891 à Pleasanton, dans l'Iowa et mort le 13 octobre 1957 à Menlo Park, en Californie) est un scénariste, réalisateur et producteur de cinéma américain. (fr)
- F. McGrew Willis (August 18, 1891 – October 13, 1957) was an American screenwriter of the silent and early sound film eras. Born Frank McGrew Willis on August 18, 1891, in Pleasanton, Iowa, he broke into the film industry writing film shorts in 1914 and 1915 as a freelance screenwriter. His first feature credit came in 1915, with The Quest, the first of three features he would pen in 1915. Over the next fourteen years he would write the scripts or stories for 43 silent films, three of which, The Girl in the Pullman (1927), Annapolis (1928), and A Blonde for a Night (1928), he also produced for either De Mille Pictures and/or Pathé Exchange. He would also produce another three films in 1928. In 1929, and through the next 6 years of the blossoming talking picture era, he would write the scre (en)
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