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Escape Mechanism is the title of a sound collage project instigated by Minneapolis based artist Jonathan Nelson. Using fragments of audio from a variety of previously recorded sound sources, the project is an experiment in recycled media. Escape Mechanism has taken many forms, since 1997. From solo studio releases and theatrical sound design, to a live ensemble and sound installation, the project is defined by its re-use of sounds found in the broadcast media.

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  • Escape Mechanism is the title of a sound collage project instigated by Minneapolis based artist Jonathan Nelson. Using fragments of audio from a variety of previously recorded sound sources, the project is an experiment in recycled media. Escape Mechanism has taken many forms, since 1997. From solo studio releases and theatrical sound design, to a live ensemble and sound installation, the project is defined by its re-use of sounds found in the broadcast media. Although essentially a studio project, Escape Mechanism experimented briefly (1999 – 2001) with live improvisation. Performing under the name Cast of Thousands with Escape Mechanism, the rotating ensemble also worked exclusively with bits and pieces of the media environment, performing at art venues and performances spaces such as The Walker Art Center, the Soap Factory and The First Avenue Main Room. Escape Mechanism has collaborated with artists such as Steev Hise, The Tape-beatles and Wobbly, and mounted sound installations at art galleries such as The Blue Theater, Rosalux Gallery and The Rochester Art Center. Escape Mechanism proudly presents itself as 100% recycled, as every sound found in an Escape Mechanism composition is recycled from a previously recorded source. No original sounds are incorporated; only original juxtapositions. (en)
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  • Escape Mechanism is the title of a sound collage project instigated by Minneapolis based artist Jonathan Nelson. Using fragments of audio from a variety of previously recorded sound sources, the project is an experiment in recycled media. Escape Mechanism has taken many forms, since 1997. From solo studio releases and theatrical sound design, to a live ensemble and sound installation, the project is defined by its re-use of sounds found in the broadcast media. (en)
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  • Escape Mechanism (en)
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