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The films of Japanese director Akira Kurosawa have had a far-reaching impact on cinema and how it is produced, both within Japan and internationally. As a result of his influence, Kurosawa's work, as well as his personal character, have been subject to a number of negative criticisms. These criticisms are points of heated debate among those who study Kurosawa's work, and scores of pieces have been written both advocating for these criticisms and defending against them.

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  • Malgrat l'extraordinari reconeixement que l'obra d'Akira Kurosawa ha rebut tant al Japó com a l'estranger, les seves pel·lícules, així com Kurosawa com un personatge, també han estat subjectes d'una opinions desfavorables. La majoria d'aquesta valoracions negatives es poden situar en una o més d'una d'aquestes categories: a) acusacions, per comentaristes europeus, d'insuficient "japonesitat," particularment si es compara amb l'obra d'un director més antic com Kenji Mizoguchi; b) acusacions de sentimentalisme o ; c) crítiques del posicionament polític de Kurosawa en les seves pel·lícules; d) objeccions al tractament de les dones en les seves pel·lícules; e) acusacions d'elitisme; f) acusacions de complaença amb els gustos occidentals; g) crítiques a una falta de contacte amb les realitats contemporànies (després 1965); i h) descontentament amb algun tipus d'arrogància personal i de maltractament als companys. (ca)
  • The films of Japanese director Akira Kurosawa have had a far-reaching impact on cinema and how it is produced, both within Japan and internationally. As a result of his influence, Kurosawa's work, as well as his personal character, have been subject to a number of negative criticisms. These criticisms are points of heated debate among those who study Kurosawa's work, and scores of pieces have been written both advocating for these criticisms and defending against them. The majority of these criticisms fall into one or more of the following categories: a) accusations, by European commentators, of insufficient "Japaneseness," particularly compared to the work of the older director, Kenji Mizoguchi; b) accusations of sentimentality or didacticism; c) criticisms of the (alleged) political stances taken by Kurosawa in his films; d) objections to his films' treatment of women; e) accusations of elitism; f) accusations of pandering directly to the tastes of Western audiences; g) criticisms of his alleged lack of contact (after 1965) with contemporary realities; and h) claims of personal arrogance and mistreatment of colleagues. (en)
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  • Malgrat l'extraordinari reconeixement que l'obra d'Akira Kurosawa ha rebut tant al Japó com a l'estranger, les seves pel·lícules, així com Kurosawa com un personatge, també han estat subjectes d'una opinions desfavorables. (ca)
  • The films of Japanese director Akira Kurosawa have had a far-reaching impact on cinema and how it is produced, both within Japan and internationally. As a result of his influence, Kurosawa's work, as well as his personal character, have been subject to a number of negative criticisms. These criticisms are points of heated debate among those who study Kurosawa's work, and scores of pieces have been written both advocating for these criticisms and defending against them. (en)
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  • Crítica d'Akira Kurosawa (ca)
  • Criticism of Akira Kurosawa (en)
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