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Musical work composed by Milton Babbitt

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dbo:description
  • compositie van Milton Babbitt (nl)
  • musical work composed by Milton Babbitt (en)
  • œuvre de Milton Babbitt (fr)
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dbp:date
  • March 2011 (en)
  • August 2020 (en)
  • September 2020 (en)
dbp:reason
  • It seems rather debatable that Babbitt implemented or conceived of multidimensional rows; I think this suggestion is counterproductive and possibly misleading (en)
  • What is a 'multidimentional tone row'? Sounds like a science-fiction concept. (en)
  • I agree; in fact the consistent difference in Babbitt's style of integral serialism is that connection between serialization of pitch and rhythm and dynamics etc is not fixed but rather independently applied, so it's not as if there's any version of a row that has different dimensions to control all those at once (en)
dbp:reference
  • Babbitt, Milton. 1987. Words about Music, edited by Stephen Dembski and Joseph N. Straus. Madison: University of Wisconsin Press. (en)
  • Mead, Andrew. 1983. "Detail and the Array in Milton Babbitt's My Complements to Roger". Music Theory Spectrum 5 : 89–109. (en)
  • Pearsall, Edward. 1997. "Interpreting Music Durationally: A Set-Theory Approach to Rhythm". Perspectives of New Music 35, no. 1 : 205–230. (en)
  • Dubiel, Joseph. 1990. "Three Essays on Milton Babbitt" [Part 1]. Perspectives of New Music 28, no. 2 : 216–226. (en)
  • Dubiel, Joseph. 1992. "Three Essays on Milton Babbitt ". Perspectives of New Music 30, no. 1 : 82–131. (en)
  • Whittall, Arnold. 2008. The Cambridge Introduction to Serialism. Cambridge Introductions to Music. Cambridge and New York: Cambridge University Press. . (en)
  • Arnold, Stephen, and Graham Hair. 1976. "An Introduction and a Study: String Quartet No. 3". Perspectives of New Music 14, no. 2 and 15, no. 1 : 155–186. (en)
  • Babbitt, Milton. 1976. "Responses: A First Approximation". Perspectives of New Music 14, no. 2/15, no. 1 : 8–10. (en)
  • Taruskin, Richard. 2009. Music in the Late Twentieth Century. Oxford and New York: Oxford University Press. . (en)
  • Howland, Patricia L. 2010. "Formal Processes in Post-Tonal Music: A Study of Selected Works by Babbitt, Stockhausen, and Carter". PhD diss. New York: City University of New York. (en)
  • Swift, Richard. 1976. “Some Aspects of Aggregate Composition.” Perspectives of New Music 14, no. 2 and 15, no. 1 : 236–248. (en)
  • Cone, Edward T. 1967. "Beyond Analysis". Perspectives of New Music 6, no. 1 : 33–51. (en)
  • Carter, Elliott. 1976. "To Think of Milton Babbitt". Perspectives of New Music 14, no. 2, and 15, no. 1 : 29–31. (en)
  • Perle, George. 1981. Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern, fifth edition. Berkeley and Los Angeles: University of California Press. (en)
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rdfs:label
  • Composition for Four Instruments (en)
  • Composition for Four Instruments (fr)
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