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- Comminges and Adelaide in the Trappist Monastery or Comminges digging his own tomb watched by Adelaide disguised as a monk is the final painting by Fleury François Richard, produced between 1822 and 1844 and now in the Museum of Fine Arts of Lyon. Its subject is drawn from Les Amans malheureux, ou le Comte de Comminge (1764), a play adapted by François de Baculard d'Arnaud from the tragic lovestory of Mémoires du comte de Comminge (1735) by Claudine Guérin de Tencin. (en)
- Comminges et Adélaïde au couvent de la Trappe est un tableau de Fleury François Richard réalisé entre 1822 et 1844 et conservé au musée des Beaux-Arts de Lyon sous le numéro d'inventaire 1988-4-III-8. (fr)
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- Comminges and Adelaide in the Trappist Monastery or Comminges digging his own tomb watched by Adelaide disguised as a monk is the final painting by Fleury François Richard, produced between 1822 and 1844 and now in the Museum of Fine Arts of Lyon. Its subject is drawn from Les Amans malheureux, ou le Comte de Comminge (1764), a play adapted by François de Baculard d'Arnaud from the tragic lovestory of Mémoires du comte de Comminge (1735) by Claudine Guérin de Tencin. (en)
- Comminges et Adélaïde au couvent de la Trappe est un tableau de Fleury François Richard réalisé entre 1822 et 1844 et conservé au musée des Beaux-Arts de Lyon sous le numéro d'inventaire 1988-4-III-8. (fr)
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- Comminges and Adelaide in the Trappist Monastery (en)
- Comminges et Adélaïde au couvent de la Trappe (fr)
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