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Despite the initial appearance of an action film, Blade Runner operates on an unusually rich number of dramatic levels. As with much of the cyberpunk genre, it owes a large debt to film noir, containing and exploring such conventions as the femme fatale, a Chandleresque first-person narration in the Theatrical Version, the questionable moral outlook of the hero—extended here to include even the literal humanity of the hero, as well as the usual dark and shadowy cinematography.

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  • Themes in Blade Runner (en)
  • 银翼杀手主题 (zh)
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  • Despite the initial appearance of an action film, Blade Runner operates on an unusually rich number of dramatic levels. As with much of the cyberpunk genre, it owes a large debt to film noir, containing and exploring such conventions as the femme fatale, a Chandleresque first-person narration in the Theatrical Version, the questionable moral outlook of the hero—extended here to include even the literal humanity of the hero, as well as the usual dark and shadowy cinematography. (en)
  • 虽然《银翼杀手》(Blade Runner)最初是以一部动作电影的身份上映的,但是它却有着非同寻常的深度。和不少赛博朋克电影一样,银翼杀手深受黑色电影影响,加入了钱德勒式(Chandleresque)的旁白和蛇蝎美人类型的角色,并且运用了黑暗阴沉的手法进行拍摄。和大部分黑色电影一样,银翼杀手也探索了英雄值得怀疑的道德观和平庸的人性。 银翼杀手,无论是就主题而言,抑或是就语言而言,都是包含最多文化元素的科幻电影之一。在主题方面,电影于的背景下,探讨了人类基因工程技术进步对道德哲学和精神哲学的影响。在语言方面,电影则借鉴了威廉·布莱克的诗作和圣经。J·F·賽巴斯汀(J.F. Sebastian)和艾爾頓·泰瑞(Eldon Tyrell)的不朽對局象征人和神所强加的道德进行斗争。银翼杀手常见问题集进一步解释了棋局的意义:“[棋局]代表了人造人(Replicant)和人类之间的斗争:人类认为人造人不过是兵,迟早被一个个吃掉。而人造人(兵)则想得到永生(后)。在另一层面上,泰瑞和賽巴斯汀的棋局代表了貝提(Batty)秘密接近泰瑞。泰瑞在和賽巴斯汀下棋时,犯了第一个致命错误。他后来见到貝提时,又犯了第二个致命错误 - 企图说服他。” (zh)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Blade_Runner_Deckard_Eye_Glow.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Blade_Runner_eye.png
  • http://commons.wikimedia.org/wiki/Special:FilePath/Blade_Runner_unicorn.png
  • http://commons.wikimedia.org/wiki/Special:FilePath/Voight-Kampff_machine.png
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