In music theory and harmonic analysis, a synthetic chord is a made-up or non-traditional (synthetic) chord (collection of pitches) which cannot be analyzed in terms of traditional harmonic structures, such as the triad or seventh chord. — Sitsky (1994), However, synthetic chords originated not with Roslavets but with musicologist Sabaneev and his study of composer Scriabin's Prometheus published in 1910. See: Mystic chord. Some synthetic chords may be analyzed as traditional chords, including the Prometheus chord, which may be analyzed as an altered dominant chord.
| Attributes | Values |
|---|
| rdf:type
| |
| rdfs:label
| - Acorde sintético (es)
- Akord syntetyczny (pl)
- Synthetic chord (en)
|
| rdfs:comment
| - Akord syntetyczny – wielodźwięk (akord) stworzony niejako sztucznie, w oderwaniu od klasycznej harmonii na doraźne, zwykle eksperymentalne, kolorystyczne bądź symboliczne potrzeby twórcze (na przykład akord scriabinowski). (pl)
- Por ejemplo, si un compositor utiliza una como la base para un pasaje de música y construye acordes de sus tonos, en muchos casos la misma manera en que un compositor tonal puede utilizar las notas de una escala menor o menor armonías, los acordes resultantes pueden ser acordes sintéticos y referidos como tal. Algunos los acordes sintéticos pueden ser analizados como acordes tradicionales, incluyendo el acorde Prometeo, que puede ser analizado como un acorde dominante alterado. (es)
- In music theory and harmonic analysis, a synthetic chord is a made-up or non-traditional (synthetic) chord (collection of pitches) which cannot be analyzed in terms of traditional harmonic structures, such as the triad or seventh chord. — Sitsky (1994), However, synthetic chords originated not with Roslavets but with musicologist Sabaneev and his study of composer Scriabin's Prometheus published in 1910. See: Mystic chord. Some synthetic chords may be analyzed as traditional chords, including the Prometheus chord, which may be analyzed as an altered dominant chord. (en)
|
| foaf:depiction
| |
| dcterms:subject
| |
| Wikipage page ID
| |
| Wikipage revision ID
| |
| Link from a Wikipage to another Wikipage
| |
| sameAs
| |
| dbp:wikiPageUsesTemplate
| |
| thumbnail
| |
| has abstract
| - Por ejemplo, si un compositor utiliza una como la base para un pasaje de música y construye acordes de sus tonos, en muchos casos la misma manera en que un compositor tonal puede utilizar las notas de una escala menor o menor armonías, los acordes resultantes pueden ser acordes sintéticos y referidos como tal. Algunos los acordes sintéticos pueden ser analizados como acordes tradicionales, incluyendo el acorde Prometeo, que puede ser analizado como un acorde dominante alterado. Un ejemplo de un acorde sintético sería el repetido en el primer acto de Puccini Turandot a principios del paso de texto "No indugiare, se chiami appare...".[cita requerida] (es)
- In music theory and harmonic analysis, a synthetic chord is a made-up or non-traditional (synthetic) chord (collection of pitches) which cannot be analyzed in terms of traditional harmonic structures, such as the triad or seventh chord. This title is applied to a group of notes, usually a scale-like succession of pitches, with a fixed progression of tones and semitones. This scale can obviously be transposed to any pitch, and depending on its intervallic makeup, will have a fixed number of possible transpositions. Furthermore, the sintetakkord can be used either vertically or horizontally; Roslavets' music is not concerned with the order of the pitches, but rather with the whole 'field' thus created, so that the system is less oriented toward themes and more toward harmonic fields. [See: Josef Matthias Hauer] — Sitsky (1994), However, synthetic chords originated not with Roslavets but with musicologist Sabaneev and his study of composer Scriabin's Prometheus published in 1910. See: Mystic chord. For example, if a composer uses a synthetic scale as the basis for a passage of music and constructs chords from its tones, in much the same way that a tonal composer may use a major or minor scale's notes to build harmonies, then the resulting chords may be synthetic chords and referred to as such. Some synthetic chords may be analyzed as traditional chords, including the Prometheus chord, which may be analyzed as an altered dominant chord. An example of a synthetic chord would be the repeated chord in the first act of Puccini's Turandot at the beginning of the text passage "Non indugiare, se chiami appare...". (en)
- Akord syntetyczny – wielodźwięk (akord) stworzony niejako sztucznie, w oderwaniu od klasycznej harmonii na doraźne, zwykle eksperymentalne, kolorystyczne bądź symboliczne potrzeby twórcze (na przykład akord scriabinowski). (pl)
|
| gold:hypernym
| |
| prov:wasDerivedFrom
| |
| page length (characters) of wiki page
| |
| foaf:isPrimaryTopicOf
| |
| is Link from a Wikipage to another Wikipage
of | |
| is Wikipage redirect
of | |
| is Wikipage disambiguates
of | |
| is foaf:primaryTopic
of | |
![[RDF Data]](/fct/images/sw-rdf-blue.png)
![[cxml]](/fct/images/cxml_doc.png)
![[csv]](/fct/images/csv_doc.png)
![[text]](/fct/images/ntriples_doc.png)
![[turtle]](/fct/images/n3turtle_doc.png)
![[ld+json]](/fct/images/jsonld_doc.png)
![[rdf+json]](/fct/images/json_doc.png)
![[rdf+xml]](/fct/images/xml_doc.png)
![[atom+xml]](/fct/images/atom_doc.png)
![[html]](/fct/images/html_doc.png)
