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<http://dbpedia.org/resource/Thomas_Lawrence>	<http://dbpedia.org/ontology/abstract>	"\u0422\u043E\u0301\u043C\u0430\u0441 \u041B\u043E\u0301\u0443\u0440\u0435\u043D\u0441 (\u0430\u043D\u0433\u043B. Sir Thomas Lawrence; 13 \u043A\u0432\u0456\u0442\u043D\u044F 1769 \u2014 7 \u0441\u0456\u0447\u043D\u044F 1830) \u2014 \u0430\u043D\u0433\u043B\u0456\u0439\u0441\u044C\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A \u0437\u043B\u0430\u043C\u0443 18-19 \u0441\u0442. \u041F\u043E\u0440\u0442\u0440\u0435\u0442\u0438\u0441\u0442 ."@uk .
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<http://dbpedia.org/resource/Thomas_Lawrence>	<http://dbpedia.org/ontology/abstract>	"Sir Thomas Lawrence, RA (Bristol, 13 aprile 1769 \u2013 Londra, 7 gennaio 1830), \u00E8 stato un pittore inglese, primo pittore di corte, celebre soprattutto per i suoi ritratti."@it .
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<http://dbpedia.org/resource/Thomas_Lawrence>	<http://www.w3.org/2000/01/rdf-schema#label>	"Thomas Lawrence"@eo .
<http://dbpedia.org/resource/Thomas_Lawrence>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/William_Linley> .
<http://dbpedia.org/resource/Thomas_Lawrence>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Henry_Dundas,_1st_Viscount_Melville> .
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<http://dbpedia.org/resource/Thomas_Lawrence>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/2002/07/owl#Thing> .
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<http://dbpedia.org/resource/Thomas_Lawrence>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Sir Thomas Lawrence (4 de maig de 1769 - 7 de gener de 1830) \u00E9s considerat com un dels millors retratistes anglesos de la seva generaci\u00F3. Va n\u00E9ixer a Bristol. Nen prodigi, va ser gaireb\u00E9 \u00EDntegrament autodidacte, tot i que va passar algun temps com alumne a la Royal Academy de Londres. Lawrence, artista de gran estil i domini t\u00E8cnic, es va anticipar a la pintura rom\u00E0ntica amb la vitalitat, el ric colorit i les siluetes dram\u00E0tiques de les seves obres. Entre els seus quadres destaquen:"@ca .
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\u03C4\u03AD\u03C4\u03B1\u03C1\u03C4\u03BF\u03C2 \u03C0\u03C1\u03CC\u03B5\u03B4\u03C1\u03BF\u03C2 \u03C4\u03B7\u03C2 \u0392\u03B1\u03C3\u03B9\u03BB\u03B9\u03BA\u03AE\u03C2 \u0391\u03BA\u03B1\u03B4\u03B7\u03BC\u03AF\u03B1\u03C2 \u03C4\u03C9\u03BD \u03A4\u03B5\u03C7\u03BD\u03CE\u03BD. \u0389\u03C4\u03B1\u03BD \u03C0\u03B1\u03B9\u03B4\u03AF-\u03B8\u03B1\u03CD\u03BC\u03B1, \u03B3\u03B5\u03BD\u03BD\u03AE\u03B8\u03B7\u03BA\u03B5 \u03C3\u03C4\u03BF \u039C\u03C0\u03C1\u03AF\u03C3\u03C4\u03BF\u03BB \u03BA\u03B1\u03B9 \u03BE\u03B5\u03BA\u03AF\u03BD\u03B7\u03C3\u03B5 \u03BD\u03B1 \u03C3\u03C7\u03B5\u03B4\u03B9\u03AC\u03B6\u03B5\u03B9 \u03C3\u03C4\u03B7\u03BD \u03BA\u03C9\u03BC\u03CC\u03C0\u03BF\u03BB\u03B7 \u039D\u03C4\u03B7\u03B2\u03AC\u03B9\u03B6\u03B5\u03C2, \u03CC\u03C0\u03BF\u03C5 \u03BF \u03C0\u03B1\u03C4\u03AD\u03C1\u03B1\u03C2 \u03C4\u03BF\u03C5 \u03B4\u03B9\u03B1\u03C4\u03B7\u03C1\u03BF\u03CD\u03C3\u03B5 \u03C0\u03B1\u03BD\u03B4\u03BF\u03C7\u03B5\u03AF\u03BF. \u0388\u03C7\u03BF\u03BD\u03C4\u03B1\u03C2 \u03BC\u03B5\u03C4\u03B1\u03BA\u03BF\u03BC\u03AF\u03C3\u03B5\u03B9 \u03C3\u03C4\u03BF \u039C\u03C0\u03B1\u03B8, \u03C3\u03B5 \u03B7\u03BB\u03B9\u03BA\u03AF\u03B1 10 \u03B5\u03C4\u03CE\u03BD \u03AE\u03C4\u03B1\u03BD \u03C3\u03B5 \u03B8\u03AD\u03C3\u03B7 \u03BD\u03B1 \u03C3\u03C4\u03B7\u03C1\u03AF\u03B6\u03B5\u03B9 \u03BF\u03B9\u03BA\u03BF\u03BD\u03BF\u03BC\u03B9\u03BA\u03AC \u03C4\u03B7\u03BD \u03BF\u03B9\u03BA\u03BF\u03B3\u03AD\u03BD\u03B5\u03B9\u03AC \u03C4\u03BF\u03C5 \u03BC\u03B5 \u03C4\u03B1 \u03C0\u03BF\u03C1\u03C4\u03C1\u03B1\u03AF\u03C4\u03B1 \u03C4\u03BF\u03C5 \u03C3\u03B5 \u03C0\u03B1\u03C3\u03C4\u03AD\u03BB. \u03A3\u03C4\u03B1 \u03B4\u03B5\u03BA\u03B1\u03BF\u03BA\u03C4\u03CE \u03C4\u03BF\u03C5 \u03C0\u03AE\u03B3\u03B5 \u03C3\u03C4\u03BF \u039B\u03BF\u03BD\u03B4\u03AF\u03BD\u03BF \u03BA\u03B1\u03B9 \u03C3\u03CD\u03BD\u03C4\u03BF\u03BC\u03B1 \u03B8\u03B5\u03BC\u03B5\u03BB\u03AF\u03C9\u03C3\u03B5 \u03C4\u03B7 \u03C6\u03AE\u03BC\u03B7 \u03C4\u03BF\u03C5 \u03C9\u03C2 \u03C0\u03C1\u03BF\u03C3\u03C9\u03C0\u03BF\u03B3\u03C1\u03AC\u03C6\u03BF\u03C5 \u03BC\u03B5 \u03B5\u03BB\u03B1\u03B9\u03BF\u03B3\u03C1\u03B1\u03C6\u03AF\u03B1.\u0388\u03BB\u03B1\u03B2\u03B5 \u03C4\u03B7\u03BD \u03C0\u03C1\u03CE\u03C4\u03B7 \u03B2\u03B1\u03C3\u03B9\u03BB\u03B9\u03BA\u03AE \u03B1\u03BD\u03AC\u03B8\u03B5\u03C3\u03B7 \u03C0\u03BF\u03C1\u03C4\u03C1\u03B1\u03AF\u03C4\u03BF\u03C5, \u03C4\u03B7\u03C2 \u03B2\u03B1\u03C3\u03AF\u03BB\u03B9\u03C3\u03C3\u03B1\u03C2 \u039A\u03B1\u03C1\u03BB\u03CC\u03C4\u03C4\u03B1\u03C2, \u03C4\u03BF 1790. \u03A0\u03B1\u03C1\u03AD\u03BC\u03B5\u03B9\u03BD\u03B5 \u03BA\u03BF\u03C1\u03C5\u03C6\u03B1\u03AF\u03BF\u03C2 \u03C3\u03C4\u03BF\u03BD \u03BA\u03BB\u03AC\u03B4\u03BF \u03C4\u03BF\u03C5 \u03BC\u03AD\u03C7\u03C1\u03B9 \u03C4\u03BF \u03B8\u03AC\u03BD\u03B1\u03C4\u03CC \u03C4\u03BF\u03C5. \u0389\u03C4\u03B1\u03BD \u03B1\u03C5\u03C4\u03BF\u03B4\u03AF\u03B4\u03B1\u03BA\u03C4\u03BF\u03C2, \u03B3\u03BD\u03C9\u03C3\u03C4\u03CC\u03C2 \u03B3\u03B9\u03B1 \u03C4\u03B7\u03BD \u03B9\u03BA\u03B1\u03BD\u03CC\u03C4\u03B7\u03C4\u03AC \u03C4\u03BF\u03C5 \u03C3\u03C4\u03BF \u03C3\u03C7\u03AD\u03B4\u03B9\u03BF \u03BA\u03B1\u03B9 \u03C4\u03B7\u03BD \u03B1\u03BA\u03C1\u03B9\u03B2\u03AE \u03B1\u03C0\u03BF\u03C4\u03CD\u03C0\u03C9\u03C3\u03B7 \u03B5\u03BD\u03CC\u03C2 \u03B1\u03C4\u03CC\u03BC\u03BF\u03C5 \u03C3\u03B5 \u03BA\u03B1\u03BC\u03B2\u03AC, \u03BA\u03B1\u03B8\u03CE\u03C2 \u03BA\u03B1\u03B9 \u03C4\u03B7 \u03B2\u03B9\u03C1\u03C4\u03BF\u03C5\u03CC\u03B6\u03B9\u03BA\u03B7 \u03C7\u03C1\u03AE\u03C3\u03B7 \u03C4\u03B7\u03C2 \u03BC\u03C0\u03BF\u03B3\u03B9\u03AC\u03C2. \u0388\u03B3\u03B9\u03BD\u03B5 \u03C3\u03C5\u03BD\u03AD\u03C4\u03B1\u03B9\u03C1\u03BF\u03C2 \u03C4\u03B7\u03C2 \u0392\u03B1\u03C3\u03B9\u03BB\u03B9\u03BA\u03AE\u03C2 \u0391\u03BA\u03B1\u03B4\u03B7\u03BC\u03AF\u03B1\u03C2 \u03C4\u03C9\u03BD \u03A4\u03B5\u03C7\u03BD\u03CE\u03BD \u03C4\u03BF 1791, \u03BC\u03AD\u03BB\u03BF\u03C2 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<http://dbpedia.org/resource/Thomas_Lawrence>	<http://dbpedia.org/ontology/abstract>	"Thomas Lawrence (13 avril 1769 \u00E0 Bristol \u2013 7 janvier 1830) est un peintre qui fut le portraitiste le plus important de la R\u00E9gence anglaise et du r\u00E8gne de Georges IV."@fr .
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<http://dbpedia.org/resource/Thomas_Lawrence>	<http://dbpedia.org/ontology/abstract>	"Sir Thomas Lawrence PRA FRS (13 April 1769 \u2013 7 January 1830) was an English portrait painter and the fourth president of the Royal Academy. A child prodigy, he was born in Bristol and began drawing in Devizes, where his father was an innkeeper at the Bear Hotel in the Market Square. At age ten, having moved to Bath, he was supporting his family with his pastel portraits. At 18 he went to London and soon established his reputation as a portrait painter in oils, receiving his first royal commission, a portrait of Queen Charlotte, in 1790. He stayed at the top of his profession until his death, aged 60, in 1830. Self-taught, he was a brilliant draughtsman and known for his gift of capturing a likeness, as well as his virtuoso handling of paint. He became an associate of the Royal Academy in 1791, a full member in 1794, and president in 1820. In 1810 he acquired the generous patronage of the Prince Regent, was sent abroad to paint portraits of allied leaders for the Waterloo chamber at Windsor Castle, and is particularly remembered as the Romantic portraitist of the Regency. Lawrence's love affairs were not happy (his tortuous relationships with Sally and Maria Siddons were the subjects of several books) and, in spite of his success, he spent most of life deep in debt. He never married. At his death, he was the most fashionable portrait painter in Europe. His reputation waned during Victorian times, but has since been partially restored."@en .
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<http://dbpedia.org/resource/Thomas_Lawrence>	<http://dbpedia.org/ontology/abstract>	"Thomas Lawrence (Bristol, 4 mei 1769 \u2013 Londen, 7 januari 1830) was een Engelse kunstschilder die vooral faam verwierf door zijn portretten en zich ontwikkelde tot de belangrijkste schilder in dit genre aan het eind van de 18e en het begin van de 19e eeuw, samen overigens met zijn tijdgenoot John Hoppner. Lawrence bleek al op jeugdige leeftijd over veel talent te beschikken en werd dan ook beschouwd als wonderkind. Hij wist rake portretten te tekenen van de bezoekers in de herberg van zijn vader, de Black Bear in Devizes, waarheen het gezin was verhuisd. Later verhuisde de familie naar Bath, waar Lawrence zijn carri\u00E8re serieus oppakte en al voor een groot deel bijdroeg aan het gezinsinkomen. Lawrence was in zijn vroege ontwikkeling autodidact. Hij werkte aanvankelijk met potlood en krijt, ging later over op pastels, maar schakelde al snel over naar olieverf. In 1787 trok hij naar Londen waar hij korte tijd studeerde aan de Royal Academy of Arts en werd aangemoedigd door de directeur van de academie, Sir Joshua Reynolds, wiens stijl hij zou blijven navolgen. Lawrence had onmiddellijk succes, niet alleen door zijn uitzonderlijk talent, maar ook door zijn charme en uiterlijk. Op 20-jarige leeftijd werd hij uitgenodigd naar Windsor om een portret te maken van koningin Charlotte, de echtgenote van koning George III. Dit werk en ook zijn latere werk werd vooral geprezen om de kleurvoering en de perfecte stofweergave. In 1792, na de dood van Reynolds, werd hij hofschilder en twee jaar later trad hij toe tot de Academy. In 1815 werd hij geridderd door de prins-regent, de latere koning George IV. Deze stuurde hem in 1818 naar de politieke congressen in Aken en Wenen om portretten te schilderen van de figuren die een leidende rol hadden gespeeld bij het verslaan van Napoleon. Deze 24 portretten bevinden zich momenteel in de Waterloo Chamber in Windsor Castle. Na zijn terugkeer in Engeland werd Lawrence benoemd tot president van de Academy. Zijn succes leverde hem veel geld op, maar hij gaf dat even gemakkelijk weer uit, met name voor de uitbreiding van zijn omvangrijke en belangrijke kunstcollectie van oude meesters. Tevens droeg hij bij aan het naar Engeland halen van de zogeheten Elgin Marbles en aan de oprichting van de National Gallery in Londen."@nl .
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<http://dbpedia.org/resource/Thomas_Lawrence>	<http://dbpedia.org/ontology/abstract>	"Sir Thomas Lawrence (4 de maig de 1769 - 7 de gener de 1830) \u00E9s considerat com un dels millors retratistes anglesos de la seva generaci\u00F3. Va n\u00E9ixer a Bristol. Nen prodigi, va ser gaireb\u00E9 \u00EDntegrament autodidacte, tot i que va passar algun temps com alumne a la Royal Academy de Londres. El 1789 Lawrence va obtenir un gran reconeixement pel seu retrat de l'actriu Miss Farren (1789, Metropolitan Museum of Art de Nova York). Va comen\u00E7ar a ser molt sol\u00B7licitat i l'any 1792 va succeir a sir com el pintor principal de Jordi III del Regne Unit, que li va concedir el t\u00EDtol de sir l'any 1815. Anomenat membre de la Royal Academy en 1794, des del 1820 fins a 1830 va ser president d'aquesta instituci\u00F3. Lawrence, artista de gran estil i domini t\u00E8cnic, es va anticipar a la pintura rom\u00E0ntica amb la vitalitat, el ric colorit i les siluetes dram\u00E0tiques de les seves obres. Encara que de qualitat desigual, la seva obra art\u00EDstica, en el seu millor moment, es va caracteritzar per un gust i una eleg\u00E0ncia que van conferir distinci\u00F3 als retrats dels seus models. Entre els seus quadres destaquen: \n* La senyora Peel (1827, Col\u00B7lecci\u00F3 Frick de Nova York) \n* El papa Pius VII i l'arxiduc Carlos d'\u00C0ustria (Sala Waterloo, Castell de Windsor) \n* Dama de la fam\u00EDlia Storer, Museu del Prado, Madrid. \n* John Fane, X comte de Westmoreland, Museu del Prado, Madrid. \n* Miss Martha Carry,Museu del Prado, Madrid. \n* Retrat d'Elizabeth Farren, posterior comtessa de Derby Lawrence va ser un dels primers pintors anglesos en assolir \u00E8xit en Europa. Junt a Reynolds i Thomas Gainsborough, representa la cimera] de la pintura retratista anglesa."@ca .
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<http://dbpedia.org/resource/Thomas_Lawrence>	<http://xmlns.com/foaf/0.1/name>	"Thomas Lawrence"@en .
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<http://dbpedia.org/resource/Thomas_Lawrence>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Sir Thomas Lawrence, f\u00F6dd 13 april 1769 i Bristol, d\u00F6d 7 januari 1830 i London, var en brittisk konstn\u00E4r, i huvudsak av portr\u00E4tt.Lawrence genomgick en st\u00E4ndigt stigande och alltmer framg\u00E5ngsrik konstn\u00E4rsbana, blev hovm\u00E5lare, preses f\u00F6r Royal Academy i London, ansl\u00F6t sig till Joshua Reynolds och \u00E4rvde hans kundkrets. Han inbj\u00F6ds \u00E4ven till kontinenten, bland annat Wien och Paris och m\u00E5lade samtidens fr\u00E4msta personligheter som Wellington, Metternich och Bl\u00FCcher med flera."@sv .
<http://dbpedia.org/resource/Thomas_Lawrence>	<http://purl.org/dc/terms/subject>	<http://dbpedia.org/resource/Category:18th-century_English_male_artists> .
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<http://dbpedia.org/resource/Thomas_Lawrence>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Category:English_portrait_painters> .
<http://dbpedia.org/resource/Thomas_Lawrence>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Thomas_Campbell_(poet)> .
<http://dbpedia.org/resource/Thomas_Lawrence>	<http://dbpedia.org/ontology/wikiPageExternalLink>	<http://www.npg.org.uk/whatson/exhibitions/2010/thomas-lawrence-regency-power-and-brilliance-minisite.php> .