. . . "10315930"^^ . . "Scolica enchiriadis"@it . "Scolica enchiriadis o Scholia enchiriadis es una obra an\u00F3nima de teor\u00EDa de la m\u00FAsica del siglo IX. Esta obra est\u00E1 \u00EDntimamente relacionada con otro tratado titulado Musica enchiriadis. Scolica enchiriadis es el comentario a su tratado compa\u00F1ero Musica enchiriadis. Ambas obras fueron atribuidas a Hucbaldo, no obstante esta teor\u00EDa ya no es aceptada.\u200B\u200B"@es . . "Scolica enchiriadis o Scholia enchiriadis es una obra an\u00F3nima de teor\u00EDa de la m\u00FAsica del siglo IX. Esta obra est\u00E1 \u00EDntimamente relacionada con otro tratado titulado Musica enchiriadis. Scolica enchiriadis es el comentario a su tratado compa\u00F1ero Musica enchiriadis. Ambas obras fueron atribuidas a Hucbaldo, no obstante esta teor\u00EDa ya no es aceptada.\u200B\u200B"@es . . . . . . . "Scolica enchiriadis is an anonymous ninth-century music theory treatise and commentary on its companion work, the Musica enchiriadis. These treatises were once attributed to Hucbald, but this is no longer accepted. The Scolica enchiriadis is written as a tripartite dialogue, and despite being a commentary on the Musica enchiriadis, it is nearly three times as long. Much of the theory discussed by the treatise is indebted to Augustinian conceptions of music, especially its affirmations of the importance of mathematics to music as kindred disciplines of the quadrivium. Later sections draw heavily on the music theory of Boethius and Cassiodorus, two early medieval authors whose works on music were widely read and circulated hundreds of years after their death. The treatise makes use of the monochord to explain interval relations. The treatise also discusses singing technique, ornamentation of plainchant, and polyphony in the style of organum. The scale used in the work, which is based on a system of tetrachords, appears to have been created solely for use in the work itself rather than taken from actual musical practice. The treatise also uses a very rare system of notation, known as Daseian notation. This notation has a number of figures which are rotated ninety degrees to represent different pitches. A critical edition of the treatises was published in 1981, and an English translation by Raymond Erickson in 1995."@en . . . . "Scolica nebo t\u00E9\u017E Scholia enchiriadis je anonymn\u00ED hudebn\u011B-teoretick\u00FD trakt\u00E1t z 9. stolet\u00ED zam\u00FD\u0161len\u00FD jako dopl\u0148uj\u00EDc\u00ED v\u00FDklad k pojedn\u00E1n\u00ED Musica enchiriadis. Oba tyto trakt\u00E1ty byly kdysi p\u0159ipisov\u00E1ny Hucbaldovi, tato teorie v\u0161ak ji\u017E nen\u00ED p\u0159ij\u00EDm\u00E1na."@cs . . . "Scolica enchiriadis \u00E9 um tratado an\u00F3nimo de teoria musical do s\u00E9culo IX e um coment\u00E1rio \u00E0 obra Musica enchiriadis. Estes tratados foram uma vez atribu\u00EDdos a Hucbaldo mas actualmente tal n\u00E3o \u00E9 reconhecido. A escala usado no trabalho, baseada num sistema de tetrac\u00F3rdios, parece ter sido criada somente para uso na pr\u00F3pria obra, em vez de ser tirada da actual pr\u00E1tica musical. O tratado tamb\u00E9m usa um muito raro sistema de nota\u00E7\u00E3o, conhecido como . Esta nota\u00E7\u00E3o possui um n\u00FAmero de s\u00EDmbolos que s\u00E3o rodados em 90 graus para representar diferentes sons."@pt . . "Scolica enchiriadis"@pt . . . . . . . . . . . "Scolica enchiriadis is an anonymous ninth-century music theory treatise and commentary on its companion work, the Musica enchiriadis. These treatises were once attributed to Hucbald, but this is no longer accepted. The scale used in the work, which is based on a system of tetrachords, appears to have been created solely for use in the work itself rather than taken from actual musical practice. The treatise also uses a very rare system of notation, known as Daseian notation. This notation has a number of figures which are rotated ninety degrees to represent different pitches."@en . "Scolica nebo t\u00E9\u017E Scholia enchiriadis je anonymn\u00ED hudebn\u011B-teoretick\u00FD trakt\u00E1t z 9. stolet\u00ED zam\u00FD\u0161len\u00FD jako dopl\u0148uj\u00EDc\u00ED v\u00FDklad k pojedn\u00E1n\u00ED Musica enchiriadis. Oba tyto trakt\u00E1ty byly kdysi p\u0159ipisov\u00E1ny Hucbaldovi, tato teorie v\u0161ak ji\u017E nen\u00ED p\u0159ij\u00EDm\u00E1na."@cs . . . . . . . . . . "Scolica enchiriadis"@en . "Scolica enchiriadis \u00E8 un trattato musicale di autore anonimo del IX secolo abbinato a Musica enchiriadis. Questi trattati vennero un tempo attribuiti a Hucbald, gli studiosi per\u00F2 non propendono pi\u00F9 per questa attribuzione."@it . . . . "2993"^^ . . . . . . . . "Scolica enchiriadis"@es . . . . . "Scolica enchiriadis \u00E8 un trattato musicale di autore anonimo del IX secolo abbinato a Musica enchiriadis. Questi trattati vennero un tempo attribuiti a Hucbald, gli studiosi per\u00F2 non propendono pi\u00F9 per questa attribuzione."@it . . . . . . . . . . "Scholia enchiriadis"@cs . . . . . "Scolica enchiriadis \u00E9 um tratado an\u00F3nimo de teoria musical do s\u00E9culo IX e um coment\u00E1rio \u00E0 obra Musica enchiriadis. Estes tratados foram uma vez atribu\u00EDdos a Hucbaldo mas actualmente tal n\u00E3o \u00E9 reconhecido. O Scolica enchiriadis est\u00E1 escrito num di\u00E1logo tripartido, e apesar de ser um coment\u00E1rio ao Musica enchiriadis, \u00E9 quase tr\u00EAs vezes maior que ele. Muita da teoria discutida no tratado \u00E9 em reconhecimento \u00E0s concep\u00E7\u00F5es musicais de Agostinho de Hipona, especialmente \u00E0s suas afirma\u00E7\u00F5es sobre a import\u00E2ncia das matem\u00E1tica para a m\u00FAsica como disciplinas de natureza similar \u00E0s do quadrivium. Sec\u00E7\u00F5es mais adiantadas na obra baseiam-se na teoria musical de Bo\u00E9cio e Cassiodoro, dois autores do per\u00EDodo medieval inicial e cujos trabalhos sobre m\u00FAsica eram muito lidos e circulavam centenas de anos ap\u00F3s suas mortes. O tratado faz uso do monoc\u00F3rdio para explicar rela\u00E7\u00F5es de intervalos. O tratado tamb\u00E9m discute t\u00E9cnica de canto, ornamenta\u00E7\u00E3o de cantoch\u00E3o e a polifonia no estilo do organum. A escala usado no trabalho, baseada num sistema de tetrac\u00F3rdios, parece ter sido criada somente para uso na pr\u00F3pria obra, em vez de ser tirada da actual pr\u00E1tica musical. O tratado tamb\u00E9m usa um muito raro sistema de nota\u00E7\u00E3o, conhecido como . Esta nota\u00E7\u00E3o possui um n\u00FAmero de s\u00EDmbolos que s\u00E3o rodados em 90 graus para representar diferentes sons."@pt . . "1063499254"^^ .