. . . . "Sur incises"@fr . . . . . . . . . . . . . . . "Incises et Sur Incises sont deux compositions de Pierre Boulez."@fr . . . . . . . . . "Incises (1994/2001) and Sur Incises (1996/1998) are two related works of the French composer Pierre Boulez. The pitches of the row used in Incises and Sur Incises are based on the Sacher hexachord, the same as those used in the rows for R\u00E9pons, Messagesquisse, and D\u00E9rive 1."@en . . . . . . . . . . "6585987"^^ . "8676"^^ . . . . . . "1086668689"^^ . . . "[t]he piece is a narration about sound, about the interplay and transformation of the timbres of the pianos, the harps, and the percussion instruments, into one gigantic super-instrument of infinite resonance and reflection. The drama of the music is how Boulez manipulates his musical textures to create moments of stasis and irresistible energy, and everything in between."@en . . . . . . . . . . . . "Incises (1994/2001) and Sur Incises (1996/1998) are two related works of the French composer Pierre Boulez. The pitches of the row used in Incises and Sur Incises are based on the Sacher hexachord, the same as those used in the rows for R\u00E9pons, Messagesquisse, and D\u00E9rive 1."@en . "Incises et Sur Incises sont deux compositions de Pierre Boulez."@fr . . . . . . . . . . . . . . . . . . . . "Incises"@en . . .