. . . "Dorothy Ashby (rodn\u00FDm jm\u00E9nem Dorothy Jeanne Thompson; 6. srpna 1932 Detroit \u2013 13. dubna 1986 Santa Monica) byla americk\u00E1 harfenistka. Od d\u011Btstv\u00ED hr\u00E1la na klav\u00EDr. Sv\u00E9 prvn\u00ED album nazvan\u00E9 The Jazz Harpist vydala v roce 1957 na zna\u010Dce . B\u011Bhem sv\u00E9 kari\u00E9ry spolupracovala s \u0159adou hudebn\u00EDk\u016F, mezi kter\u00E9 pat\u0159\u00ED nap\u0159\u00EDklad Ed Thigpen, Bobby Womack, Frank Wess, Stevie Wonder, Freddie Hubbard nebo Billy Preston. Jej\u00EDm man\u017Eelem byl buben\u00EDk ."@cs . . "\u062F\u0648\u0631\u0648\u062B\u064A \u0623\u0634\u0628\u064A"@ar . . "Dorothy Ashby"@nl . . . . . . . . . . . . . . . . "\u0414\u043E\u0440\u043E\u0442\u0456 \u0415\u0448\u0431\u0456"@uk . . . . . "Dorothy Jeanne Ashby (* 6. August 1932 in Detroit, Michigan als Dorothy Jeanne Thompson; \u2020 13. April 1986 in Santa Monica, Kalifornien) war eine US-amerikanische Jazz-Harfenistin und Komponistin. Sie z\u00E4hlt zu den wenigen Harfenistinnen des Modern Jazz, insbesondere des Bebop. Das New Groove Dictionary of Jazz h\u00E4lt sie f\u00FCr die einzig wichtige Harfenistin des Bop. Zwar gab es schon vor Ashby Jazzharfenisten wie Adele Girard, doch brachte sie den spezifischen Klang der Harfe erfolgreicher in den Modern Jazz ein, als ihre Vorg\u00E4nger. Sie experimentierte auch schon mit gitarrenartigen elektrisch verst\u00E4rkten Sounds und beeinflusste damit sp\u00E4tere Harfenisten wie Deborah Henson-Conant, Andreas Vollenweider und Carol Robbins."@de . . . . . . . . . . . . . . . "Dorothy Jeanne Thompson (6 de agosto de 1930 - 13 de abril de 1986), mais conhecida como Dorothy Ashby, foi uma harpista e compositora norte-americana de jazz. Saudada como uma das jazzistas mais injustamente subestimadas dos anos 50, e ao mesmo tempo como a harpista de jazz moderno mais talentosa e realizada de sua \u00E9poca, Dorothy Ashby utilizou a harpa como um instrumento de improvisa\u00E7\u00E3o no jazz, al\u00E9m do uso ordin\u00E1rio como uma novidade ou instrumento participante do plano de fundo de uma orquestra. Dessa forma, provou que a harpa poderia tocar o bebop t\u00E3o habilmente quanto outros instrumentos geralmente associados ao jazz, como o piano e o saxofone."@pt . . "Dorothy Jeanne Thompson (Detroit, 6 de agosto de 1932 - Santa M\u00F3nica, California, 13 de abril de 1986) m\u00E1s conocida como Dorothy Ashby, fue una arpista y compositora de jazz estadounidense.\u200B Ashby extendi\u00F3 la popularizaci\u00F3n del arpa en el jazz, demostrando que el instrumento pod\u00EDa ser utilizado para el bebop en la misma medida que el saxof\u00F3n. Aunque sus discos eran de jazz, a menudo viraba tambi\u00E9n hacia el R&B y otros g\u00E9neros, particularmente en su disco de 1970 The Rubaiyat of Dorothy Ashby, donde demostr\u00F3 su talento con el koto, un instrumento japon\u00E9s que tambi\u00E9n integr\u00F3 con \u00E9xito en el jazz."@es . . . . . . . . . . . . . . . "1124865103"^^ . "Dorothy Jeanne Thompson"@en . "\u062F\u0648\u0631\u0648\u062B\u064A \u0623\u0634\u0628\u064A (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Dorothy Ashby)\u200F \u0647\u064A \u0639\u0627\u0632\u0641\u0629 \u0627\u0644\u062C\u0627\u0632 \u0648\u0645\u0644\u062D\u0646\u0629 \u0648\u0643\u0627\u062A\u0628\u0629 \u063A\u0646\u0627\u0626\u064A\u0629 \u0623\u0645\u0631\u064A\u0643\u064A\u0629\u060C \u0648\u0644\u062F\u062A \u0641\u064A 6 \u0623\u063A\u0633\u0637\u0633 1932 \u0641\u064A \u062F\u064A\u062A\u0631\u0648\u064A\u062A \u0641\u064A \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629\u060C \u0648\u062A\u0648\u0641\u064A\u062A \u0641\u064A 13 \u0623\u0628\u0631\u064A\u0644 1986 \u0641\u064A \u0633\u0627\u0646\u062A\u0627 \u0645\u0648\u0646\u064A\u0643\u0627 \u0641\u064A \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629 \u0628\u0633\u0628\u0628 \u0633\u0631\u0637\u0627\u0646."@ar . . . . . "\u062F\u0648\u0631\u0648\u062B\u064A \u0623\u0634\u0628\u064A (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Dorothy Ashby)\u200F \u0647\u064A \u0639\u0627\u0632\u0641\u0629 \u0627\u0644\u062C\u0627\u0632 \u0648\u0645\u0644\u062D\u0646\u0629 \u0648\u0643\u0627\u062A\u0628\u0629 \u063A\u0646\u0627\u0626\u064A\u0629 \u0623\u0645\u0631\u064A\u0643\u064A\u0629\u060C \u0648\u0644\u062F\u062A \u0641\u064A 6 \u0623\u063A\u0633\u0637\u0633 1932 \u0641\u064A \u062F\u064A\u062A\u0631\u0648\u064A\u062A \u0641\u064A \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629\u060C \u0648\u062A\u0648\u0641\u064A\u062A \u0641\u064A 13 \u0623\u0628\u0631\u064A\u0644 1986 \u0641\u064A \u0633\u0627\u0646\u062A\u0627 \u0645\u0648\u0646\u064A\u0643\u0627 \u0641\u064A \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629 \u0628\u0633\u0628\u0628 \u0633\u0631\u0637\u0627\u0646."@ar . . . . . . . . . . "Dorothy Ashby"@sv . . . . . . . . . . . . . . . . "Musician"@en . . . "1986-04-13"^^ . . "17796"^^ . . . . . . . . . "2269540"^^ . . . "\u0414\u043E\u0301\u0440\u043E\u0442\u0456 \u0414\u0436\u0438\u043D \u0415\u0301\u0448\u0431\u0456 (\u0430\u043D\u0433\u043B. Dorothy Jeanne Ashby), \u0443\u0440\u043E\u0434\u0436\u0435\u043D\u0430 \u0422\u043E\u0301\u043C\u043F\u0441\u043E\u043D (\u0430\u043D\u0433\u043B. Thompson; 6 \u0441\u0435\u0440\u043F\u043D\u044F 1932, \u0414\u0435\u0442\u0440\u043E\u0439\u0442, \u041C\u0456\u0447\u0438\u0433\u0430\u043D \u2014 13 \u043A\u0432\u0456\u0442\u043D\u044F 1986, \u0421\u0430\u043D\u0442\u0430-\u041C\u043E\u043D\u0456\u043A\u0430, \u041A\u0430\u043B\u0456\u0444\u043E\u0440\u043D\u0456\u044F) \u2014 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u0430 \u0434\u0436\u0430\u0437\u043E\u0432\u0430 \u0430\u0440\u0444\u0456\u0441\u0442\u043A\u0430 \u0456 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u043A\u0430."@uk . "Dorothy Ashby"@en . . . . . "Dorothy Ashby (rodn\u00FDm jm\u00E9nem Dorothy Jeanne Thompson; 6. srpna 1932 Detroit \u2013 13. dubna 1986 Santa Monica) byla americk\u00E1 harfenistka. Od d\u011Btstv\u00ED hr\u00E1la na klav\u00EDr. Sv\u00E9 prvn\u00ED album nazvan\u00E9 The Jazz Harpist vydala v roce 1957 na zna\u010Dce . B\u011Bhem sv\u00E9 kari\u00E9ry spolupracovala s \u0159adou hudebn\u00EDk\u016F, mezi kter\u00E9 pat\u0159\u00ED nap\u0159\u00EDklad Ed Thigpen, Bobby Womack, Frank Wess, Stevie Wonder, Freddie Hubbard nebo Billy Preston. Jej\u00EDm man\u017Eelem byl buben\u00EDk ."@cs . . . "Harp, piano, vocals koto"@en . . . . . . . "Dorothy Jeanne Thompson (August 6, 1932 \u2013 April 13, 1986), better known as Dorothy Ashby, was an American jazz harpist, singer and composer. Hailed as one of the most \"unjustly under loved jazz greats of the 1950s\" and the \"most accomplished modern jazz harpist,\" Ashby established the harp as an improvising jazz instrument, beyond earlier use as a novelty or background orchestral instrument, proving the harp could play bebop as adeptly as the instruments commonly associated with jazz, such as the saxophone or piano."@en . . . "Dorothy Jeanne Thompson"@en . . . . . . "Dorothy Ashby, f\u00F6dd 6 augusti 1932 i Detroit Michigan d\u00F6d 13 april 1986 i Santa Monica Kalifornien, var en amerikansk komposit\u00F6r och jazzmusiker (harpa)."@sv . . . "Dorothy Jeanne Thompson (6 de agosto de 1930 - 13 de abril de 1986), mais conhecida como Dorothy Ashby, foi uma harpista e compositora norte-americana de jazz. Saudada como uma das jazzistas mais injustamente subestimadas dos anos 50, e ao mesmo tempo como a harpista de jazz moderno mais talentosa e realizada de sua \u00E9poca, Dorothy Ashby utilizou a harpa como um instrumento de improvisa\u00E7\u00E3o no jazz, al\u00E9m do uso ordin\u00E1rio como uma novidade ou instrumento participante do plano de fundo de uma orquestra. Dessa forma, provou que a harpa poderia tocar o bebop t\u00E3o habilmente quanto outros instrumentos geralmente associados ao jazz, como o piano e o saxofone. Ashby superou muitos obst\u00E1culos durante sua trajet\u00F3ria de carreira. Enquanto musicista negra em uma industria dominada por homens, ela estava em desvantagem. Em 1983, em uma entrevista com o historiador , para seu livro Living the Jazz Life, ela comentou o seguinte sobre sua carreira: \"Talvez tenha sido uma carga tripla j\u00E1 que poucas mulheres s\u00E3o conhecidas como jazzistas. Tem ainda a conex\u00E3o com mulheres negras. O p\u00FAblico que eu estava tentando atingir n\u00E3o estava interessado em harpa, ponto final - cl\u00E1ssico ou n\u00E3o - e eles certamente n\u00E3o estavam interessados em ver uma mulher negra tocando harpa.\" Ashby desviou com \u00EAxito por essas desvantagens, e posteriormente pode auxiliar na amplia\u00E7\u00E3o dos ouvintes e apreciadores de harpa, e na no\u00E7\u00E3o do que a harpa poderia ser capaz de produzir enquanto instrumento. Os discos de Dorothy Ashby eram do g\u00EAnero de Jazz, mas muitas vezes s\u00E3o compreendidos como R&B, ou World music, e outros estilos, especialmente The Rubaiyat, seu \u00E1lbum de 1970, em que demonstra seu talento em outro instrumento, o Koto, integrando-o triunfantemente ao jazz."@pt . . . . . . . . . "Dorothy Jeanne Thompson (Detroit, 6 de agosto de 1932 - Santa M\u00F3nica, California, 13 de abril de 1986) m\u00E1s conocida como Dorothy Ashby, fue una arpista y compositora de jazz estadounidense.\u200B Ashby extendi\u00F3 la popularizaci\u00F3n del arpa en el jazz, demostrando que el instrumento pod\u00EDa ser utilizado para el bebop en la misma medida que el saxof\u00F3n. Aunque sus discos eran de jazz, a menudo viraba tambi\u00E9n hacia el R&B y otros g\u00E9neros, particularmente en su disco de 1970 The Rubaiyat of Dorothy Ashby, donde demostr\u00F3 su talento con el koto, un instrumento japon\u00E9s que tambi\u00E9n integr\u00F3 con \u00E9xito en el jazz."@es . . . . . . . . . . . . . . . "\u30C9\u30ED\u30B7\u30FC\u30FB\u30A2\u30B7\u30E5\u30D3\u30FC"@ja . . "1932-08-06"^^ . . . . . . . "1986-04-13"^^ . "Dorothy Jeanne Ashby, geboren als Dorothy Jeanne Thompson (Detroit (Michigan), 6 augustus 1932 \u2013 Santa Monica (Californi\u00EB), 13 april 1986), was een Amerikaanse jazzharpiste en componiste van de modernjazz en de bop."@nl . . . . . . . . . . . . . "Dorothy Jeanne Thompson (August 6, 1932 \u2013 April 13, 1986), better known as Dorothy Ashby, was an American jazz harpist, singer and composer. Hailed as one of the most \"unjustly under loved jazz greats of the 1950s\" and the \"most accomplished modern jazz harpist,\" Ashby established the harp as an improvising jazz instrument, beyond earlier use as a novelty or background orchestral instrument, proving the harp could play bebop as adeptly as the instruments commonly associated with jazz, such as the saxophone or piano. Ashby had to overcome many obstacles during the pursuit of her career. As an African American female musician in a male dominated industry, she was at a disadvantage. In a 1983 interview with W. Royal Stokes for his book Living the Jazz Life, she remarked of her career, \"It's been maybe a triple burden in that not a lot of women are becoming known as jazz players. There is also the connection with black women. The audiences I was trying to reach were not interested in the harp, period\u2014classical or otherwise\u2014and they were certainly not interested in seeing a black woman playing the harp.\" Ashby successfully navigated these disadvantages, and subsequently aided in the expansion of who was listening to harp music and what the harp was deemed capable of producing as an instrument. Ashby's albums were of the jazz genre, but often moved into R&B, world music, and other styles, especially her 1970 album The Rubaiyat of Dorothy Ashby, where she demonstrates her talents on another instrument, the Japanese koto, successfully integrating it into jazz."@en . . . . "Dorothy Jeanne Ashby, geboren als Dorothy Jeanne Thompson (Detroit (Michigan), 6 augustus 1932 \u2013 Santa Monica (Californi\u00EB), 13 april 1986), was een Amerikaanse jazzharpiste en componiste van de modernjazz en de bop."@nl . . . . . . . . . . "Dorothy Ashby"@pt . . . . . . "Dorothy Ashby"@es . . . "Santa Monica, California"@en . "Detroit, Michigan, U.S."@en . . . . . . . . . "1932-08-06"^^ . "Dorothy Ashby est une harpiste et compositrice de jazz am\u00E9ricaine. Avec Alice Coltrane, Dorothy Ashby a popularis\u00E9 l'usage de la harpe dans le jazz, prouvant que cet instrument pouvait convenir au bebop aussi bien que le saxophone. Bien que principalement jazz-woman, elle a int\u00E9gr\u00E9 le rhythm and blues ou la World music, principalement durant les ann\u00E9es 1970, comme sur l'album The Rubaiyat of Dorothy Ashby, sur lequel elle d\u00E9montre \u00E9galement sa ma\u00EEtrise du Koto."@fr . . . . . . . . . . . "Dorothy Ashby"@cs . . "Dorothy Ashby"@en . . . . . . "Dorothy Ashby"@en . . . . . . "\u30C9\u30ED\u30B7\u30FC\u30FB\u30A2\u30B7\u30E5\u30D3\u30FC\uFF08\u82F1\u8A9E: Dorothy Ashby\u30011932\u5E748\u67086\u65E5 \u2013 1986\u5E744\u670813\u65E5\uFF09 \u306F\u3001\u30A2\u30E1\u30EA\u30AB\u306E\u30B8\u30E3\u30BA\u30FB\u30CF\u30FC\u30D4\u30B9\u30C8\u3001\u30D0\u30F3\u30C9\u30FB\u30EA\u30FC\u30C0\u30FC\u517C\u4F5C\u66F2\u5BB6\u3002\u30B8\u30E3\u30BA\u30FB\u30AE\u30BF\u30EA\u30B9\u30C8\u306E\u7236\u30A6\u30A3\u30EA\u30FC\u30FB\u30C8\u30F3\u30D7\u30BD\u30F3\u306E\u5A18\u3068\u3057\u3066\u3001\u30DF\u30B7\u30AC\u30F3\u5DDE\u30C7\u30C8\u30ED\u30A4\u30C8\u306B\u30C9\u30ED\u30B7\u30FC\u30FB\u30B8\u30E3\u30F3\u30CC\u30FB\u30C8\u30F3\u30D7\u30BD\u30F3\u3068\u3057\u3066\u751F\u307E\u308C\u305F\u3002\u592B\u306F\u30B8\u30E3\u30BA\u30FB\u30C9\u30E9\u30DE\u30FC\u306E\u30B8\u30E7\u30F3\u30FB\u30C8\u30F3\u30D7\u30BD\u30F3\u3067\u3042\u308B\u3002\u4EE3\u8868\u7684\u306A\u30A2\u30EB\u30D0\u30E0\u306B\u306F\u300E\u300F\u3084\u300E\u300F\u304C\u6319\u3052\u3089\u308C\u3001\u5F8C\u8005\u306B\u304A\u3044\u3066\u306F\u7B8F\u3082\u6F14\u594F\u3057\u3066\u3044\u308B\u3002"@ja . "Dorothy Ashby"@fr . . . . . . "Dorothy Ashby, f\u00F6dd 6 augusti 1932 i Detroit Michigan d\u00F6d 13 april 1986 i Santa Monica Kalifornien, var en amerikansk komposit\u00F6r och jazzmusiker (harpa)."@sv . . . "Dorothy Ashby est une harpiste et compositrice de jazz am\u00E9ricaine. Avec Alice Coltrane, Dorothy Ashby a popularis\u00E9 l'usage de la harpe dans le jazz, prouvant que cet instrument pouvait convenir au bebop aussi bien que le saxophone. Bien que principalement jazz-woman, elle a int\u00E9gr\u00E9 le rhythm and blues ou la World music, principalement durant les ann\u00E9es 1970, comme sur l'album The Rubaiyat of Dorothy Ashby, sur lequel elle d\u00E9montre \u00E9galement sa ma\u00EEtrise du Koto."@fr . . . . "Dorothy Ashby"@de . . . "Dorothy Jeanne Ashby (* 6. August 1932 in Detroit, Michigan als Dorothy Jeanne Thompson; \u2020 13. April 1986 in Santa Monica, Kalifornien) war eine US-amerikanische Jazz-Harfenistin und Komponistin. Sie z\u00E4hlt zu den wenigen Harfenistinnen des Modern Jazz, insbesondere des Bebop. Das New Groove Dictionary of Jazz h\u00E4lt sie f\u00FCr die einzig wichtige Harfenistin des Bop. Zwar gab es schon vor Ashby Jazzharfenisten wie Adele Girard, doch brachte sie den spezifischen Klang der Harfe erfolgreicher in den Modern Jazz ein, als ihre Vorg\u00E4nger. Sie experimentierte auch schon mit gitarrenartigen elektrisch verst\u00E4rkten Sounds und beeinflusste damit sp\u00E4tere Harfenisten wie Deborah Henson-Conant, Andreas Vollenweider und Carol Robbins."@de . . . . . . . . . "\u30C9\u30ED\u30B7\u30FC\u30FB\u30A2\u30B7\u30E5\u30D3\u30FC\uFF08\u82F1\u8A9E: Dorothy Ashby\u30011932\u5E748\u67086\u65E5 \u2013 1986\u5E744\u670813\u65E5\uFF09 \u306F\u3001\u30A2\u30E1\u30EA\u30AB\u306E\u30B8\u30E3\u30BA\u30FB\u30CF\u30FC\u30D4\u30B9\u30C8\u3001\u30D0\u30F3\u30C9\u30FB\u30EA\u30FC\u30C0\u30FC\u517C\u4F5C\u66F2\u5BB6\u3002\u30B8\u30E3\u30BA\u30FB\u30AE\u30BF\u30EA\u30B9\u30C8\u306E\u7236\u30A6\u30A3\u30EA\u30FC\u30FB\u30C8\u30F3\u30D7\u30BD\u30F3\u306E\u5A18\u3068\u3057\u3066\u3001\u30DF\u30B7\u30AC\u30F3\u5DDE\u30C7\u30C8\u30ED\u30A4\u30C8\u306B\u30C9\u30ED\u30B7\u30FC\u30FB\u30B8\u30E3\u30F3\u30CC\u30FB\u30C8\u30F3\u30D7\u30BD\u30F3\u3068\u3057\u3066\u751F\u307E\u308C\u305F\u3002\u592B\u306F\u30B8\u30E3\u30BA\u30FB\u30C9\u30E9\u30DE\u30FC\u306E\u30B8\u30E7\u30F3\u30FB\u30C8\u30F3\u30D7\u30BD\u30F3\u3067\u3042\u308B\u3002\u4EE3\u8868\u7684\u306A\u30A2\u30EB\u30D0\u30E0\u306B\u306F\u300E\u300F\u3084\u300E\u300F\u304C\u6319\u3052\u3089\u308C\u3001\u5F8C\u8005\u306B\u304A\u3044\u3066\u306F\u7B8F\u3082\u6F14\u594F\u3057\u3066\u3044\u308B\u3002"@ja . . . . . . . "\u0414\u043E\u0301\u0440\u043E\u0442\u0456 \u0414\u0436\u0438\u043D \u0415\u0301\u0448\u0431\u0456 (\u0430\u043D\u0433\u043B. Dorothy Jeanne Ashby), \u0443\u0440\u043E\u0434\u0436\u0435\u043D\u0430 \u0422\u043E\u0301\u043C\u043F\u0441\u043E\u043D (\u0430\u043D\u0433\u043B. Thompson; 6 \u0441\u0435\u0440\u043F\u043D\u044F 1932, \u0414\u0435\u0442\u0440\u043E\u0439\u0442, \u041C\u0456\u0447\u0438\u0433\u0430\u043D \u2014 13 \u043A\u0432\u0456\u0442\u043D\u044F 1986, \u0421\u0430\u043D\u0442\u0430-\u041C\u043E\u043D\u0456\u043A\u0430, \u041A\u0430\u043B\u0456\u0444\u043E\u0440\u043D\u0456\u044F) \u2014 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u0430 \u0434\u0436\u0430\u0437\u043E\u0432\u0430 \u0430\u0440\u0444\u0456\u0441\u0442\u043A\u0430 \u0456 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u043A\u0430."@uk . . . . . . .