. . . . . . . . "The diminished seventh chord is a four-note chord (a seventh chord) composed of a root note, together with a minor third, a diminished fifth, and a diminished seventh above the root: (1, \u266D3, \u266D5, 7). For example, the diminished seventh chord built on C, commonly written as Co7, has pitches C\u2013E\u266D\u2013G\u266D\u2013B (A\u266E): Audio playback is not supported in your browser. You can . As such, a diminished seventh chord comprises a diminished triad plus a diminished seventh. Because of this, it can also be viewed as four notes all stacked in intervals of a minor third and can be represented by the integer notation {0, 3, 6, 9}. Since a diminished seventh interval is enharmonically equivalent to a major sixth, the chord is enharmonically equivalent to (1, \u266D3, \u266D5, \u266E6). The diminished seventh chord occurs as a leading-tone seventh chord in the harmonic minor scale. It typically has dominant function and contains two diminished fifths, which often resolve inwards. In most sheet music books, the notation Cdim or Co denotes a diminished seventh chord with root C; but it may also happen, mostly in modern jazz books and some music theory literature, that Cdim or Co denotes a diminished triad (more commonly denoted Cm\u266D5), while Cdim7 or Co7 in these books denotes a diminished seventh chord (corresponding to Cm6\u266D5). Fran\u00E7ois-Joseph F\u00E9tis tuned the chord 10:12:14:17 (17-limit tuning)."@en . . "805374"^^ . . . . . . . . . . "Zmen\u0161en\u00FD septakord"@cs . "300"^^ . . "\u6E1B\u4E03\u306E\u548C\u97F3\uFF08\u3052\u3093\u3057\u3061\u306E\u308F\u304A\u3093\uFF09\u306F\u3001\u548C\u97F3\u306E\u4E00\u7A2E\u3067\u3042\u308B\u3002\u5C5E\u4E03\u306E\u548C\u97F3\u306E\u6839\u97F3\u4EE5\u5916\u306E\u97F3\u3092\u30D5\u30E9\u30C3\u30C8\u3055\u305B\u305F\u30B3\u30FC\u30C9\u3002\u30DD\u30D4\u30E5\u30E9\u30FC\u97F3\u697D\u3067\u306F\u82F1\u8A9E\u540D\u306E\u30C7\u30A3\u30DF\u30CB\u30C3\u30B7\u30E5\u30FB\u30BB\u30D6\u30F3\u30B9\u30FB\u30B3\u30FC\u30C9\u3001\u30C7\u30A3\u30DF\u30CB\u30C3\u30B7\u30E5\u30FB\u30B3\u30FC\u30C9\u3001\u30C7\u30A3\u30DF\u30CB\u30C3\u30B7\u30E5\u306E\u5B8C\u5168\u5F62\u3068\u3082\u547C\u3070\u308C\u308B\u3002"@ja . . "\u0417\u043C\u0435\u043D\u0448\u0435\u043D\u0438\u0439 \u0441\u0435\u043F\u0442\u0430\u043A\u043E\u0440\u0434 \u2015 \u0430\u043A\u043E\u0440\u0434, \u0449\u043E \u0441\u043A\u043B\u0430\u0434\u0430\u0454\u0442\u044C\u0441\u044F \u0437 \u0442\u0440\u044C\u043E\u0445 \u043C\u0430\u043B\u0438\u0445 \u0442\u0435\u0440\u0446\u0456\u0439 \u0456 \u0443\u0442\u0432\u043E\u0440\u044E\u0454 \u0437\u043C\u0435\u043D\u0448\u0435\u043D\u0443 \u0441\u0435\u043F\u0442\u0438\u043C\u0443 \u043C\u0456\u0436 \u043D\u0438\u0436\u043D\u0456\u043C \u0442\u0430 \u0432\u0435\u0440\u0445\u043D\u0456\u043C \u0437\u0432\u0443\u043A\u0430\u043C\u0438. \u0417\u043C\u0435\u043D\u0448\u0435\u043D\u0438\u0439 \u0441\u0435\u043F\u0442\u0430\u043A\u043E\u0440\u0434 \u0454 \u0445\u0440\u043E\u043C\u0430\u0442\u0438\u0447\u043D\u0438\u043C \u0430\u043A\u043E\u0440\u0434\u043E\u043C, \u043E\u0441\u043A\u0456\u043B\u044C\u043A\u0438 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u0445\u0440\u043E\u043C\u0430\u0442\u0438\u0447\u043D\u0456 \u0456\u043D\u0442\u0435\u0440\u0432\u0430\u043B\u0438. \u0423\u0441\u0456 \u0439\u043E\u0433\u043E \u043E\u0431\u0435\u0440\u043D\u0435\u043D\u043D\u044F \u0437\u0432\u0443\u0447\u0430\u0442\u044C \u043E\u0434\u043D\u0430\u043A\u043E\u0432\u043E, \u0437\u0430\u0432\u0434\u044F\u043A\u0438 \u0447\u043E\u043C\u0443 \u0432\u0456\u043D \u0447\u0430\u0441\u0442\u043E \u0432\u0438\u043A\u043E\u0440\u0438\u0441\u0442\u043E\u0432\u0443\u0454\u0442\u044C\u0441\u044F \u044F\u043A \u0437\u0430\u0441\u0456\u0431 \u0435\u043D\u0433\u0430\u0440\u043C\u043E\u043D\u0456\u0447\u043D\u043E\u0457 \u043C\u043E\u0434\u0443\u043B\u044F\u0446\u0456\u0457."@uk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "1098124272"^^ . . . . . . . . . . "\u0417\u043C\u0435\u043D\u0448\u0435\u043D\u0438\u0439 \u0441\u0435\u043F\u0442\u0430\u043A\u043E\u0440\u0434 \u2015 \u0430\u043A\u043E\u0440\u0434, \u0449\u043E \u0441\u043A\u043B\u0430\u0434\u0430\u0454\u0442\u044C\u0441\u044F \u0437 \u0442\u0440\u044C\u043E\u0445 \u043C\u0430\u043B\u0438\u0445 \u0442\u0435\u0440\u0446\u0456\u0439 \u0456 \u0443\u0442\u0432\u043E\u0440\u044E\u0454 \u0437\u043C\u0435\u043D\u0448\u0435\u043D\u0443 \u0441\u0435\u043F\u0442\u0438\u043C\u0443 \u043C\u0456\u0436 \u043D\u0438\u0436\u043D\u0456\u043C \u0442\u0430 \u0432\u0435\u0440\u0445\u043D\u0456\u043C \u0437\u0432\u0443\u043A\u0430\u043C\u0438. \u0417\u043C\u0435\u043D\u0448\u0435\u043D\u0438\u0439 \u0441\u0435\u043F\u0442\u0430\u043A\u043E\u0440\u0434 \u0454 \u0445\u0440\u043E\u043C\u0430\u0442\u0438\u0447\u043D\u0438\u043C \u0430\u043A\u043E\u0440\u0434\u043E\u043C, \u043E\u0441\u043A\u0456\u043B\u044C\u043A\u0438 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u0445\u0440\u043E\u043C\u0430\u0442\u0438\u0447\u043D\u0456 \u0456\u043D\u0442\u0435\u0440\u0432\u0430\u043B\u0438. \u0423\u0441\u0456 \u0439\u043E\u0433\u043E \u043E\u0431\u0435\u0440\u043D\u0435\u043D\u043D\u044F \u0437\u0432\u0443\u0447\u0430\u0442\u044C \u043E\u0434\u043D\u0430\u043A\u043E\u0432\u043E, \u0437\u0430\u0432\u0434\u044F\u043A\u0438 \u0447\u043E\u043C\u0443 \u0432\u0456\u043D \u0447\u0430\u0441\u0442\u043E \u0432\u0438\u043A\u043E\u0440\u0438\u0441\u0442\u043E\u0432\u0443\u0454\u0442\u044C\u0441\u044F \u044F\u043A \u0437\u0430\u0441\u0456\u0431 \u0435\u043D\u0433\u0430\u0440\u043C\u043E\u043D\u0456\u0447\u043D\u043E\u0457 \u043C\u043E\u0434\u0443\u043B\u044F\u0446\u0456\u0457."@uk . . . "\u0423\u043C\u0435\u043D\u044C\u0448\u0451\u043D\u043D\u044B\u0439 \u0441\u0435\u043F\u0442\u0430\u043A\u043A\u043E\u0440\u0434"@ru . "\uAC107\uD654\uC74C(Diminished 7th Chord)\uC774\uB780 \uADFC\uC74C\uC73C\uB85C\uBD80\uD130 \uB2E83\uB3C4, \uAC105\uB3C4, \uAC107\uB3C4\uB97C \uC313\uC544 \uB9CC\uB4E0 4\uD654\uC74C\uC774\uB2E4. \uAE30\uD638\uB85C\uB294 \u25CBdim7\uC73C\uB85C \uD45C\uC2DC\uD55C\uB2E4. (\u25CB\uC740 \uADFC\uC74C\uC744 \uC758\uBBF8)"@ko . "L'acord musical de s\u00E8ptima disminu\u00EFda \u00E9s un acord de 4 notes diferents que, normalment, se situa sobre el VII grau de l'escala diat\u00F2nica. Es pot considerar dins la fam\u00EDlia dels acords de dominant, ja que \u00E9s una expansi\u00F3 del V grau de dominant. Cadascuna de les 4 notes pot actuar de sensible, per tant, si es vol, l'acord pot resoldre a una de les respectives 4 t\u00F2niques diferents. L'acord de s\u00E8ptima disminu\u00EFda no \u00E9s pas un acord diat\u00F2nic (ja que la s\u00E8ptima nota no \u00E9s diat\u00F2nica). Les seves 4 notes estan separades entre elles a dist\u00E0ncia d'un to i mig (incl\u00FAs l'\u00FAltima 4a nota, est\u00E0 separada de la 1a tamb\u00E9 per un to i mig), aix\u00ED doncs \u00E9s un acord sim\u00E8tric. Exemples:"@ca . . . . "Diminished seventh chord"@en . "\uAC107\uD654\uC74C"@ko . . "{\n \\new PianoStaff <<\n \\new Staff <<\n \\relative c' {\n \\tempo \"Tempo di Valse\"\n \\clef treble \\key d \\major \\time 3/4\n \\override DynamicText.X-offset = #-4\n \\once \\override DynamicLineSpanner.staff-padding = #3\n 4--\\f -- -- 2->\\sf 4-- 2.~ 8 r r4 r\n }\n >>\n \\new Staff <<\n \\new Voice \\relative c {\n \\clef bass \\key d \\major \\time 3/4\n 4--_\\markup { \\concat { \"V\" \\hspace #10 \"\u266Fvi\" \\raise #1 \\small \"o\" \\combine \\raise #1 \\small 4 \\lower #1 \\small 2 \\hspace #1 \"V\" } } -- -- 2-> 4-- 2.~ 8 r r4 r\n }\n >>\n >> }"@en . . . . . "Zmen\u0161en\u00FD septakord je pojem z oboru hudebn\u00ED teorie ozna\u010Duj\u00EDc\u00ED jeden z m\u00E9n\u011B frekventovan\u00FDch typ\u016F \u010Dty\u0159zvuku \u2013 septakordu. Jedn\u00E1 se o akord obsahuj\u00EDc\u00ED krom\u011B sv\u00E9ho z\u00E1kladn\u00EDho t\u00F3nu je\u0161t\u011B malou tercii, zmen\u0161enou kvintu a zmen\u0161enou septimu. Z hlediska terciov\u00E9ho syst\u00E9mu je zmen\u0161en\u00FD septakord roz\u0161\u00ED\u0159en\u00EDm zmen\u0161en\u00E9ho kvintakordu (o malou tercii). Povahou se jedn\u00E1 o disonantn\u00ED akord p\u016Fsob\u00ED velmi melancholick\u00FDm, t\u00EDsniv\u00FDm dojmem."@cs . "\u6E1B\u4E03\u306E\u548C\u97F3"@ja . . . . . . . . . . "\u0417\u043C\u0435\u043D\u0448\u0435\u043D\u0438\u0439 \u0441\u0435\u043F\u0442\u0430\u043A\u043E\u0440\u0434"@uk . . . . . "\u6E1B\u4E03\u306E\u548C\u97F3\uFF08\u3052\u3093\u3057\u3061\u306E\u308F\u304A\u3093\uFF09\u306F\u3001\u548C\u97F3\u306E\u4E00\u7A2E\u3067\u3042\u308B\u3002\u5C5E\u4E03\u306E\u548C\u97F3\u306E\u6839\u97F3\u4EE5\u5916\u306E\u97F3\u3092\u30D5\u30E9\u30C3\u30C8\u3055\u305B\u305F\u30B3\u30FC\u30C9\u3002\u30DD\u30D4\u30E5\u30E9\u30FC\u97F3\u697D\u3067\u306F\u82F1\u8A9E\u540D\u306E\u30C7\u30A3\u30DF\u30CB\u30C3\u30B7\u30E5\u30FB\u30BB\u30D6\u30F3\u30B9\u30FB\u30B3\u30FC\u30C9\u3001\u30C7\u30A3\u30DF\u30CB\u30C3\u30B7\u30E5\u30FB\u30B3\u30FC\u30C9\u3001\u30C7\u30A3\u30DF\u30CB\u30C3\u30B7\u30E5\u306E\u5B8C\u5168\u5F62\u3068\u3082\u547C\u3070\u308C\u308B\u3002"@ja . . . "8"^^ . "L'acord musical de s\u00E8ptima disminu\u00EFda \u00E9s un acord de 4 notes diferents que, normalment, se situa sobre el VII grau de l'escala diat\u00F2nica. Es pot considerar dins la fam\u00EDlia dels acords de dominant, ja que \u00E9s una expansi\u00F3 del V grau de dominant. Cadascuna de les 4 notes pot actuar de sensible, per tant, si es vol, l'acord pot resoldre a una de les respectives 4 t\u00F2niques diferents. L'acord de s\u00E8ptima disminu\u00EFda no \u00E9s pas un acord diat\u00F2nic (ja que la s\u00E8ptima nota no \u00E9s diat\u00F2nica). Les seves 4 notes estan separades entre elles a dist\u00E0ncia d'un to i mig (incl\u00FAs l'\u00FAltima 4a nota, est\u00E0 separada de la 1a tamb\u00E9 per un to i mig), aix\u00ED doncs \u00E9s un acord sim\u00E8tric. Exemples: \n* do - mi bemoll - sol bemoll - si doble bemoll \n* si - re - fa - la bemoll \n* mi - sol - si bemoll - re bemoll \n* re# - fa# - la - do Vist des d'un altre punt de vista, l'acord de s\u00E8ptima disminu\u00EFda, est\u00E0 format per dos tr\u00EDtons superposats. Exemple: \n* do i sol bemoll (1r tr\u00EDton) + mi bemoll i si doble bemoll (2n tr\u00EDton) \n* si i fa (1r tr\u00EDton) + re i la bemoll (2n tr\u00EDton) \n* mi i si bemoll (1r tr\u00EDton) + sol i re bemoll (2n tr\u00EDton) \n* re# i la (1r tr\u00EDton) + fa# i do (2n tr\u00EDton) \n*"@ca . . . . . . . . . . . . "Example in the Waltz of the Flowers"@en . . . . . . . . . "\uAC107\uD654\uC74C(Diminished 7th Chord)\uC774\uB780 \uADFC\uC74C\uC73C\uB85C\uBD80\uD130 \uB2E83\uB3C4, \uAC105\uB3C4, \uAC107\uB3C4\uB97C \uC313\uC544 \uB9CC\uB4E0 4\uD654\uC74C\uC774\uB2E4. \uAE30\uD638\uB85C\uB294 \u25CBdim7\uC73C\uB85C \uD45C\uC2DC\uD55C\uB2E4. (\u25CB\uC740 \uADFC\uC74C\uC744 \uC758\uBBF8)"@ko . . "Acord de s\u00E8ptima disminu\u00EFda"@ca . . . . . . . . . . . . . "125"^^ . . . . . . . . . . . . "The diminished seventh chord is a four-note chord (a seventh chord) composed of a root note, together with a minor third, a diminished fifth, and a diminished seventh above the root: (1, \u266D3, \u266D5, 7). For example, the diminished seventh chord built on C, commonly written as Co7, has pitches C\u2013E\u266D\u2013G\u266D\u2013B (A\u266E): Audio playback is not supported in your browser. You can . Since a diminished seventh interval is enharmonically equivalent to a major sixth, the chord is enharmonically equivalent to (1, \u266D3, \u266D5, \u266E6). Fran\u00E7ois-Joseph F\u00E9tis tuned the chord 10:12:14:17 (17-limit tuning)."@en . . . . . . . . "diminished seventh"@en . . . . . . . "{\n\\override Score.TimeSignature #'stencil = ##f\n\\relative c' {\n \\clef treble \\key c \\major\n 1\n} }\n\n\n\n {\n\\override Score.TimeSignature #'stencil = ##f\n\\relative c' {\n \\clef treble \\key c \\major \n \\once \\override NoteHead.color = #red des8 \\once \\override NoteHead.color = #blue es \\once \\override NoteHead.color = #red e! \\once \\override NoteHead.color = #blue fis \\once \\override NoteHead.color = #red g \\once \\override NoteHead.color = #blue a \\once \\override NoteHead.color = #red bes \\once \\override NoteHead.color = #blue c\n} }"@en . "\u0423\u043C\u0435\u043D\u044C\u0448\u0451\u043D\u043D\u044B\u0439 \u0441\u0435\u043F\u0442\u0430\u043A\u043A\u043E\u0301\u0440\u0434 \u2015 \u0441\u0435\u043F\u0442\u0430\u043A\u043A\u043E\u0440\u0434, \u0441\u043E\u0434\u0435\u0440\u0436\u0430\u0449\u0438\u0439 \u0432 \u0442\u0435\u0441\u043D\u043E\u043C \u0440\u0430\u0441\u043F\u043E\u043B\u043E\u0436\u0435\u043D\u0438\u0438 (\u0442\u043E \u0435\u0441\u0442\u044C \u0431\u0443\u0434\u0443\u0447\u0438 \u0440\u0430\u0441\u043F\u043E\u043B\u043E\u0436\u0435\u043D \u043F\u043E \u0442\u0435\u0440\u0446\u0438\u044F\u043C) \u0443\u043C\u0435\u043D\u044C\u0448\u0451\u043D\u043D\u043E\u0435 \u0442\u0440\u0435\u0437\u0432\u0443\u0447\u0438\u0435 \u0432 \u043E\u0441\u043D\u043E\u0432\u0430\u043D\u0438\u0438 \u0438 \u0443\u043C\u0435\u043D\u044C\u0448\u0451\u043D\u043D\u0443\u044E \u0441\u0435\u043F\u0442\u0438\u043C\u0443 \u043C\u0435\u0436\u0434\u0443 \u043A\u0440\u0430\u0439\u043D\u0438\u043C\u0438 \u0437\u0432\u0443\u043A\u0430\u043C\u0438 (\u043D\u0430\u043F\u0440\u0438\u043C\u0435\u0440: \u0441\u0438\u2015\u0440\u0435\u2015\u0444\u0430\u2015\u043B\u044F\u266D), \u0438\u043B\u0438, \u0438\u043D\u0430\u0447\u0435, \u0442\u0440\u0438 \u043C\u0430\u043B\u044B\u0435 \u0442\u0435\u0440\u0446\u0438\u0438, \u0434\u0432\u0435 \u0443\u043C\u0435\u043D\u044C\u0448\u0451\u043D\u043D\u044B\u0435 \u043A\u0432\u0438\u043D\u0442\u044B, \u0434\u0432\u0430 \u0443\u043C\u0435\u043D\u044C\u0448\u0451\u043D\u043D\u044B\u0445 \u0442\u0440\u0435\u0437\u0432\u0443\u0447\u0438\u044F. \u0423\u043C\u0435\u043D\u044C\u0448\u0451\u043D\u043D\u044B\u0439 \u0441\u0435\u043F\u0442\u0430\u043A\u043A\u043E\u0440\u0434 \u043F\u0440\u0438\u043D\u0430\u0434\u043B\u0435\u0436\u0438\u0442 \u043A \u0447\u0438\u0441\u043B\u0443 \u0445\u0440\u043E\u043C\u0430\u0442\u0438\u0447\u0435\u0441\u043A\u0438\u0445 \u0430\u043A\u043A\u043E\u0440\u0434\u043E\u0432, \u043F\u043E\u0441\u043A\u043E\u043B\u044C\u043A\u0443 \u0441\u043E\u0434\u0435\u0440\u0436\u0438\u0442 \u0445\u0440\u043E\u043C\u0430\u0442\u0438\u0447\u0435\u0441\u043A\u0438\u0435 \u0438\u043D\u0442\u0435\u0440\u0432\u0430\u043B\u044B. \u0412\u0441\u0435 \u0435\u0433\u043E \u043E\u0431\u0440\u0430\u0449\u0435\u043D\u0438\u044F \u043F\u043E \u0438\u043D\u0442\u0435\u0440\u0432\u0430\u043B\u044C\u043D\u043E\u043C\u0443 \u0441\u043E\u0441\u0442\u0430\u0432\u0443 \u0440\u0430\u0432\u043D\u044B \u0434\u0440\u0443\u0433 \u0434\u0440\u0443\u0433\u0443, \u0431\u043B\u0430\u0433\u043E\u0434\u0430\u0440\u044F \u0447\u0435\u043C\u0443 \u043E\u043D \u0447\u0430\u0441\u0442\u043E \u0438\u0441\u043F\u043E\u043B\u044C\u0437\u0443\u0435\u0442\u0441\u044F \u043A\u0430\u043A \u0441\u0440\u0435\u0434\u0441\u0442\u0432\u043E \u044D\u043D\u0433\u0430\u0440\u043C\u043E\u043D\u0438\u0447\u0435\u0441\u043A\u043E\u0439 \u043C\u043E\u0434\u0443\u043B\u044F\u0446\u0438\u0438."@ru . . . . "Zmen\u0161en\u00FD septakord je pojem z oboru hudebn\u00ED teorie ozna\u010Duj\u00EDc\u00ED jeden z m\u00E9n\u011B frekventovan\u00FDch typ\u016F \u010Dty\u0159zvuku \u2013 septakordu. Jedn\u00E1 se o akord obsahuj\u00EDc\u00ED krom\u011B sv\u00E9ho z\u00E1kladn\u00EDho t\u00F3nu je\u0161t\u011B malou tercii, zmen\u0161enou kvintu a zmen\u0161enou septimu. Z hlediska terciov\u00E9ho syst\u00E9mu je zmen\u0161en\u00FD septakord roz\u0161\u00ED\u0159en\u00EDm zmen\u0161en\u00E9ho kvintakordu (o malou tercii). Povahou se jedn\u00E1 o disonantn\u00ED akord p\u016Fsob\u00ED velmi melancholick\u00FDm, t\u00EDsniv\u00FDm dojmem."@cs . . . . . . . . . "\u0423\u043C\u0435\u043D\u044C\u0448\u0451\u043D\u043D\u044B\u0439 \u0441\u0435\u043F\u0442\u0430\u043A\u043A\u043E\u0301\u0440\u0434 \u2015 \u0441\u0435\u043F\u0442\u0430\u043A\u043A\u043E\u0440\u0434, \u0441\u043E\u0434\u0435\u0440\u0436\u0430\u0449\u0438\u0439 \u0432 \u0442\u0435\u0441\u043D\u043E\u043C \u0440\u0430\u0441\u043F\u043E\u043B\u043E\u0436\u0435\u043D\u0438\u0438 (\u0442\u043E \u0435\u0441\u0442\u044C \u0431\u0443\u0434\u0443\u0447\u0438 \u0440\u0430\u0441\u043F\u043E\u043B\u043E\u0436\u0435\u043D \u043F\u043E \u0442\u0435\u0440\u0446\u0438\u044F\u043C) \u0443\u043C\u0435\u043D\u044C\u0448\u0451\u043D\u043D\u043E\u0435 \u0442\u0440\u0435\u0437\u0432\u0443\u0447\u0438\u0435 \u0432 \u043E\u0441\u043D\u043E\u0432\u0430\u043D\u0438\u0438 \u0438 \u0443\u043C\u0435\u043D\u044C\u0448\u0451\u043D\u043D\u0443\u044E \u0441\u0435\u043F\u0442\u0438\u043C\u0443 \u043C\u0435\u0436\u0434\u0443 \u043A\u0440\u0430\u0439\u043D\u0438\u043C\u0438 \u0437\u0432\u0443\u043A\u0430\u043C\u0438 (\u043D\u0430\u043F\u0440\u0438\u043C\u0435\u0440: \u0441\u0438\u2015\u0440\u0435\u2015\u0444\u0430\u2015\u043B\u044F\u266D), \u0438\u043B\u0438, \u0438\u043D\u0430\u0447\u0435, \u0442\u0440\u0438 \u043C\u0430\u043B\u044B\u0435 \u0442\u0435\u0440\u0446\u0438\u0438, \u0434\u0432\u0435 \u0443\u043C\u0435\u043D\u044C\u0448\u0451\u043D\u043D\u044B\u0435 \u043A\u0432\u0438\u043D\u0442\u044B, \u0434\u0432\u0430 \u0443\u043C\u0435\u043D\u044C\u0448\u0451\u043D\u043D\u044B\u0445 \u0442\u0440\u0435\u0437\u0432\u0443\u0447\u0438\u044F. \u0423\u043C\u0435\u043D\u044C\u0448\u0451\u043D\u043D\u044B\u0439 \u0441\u0435\u043F\u0442\u0430\u043A\u043A\u043E\u0440\u0434 \u043F\u0440\u0438\u043D\u0430\u0434\u043B\u0435\u0436\u0438\u0442 \u043A \u0447\u0438\u0441\u043B\u0443 \u0445\u0440\u043E\u043C\u0430\u0442\u0438\u0447\u0435\u0441\u043A\u0438\u0445 \u0430\u043A\u043A\u043E\u0440\u0434\u043E\u0432, \u043F\u043E\u0441\u043A\u043E\u043B\u044C\u043A\u0443 \u0441\u043E\u0434\u0435\u0440\u0436\u0438\u0442 \u0445\u0440\u043E\u043C\u0430\u0442\u0438\u0447\u0435\u0441\u043A\u0438\u0435 \u0438\u043D\u0442\u0435\u0440\u0432\u0430\u043B\u044B. \u0412\u0441\u0435 \u0435\u0433\u043E \u043E\u0431\u0440\u0430\u0449\u0435\u043D\u0438\u044F \u043F\u043E \u0438\u043D\u0442\u0435\u0440\u0432\u0430\u043B\u044C\u043D\u043E\u043C\u0443 \u0441\u043E\u0441\u0442\u0430\u0432\u0443 \u0440\u0430\u0432\u043D\u044B \u0434\u0440\u0443\u0433 \u0434\u0440\u0443\u0433\u0443, \u0431\u043B\u0430\u0433\u043E\u0434\u0430\u0440\u044F \u0447\u0435\u043C\u0443 \u043E\u043D \u0447\u0430\u0441\u0442\u043E \u0438\u0441\u043F\u043E\u043B\u044C\u0437\u0443\u0435\u0442\u0441\u044F \u043A\u0430\u043A \u0441\u0440\u0435\u0434\u0441\u0442\u0432\u043E \u044D\u043D\u0433\u0430\u0440\u043C\u043E\u043D\u0438\u0447\u0435\u0441\u043A\u043E\u0439 \u043C\u043E\u0434\u0443\u043B\u044F\u0446\u0438\u0438."@ru . "4"^^ . . "Verminderter Septakkord"@de . . "35292"^^ . . . . . . . . . "Two diminished seventh chords in the octatonic scale may be rearranged as the alpha chord"@en . . .