"Concertato \u00E9s un terme de la m\u00FAsica del Barroc primerenc que fa refer\u00E8ncia a qualsevol g\u00E8nere o estil de m\u00FAsica en qu\u00E8 grups d'instruments o veus comparteixen una melodia, normalment en alternan\u00E7a, i gaireb\u00E9 sempre sobre un baix continu. El terme deriva del concerto itali\u00E0 que significa \"jugant junts\" \u2014per aix\u00F2 concertato significa \"en l'estil del concerto\". En \u00FAs contemporani, el terme \u00E9s gaireb\u00E9 sempre utilitzat com un adjectiu, per exemple \"tres peces del conjunt s\u00F3n en estil concertato\"."@ca . "Na m\u00FAsica dram\u00E1tica, concertato ou pezzo concertato \u00E9 um termo italiano que designa um trecho de \u00F3pera no qual os personagens principais e o coro entrela\u00E7am suas linhas vocais em forma polif\u00F4nica. O termo tamb\u00E9m pode se referir ao stile concertato, caracter\u00EDstico sobretudo da m\u00FAsica lit\u00FArgica barroca italiana e alem\u00E3 da primeira metade do s\u00E9culo XVII. A palavra deriva de concerto, que, em italiano, significa 'conson\u00E2ncia de vozes e instrumentos musicais'. Assim, concertato pode ser traduzido como '\u00E0 maneira de um concerto'."@pt . . . "Si definisce concertato (o pezzo concertato) la parte di un'opera lirica in cui i personaggi e il coro intrecciano le loro linee vocali in forma polifonica. Sin dal Settecento, i concertati dell'opera italiana si collocano di preferenza nei finali d'atto intermedi, pi\u00F9 raramente a fine quadro o alla fine dell'opera. In origine si articolano in pi\u00F9 sezioni, che nelle opere italiane del primo Ottocento seguono la struttura nota alla musicologia come \"solita forma\": un tempo d'attacco seguito da un largo (o cantabile), un tempo di mezzo e una stretta (vedi cabaletta)."@it . . . "Concertato"@fr . "\u30B3\u30F3\u30C1\u30A7\u30EB\u30BF\u30FC\u30C8"@ja . . "4168"^^ . . . . "Concertato \u00E9s un terme de la m\u00FAsica del Barroc primerenc que fa refer\u00E8ncia a qualsevol g\u00E8nere o estil de m\u00FAsica en qu\u00E8 grups d'instruments o veus comparteixen una melodia, normalment en alternan\u00E7a, i gaireb\u00E9 sempre sobre un baix continu. El terme deriva del concerto itali\u00E0 que significa \"jugant junts\" \u2014per aix\u00F2 concertato significa \"en l'estil del concerto\". En \u00FAs contemporani, el terme \u00E9s gaireb\u00E9 sempre utilitzat com un adjectiu, per exemple \"tres peces del conjunt s\u00F3n en estil concertato\". Encara que molt simplificadament, es pot definir una \u00FAtil distinci\u00F3 entre ambd\u00F3s termes: concertato i concerto. L'estil concertato implica contrast entre grups oposats de veus i grups d'instruments; l'estil del concerto, que va evolucionar cap al concerto grosso, implica contrast entre grans i petits grups de composici\u00F3 similar (m\u00E9s endavant anomenats \"ripieno i \"concertino\"). L'estil es va desenvolupar dins de Ven\u00E8cia al segle xvi tard\u00E0, principalment a trav\u00E9s de la feina d'Andrea i Giovanni Gabrieli, qui treballava en l'espai ac\u00FAstic \u00FAnic de la Bas\u00EDlica de Sant Marc. Diferents cors o agrupacions instrumentals ocupaven posicions a trav\u00E9s de la bas\u00EDlica: a causa del retard de so d'un costat a l'altre en l'espai gran i \"ac\u00FAsticament\" viu, un perfecte un\u00EDson era dif\u00EDcil d'aconseguir, i els compositors van trobar que una m\u00FAsica fant\u00E0sticament efica\u00E7 podria ser composta amb els cors que cantessin al voltant, en stereo, tot acompanyats per orgue o altres grups d'instruments situats de manera que poguessin escoltar cada grup igual de b\u00E9. La m\u00FAsica escrita va ser interpretada en qualsevol altre lloc, i les composicions en el nou estil \"concertato\" van esdevenir r\u00E0pidament populars arreu d'europa (primer al nord d'It\u00E0lia, despr\u00E9s a Alemanya i la resta d'It\u00E0lia, i despr\u00E9s, gradualment a altres parts del continent). Un altre terme emprat per aquest antifonal \u00FAs dels cors a la bas\u00EDlica de Sant Marc de Ven\u00E8cia, foren els cori spezzati. Vegeu tamb\u00E9 l'estil policoral veneci\u00E0 i l'escola veneciana. A principis del segle xvii, gaireb\u00E9 tota m\u00FAsica amb veus i baix continu va ser anomenada un concert, encara que aquest \u00FAs del terme \u00E9s considerablement diferent del significat m\u00E9s modern (un o pocs m\u00E9s instruments acompanyats per una orquestra). Sovint, la m\u00FAsica sacra a l'estil concertato de principis del segle xvii provenia del motet: els textos que cent anys abans haurien estat compostos per veus a cappella en una polifonia llisa, ara podien ser compostos per veus i insturments en estil concertato. Aquestes peces, ja no sempre anomenades motets, van adquirir una gran varietat de noms incloent concert, Salm (si el text era un salm), sinfonia, o symphoniae (per exemple a les col\u00B7leccions de Symphoniae Sacrae de Heinrich Sch\u00FCtz). L'estil concertato va fer possible la composici\u00F3 de m\u00FAsica extremadament dram\u00E0tica, una de les innovacions caracter\u00EDstiques del Barroc primerenc."@ca . . "Le concertato (ou encore stile concertato) est une forme musicale apparue au tout d\u00E9but de l'\u00E9poque baroque. Elle est caract\u00E9ris\u00E9e par le fait que plusieurs groupes vocaux ou instrumentaux se partagent une m\u00E9lodie, g\u00E9n\u00E9ralement en alternance, et toujours accompagn\u00E9e d'une basse continue. Le terme vient de l'italien concerto, qui signifie \u00AB jouer ensemble \u00BB. On emploie aussi ce terme pour d\u00E9crire une \u0153uvre musicale, dont la structure rappelle le concertato des premiers compositeurs baroques, on parle alors de \u00AB stile concertato \u00BB."@fr . "Concertato is a term in early Baroque music referring to either a genre or a style of music in which groups of instruments or voices share a melody, usually in alternation, and almost always over a basso continuo. The term derives from Italian concerto which means \"playing together\"\u2014hence concertato means \"in the style of a concerto.\" In contemporary usage, the term is almost always used as an adjective, for example \"three pieces from the set are in concertato style.\" A somewhat oversimplified, but useful distinction between concertato and concerto can be made: the concertato style involves contrast between opposing groups of voices and groups of instruments: the concerto style, especially as it developed into the concerto grosso later in the Baroque, involves contrast between large and small groups of similar composition (later called \"ripieno\" and \"concertino\"). The style developed in Venice in the late 16th century, mainly through the work of Andrea and Giovanni Gabrieli, who were working in the unique acoustical space of St. Mark's Basilica. Different choirs or instrumental groupings occupied positions across the basilica from each other: because of the sound delay from one side to the other in the large and acoustically \"live\" space, a perfect unison was difficult, and composers found that a fantastically effective music could be composed with the choirs singing across to each other, in stereo as it were; all accompanied by organ or other groups of instruments placed in such a way that they could hear each group equally well. Music written there was quickly performed elsewhere, and compositions in the new \"concertato\" style quickly became popular elsewhere in Europe (first in northern Italy, then in Germany and the rest of Italy, and then gradually in other parts of the continent). Another term sometimes used for this antiphonal use of the choirs in St. Mark's was cori spezzati. See also Venetian polychoral style and Venetian School. In the early 17th century, almost all music with voices and basso continuo was called a concerto, though this use of the term is considerably different from the more modern meaning (a solo instrument or instruments accompanied by an orchestra). Often, sacred music in the concertato style in the early 17th century was descended from the motet: the texts that a hundred years earlier would have been set for a cappella voices singing in smooth polyphony, would now be set for voices and instruments in a concertato style. These pieces, no longer always called motets, were given a variety of names including concerto, Psalm (if a psalm setting), sinfonia, or symphoniae (for example in Heinrich Sch\u00FCtz's three books of Symphoniae sacrae). The concertato style made possible the composition of extremely dramatic music, one of the characteristic innovations of the early Baroque."@en . . "\u30B3\u30F3\u30C1\u30A7\u30EB\u30BF\u30FC\u30C8\uFF08\u30A4\u30BF\u30EA\u30A2\u8A9E: concertato\uFF09\u3001\u30B3\u30F3\u30C1\u30A7\u30EB\u30BF\u30FC\u30C8\u69D8\u5F0F\u306A\u3044\u3057\u306F\u30B9\u30C6\u30A3\u30FC\u30EC\u30FB\u30B3\u30F3\u30C1\u30A7\u30EB\u30BF\u30FC\u30C8\uFF08\u30A4\u30BF\u30EA\u30A2\u8A9E: stile concertato\uFF09\u306F\u3001\u901A\u594F\u4F4E\u97F3\u306E\u4E0A\u3067\u3001\u5668\u697D\u30B0\u30EB\u30FC\u30D7\u307E\u305F\u306F\u58F0\u697D\u30B0\u30EB\u30FC\u30D7\u304C\u4E00\u3064\u306E\u65CB\u5F8B\u3092\u5171\u6709\u3057\u3066\u3001\u305F\u3044\u3066\u3044\u4EA4\u4E92\u306B\u594F\u3067\u308B\uFF08\u6B4C\u3046\uFF09\u3088\u3046\u306A\u6F14\u594F\u69D8\u5F0F\u307E\u305F\u306F\u66F2\u7A2E\u306E\u3053\u3068\u3002\u30A4\u30BF\u30EA\u30A2\u8A9E\u306E\u30B3\u30F3\u30C1\u30A7\u30EB\u30C8\uFF08\u5354\u6F14\uFF09\u306E\u6D3E\u751F\u8A9E\u3067\u3042\u308A\u3001\u672C\u6765\u306F\u300C\u30B3\u30F3\u30C1\u30A7\u30EB\u30C8\u98A8\u306B\u300D\u300C\u5354\u6F14\u3059\u308B\u65B9\u5F0F\u3067\u300D\u307B\u3069\u306E\u610F\u5473\u3067\u3042\u3063\u305F\u3002\u30B3\u30F3\u30C1\u30A7\u30EB\u30BF\u30FC\u30C8\u3068\u3044\u3046\u7528\u8A9E\u306F\u3001\u307B\u3068\u3093\u3069\u6C7A\u307E\u3063\u3066\u5F62\u5BB9\u8A5E\u7684\u306B\u4F7F\u308F\u308C\u308B\u3002 \u3044\u304F\u3076\u3093\u5358\u7D14\u5316\u3057\u3059\u304E\u3067\u306F\u3042\u308B\u304C\u300C\u30B3\u30F3\u30C1\u30A7\u30EB\u30BF\u30FC\u30C8\uFF63\u3068\u300C\u30B3\u30F3\u30C1\u30A7\u30EB\u30C8\u300D\u3092\u5206\u304B\u308A\u3084\u3059\u304F\u533A\u5225\u3059\u308B\u3068\u3001\u30B3\u30F3\u30C1\u30A7\u30EB\u30BF\u30FC\u30C8\u69D8\u5F0F\u306F\u3001\u58F0\u697D\u30B0\u30EB\u30FC\u30D7\u3068\u5668\u697D\u30B0\u30EB\u30FC\u30D7\u306E\u5BFE\u6BD4\u304C\u542B\u307E\u308C\u308B\u306E\u306B\u5BFE\u3057\u3066\u3001\u30B3\u30F3\u30C1\u30A7\u30EB\u30C8\u69D8\u5F0F\u306F\u3001\u3068\u308A\u308F\u3051\u76DB\u671F\u30D0\u30ED\u30C3\u30AF\u97F3\u697D\u3067\u5C55\u958B\u3055\u308C\u305F\u5408\u594F\u5354\u594F\u66F2\u306E\u5834\u5408\u306B\u898B\u3089\u308C\u308B\u3088\u3046\u306B\u3001\u5927\u96C6\u56E3\uFF08\u30EA\u30D4\u30A8\u30FC\u30CE\uFF09\u3068\u5C0F\u96C6\u56E3\uFF08\u30B3\u30F3\u30C1\u30A7\u30EB\u30C6\u30A3\u30FC\u30CE\uFF09\u306E\u5BFE\u6BD4\u304C\u542B\u307E\u308C\u3066\u3044\u308B\u3002 \u30F4\u30A7\u30CD\u30C4\u30A3\u30A2\u3067\u4F5C\u66F2\u3055\u308C\u305F\u697D\u66F2\u306F\u3001\u3059\u3050\u3055\u307E\u305D\u306E\u4ED6\u5404\u5730\u3067\u6F14\u594F\u3055\u308C\u305F\u305F\u3081\u3001\u65B0\u305F\u306A\u300C\u30B3\u30F3\u30C1\u30A7\u30EB\u30BF\u30FC\u30C8\u300D\u69D8\u5F0F\u306F\u6025\u901F\u306B\u30E8\u30FC\u30ED\u30C3\u30D1\u5404\u5730\u306B\uFF08\u6700\u521D\u306B\u5317\u90E8\u30A4\u30BF\u30EA\u30A2\u3067\u3001\u6B21\u3044\u3067\u30C9\u30A4\u30C4\u3068\u4E2D\u90E8\u30FB\u5357\u90E8\u306E\u30A4\u30BF\u30EA\u30A2\u3067\u3001\u305D\u306E\u5F8C\u306F\u5F90\u3005\u306B\u6B8B\u308A\u306E\u30E8\u30FC\u30ED\u30C3\u30D1\u5927\u9678\u306B\uFF09\u6D78\u900F\u3057\u305F\u3002 \u30B3\u30F3\u30C1\u30A7\u30EB\u30BF\u30FC\u30C8\u69D8\u5F0F\u306F\u3001\u304D\u308F\u3081\u3066\u5287\u7684\u306A\u97F3\u697D\u306E\u4F5C\u66F2\u3092\u53EF\u80FD\u306B\u3059\u308B\u305F\u3081\u3001\u521D\u671F\u30D0\u30ED\u30C3\u30AF\u97F3\u697D\u306E\u7279\u5FB4\u3042\u308B\u65B0\u6A5F\u8EF8\u306E\u3072\u3068\u3064\u3068\u306A\u3063\u305F\u3002"@ja . . . . . . "Le concertato (ou encore stile concertato) est une forme musicale apparue au tout d\u00E9but de l'\u00E9poque baroque. Elle est caract\u00E9ris\u00E9e par le fait que plusieurs groupes vocaux ou instrumentaux se partagent une m\u00E9lodie, g\u00E9n\u00E9ralement en alternance, et toujours accompagn\u00E9e d'une basse continue. Le terme vient de l'italien concerto, qui signifie \u00AB jouer ensemble \u00BB. On emploie aussi ce terme pour d\u00E9crire une \u0153uvre musicale, dont la structure rappelle le concertato des premiers compositeurs baroques, on parle alors de \u00AB stile concertato \u00BB. Le concertato s'est d\u00E9velopp\u00E9 \u00E0 Venise \u00E0 la fin du XVIe, et est g\u00E9n\u00E9ralement associ\u00E9 \u00E0 Giovanni Gabrieli et \u00E0 la basilique Saint-Marc. En effet, c'est dans ce lieu que le chant antiphonique (ou encore la \u00AB polychoralit\u00E9 \u00BB, en italien cori spezzatti qui signifie \u00AB ch\u0153urs bris\u00E9s \u00BB) se d\u00E9veloppa d\u00E8s la fin de la Renaissance (via l'\u00E9cole v\u00E9nitienne), en raison de la particularit\u00E9 architecturale de la basilique, pr\u00E9sentant un grand nombre de petits balcons et surtout deux galeries se faisant face de part et d'autre de la nef centrale et qui obligeaient les ch\u0153urs \u00E0 se s\u00E9parer en plusieurs groupes. C'est de cette contrainte, qui complexifiait, par exemple, l'ex\u00E9cution d'unissons parfaits, qu'est issu le concertato, puisque les compositeurs, tels Gabrieli, ont commenc\u00E9 \u00E0 chercher une nouvelle mani\u00E8re d'occuper l'espace sonore de mani\u00E8re \u00E9quitable, tout en distribuant les voix \u00E0 plusieurs groupes (avec ou sans l'orgue). Les innovations des auteurs \u00E9tant tr\u00E8s r\u00E9guli\u00E8rement pr\u00E9sent\u00E9es au public, le concertato devint rapidement populaire dans tout le Nord de l'Italie, puis en Allemagne, dans toute l'Italie, et s'\u00E9tendit bient\u00F4t \u00E0 toute l'Europe de l'Ouest. Il est \u00E0 l'origine de la plupart des nouvelles formes musicales qui lui succ\u00E9d\u00E8rent, tels le concerto, la symphonie, ou encore le motet baroque et la cantate."@fr . . . . . "Concertato (it., av lat. concertare, samverka) \u00E4r en term inom den tidiga barockmusiken f\u00F6r en genre eller musikstil d\u00E4r grupper av musikinstrument eller r\u00F6ster delar melodi. Begreppet h\u00E4rstammar fr\u00E5n den italienska 1800-talsoperan. Hos Bellini, Rossini, Donizetti och Verdi motsvarade concertato oftast aktfinalen."@sv . . . . "Concertato is a term in early Baroque music referring to either a genre or a style of music in which groups of instruments or voices share a melody, usually in alternation, and almost always over a basso continuo. The term derives from Italian concerto which means \"playing together\"\u2014hence concertato means \"in the style of a concerto.\" In contemporary usage, the term is almost always used as an adjective, for example \"three pieces from the set are in concertato style.\""@en . . . "Concertato"@en . . . "Concertato"@pt . . "Si definisce concertato (o pezzo concertato) la parte di un'opera lirica in cui i personaggi e il coro intrecciano le loro linee vocali in forma polifonica. Sin dal Settecento, i concertati dell'opera italiana si collocano di preferenza nei finali d'atto intermedi, pi\u00F9 raramente a fine quadro o alla fine dell'opera. In origine si articolano in pi\u00F9 sezioni, che nelle opere italiane del primo Ottocento seguono la struttura nota alla musicologia come \"solita forma\": un tempo d'attacco seguito da un largo (o cantabile), un tempo di mezzo e una stretta (vedi cabaletta). Nella musica vocale, ma soprattutto strumentale del periodo barocco, il concertato barocco fu la prassi esecutiva che prevedeva giochi di opposizione e contesa (in latino concertare) o di legame e unit\u00E0 (conserere) fra le parti o voci di un concerto, e in particolare del concerto grosso. Tale tradizione fu molto cara alla scuola polifonica veneziana."@it . . . . "Concertato"@ca . . . . . . . "Stile concertato oder konzertierender Stil ist ein Begriff in der Musik des Fr\u00FChbarock, der sich entweder auf eine Gattung oder einen Musikstil bezieht, bei dem sich Gruppen von Instrumenten oder Stimmen eine Melodie teilen, meist im Wechsel und \u00FCblicherweise \u00FCber einem Basso Continuo.Der Begriff leitet sich vom italienischen concertare ab, das \u201Ezusammen spielen\u201C bedeutet \u2013 wobei Concertato \u201Eim Stil eines Konzerts\u201C bedeutet."@de . "1114939758"^^ . . . . "Stile concertato oder konzertierender Stil ist ein Begriff in der Musik des Fr\u00FChbarock, der sich entweder auf eine Gattung oder einen Musikstil bezieht, bei dem sich Gruppen von Instrumenten oder Stimmen eine Melodie teilen, meist im Wechsel und \u00FCblicherweise \u00FCber einem Basso Continuo.Der Begriff leitet sich vom italienischen concertare ab, das \u201Ezusammen spielen\u201C bedeutet \u2013 wobei Concertato \u201Eim Stil eines Konzerts\u201C bedeutet. Eine etwas vereinfachte, aber n\u00FCtzliche Unterscheidung zwischen Concertato und Concerto kann getroffen werden: Der Concertato-Stil beinhaltet den Kontrast zwischen gegens\u00E4tzlichen Gruppen von Stimmen und Gruppen von Instrumenten. Der Concerto-Stil, besonders als er sich sp\u00E4ter im Barock zum Concerto grosso entwickelte, beinhaltet den Kontrast zwischen gro\u00DFen und kleinen Gruppen \u00E4hnlicher Zusammensetzung (sp\u00E4ter ripieno und concertino genannt)."@de . "802072"^^ . . . . . . . . . . . "Na m\u00FAsica dram\u00E1tica, concertato ou pezzo concertato \u00E9 um termo italiano que designa um trecho de \u00F3pera no qual os personagens principais e o coro entrela\u00E7am suas linhas vocais em forma polif\u00F4nica. O termo tamb\u00E9m pode se referir ao stile concertato, caracter\u00EDstico sobretudo da m\u00FAsica lit\u00FArgica barroca italiana e alem\u00E3 da primeira metade do s\u00E9culo XVII. A palavra deriva de concerto, que, em italiano, significa 'conson\u00E2ncia de vozes e instrumentos musicais'. Assim, concertato pode ser traduzido como '\u00E0 maneira de um concerto'. Na m\u00FAsica barroca produzida entre o fim do s\u00E9culo XVI e o in\u00EDcio do XVIII, concertato era um estilo musical em que grupos de instrumentos ou vozes dividiam a mesma melodia, normalmente alternando-se, sobre um baixo cont\u00EDnuo. Geralmente, tratava-se de composi\u00E7\u00F5es polif\u00F4nicas. No melodramma (ou drama cantado, ou seja, aquilo que viria a ser chamado de \u00F3pera) do s\u00E9culo XVIII, o pezzo concertato indicava uma cena ou parte de uma cena (geralmente no final de um ato) em que os cantos de v\u00E1rios personagens se entrela\u00E7avam num conjunto polif\u00F4nico. Os pezzi concertati da \u00F3pera italiana eram colocados, preferencialmente, no final do ato intermedi\u00E1rio ou, mais raramente, no fim de um quadro ou no final da \u00F3pera. Nesse per\u00EDodo, os concertati eram divididos em um n\u00FAmero de se\u00E7\u00F5es maior do que o das \u00F3peras italianas do in\u00EDcio do s\u00E9culo XIX. Estas seguiam a estrutura conhecida, em musicologia, como ('forma usual'), sobretudo com refer\u00EAncia aos duetos, isto \u00E9: um tempo d'attacco seguido de um movimento lento (largo ou cantabile), um tempo di mezzo e um movimento final mais veloz (stretto ou cabaletta). O car\u00E1ter din\u00E2mico do tempo d'attacco e do tempo di mezzo, de maior carga dramat\u00FArgica, alterna-se com o car\u00E1ter \"est\u00E1tico\" do cantabile e da cabaletta, momentos em que emergem as paix\u00F5es e a psicologia dos personagens. Cada cena evolui gradualmente, desde o momento l\u00EDrico-est\u00E1tico de abertura at\u00E9 o desfecho final, adicionando-se gradualmente personagens e complexidade \u00E0 trama. Uma distin\u00E7\u00E3o simplificada, mas bastante \u00FAtil, entre concertato e concerto \u00E9 a seguinte: o estilo concertato envolve contraste entre grupos oponentes de vozes e grupos de instrumentos; j\u00E1 o estilo concerto, sobretudo pelo modo como evolui no Barroco tardio (concerto grosso), envolve o contraste entre pequenos e grandes grupos de composi\u00E7\u00E3o similar, chamados de concertino (pequeno grupo de instrumentos solistas) e (o restante da orquestra)."@pt . 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Concertato \u3084\u300C\u30E9\u30EB\u30B4\u30FB\u30B3\u30F3\u30C1\u30A7\u30EB\u30BF\u30FC\u30C8\u300DLargo Concertato \u3068\u306E\u547C\u79F0\u304C\u3042\u308B\u3002"@ja . "Concertato (it., av lat. concertare, samverka) \u00E4r en term inom den tidiga barockmusiken f\u00F6r en genre eller musikstil d\u00E4r grupper av musikinstrument eller r\u00F6ster delar melodi. Begreppet h\u00E4rstammar fr\u00E5n den italienska 1800-talsoperan. Hos Bellini, Rossini, Donizetti och Verdi motsvarade concertato oftast aktfinalen."@sv . . . "Concertato"@sv . "Concertato"@it . . . . . . . . . . . "Stile concertato"@de . . . .