"Attila \u00E9s una \u00F2pera en tres actes amb m\u00FAsica de Giuseppe Verdi i llibret de Temistocle Solera, basat en la pe\u00E7a teatral Attila, K\u00F6nig Der Hunnen de Zacharias Werner. Va ser estrenada el 17 de mar\u00E7 de 1846 en el Teatro La Fenice de Ven\u00E8cia. Es tracta d'una \u00F2pera composta en l'\u00E8poca verdiana \"de galeres\", urgent, r\u00E0pida, juvenil. \u00C9s una de les caracteritzades per tints patri\u00F2tics i que van donar fama a Verdi com a compositor pol\u00EDtic. Per\u00F2 a banda del tema patri\u00F2tic, els personatges tenen perfils psicol\u00F2gics interessants, com el mateix \u00C0tila, que \u00E9s molt m\u00E9s que un malvat a l'\u00FAs."@ca . . . . . . . "Attila"@pt . . . . . "Attila est un op\u00E9ra en un prologue et trois actes de Giuseppe Verdi, sur un livret de Temistocle Solera tir\u00E9 de la trag\u00E9die de Zacharias Werner, Attila, K\u00F6nig der Hunnen, et cr\u00E9\u00E9 au Teatro la Fenice de Venise le 17 mars 1846."@fr . . "Attila (opera)"@sv . . . . . . . . . . "\u0410\u0442\u0442\u0438\u0301\u043B\u0430 (\u0438\u0442\u0430\u043B. Attila) \u2014 \u043E\u043F\u0435\u0440\u0430 \u0414\u0436\u0443\u0437\u0435\u043F\u043F\u0435 \u0412\u0435\u0440\u0434\u0438 \u0432 \u0442\u0440\u0451\u0445 \u0430\u043A\u0442\u0430\u0445 \u0441 \u043F\u0440\u043E\u043B\u043E\u0433\u043E\u043C \u043D\u0430 \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u043E\u0435 \u043B\u0438\u0431\u0440\u0435\u0442\u0442\u043E \u0422\u0435\u043C\u0438\u0441\u0442\u043E\u043A\u043B\u0435 \u0421\u043E\u043B\u0435\u0440\u0430, \u043E\u0441\u043D\u043E\u0432\u0430\u043D\u043D\u043E\u043C \u043D\u0430 \u043F\u044C\u0435\u0441\u0435 \u043D\u0435\u043C\u0435\u0446\u043A\u043E\u0433\u043E \u0434\u0440\u0430\u043C\u0430\u0442\u0443\u0440\u0433\u0430 \u0417\u0430\u0445\u0430\u0440\u0438\u0430\u0441\u0430 \u0412\u0435\u0440\u043D\u0435\u0440\u0430 \u00AB\u0410\u0442\u0442\u0438\u043B\u0430, \u043A\u043E\u0440\u043E\u043B\u044C \u0433\u0443\u043D\u043D\u043E\u0432\u00BB. \u041F\u0440\u0435\u043C\u044C\u0435\u0440\u0430 \u043E\u043F\u0435\u0440\u044B \u0441\u043E\u0441\u0442\u043E\u044F\u043B\u0430\u0441\u044C 17 \u043C\u0430\u0440\u0442\u0430 1846 \u0433\u043E\u0434\u0430 \u0432 \u0442\u0435\u0430\u0442\u0440\u0435 \u041B\u0430 \u0424\u0435\u043D\u0438\u0447\u0435 \u0432 \u0412\u0435\u043D\u0435\u0446\u0438\u0438. \u0412 \u0442\u043E\u0442 \u043C\u043E\u043C\u0435\u043D\u0442 \u0412\u0435\u043D\u0435\u0446\u0438\u044F \u043D\u0430\u0445\u043E\u0434\u0438\u043B\u0430\u0441\u044C \u0432 \u0441\u043E\u0441\u0442\u0430\u0432\u0435 \u0410\u0432\u0441\u0442\u0440\u0438\u0439\u0441\u043A\u043E\u0439 \u0438\u043C\u043F\u0435\u0440\u0438\u0438, \u0438 \u043F\u0430\u0442\u0440\u0438\u043E\u0442\u0438\u0447\u0435\u0441\u043A\u0430\u044F \u043E\u043F\u0435\u0440\u0430 \u043E \u0431\u043E\u0440\u044C\u0431\u0435 \u0436\u0438\u0442\u0435\u043B\u0435\u0439 \u0410\u0434\u0440\u0438\u0430\u0442\u0438\u043A\u0438 \u043F\u0440\u043E\u0442\u0438\u0432 \u0437\u0430\u0445\u0432\u0430\u0442\u0447\u0438\u043A\u043E\u0432 \u0432\u044B\u0437\u0432\u0430\u043B\u0430 \u043E\u0431\u0449\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u044B\u0439 \u0440\u0435\u0437\u043E\u043D\u0430\u043D\u0441."@ru . . . "Attila (opera)"@en . "Zacharias Werner's 1809 play ''"@en . . . . . . "Attyla \u2013 opera Giuseppe Verdiego, do kt\u00F3rej libretto napisa\u0142 Temistocle Solera. Premiera mia\u0142a miejsce w Teatro La Fenice w Wenecji w roku 1846. Tre\u015B\u0107 nawi\u0105zuje do historii wodza Hun\u00F3w \u2013 Attyli i powstania w\u0142a\u015Bnie Wenecji."@pl . . "1118532329"^^ . . "1846-03-17"^^ . . . . . . . "Attila es una \u00F3pera en un pr\u00F3logo y tres actos con m\u00FAsica de Giuseppe Verdi y libreto de Temistocle Solera, basado en la obra de teatro Attila, K\u00F6nig der Hunnen de Zacharias Werner. Fue estrenada el 17 de marzo de 1846 en el Teatro La Fenice de Venecia."@es . . "Atilla ist die neunte Oper (Originalbezeichnung: \u201EDramma lirico\u201C) von Giuseppe Verdi. Sie besteht aus einem Prolog und drei Akten. Das Libretto von Temistocle Solera, vollendet von Francesco Maria Piave, basiert auf der romantischen Trag\u00F6die Attila, K\u00F6nig der Hunnen von Zacharias Werner. Die Urauff\u00FChrung fand am 17. M\u00E4rz 1846 im Teatro La Fenice in Venedig statt und erh\u00F6hte Verdis Popularit\u00E4t. Verdi selbst sprach in einem Schreiben an die Gr\u00E4fin Maffei, Ehefrau des Dichters Andrea Maffei, des Librettisten von Macbeth und I masnadieri, am Tag nach der Premiere von einem \u201Eanst\u00E4ndigen Erfolg\u201C."@de . . . . . . . . . "Attyla \u2013 opera Giuseppe Verdiego, do kt\u00F3rej libretto napisa\u0142 Temistocle Solera. Premiera mia\u0142a miejsce w Teatro La Fenice w Wenecji w roku 1846. Tre\u015B\u0107 nawi\u0105zuje do historii wodza Hun\u00F3w \u2013 Attyli i powstania w\u0142a\u015Bnie Wenecji."@pl . . . . . . . . "Attila \u00E8 un'opera di Giuseppe Verdi su libretto di Temistocle Solera tratto dalla tragedia Attila, K\u00F6nig der Hunnen di Zacharias Werner. Esord\u00EC alla Fenice di Venezia il 17 marzo 1846. Gli interpreti e gli artisti coinvolti furono i seguenti: L'opera affascin\u00F2 Verdi soprattutto per i protagonisti: Attila, Ezio e Odabella. Il compositore, non del tutto soddisfatto del libretto, chiese a Francesco Maria Piave di apportare alcune modifiche. Solera, resosi irreperibile in Madrid a causa dei debiti, si offese e non collabor\u00F2 mai pi\u00F9 col musicista."@it . "\uC544\uD2F8\uB77C (\uC624\uD398\uB77C)"@ko . . . . . . . . . "\uC544\uD2F8\uB77C(\uC774\uD0C8\uB9AC\uC544\uC5B4: Attila)\uB294 \uC8FC\uC138\uD398 \uBCA0\uB974\uB514\uAC00 \uC791\uACE1\uD55C 3\uB9C9\uC758 \uC624\uD398\uB77C\uC774\uB2E4. \uC758 \uD76C\uACE1, \"\" (Attila, K\u00F6nig der Hunnen)\uB97C \uAE30\uCD08\uB85C \uAC00 \uC774\uD0C8\uB9AC\uC544\uC5B4 \uB300\uBCF8\uC744 \uC791\uC131\uD558\uC600\uB2E4. 1846\uB144 3\uC6D4 17\uC77C \uBCA0\uB124\uCE58\uC544\uC758 \uB77C \uD398\uB2C8\uCCB4 \uADF9\uC7A5\uC5D0\uC11C \uCD08\uC5F0\uB418\uC5C8\uB2E4. \uC5D0\uCE58\uC624(Ezio)\uC758 \uC544\uB9AC\uC544\uC778 \"E gettata la mia sorte\"\uB294 \uBCA0\uB974\uB514 \uC7A5\uB974\uC758 \uD2B9\uC9D5\uC801 \uC88B\uC740 \uC608\uB77C \uC5EC\uACA8\uC9C4\uB2E4."@ko . . . . . . . . ", , The Story of Giuseppe Verdi: Oberto to Un Ballo in Maschera. Cambridge, et al: Cambridge University Press."@en . . . . . . "Attila est un op\u00E9ra en un prologue et trois actes de Giuseppe Verdi, sur un livret de Temistocle Solera tir\u00E9 de la trag\u00E9die de Zacharias Werner, Attila, K\u00F6nig der Hunnen, et cr\u00E9\u00E9 au Teatro la Fenice de Venise le 17 mars 1846."@fr . . . . ""@en . . . . . . . "Attila (opera)"@it . . . . . . . . . "25925"^^ . . "Attila \u00E9 uma \u00F3pera em um pr\u00F3logo e tr\u00EAs atos de Giuseppe Verdi com libreto italiano de , baseado na hist\u00F3ria Attila, K\u00F6nig der Hunnen ( \"Attila, Rei dos hunos\") de . A \u00F3pera recebeu a sua primeira atua\u00E7\u00E3o no Teatro La Fenice em Veneza, em 17 de mar\u00E7o de 1846."@pt . . . "Attila"@en . . . . "''"@en . . . . . . . . . . . . . . . . . . . . . "Attyla (opera)"@pl . . "Attila is een opera met een proloog en drie bedrijven van Giuseppe Verdi op een Italiaans libretto van Temistocle Solera, gebaseerd op het toneelstuk (\"Attila, koning van de Hunnen\") van Zacharias Werner. Oorspronkelijk had Verdi Francesco Maria Piave gevraagd voor het libretto, naar het scenario van Verdi zelf. Nadat hij het werk van Piave ongeschikt vond ging Verdi naar Solera, maar keerde uiteindelijk terug naar Piave voor het derde bedrijf. De premi\u00E8re vond plaats in het Teatro La Fenice in Veneti\u00EB op 17 maart 1846."@nl . . . . "Attila"@en . "Attila \u00E8 un'opera di Giuseppe Verdi su libretto di Temistocle Solera tratto dalla tragedia Attila, K\u00F6nig der Hunnen di Zacharias Werner. Esord\u00EC alla Fenice di Venezia il 17 marzo 1846. Gli interpreti e gli artisti coinvolti furono i seguenti: L'opera affascin\u00F2 Verdi soprattutto per i protagonisti: Attila, Ezio e Odabella. Il compositore, non del tutto soddisfatto del libretto, chiese a Francesco Maria Piave di apportare alcune modifiche. Solera, resosi irreperibile in Madrid a causa dei debiti, si offese e non collabor\u00F2 mai pi\u00F9 col musicista. La prima dell'opera non ebbe il successo desiderato, tuttavia l'opera si afferm\u00F2 al margine del repertorio ottocentesco, ed \u00E8 eseguita abbastanza spesso anche oggi.La seconda versione ha avuto la prima il 9 settembre 1846 al Teatro degli Avvalorati di Livorno con Sophie L\u00F6we seguita il 28 settembre successivo al Teatro Grande poi Teatro Verdi (Trieste), il 10 ottobre al Teatro Comunale di Bologna, il 26 dicembre al Teatro alla Scala di Milano diretta da Eugenio Cavallini con Eugenia Tadolini, Napoleone Moriani, Achille De Bassini e Marini e al Teatro Ducale di Parma con Antonio Poggi, il 22 aprile 1847 al Teatro Nacional de S\u00E3o Carlos di Lisbona, nel 1848 il 14 marzo all'Her Majesty's Theatre di Londra con Sophie Cr\u00FCwell, il 26 ottobre al Teatro San Carlo di Napoli con la Tadolini e Filippo Colini e il 26 dicembre al Teatro Regio di Torino con Marietta Gazzaniga e De Bassini, nel 1850 il 15 aprile al Niblo's Garden di New York e il 13 dicembre al La Monnaie/De Munt di Bruxelles, il 18 agosto 1852 al Teatro Riccardi (poi Teatro Gaetano Donizetti) di Bergamo, il 17 agosto 1860 a Melbourne e il 10 ottobre 1863 all'Op\u00E9ra de Nice. Nel 1962 avviene la prima al Teatro Comunale di Firenze diretta da Bruno Bartoletti con Margherita Roberti, Gastone Limarilli, Giangiacomo Guelfi e Boris Christoff, nel 1964 al Teatro dell'Opera di Roma diretta da Fernando Previtali con la Roberti, Limarilli, Mario Zanasi e Raffaele Ari\u00E9, nel 1965 per la radio francese, nel 1977 a Bilbao con Ruggero Raimondi, Antonio Salvadori, Rita Orlandi Malaspina e Nicola Martinucci, nel 1982 al Th\u00E9\u00E2tre du Ch\u00E2telet di Parigi diretta da Gianluigi Gelmetti, nel 1990 al Royal Opera House, Covent Garden di Londra con Ruggero Raimondi, Josephine Barstow e Giorgio Zancanaro, nel 2001 all'Op\u00E9ra national de Paris con Samuel Ramey e Marija Hulehina e nel 2010 al Metropolitan Opera House di New York diretta da Riccardo Muti con Violeta Urmana, Ram\u00F3n Vargas, Giovanni Meoni e Samuel Ramey. \u00C8 stata rappresentata in piazza Capitolo ad Aquileia (dove Giuseppe Verdi ha ambientato la vicenda) il 16 luglio 2010, nell'ambito dell'evento \"\".Gli interpreti che hanno preso parte a questo evento sono stati: (Attila), (Foresto), (Ezio), (Odabella), (Uldino), (Leone), diretta dal maestro , con la regia di . Nel 2018 l'opera torna alla Scala per la tradizionale apertura di stagione del 7 dicembre. A impersonare Attila , diretto da Riccardo Chailly, per la regia di"@it . . "Attila is an opera in a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on the 1809 play Attila, K\u00F6nig der Hunnen (Attila, King of the Huns) by Zacharias Werner. The opera received its first performance at La Fenice in Venice on 17 March 1846."@en . . . . . . . . . . . . . . . . "Attila \u00E4r en opera (dramma lirico) i en prolog och tre akter med musik av Giuseppe Verdi och libretto av efter Zacharias Werners tragedi Attila, K\u00F6nig der Hunnen (1806). Operan hade premi\u00E4r 17 mars 1846 p\u00E5 Teatro La Fenice i Venedig."@sv . . . . "Attila is an opera in a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on the 1809 play Attila, K\u00F6nig der Hunnen (Attila, King of the Huns) by Zacharias Werner. The opera received its first performance at La Fenice in Venice on 17 March 1846. Ezio's act 2 aria of heroic resolution \"\u00C8 gettata la mia sorte\" (My lot is cast, I am prepared for any warfare) is a fine example of a characteristic Verdian genre, and it achieved fame in its own time with audiences in the context of the adoption of a liberal constitution by Ferdinand II. Other contemporary comment praised the work as suitable for the \"political education of the people\", while, in contrast, others criticised the opera as \"Teutonic\" in nature."@en . . "Attila (op\u00E9ra)"@fr . . "1.3"^^ . . . "Attila (Oper)"@de . . . . . . "\u039F \u0391\u03C4\u03C4\u03AF\u03BB\u03B1\u03C2 (Attila) \u03B5\u03AF\u03BD\u03B1\u03B9 \u03CC\u03C0\u03B5\u03C1\u03B1 \u03BC\u03B5 \u03C0\u03C1\u03CC\u03BB\u03BF\u03B3\u03BF \u03BA\u03B1\u03B9 \u03C4\u03C1\u03B5\u03B9\u03C2 \u03C0\u03C1\u03AC\u03BE\u03B5\u03B9\u03C2 \u03C4\u03BF\u03C5 \u0399\u03C4\u03B1\u03BB\u03BF\u03CD \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B7 \u03A4\u03B6\u03BF\u03C5\u03B6\u03AD\u03C0\u03B5 \u0392\u03AD\u03C1\u03BD\u03C4\u03B9. \u0395\u03AF\u03BD\u03B1\u03B9 \u03B3\u03C1\u03B1\u03BC\u03BC\u03AD\u03BD\u03B7 \u03C0\u03AC\u03BD\u03C9 \u03C3\u03B5 \u03B9\u03C4\u03B1\u03BB\u03B9\u03BA\u03CC \u03BB\u03B9\u03BC\u03C0\u03C1\u03AD\u03C4\u03BF \u03C4\u03BF\u03C5 , \u03B2\u03B1\u03C3\u03B9\u03C3\u03BC\u03AD\u03BD\u03BF \u03C3\u03C4\u03BF \u03BF\u03BC\u03CE\u03BD\u03C5\u03BC\u03BF \u03B3\u03B5\u03C1\u03BC\u03B1\u03BD\u03B9\u03BA\u03CC \u03B8\u03B5\u03B1\u03C4\u03C1\u03B9\u03BA\u03CC \u03AD\u03C1\u03B3\u03BF (Attila, K\u00F6nig der Hunnen = \u0391\u03C4\u03C4\u03AF\u03BB\u03B1\u03C2, \u03B2\u03B1\u03C3\u03B9\u03BB\u03B9\u03AC\u03C2 \u03C4\u03C9\u03BD \u039F\u03CD\u03BD\u03BD\u03C9\u03BD) \u03C4\u03BF\u03C5 , \u03C0\u03BF\u03C5 \u03B3\u03C1\u03AC\u03C6\u03C4\u03B7\u03BA\u03B5 \u03C4\u03BF 1809. \u0397 \u03C0\u03B1\u03B3\u03BA\u03CC\u03C3\u03BC\u03B9\u03B1 \u03C0\u03C1\u03B5\u03BC\u03B9\u03AD\u03C1\u03B1 \u03C4\u03B7\u03C2 \u03CC\u03C0\u03B5\u03C1\u03B1\u03C2 \u03AD\u03B3\u03B9\u03BD\u03B5 \u03C3\u03C4\u03BF \u0398\u03AD\u03B1\u03C4\u03C1\u03BF \u039B\u03B1 \u03A6\u03B5\u03BD\u03AF\u03C4\u03C3\u03B5 \u03C4\u03B7\u03C2 \u0392\u03B5\u03BD\u03B5\u03C4\u03AF\u03B1\u03C2, \u03C3\u03C4\u03B9\u03C2 17 \u039C\u03B1\u03C1\u03C4\u03AF\u03BF\u03C5 1846."@el . . . . "\u0410\u0442\u0442\u0438\u0301\u043B\u0430 (\u0438\u0442\u0430\u043B. Attila) \u2014 \u043E\u043F\u0435\u0440\u0430 \u0414\u0436\u0443\u0437\u0435\u043F\u043F\u0435 \u0412\u0435\u0440\u0434\u0438 \u0432 \u0442\u0440\u0451\u0445 \u0430\u043A\u0442\u0430\u0445 \u0441 \u043F\u0440\u043E\u043B\u043E\u0433\u043E\u043C \u043D\u0430 \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u043E\u0435 \u043B\u0438\u0431\u0440\u0435\u0442\u0442\u043E \u0422\u0435\u043C\u0438\u0441\u0442\u043E\u043A\u043B\u0435 \u0421\u043E\u043B\u0435\u0440\u0430, \u043E\u0441\u043D\u043E\u0432\u0430\u043D\u043D\u043E\u043C \u043D\u0430 \u043F\u044C\u0435\u0441\u0435 \u043D\u0435\u043C\u0435\u0446\u043A\u043E\u0433\u043E \u0434\u0440\u0430\u043C\u0430\u0442\u0443\u0440\u0433\u0430 \u0417\u0430\u0445\u0430\u0440\u0438\u0430\u0441\u0430 \u0412\u0435\u0440\u043D\u0435\u0440\u0430 \u00AB\u0410\u0442\u0442\u0438\u043B\u0430, \u043A\u043E\u0440\u043E\u043B\u044C \u0433\u0443\u043D\u043D\u043E\u0432\u00BB. \u041F\u0440\u0435\u043C\u044C\u0435\u0440\u0430 \u043E\u043F\u0435\u0440\u044B \u0441\u043E\u0441\u0442\u043E\u044F\u043B\u0430\u0441\u044C 17 \u043C\u0430\u0440\u0442\u0430 1846 \u0433\u043E\u0434\u0430 \u0432 \u0442\u0435\u0430\u0442\u0440\u0435 \u041B\u0430 \u0424\u0435\u043D\u0438\u0447\u0435 \u0432 \u0412\u0435\u043D\u0435\u0446\u0438\u0438. \u0412 \u0442\u043E\u0442 \u043C\u043E\u043C\u0435\u043D\u0442 \u0412\u0435\u043D\u0435\u0446\u0438\u044F \u043D\u0430\u0445\u043E\u0434\u0438\u043B\u0430\u0441\u044C \u0432 \u0441\u043E\u0441\u0442\u0430\u0432\u0435 \u0410\u0432\u0441\u0442\u0440\u0438\u0439\u0441\u043A\u043E\u0439 \u0438\u043C\u043F\u0435\u0440\u0438\u0438, \u0438 \u043F\u0430\u0442\u0440\u0438\u043E\u0442\u0438\u0447\u0435\u0441\u043A\u0430\u044F \u043E\u043F\u0435\u0440\u0430 \u043E \u0431\u043E\u0440\u044C\u0431\u0435 \u0436\u0438\u0442\u0435\u043B\u0435\u0439 \u0410\u0434\u0440\u0438\u0430\u0442\u0438\u043A\u0438 \u043F\u0440\u043E\u0442\u0438\u0432 \u0437\u0430\u0445\u0432\u0430\u0442\u0447\u0438\u043A\u043E\u0432 \u0432\u044B\u0437\u0432\u0430\u043B\u0430 \u043E\u0431\u0449\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u044B\u0439 \u0440\u0435\u0437\u043E\u043D\u0430\u043D\u0441."@ru . . . . . . . . . . "Opera"@en . . . . . . . "Attila"@en . . . . . . . . . . . . . . . . . . "\u30A2\u30C3\u30C6\u30A3\u30E9 (\u30F4\u30A7\u30EB\u30C7\u30A3)"@ja . . . . . . . . . "Attila \u00E4r en opera (dramma lirico) i en prolog och tre akter med musik av Giuseppe Verdi och libretto av efter Zacharias Werners tragedi Attila, K\u00F6nig der Hunnen (1806). Operan hade premi\u00E4r 17 mars 1846 p\u00E5 Teatro La Fenice i Venedig."@sv . . . "Italian"@en . . . . . . . . . . . "Attila \u00E9s una \u00F2pera en tres actes amb m\u00FAsica de Giuseppe Verdi i llibret de Temistocle Solera, basat en la pe\u00E7a teatral Attila, K\u00F6nig Der Hunnen de Zacharias Werner. Va ser estrenada el 17 de mar\u00E7 de 1846 en el Teatro La Fenice de Ven\u00E8cia. Es tracta d'una \u00F2pera composta en l'\u00E8poca verdiana \"de galeres\", urgent, r\u00E0pida, juvenil. \u00C9s una de les caracteritzades per tints patri\u00F2tics i que van donar fama a Verdi com a compositor pol\u00EDtic. Per\u00F2 a banda del tema patri\u00F2tic, els personatges tenen perfils psicol\u00F2gics interessants, com el mateix \u00C0tila, que \u00E9s molt m\u00E9s que un malvat a l'\u00FAs."@ca . "Attila"@ca . "Last scene, as performed in London in 1848"@en . "Teatro La Fenice, Venice"@en . . . . . "\u00AB\u0410\u0442\u0442\u0456\u043B\u0430\u00BB (\u0456\u0442\u0430\u043B. Attila) \u2014 \u043E\u043F\u0435\u0440\u0430 \u043D\u0430 3 \u0434\u0456\u0457 \u0437 \u043F\u0440\u043E\u043B\u043E\u0433\u043E\u043C \u0456\u0442\u0430\u043B\u0456\u0439\u0441\u044C\u043A\u043E\u0433\u043E \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0430 \u0414\u0436\u0443\u0437\u0435\u043F\u043F\u0435 \u0412\u0435\u0440\u0434\u0456 \u043D\u0430 \u0456\u0442\u0430\u043B\u0456\u0439\u0441\u044C\u043A\u0435 \u043B\u0456\u0431\u0440\u0435\u0442\u043E , \u0437\u0430\u0441\u043D\u043E\u0432\u0430\u043D\u0435 \u043D\u0430 \u043F'\u0454\u0441\u0456 \u043D\u0456\u043C\u0435\u0446\u044C\u043A\u043E\u0433\u043E \u0434\u0440\u0430\u043C\u0430\u0442\u0443\u0440\u0433\u0430 \u0417\u0430\u0445\u0430\u0440\u0456\u044F \u0412\u0435\u0440\u043D\u0435\u0440\u0430 \u00AB\u0410\u0442\u0442\u0456\u043B\u0430, \u043A\u043E\u0440\u043E\u043B\u044C \u0433\u0443\u043D\u0456\u0432\u00BB. \u041F\u0440\u0435\u043C'\u0454\u0440\u0430 \u043E\u043F\u0435\u0440\u0438 \u0432\u0456\u0434\u0431\u0443\u043B\u0430\u0441\u044F 17 \u0431\u0435\u0440\u0435\u0437\u043D\u044F 1846 \u0440\u043E\u043A\u0443 \u0432 \u0442\u0435\u0430\u0442\u0440\u0456 \u041B\u0430 \u0424\u0435\u043D\u0456\u0447\u0435 \u0443 \u0412\u0435\u043D\u0435\u0446\u0456\u0457. \u041D\u0430 \u0442\u043E\u0439 \u0447\u0430\u0441 \u0412\u0435\u043D\u0435\u0446\u0456\u044F \u043F\u0435\u0440\u0435\u0431\u0443\u0432\u0430\u043B\u0430 \u0432 \u0441\u043A\u043B\u0430\u0434\u0456 \u0410\u0432\u0441\u0442\u0440\u0456\u0439\u0441\u044C\u043A\u043E\u0457 \u0456\u043C\u043F\u0435\u0440\u0456\u0457, \u0456 \u043F\u0430\u0442\u0440\u0456\u043E\u0442\u0438\u0447\u043D\u0430 \u043E\u043F\u0435\u0440\u0430 \u043F\u0440\u043E \u0431\u043E\u0440\u043E\u0442\u044C\u0431\u0443 \u0436\u0438\u0442\u0435\u043B\u0456\u0432 \u0410\u0434\u0440\u0456\u0430\u0442\u0438\u043A\u0438 \u043F\u0440\u043E\u0442\u0438 \u0437\u0430\u0433\u0430\u0440\u0431\u043D\u0438\u043A\u0456\u0432 \u0432\u0438\u043A\u043B\u0438\u043A\u0430\u043B\u0430 \u0441\u0443\u0441\u043F\u0456\u043B\u044C\u043D\u0438\u0439 \u0440\u0435\u0437\u043E\u043D\u0430\u043D\u0441."@uk . . . . . . . . . . . . "\u300E\u30A2\u30C3\u30C6\u30A3\u30E9\u300F (Attila) \u306F\u3001\u30B8\u30E5\u30BC\u30C3\u30DA\u30FB\u30F4\u30A7\u30EB\u30C7\u30A3\u304C\u4F5C\u66F2\u3057\u305F\u30D7\u30ED\u30ED\u30FC\u30B0\u30683\u5E55\u304B\u3089\u69CB\u6210\u3055\u308C\u308B\u30AA\u30DA\u30E9\uFF08\u307E\u305F\u306F\u30C9\u30E9\u30F3\u30DE\u30FB\u30EA\u30EA\u30B3\uFF09\u3067\u3042\u308B\u3002\u30F4\u30A7\u30EB\u30C7\u30A3\u306E\u30AA\u30DA\u30E9\u3067\u306F9\u4F5C\u76EE\u306B\u3042\u305F\u308B\u3002 \u4E2D\u4E16\u521D\u982D\u306E\u30A2\u30B8\u30A2\u7CFB\u904A\u7267\u6C11\u3067\u30D5\u30F3\u65CF\u306E\u738B\u306E\u30A2\u30C3\u30C6\u30A3\u30E9\u3092\u4E3B\u4EBA\u516C\u3068\u3059\u308B\u3002"@ja . . "Attila (\u00F3pera)"@es . . . "\u300E\u30A2\u30C3\u30C6\u30A3\u30E9\u300F (Attila) \u306F\u3001\u30B8\u30E5\u30BC\u30C3\u30DA\u30FB\u30F4\u30A7\u30EB\u30C7\u30A3\u304C\u4F5C\u66F2\u3057\u305F\u30D7\u30ED\u30ED\u30FC\u30B0\u30683\u5E55\u304B\u3089\u69CB\u6210\u3055\u308C\u308B\u30AA\u30DA\u30E9\uFF08\u307E\u305F\u306F\u30C9\u30E9\u30F3\u30DE\u30FB\u30EA\u30EA\u30B3\uFF09\u3067\u3042\u308B\u3002\u30F4\u30A7\u30EB\u30C7\u30A3\u306E\u30AA\u30DA\u30E9\u3067\u306F9\u4F5C\u76EE\u306B\u3042\u305F\u308B\u3002 \u4E2D\u4E16\u521D\u982D\u306E\u30A2\u30B8\u30A2\u7CFB\u904A\u7267\u6C11\u3067\u30D5\u30F3\u65CF\u306E\u738B\u306E\u30A2\u30C3\u30C6\u30A3\u30E9\u3092\u4E3B\u4EBA\u516C\u3068\u3059\u308B\u3002"@ja . . "Atilla ist die neunte Oper (Originalbezeichnung: \u201EDramma lirico\u201C) von Giuseppe Verdi. Sie besteht aus einem Prolog und drei Akten. Das Libretto von Temistocle Solera, vollendet von Francesco Maria Piave, basiert auf der romantischen Trag\u00F6die Attila, K\u00F6nig der Hunnen von Zacharias Werner. Die Urauff\u00FChrung fand am 17. M\u00E4rz 1846 im Teatro La Fenice in Venedig statt und erh\u00F6hte Verdis Popularit\u00E4t. Verdi selbst sprach in einem Schreiben an die Gr\u00E4fin Maffei, Ehefrau des Dichters Andrea Maffei, des Librettisten von Macbeth und I masnadieri, am Tag nach der Premiere von einem \u201Eanst\u00E4ndigen Erfolg\u201C."@de . . "1944909"^^ . . . . . . "\uC544\uD2F8\uB77C(\uC774\uD0C8\uB9AC\uC544\uC5B4: Attila)\uB294 \uC8FC\uC138\uD398 \uBCA0\uB974\uB514\uAC00 \uC791\uACE1\uD55C 3\uB9C9\uC758 \uC624\uD398\uB77C\uC774\uB2E4. \uC758 \uD76C\uACE1, \"\" (Attila, K\u00F6nig der Hunnen)\uB97C \uAE30\uCD08\uB85C \uAC00 \uC774\uD0C8\uB9AC\uC544\uC5B4 \uB300\uBCF8\uC744 \uC791\uC131\uD558\uC600\uB2E4. 1846\uB144 3\uC6D4 17\uC77C \uBCA0\uB124\uCE58\uC544\uC758 \uB77C \uD398\uB2C8\uCCB4 \uADF9\uC7A5\uC5D0\uC11C \uCD08\uC5F0\uB418\uC5C8\uB2E4. \uC5D0\uCE58\uC624(Ezio)\uC758 \uC544\uB9AC\uC544\uC778 \"E gettata la mia sorte\"\uB294 \uBCA0\uB974\uB514 \uC7A5\uB974\uC758 \uD2B9\uC9D5\uC801 \uC88B\uC740 \uC608\uB77C \uC5EC\uACA8\uC9C4\uB2E4."@ko . "\u0391\u03C4\u03C4\u03AF\u03BB\u03B1\u03C2 (\u03CC\u03C0\u03B5\u03C1\u03B1)"@el . . . . . . . . . . . "Attila \u00E9 uma \u00F3pera em um pr\u00F3logo e tr\u00EAs atos de Giuseppe Verdi com libreto italiano de , baseado na hist\u00F3ria Attila, K\u00F6nig der Hunnen ( \"Attila, Rei dos hunos\") de . A \u00F3pera recebeu a sua primeira atua\u00E7\u00E3o no Teatro La Fenice em Veneza, em 17 de mar\u00E7o de 1846."@pt . . . . . . . . . . . . . . "\u039F \u0391\u03C4\u03C4\u03AF\u03BB\u03B1\u03C2 (Attila) \u03B5\u03AF\u03BD\u03B1\u03B9 \u03CC\u03C0\u03B5\u03C1\u03B1 \u03BC\u03B5 \u03C0\u03C1\u03CC\u03BB\u03BF\u03B3\u03BF \u03BA\u03B1\u03B9 \u03C4\u03C1\u03B5\u03B9\u03C2 \u03C0\u03C1\u03AC\u03BE\u03B5\u03B9\u03C2 \u03C4\u03BF\u03C5 \u0399\u03C4\u03B1\u03BB\u03BF\u03CD \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B7 \u03A4\u03B6\u03BF\u03C5\u03B6\u03AD\u03C0\u03B5 \u0392\u03AD\u03C1\u03BD\u03C4\u03B9. \u0395\u03AF\u03BD\u03B1\u03B9 \u03B3\u03C1\u03B1\u03BC\u03BC\u03AD\u03BD\u03B7 \u03C0\u03AC\u03BD\u03C9 \u03C3\u03B5 \u03B9\u03C4\u03B1\u03BB\u03B9\u03BA\u03CC \u03BB\u03B9\u03BC\u03C0\u03C1\u03AD\u03C4\u03BF \u03C4\u03BF\u03C5 , \u03B2\u03B1\u03C3\u03B9\u03C3\u03BC\u03AD\u03BD\u03BF \u03C3\u03C4\u03BF \u03BF\u03BC\u03CE\u03BD\u03C5\u03BC\u03BF \u03B3\u03B5\u03C1\u03BC\u03B1\u03BD\u03B9\u03BA\u03CC \u03B8\u03B5\u03B1\u03C4\u03C1\u03B9\u03BA\u03CC \u03AD\u03C1\u03B3\u03BF (Attila, K\u00F6nig der Hunnen = \u0391\u03C4\u03C4\u03AF\u03BB\u03B1\u03C2, \u03B2\u03B1\u03C3\u03B9\u03BB\u03B9\u03AC\u03C2 \u03C4\u03C9\u03BD \u039F\u03CD\u03BD\u03BD\u03C9\u03BD) \u03C4\u03BF\u03C5 , \u03C0\u03BF\u03C5 \u03B3\u03C1\u03AC\u03C6\u03C4\u03B7\u03BA\u03B5 \u03C4\u03BF 1809. \u0397 \u03C0\u03B1\u03B3\u03BA\u03CC\u03C3\u03BC\u03B9\u03B1 \u03C0\u03C1\u03B5\u03BC\u03B9\u03AD\u03C1\u03B1 \u03C4\u03B7\u03C2 \u03CC\u03C0\u03B5\u03C1\u03B1\u03C2 \u03AD\u03B3\u03B9\u03BD\u03B5 \u03C3\u03C4\u03BF \u0398\u03AD\u03B1\u03C4\u03C1\u03BF \u039B\u03B1 \u03A6\u03B5\u03BD\u03AF\u03C4\u03C3\u03B5 \u03C4\u03B7\u03C2 \u0392\u03B5\u03BD\u03B5\u03C4\u03AF\u03B1\u03C2, \u03C3\u03C4\u03B9\u03C2 17 \u039C\u03B1\u03C1\u03C4\u03AF\u03BF\u03C5 1846. \u0397 \u03AC\u03C1\u03B9\u03B1 \u03B7\u03C1\u03C9\u03B9\u03BA\u03AE\u03C2 \u03B1\u03C0\u03BF\u03C6\u03B1\u03C3\u03B9\u03C3\u03C4\u03B9\u03BA\u03CC\u03C4\u03B7\u03C4\u03B1\u03C2 \u03C3\u03C4\u03B7 \u03B2\u0384 \u03C0\u03C1\u03AC\u03BE\u03B7 \u03C4\u03BF\u03C5 \u03AD\u03C1\u03B3\u03BF\u03C5 \u00C8 gettata la mia sorte \u03B1\u03C0\u03BF\u03C4\u03B5\u03BB\u03B5\u03AF \u03AD\u03BD\u03B1 \u03BA\u03B1\u03BB\u03CC \u03C0\u03B1\u03C1\u03AC\u03B4\u03B5\u03B9\u03B3\u03BC\u03B1 \u03C7\u03B1\u03C1\u03B1\u03BA\u03C4\u03B7\u03C1\u03B9\u03C3\u03C4\u03B9\u03BA\u03AE\u03C2 \u03AC\u03C1\u03B9\u03B1\u03C2 \u03C4\u03BF\u03C5 \u03B5\u03AF\u03B4\u03BF\u03C5\u03C2 \u03C0\u03BF\u03C5 \u03B1\u03BD\u03AD\u03C0\u03C4\u03C5\u03BE\u03B5 \u03BF \u0392\u03AD\u03C1\u03BD\u03C4\u03B9 \u03BA\u03B1\u03B9 \u03AD\u03B3\u03B9\u03BD\u03B5 \u03B4\u03B9\u03AC\u03C3\u03B7\u03BC\u03B7 \u03C3\u03C4\u03B7\u03BD \u03B5\u03C0\u03BF\u03C7\u03AE \u03C4\u03B7\u03C2 \u03B3\u03B9\u03B1 \u03C4\u03BF\u03C5\u03C2 \u03C5\u03C0\u03B1\u03B9\u03BD\u03B9\u03B3\u03BC\u03BF\u03CD\u03C2 \u03C4\u03B7\u03C2, \u03CC\u03C4\u03B1\u03BD \u03C4\u03BF \u03B9\u03C4\u03B1\u03BB\u03B9\u03BA\u03CC \u03BA\u03BF\u03B9\u03BD\u03CC \u03B1\u03B3\u03C9\u03BD\u03B9\u03B6\u03CC\u03C4\u03B1\u03BD \u03B3\u03B9\u03B1 \u03C4\u03B7\u03BD \u03C5\u03B9\u03BF\u03B8\u03AD\u03C4\u03B7\u03C3\u03B7 \u03B5\u03BD\u03CC\u03C2 \u03C6\u03B9\u03BB\u03B5\u03BB\u03B5\u03CD\u03B8\u03B5\u03C1\u03BF\u03C5 \u03C3\u03C5\u03BD\u03C4\u03AC\u03B3\u03BC\u03B1\u03C4\u03BF\u03C2 \u03B1\u03C0\u03CC \u03C4\u03BF\u03BD \u03A6\u03B5\u03C1\u03B4\u03B9\u03BD\u03AC\u03BD\u03B4\u03BF \u0392\u0384. \u039A\u03B1\u03B9 \u03AC\u03BB\u03BB\u03B1 \u03C3\u03C7\u03CC\u03BB\u03B9\u03B1 \u03C4\u03B7\u03C2 \u03B5\u03C0\u03BF\u03C7\u03AE\u03C2 \u03B5\u03C0\u03B1\u03B9\u03BD\u03BF\u03CD\u03C3\u03B1\u03BD \u03C4\u03BF \u03AD\u03C1\u03B3\u03BF \u03C9\u03C2 \u03BA\u03B1\u03C4\u03AC\u03BB\u03BB\u03B7\u03BB\u03BF \u03B3\u03B9\u03B1 \u03C4\u03B7\u03BD \u00AB\u03C0\u03BF\u03BB\u03B9\u03C4\u03B9\u03BA\u03AE \u03B5\u03BA\u03C0\u03B1\u03AF\u03B4\u03B5\u03C5\u03C3\u03B7 \u03C4\u03BF\u03C5 \u03BB\u03B1\u03BF\u03CD\u00BB, \u03B5\u03BD\u03CE \u03B1\u03BD\u03C4\u03B9\u03B8\u03AD\u03C4\u03C9\u03C2 \u03AC\u03BB\u03BB\u03BF\u03B9 \u03B5\u03C0\u03AD\u03BA\u03C1\u03B9\u03BD\u03B1\u03BD \u03C4\u03B7\u03BD \u03CC\u03C0\u03B5\u03C1\u03B1 \u03C9\u03C2 \u00AB\u03C4\u03B5\u03C5\u03C4\u03BF\u03BD\u03B9\u03BA\u03AE\u00BB \u03C9\u03C2 \u03C0\u03C1\u03BF\u03C2 \u03C4\u03B7 \u03C6\u03CD\u03C3\u03B7 \u03C4\u03B7\u03C2."@el . . "Temistocle Solera and Francesco Maria Piave"@en . . . . . "Attila is een opera met een proloog en drie bedrijven van Giuseppe Verdi op een Italiaans libretto van Temistocle Solera, gebaseerd op het toneelstuk (\"Attila, koning van de Hunnen\") van Zacharias Werner. Oorspronkelijk had Verdi Francesco Maria Piave gevraagd voor het libretto, naar het scenario van Verdi zelf. Nadat hij het werk van Piave ongeschikt vond ging Verdi naar Solera, maar keerde uiteindelijk terug naar Piave voor het derde bedrijf. De premi\u00E8re vond plaats in het Teatro La Fenice in Veneti\u00EB op 17 maart 1846. De aria \"E gettata la mia sorte\" van Ezio is een goed voorbeeld van Verdi\u2019s karakteristieke manier van componeren en verwierf in die tijd aanzien bij het publiek in relatie tot het invoeren van een liberale staat door Ferdinand II. Een commentaar uit die tijd was dat het werk geschikt was voor \"politiek onderwijs aan het volk\", al was er ook kritiek, waarin de opera als \"Teutonisch\" werd omschreven."@nl . . . "\u0410\u0442\u0442\u0438\u043B\u0430 (\u043E\u043F\u0435\u0440\u0430)"@ru . . "Attila (opera)"@nl . . "\u0410\u0442\u0442\u0456\u043B\u0430 (\u043E\u043F\u0435\u0440\u0430)"@uk . . "\u00AB\u0410\u0442\u0442\u0456\u043B\u0430\u00BB (\u0456\u0442\u0430\u043B. Attila) \u2014 \u043E\u043F\u0435\u0440\u0430 \u043D\u0430 3 \u0434\u0456\u0457 \u0437 \u043F\u0440\u043E\u043B\u043E\u0433\u043E\u043C \u0456\u0442\u0430\u043B\u0456\u0439\u0441\u044C\u043A\u043E\u0433\u043E \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0430 \u0414\u0436\u0443\u0437\u0435\u043F\u043F\u0435 \u0412\u0435\u0440\u0434\u0456 \u043D\u0430 \u0456\u0442\u0430\u043B\u0456\u0439\u0441\u044C\u043A\u0435 \u043B\u0456\u0431\u0440\u0435\u0442\u043E , \u0437\u0430\u0441\u043D\u043E\u0432\u0430\u043D\u0435 \u043D\u0430 \u043F'\u0454\u0441\u0456 \u043D\u0456\u043C\u0435\u0446\u044C\u043A\u043E\u0433\u043E \u0434\u0440\u0430\u043C\u0430\u0442\u0443\u0440\u0433\u0430 \u0417\u0430\u0445\u0430\u0440\u0456\u044F \u0412\u0435\u0440\u043D\u0435\u0440\u0430 \u00AB\u0410\u0442\u0442\u0456\u043B\u0430, \u043A\u043E\u0440\u043E\u043B\u044C \u0433\u0443\u043D\u0456\u0432\u00BB. \u041F\u0440\u0435\u043C'\u0454\u0440\u0430 \u043E\u043F\u0435\u0440\u0438 \u0432\u0456\u0434\u0431\u0443\u043B\u0430\u0441\u044F 17 \u0431\u0435\u0440\u0435\u0437\u043D\u044F 1846 \u0440\u043E\u043A\u0443 \u0432 \u0442\u0435\u0430\u0442\u0440\u0456 \u041B\u0430 \u0424\u0435\u043D\u0456\u0447\u0435 \u0443 \u0412\u0435\u043D\u0435\u0446\u0456\u0457. \u041D\u0430 \u0442\u043E\u0439 \u0447\u0430\u0441 \u0412\u0435\u043D\u0435\u0446\u0456\u044F \u043F\u0435\u0440\u0435\u0431\u0443\u0432\u0430\u043B\u0430 \u0432 \u0441\u043A\u043B\u0430\u0434\u0456 \u0410\u0432\u0441\u0442\u0440\u0456\u0439\u0441\u044C\u043A\u043E\u0457 \u0456\u043C\u043F\u0435\u0440\u0456\u0457, \u0456 \u043F\u0430\u0442\u0440\u0456\u043E\u0442\u0438\u0447\u043D\u0430 \u043E\u043F\u0435\u0440\u0430 \u043F\u0440\u043E \u0431\u043E\u0440\u043E\u0442\u044C\u0431\u0443 \u0436\u0438\u0442\u0435\u043B\u0456\u0432 \u0410\u0434\u0440\u0456\u0430\u0442\u0438\u043A\u0438 \u043F\u0440\u043E\u0442\u0438 \u0437\u0430\u0433\u0430\u0440\u0431\u043D\u0438\u043A\u0456\u0432 \u0432\u0438\u043A\u043B\u0438\u043A\u0430\u043B\u0430 \u0441\u0443\u0441\u043F\u0456\u043B\u044C\u043D\u0438\u0439 \u0440\u0435\u0437\u043E\u043D\u0430\u043D\u0441."@uk . "Attila es una \u00F3pera en un pr\u00F3logo y tres actos con m\u00FAsica de Giuseppe Verdi y libreto de Temistocle Solera, basado en la obra de teatro Attila, K\u00F6nig der Hunnen de Zacharias Werner. Fue estrenada el 17 de marzo de 1846 en el Teatro La Fenice de Venecia."@es . .