"Thomson"@en . "\u0648\u064A\u0644\u064A\u0627\u0645 \u0628\u0631\u0627\u064A\u0627\u0646 \u062C\u0648\u0631\u062F\u0627\u0646 \u0627\u0644\u0627\u0628\u0646 (8 \u0645\u0627\u064A\u0648\u060C 1940- 22 \u064A\u0646\u0627\u064A\u0631\u060C 2018) \u0645\u0624\u0631\u062E \u0641\u0646\u0648\u0646 \u0623\u0645\u0631\u064A\u0643\u064A \u0633\u0647\u0644 \u0639\u0645\u0644\u064A\u0627\u062A \u0627\u0642\u062A\u0646\u0627\u0621 \u0627\u0644\u0644\u0648\u062D\u0627\u062A \u0627\u0644\u0641\u0646\u064A\u0629\u060C \u0648\u0646\u0633\u0642 \u0627\u0644\u0645\u0639\u0627\u0631\u0636 \u0648\u0623\u0644\u0641 \u0645\u0646\u0634\u0648\u0631\u0627\u062A \u0639\u0646 \u0641\u0646\u0627\u0646\u064A\u0646 \u0625\u0633\u0628\u0627\u0646\u064A\u064A\u0646 \u0648\u0644\u0648\u062D\u0627\u062A \u0627\u0644\u0637\u0628\u064A\u0639\u0629 \u0627\u0644\u0635\u0627\u0645\u062A\u0629\u060C \u0644\u0627\u0633\u064A\u0645\u0627 \u0645\u0646 \u0627\u0644\u0639\u0635\u0631 \u0627\u0644\u0630\u0647\u0628\u064A. \u0648\u0644\u062F \u062C\u0648\u0631\u062F\u0627\u0646 \u0648\u0646\u0634\u0623 \u0641\u064A \u0646\u0627\u0634\u0641\u064A\u0644\u060C \u062A\u064A\u0646\u064A\u0633\u064A\u060C \u0648\u062F\u0631\u0633 \u0644\u0627\u062D\u0642\u064B\u0627 \u0641\u064A \u062C\u0627\u0645\u0639\u0629 \u0648\u0627\u0634\u0646\u0637\u0646 \u0648\u0644\u064A \u0641\u064A \u0633\u0627\u0646 \u0623\u0646\u0637\u0648\u0646\u064A\u0648\u060C \u062A\u0643\u0633\u0627\u0633 \u0648\u0641\u064A \u0645\u0639\u0647\u062F \u0627\u0644\u0641\u0646\u0648\u0646 \u0627\u0644\u062C\u0645\u064A\u0644\u0629 \u0641\u064A \u062C\u0627\u0645\u0639\u0629 \u0646\u064A\u0648\u064A\u0648\u0631\u0643. \u0623\u0635\u0628\u062D \u0627\u0644\u0645\u062F\u064A\u0631 \u0627\u0644\u0645\u0624\u0633\u0633 \u0644\u0645\u062A\u062D\u0641 \u0645\u064A\u062F\u0648\u0632 \u0641\u064A \u062C\u0627\u0645\u0639\u0629 \u0633\u0627\u0648\u0630\u064A\u0631\u0646 \u0645\u064A\u062B\u0648\u062F\u064A\u0633\u062A \u0641\u064A \u0639\u0627\u0645 1967. \u0633\u0627\u0639\u062F \u062C\u0648\u0631\u062F\u0627\u0646 \u0627\u0644\u0645\u062A\u062D\u0641 \u0628\u0627\u0644\u062D\u0635\u0648\u0644 \u0639\u0644\u0649 75 \u0639\u0645\u0644 \u0641\u0646\u064A\u060C \u0628\u0645\u0633\u0627\u0639\u062F\u0629 \u0645\u0627\u0644\u064A\u0629 \u0645\u0646 \u0623\u0644\u063A\u0648\u0631 \u0625\u062A\u0634 \u0645\u064A\u062F\u0648\u0632\u060C \u0648\u064A\u064F\u0646\u0633\u0628 \u0625\u0644\u064A\u0647 \u0627\u0644\u0641\u0636\u0644 \u0641\u064A \u062A\u062D\u0648\u064A\u0644 \u0645\u062C\u0645\u0648\u0639\u0629 \u0627\u0644\u0645\u062A\u062D\u0641 \u0625\u0644\u0649 \u0648\u0627\u062D\u062F\u0629 \u0645\u0646 \u0623\u0628\u0631\u0632 \u0645\u062C\u0645\u0648\u0639\u0627\u062A \u0627\u0644\u0641\u0646 \u0627\u0644\u0625\u0633\u0628\u0627\u0646\u064A\u0629 \u062E\u0627\u0631\u062C \u0625\u0633\u0628\u0627\u0646\u064A\u0627. \u0643\u0627\u0646 \u0623\u064A\u0636\u064B\u0627 \u0631\u0626\u064A\u0633 \u0642\u0633\u0645 \u0627\u0644\u0641\u0646\u0648\u0646 \u0627\u0644\u062C\u0645\u064A\u0644\u0629 \u0641\u064A \u0643\u0644\u064A\u0629 \u0645\u064A\u062F\u0648\u0632 \u0644\u0644\u0641\u0646\u0648\u0646 \u0648\u0623\u0645\u064A\u0646\u064B\u0627 \u0645\u0633\u0627\u0639\u062F\u064B\u0627 \u0644\u0645\u062A\u062D\u0641 \u062F\u0627\u0644\u0627\u0633 \u0644\u0644\u0641\u0646\u0648\u0646. \u0628\u0639\u062F \u0623\u0646 \u062A\u0631\u0643 \u0645\u062A\u062D\u0641 \u0645\u064A\u062F\u0648\u0632\u060C \u0639\u0645\u0644 \u062C\u0648\u0631\u062F\u0627\u0646 \u0646\u0627\u0626\u0628 \u0645\u062F\u064A\u0631 \u0648\u0631\u0626\u064A\u0633\u064B\u0627 \u0645\u0646\u0633\u0642\u064B\u0627 \u0644\u0645\u062A\u062D\u0641 \u0643\u064A\u0645\u0628\u0644 \u0644\u0644\u0641\u0646\u0648\u0646 \u0645\u0646\u0630 \u0639\u0627\u0645 1981 \u062D\u062A\u0649 \u0639\u0627\u0645 1990\u060C \u0648\u0639\u0645\u0644 \u0641\u064A \u0627\u0644\u0639\u062F\u064A\u062F \u0645\u0646 \u0645\u0639\u0627\u0631\u0636 \u0648\u0645\u0646\u0634\u0648\u0631\u0627\u062A \u0627\u0644\u0637\u0628\u064A\u0639\u0629 \u0627\u0644\u0635\u0627\u0645\u062A\u0629\u060C \u0628\u0645\u0627 \u0641\u064A \u0630\u0644\u0643 \u0627\u0644\u0645\u0639\u0631\u0636 \u0627\u0644\u0625\u0633\u0628\u0627\u0646\u064A \u0627\u0644\u0637\u0628\u064A\u0639\u0629 \u0627\u0644\u0635\u0627\u0645\u062A\u0629 \u0641\u064A \u0627\u0644\u0639\u0635\u0631 \u0627\u0644\u0630\u0647\u0628\u064A 1600-1650 (1985)\u060C \u0648\u0627\u0644\u0637\u0628\u064A\u0639\u0629 \u0627\u0644\u0635\u0627\u0645\u062A\u0629 \u0627\u0644\u0625\u0633\u0628\u0627\u0646\u064A\u0629 \u0645\u0646\u0630 \u0639\u0647\u062F \u0628\u064A\u0644\u0627\u062B\u0643\u064A\u062B \u0625\u0644\u0649 \u0639\u0647\u062F \u063A\u0648\u064A\u0627 (1995). \u062A\u0648\u062C\u062A \u0623\u0628\u062D\u0627\u062B \u062C\u0648\u0631\u062F\u0627\u0646 \u0639\u0644\u0649 \u0645\u062F\u0649 40 \u0639\u0627\u0645\u064B\u0627 \u0628\u0643\u062A\u0627\u0628\u0647 \u062E\u0648\u0627\u0646 \u0641\u0627\u0646 \u062F\u064A\u0631 \u0647\u0627\u0645\u064A\u0646 \u0648\u0627\u064A \u0644\u064A\u0648\u0646 \u0648\u0645\u062D\u0643\u0645\u0629 \u0645\u062F\u0631\u064A\u062F. \u0643\u0627\u0646 \u0639\u0636\u0648\u064B\u0627 \u0641\u064A \u0645\u062C\u0644\u0633 \u0627\u0644\u0639\u062F\u064A\u062F \u0645\u0646 \u0627\u0644\u0645\u062A\u0627\u062D\u0641 \u0648\u0627\u0644\u0645\u0639\u0627\u0647\u062F \u0627\u0644\u0641\u0646\u064A\u0629\u060C \u062A\u0645 \u062A\u0639\u064A\u064A\u0646\u0647 \u0623\u0645\u064A\u0646\u064B\u0627 \u0641\u062E\u0631\u064A\u064B\u0627 \u0644\u0645\u062A\u062D\u0641 \u0628\u0631\u0627\u062F\u0648 \u0641\u064A \u0639\u0627\u0645 2017. \u0627\u0634\u062A\u0647\u0631 \u062C\u0648\u0631\u062F\u0627\u0646 \u0628\u0630\u0643\u0627\u0626\u0647 \u0641\u064A \u0627\u0644\u062A\u0630\u0648\u0642\u060C \u0648\u0639\u0645\u0644 \u0643\u062E\u0628\u064A\u0631 \u0634\u0631\u0627\u0621 \u0648\u0625\u0633\u0646\u0627\u062F\u060C \u0648\u0642\u062F \u062D\u0635\u0644 \u0639\u0644\u0649 \u0645\u062C\u0645\u0648\u0639\u0629 \u062E\u0627\u0635\u0629 \u0645\u0639 \u0632\u0648\u062C\u0647 \u0631\u0648\u0628\u0631\u062A \u062F\u064A\u0646 \u0628\u0631\u0627\u0648\u0646\u0644\u064A. \u0627\u0634\u062A\u0631\u0649 \u062C\u0648\u0631\u062F\u0627\u0646 \u0644\u0648\u062D\u0629 \u0638\u0646 \u0623\u0646\u0647 \u064A\u0648\u062C\u062F \u062E\u0637\u0623 \u0641\u064A \u0625\u0633\u0646\u0627\u062F\u0647\u0627 \u0641\u064A \u0630\u0644\u0643 \u0627\u0644\u062D\u064A\u0646- \u0627\u0639\u062A\u0642\u062F \u0623\u0646\u0647\u0627 \u062A\u0639\u0648\u062F \u0644\u062F\u064A\u064A\u063A\u0648 \u0628\u064A\u0644\u0627\u062B\u0643\u064A\u062B- \u0628\u0645\u0628\u0644\u063A 1000 \u064A\u0648\u0631\u0648 \u0641\u064A \u0639\u0627\u0645 1988. \u0628\u0639\u062F \u062A\u0623\u0643\u064A\u062F \u0625\u0633\u0646\u0627\u062F\u0647\u0627 \u0644\u0628\u064A\u0644\u0627\u062B\u0643\u064A\u062B\u060C \u062A\u0628\u0631\u0639 \u0628\u0627\u0644\u0644\u0648\u062D\u0629\u060C \u0627\u0644\u062A\u064A \u0643\u0627\u0646 \u0639\u0646\u0648\u0627\u0646\u0647\u0627 \u0641\u064A \u062D\u064A\u0646\u0647\u0627 \u0628\u0648\u0631\u062A\u0631\u064A \u0644\u0641\u064A\u0644\u064A\u0628 \u0627\u0644\u062B\u0627\u0644\u062B (1623-1631) \u0648\u0642\u062F\u0631\u062A \u0642\u064A\u0645\u062A\u0647\u0627 \u0628\u0646\u062D\u0648 6 \u0645\u0644\u064A\u0648\u0646 \u062F\u0648\u0644\u0627\u0631 \u0623\u0645\u0631\u064A\u0643\u064A\u060C \u0644\u0635\u0627\u0644\u062D \u0645\u062A\u062D\u0641 \u0628\u0631\u0627\u062F\u0648 \u0639\u0627\u0645 2016. \u0628\u0639\u062F \u0648\u0641\u0627\u062A\u0647\u060C \u062A\u0645 \u062A\u0648\u0631\u064A\u062B \u0639\u062F\u0629 \u0623\u0639\u0645\u0627\u0644 \u0641\u0646\u064A\u0629 \u0645\u0646 \u0645\u062C\u0645\u0648\u0639\u0629 \u062C\u0648\u0631\u062F\u0627\u0646 \u0648\u0628\u0631\u0627\u0648\u0646\u0644\u064A \u0644\u0639\u062F\u0629 \u0645\u062A\u0627\u062D\u0641 \u0648\u0641\u0642\u064B\u0627 \u0644\u062D\u0635\u0631 \u0623\u0645\u0644\u0627\u0643 \u0648\u0631\u062B\u062A\u0647\u0645."@ar . . . . . . . . "Art acquisition, attribution, curation"@en . . . . "Zirpolo"@en . "American"@en . "National Gallery of Art"@en . "Simnacher"@en . . . . . . . . . . . . . "177"^^ . . . . . "Art historian"@en . . "cornsilk"@en . . "William Bryan Jordan Jr. (May 8, 1940 \u2013 January 22, 2018) was an American art historian who facilitated acquisitions, curated exhibitions, and authored publications on Spanish artists and still life paintings, particularly from the Golden Age. Born and raised in Nashville, Tennessee, and later in San Antonio, Texas, Jordan studied at Washington and Lee University and the Institute of Fine Arts of New York University. He became the founding director of the Meadows Museum at Southern Methodist University in 1967. With Algur H. Meadows' financial support, Jordan helped the museum acquire around 75 artworks and is credited for turning its collection into one of the most prominent collections of Spanish art outside Spain. He was also the chair of fine arts at the Meadows School of the Arts and an adjunct curator of the Dallas Museum of Art. After leaving the Meadows Museum, Jordan served as the deputy director and chief curator of the Kimbell Art Museum from 1981 to 1990, and worked on several still life exhibitions and publications, including Spanish Still Life in the Golden Age, 1600\u20131650 (1985) and Spanish Still Life from Vel\u00E1zquez to Goya (1995). Jordan's research of over 40 years on Juan van der Hamen culminated in his 2005 book Juan van der Hamen y Le\u00F3n & the Court of Madrid. He was on the board of various museums and art institutes, and was made an honorary trustee of the Prado Museum in 2017. Known for his connoisseurship, Jordan worked as an acquisition and attribution expert, and maintained a private collection with his husband Robert Dean Brownlee. Jordan purchased a then-misattributed painting \u2014 that he believed was by Diego Vel\u00E1zquez \u2014 for \u00A31,000 in 1988. After Vel\u00E1zquez's attribution was confirmed, he donated the painting, then titled Portrait of Philip III (1623\u201331) and valued at around US$6 million, to the Prado Museum in 2016. Following his death, several artworks from Jordan and Brownlee's collection were bequeathed to various museums by their estate."@en . . "Nashville, Tennessee, U.S."@en . "288"^^ . . "1212"^^ . "Spanish Still Life from Vel\u00E1zquez to Goya"@en . . . . . "354"^^ . . . . . . . . . . . "Edith O'Donnell Institute of Art History"@en . . . . . . "65277834"^^ . . . . . . "Yale University Press"@en . "San Antonio Express-News"@en . . "right"@en . . . "440"^^ . . . "left"@en . "Juan de Zurbar\u00E1n - Flowers and Fruit in a Chinese Bowl, c. 1645.jpg"@en . . . . "1940-05-08"^^ . "1940"^^ . . . . "Zirpolo"@en . . "William B. Jordan"@de . "2018-01-22"^^ . "355"^^ . . "de Carlos"@en . . "C\u00E9zanne - House and Greenery, 1895\u20131900.jpg"@en . . . . "Curlee"@en . . . . . . "Taggard"@en . . "San Antonio Express-News"@en . "Felipe Ramirez - Still Life with Cardoon, Francolin, Grapes and Irises, 1628.jpg"@en . . "Cherry"@en . . . . "1967"^^ . "1106694973"^^ . "Landeira"@en . . . . "Taggard"@en . "- William B. Jordan, 2007."@en . . . . "Zurbar\u00E1n - The Mystic Marriage of Saint Catherine of Siena, c. 1645.jpg"@en . . . . . . "Southern Methodist University"@en . "Dallas, Texas, U.S."@en . . . . "Jordan"@en . . "353"^^ . . . "355"^^ . . . . . . . . "Ostrow"@en . . . . . . . . "941"^^ . . . . . "William B. Jordan"@en . . . . "Juan S\u00E1nchez Cot\u00E1n - Still life with a cardoon and francolin.jpg"@en . . . "Mann"@en . "Nasher Sculpture Center"@en . . . "883"^^ . . . . . "2010"^^ . . . . "2006"^^ . "2007"^^ . . "2001"^^ . . . "884"^^ . "1996"^^ . "1997"^^ . . . . "1992"^^ . . "1995"^^ . . . "72915"^^ . . "298"^^ . . "299"^^ . . "1985"^^ . . . . . "1986"^^ . . . . . . "Dallas Museum of Art"@en . . "French drawings such as Two Studies of the Head of a Young Man Crowned with a Laurel Wreath by Jacques-Louis David, A Roman Cloister by Fran\u00E7ois-Marius Granet, A False Scalping Performed by Iowa Tribe Members in Paris by Eug\u00E8ne Delacroix, and Two Figures in a Landscape by Odilon Redon were donated to the National Gallery of Art from Jordan and Brownlee's collection."@en . "2007"^^ . . "1996"^^ . . "Jordan theorized that Still Life with Cardoon, Francolin, Grapes and Irises by Felipe Ram\u00EDrez was either inspired by Juan S\u00E1nchez Cot\u00E1n's Still Life with Cardoon and Francolin or a reproduction of a Cot\u00E1n painting which is now considered lost."@en . . "Morisot - Harbor Scene, Isle of Wight, 1875\u201382.jpg"@en . . . "1967"^^ . . "2018"^^ . . "2016"^^ . "2006"^^ . "2007"^^ . . . "2016"^^ . "2017"^^ . . "2018"^^ . . . "Brown"@en . . . . . . "0.675"^^ . "Wecker"@en . . . . . . "Pulido"@en . . . . . . . "William B. Jordan"@en . "Jacob Laying Peeled Rods before the Flocks of Laban, by Bartolome Esteban Murillo, Spanish, c. 1665, oil on canvas - Meadows Museum - Southern Methodist University - DSC05364.jpg"@en . . . . "1982"^^ . . . "Scheffler"@en . "1974"^^ . . . "2018-01-22"^^ . . . . . "Craft"@en . . . . "Francisco de Zurbar\u00E1n - Still Life with Lemons, Oranges and a Rose,1633.png"@en . "Jordan highlighted the acquisition of paintings such as The Mystical Marriage of St. Catherine by Francisco de Zurbar\u00E1n and Jacob Laying Peeled Rods Before the Flocks of Laban by Bartolom\u00E9 Esteban Murillo in the 1968 article."@en . "1940-05-08"^^ . . "2018"^^ . "17"^^ . . "Pulido"@en . . . . . . . . "2006"^^ . "Robert Dean Brownlee"@en . . "2018"^^ . "Delacroix - A False Scalping Performed by Iowa Tribe Members in Paris, 1845.jpg"@en . "William B. Jordan"@en . . . . . "William B. Jordan (* 1940 in Nashville; \u2020 22. Januar 2018 in Dallas) war ein US-amerikanischer Kunsthistoriker, der als ein Experte f\u00FCr die spanische Malerei der ersten H\u00E4lfte des 17. Jahrhunderts galt. Schwerpunkte seiner Arbeit waren das Stillleben und das Werk von Juan van der Hamen y Le\u00F3n."@de . . . . . "59"^^ . . "1968"^^ . "2018"^^ . . . . . . . . . . . . . . . "1982"^^ . "William B. Jordan"@pl . . . "Juan van der Hamen y Le\u00F3n - Comde de Solre.jpg"@en . . . . "According to Jordan, works of Tom\u00E1s Hiepes and Pseudo-Hiepes shared elemental, compositional, and thematic motifs, and were fundamentally archaic in relation to the Spanish Golden Age."@en . . . "David - Two Studies of the Head of a Young Man Crowned with a Laurel Wreath, 1775-1780, 2019.45.9.jpg"@en . . . . "480"^^ . . . . . . . . . "Juan van der Hamen - The Appearance of the Immaculate to Saint Francis, 1630\u201331.jpg"@en . "Photograph of Jordan in a blue pull-over sweater on a white shirt, with round brown-rimmed spectacles and against a pale blue wall."@en . "72"^^ . . . . . "2016"^^ . . "William B. Jordan (ur. 1940 w Nashville, zm. 22 stycznia 2018 w Dallas) \u2013 ameryka\u0144ski historyk sztuki. Specjalista w dziedzinie hiszpa\u0144skiego malarstwa, a w szczeg\u00F3lno\u015Bci martwych natur i tw\u00F3rczo\u015Bci barokowego malarza Juana van der Hamena. Pierwszy dyrektor Meadows Museum, sprawowa\u0142 t\u0119 funkcj\u0119 w latach 1967\u20131981. W 1988 naby\u0142 na aukcji XVII-wieczny hiszpa\u0144ski obraz nieznanego autora przedstawiaj\u0105cy kr\u00F3la Filipa III Habsburga. By\u0142 przekonany, \u017Ce autorem obrazu jest Diego Vel\u00E1zquez, kt\u00F3rego trzy dzie\u0142a naby\u0142 wcze\u015Bniej dla Meadows Museum i jedno dla Kimbell Art Museum. Kiedy ta atrybucja zosta\u0142a powszechnie uznana, Jordan podarowa\u0142 portret organizacji American Friends of the Prado Museum wspieraj\u0105cej Muzeum Prado w Madrycie, kt\u00F3re posiada najwi\u0119ksz\u0105 kolekcj\u0119 dzie\u0142 Vel\u00E1zqueza na \u015Bwiecie."@pl . "135"^^ . . "2018"^^ . . . . "2021"^^ . . . . "Redon - Two Figures in a Landscape, 1865.jpg"@en . . "134"^^ . . "135"^^ . . "Mallory"@en . "\u0648\u064A\u0644\u064A\u0627\u0645 \u0628\u0631\u0627\u064A\u0627\u0646 \u062C\u0648\u0631\u062F\u0627\u0646 \u0627\u0644\u0627\u0628\u0646 (8 \u0645\u0627\u064A\u0648\u060C 1940- 22 \u064A\u0646\u0627\u064A\u0631\u060C 2018) \u0645\u0624\u0631\u062E \u0641\u0646\u0648\u0646 \u0623\u0645\u0631\u064A\u0643\u064A \u0633\u0647\u0644 \u0639\u0645\u0644\u064A\u0627\u062A \u0627\u0642\u062A\u0646\u0627\u0621 \u0627\u0644\u0644\u0648\u062D\u0627\u062A \u0627\u0644\u0641\u0646\u064A\u0629\u060C \u0648\u0646\u0633\u0642 \u0627\u0644\u0645\u0639\u0627\u0631\u0636 \u0648\u0623\u0644\u0641 \u0645\u0646\u0634\u0648\u0631\u0627\u062A \u0639\u0646 \u0641\u0646\u0627\u0646\u064A\u0646 \u0625\u0633\u0628\u0627\u0646\u064A\u064A\u0646 \u0648\u0644\u0648\u062D\u0627\u062A \u0627\u0644\u0637\u0628\u064A\u0639\u0629 \u0627\u0644\u0635\u0627\u0645\u062A\u0629\u060C \u0644\u0627\u0633\u064A\u0645\u0627 \u0645\u0646 \u0627\u0644\u0639\u0635\u0631 \u0627\u0644\u0630\u0647\u0628\u064A."@ar . . . "Jordan around 2011\u20132013"@en . "Bothwell"@en . . . "Institute of Fine Arts, New York University"@en . . "French watercolor paintings like Harbor Scene, Isle of Wight by Berthe Morisot and House and Greenery by Paul C\u00E9zanne were a part of Jordan and Brownlee's bequest to the Dallas Museum of Art."@en . . "Edith O'Donnell Institute of Art History"@en . . . "Spanish Still Life in the Golden Age, 1600\u20131650"@en . . . . "1985"^^ . "Serraller"@en . . "1986"^^ . "William B. Jordan (ur. 1940 w Nashville, zm. 22 stycznia 2018 w Dallas) \u2013 ameryka\u0144ski historyk sztuki. Specjalista w dziedzinie hiszpa\u0144skiego malarstwa, a w szczeg\u00F3lno\u015Bci martwych natur i tw\u00F3rczo\u015Bci barokowego malarza Juana van der Hamena. Pierwszy dyrektor Meadows Museum, sprawowa\u0142 t\u0119 funkcj\u0119 w latach 1967\u20131981."@pl . . . . "1990"^^ . . "430"^^ . "2"^^ . . . . . "Bernardo Polo - Bodeg\u00F3n con flores y frutas en una repisa, 17th-century.jpg"@en . "border:none;"@en . . "1995"^^ . "\u0648\u064A\u0644\u064A\u0627\u0645 \u0628\u064A \u062C\u0648\u0631\u062F\u0627\u0646"@ar . "Prado Museum"@en . "4"^^ . . . . . "2005"^^ . "2006"^^ . "Granet - A Roman Cloister, 1802-19.jpg"@en . . . . "67"^^ . . . "7074"^^ . . "Meadows Museum"@en . . . . . "Rijksmuseum"@en . . . "390"^^ . "Prado Museum"@en . . "Juan van der Hamen y Le\u00F3n & the Court of Madrid"@en . . . "Brettell"@en . . . . "Meadows Museum"@en . . "North San Antonio Times"@en . "Real Academia de Bellas Artes de San Fernando"@en . . . . . . "Curlee"@en . . . . . . . . . . . . . . . . "24"^^ . . . "820"^^ . . . "Tom\u00E1s Yepes - Frutero de Delft y dos floreros, 1642.jpg"@en . . . . . . . . "center"@en . "Cherry"@en . . "7"^^ . . "Jordan"@en . . "297299"^^ . "330"^^ . "William B. Jordan (* 1940 in Nashville; \u2020 22. Januar 2018 in Dallas) war ein US-amerikanischer Kunsthistoriker, der als ein Experte f\u00FCr die spanische Malerei der ersten H\u00E4lfte des 17. Jahrhunderts galt. Schwerpunkte seiner Arbeit waren das Stillleben und das Werk von Juan van der Hamen y Le\u00F3n. Jordan studierte Kunstgeschichte am der New York University, wo er 1967 promoviert wurde. Hier brachte ihm die spanische Malerei n\u00E4her. Bereits 1965 war Jordan der Gr\u00FCndungsdirektor des an der Southern Methodist University in Dallas, dessen Sammlung er zu einer der wichtigsten Sammlungen spanischer Kunst in den USA ausbaute. Von 1981 bis 1990 war er stellvertretender Direktor des Kimbell Art Museum in Fort Worth. Er war Mitglied des Board of Directors der Chinati Foundation. Zudem war er Mitglied des Board of Trustees des Nasher Sculpture Center in Dallas. Seit den 1960er-Jahren besch\u00E4ftigte sich William B. Jordan mit Juan van der Hamen y Le\u00F3n. Mit seiner zweib\u00E4ndigen Dissertation aus dem Jahr 1967 legte er eine fr\u00FChe Monographie zu diesem Maler vor. Diese ist aber nur in wenigen gro\u00DFen Kunstbibliotheken verf\u00FCgbar. In dieser Publikation erweiterte er die Erkenntnisse zu Juan van der Hamen und benannte etwa erstmals dessen dreistufigen Kompositionstypus. F\u00FCr seine Dissertation wertete er neue Archivquellen aus, die es ihm erm\u00F6glichten, erstmals eine umfassende Biographie zu van der Hamen anzubieten. In der Folge unternahm William B. Jordan mehrere Spanienaufenthalte, um eine weitere, umfangreichere Monographie zu Juan van der Hamen y Le\u00F3n zu publizieren. Dieses Projekt konnte jedoch nicht abgeschlossen werden. Er kuratierte jedoch mehrere Ausstellungen zu ihm und konnte in den zugeh\u00F6rigen Publikationen die Kenntnisse zu van der Hamen aktualisieren. So organisierte Jordan die Schau \u201ESpanish Stil Life in the Golden Age 1600-1650\u201C im Kimbell Art Museum in Fort Worth im Jahr 1985 und war am Katalog zu \u201ESpanish Still Life from Vel\u00E1zquez to Goya\u201C in der National Gallery in London im Jahr 1995 beteiligt. Jordan kuratierte mit \u201EJuan van der Hamen y Le\u00F3n and the Court of Madrid\u201C, die 2005 und 2006 in Madrid und Dallas zu sehen war, die erste monographische Ausstellung zu diesem K\u00FCnstler. Er zeigte erstmals van der Hamen y Le\u00F3ns Schaffen als Historienmaler und Portr\u00E4tist gleichberechtigt neben den Stillleben und diskutierte einige Werke, die er van der Hamen zuschreibt. Der anl\u00E4sslich dieser Ausstellung von ihm verfasste Katalog ist die neueste Monographie zu Juan van der Hamen y Le\u00F3n. William B. Jordan verfolgte weiterhin das Projekt eines Werkverzeichnisses. William B. Jordan besch\u00E4ftigte sich aber auch mit anderen spanischen K\u00FCnstlern der ersten H\u00E4lfte des 17. Jahrhunderts. So war er Mitorganisator der Ausstellung \u201EEl Greco of Toledo\u201C, die 1982 in der National Gallery of Art in Washington, D.C. und weiteren Museen gezeigt wurde. Er wurde zudem als Experte herangezogen wie etwa beim Erwerb eines El Grecos und eines S\u00E1nchez Cot\u00E1ns durch das San Diego Museum of Art im Jahr 1990."@de . . . . . . . "Jordan used Juan van der Hamen's works such as Jean de Cro\u00FF, II Count of Solre and The Appearance of the Immaculate to Saint Francis to illustrate his range as a portraitist and history painter, respectively."@en . . . . . . . . . . "32.0"^^ . . . . . . . . "There's a lot wrong about art now. I mean, so much of the art today is silly. It's hard to find art of very great quality today. But it does exist."@en . . . . ""@en . "1211"^^ . . . . . . "Robertson"@en . "William Bryan Jordan Jr. (May 8, 1940 \u2013 January 22, 2018) was an American art historian who facilitated acquisitions, curated exhibitions, and authored publications on Spanish artists and still life paintings, particularly from the Golden Age."@en . . "right"@en . "300"^^ . . . . . . . . . "Mallory"@en . "297"^^ . "Jordan assessed that Juan de Zurbar\u00E1n's Pears in a China Bowl differed creatively and qualitatively from still life works of Francisco de Zurbar\u00E1n, such as Still Life with Lemons, Oranges and a Rose ."@en . .