. "1081417161"^^ . . . . . . . . . . . . . . . . . "Twin/Tone Records was an independent record label based in Minneapolis, Minnesota, which operated from 1977 until 1994. It was the original home of influential Minnesota bands the Replacements and Soul Asylum and was instrumental in helping the Twin Cities music scene achieve national attention in the 1980s. Along with other independent American labels such as SST Records, Touch and Go Records, and Dischord, Twin/Tone helped to spearhead the nationwide network of underground bands that formed the pre-Nirvana indie-rock scene. These labels presided over the shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock that were emerging."@en . . . . . . "Paul Stark"@en . . . "Charley Hallman"@en . . . . . . . . . . . . . . . "A Twin/Tone Records foi uma editora discogr\u00E1fica americana independente."@pt . . "Twin/Tone Records"@pt . . "Minneapolis, Minnesota"@en . "Twin/Tone Records"@en . . . . "8657"^^ . . . . . . "Twin/Tone Records was an independent record label based in Minneapolis, Minnesota, which operated from 1977 until 1994. It was the original home of influential Minnesota bands the Replacements and Soul Asylum and was instrumental in helping the Twin Cities music scene achieve national attention in the 1980s. Along with other independent American labels such as SST Records, Touch and Go Records, and Dischord, Twin/Tone helped to spearhead the nationwide network of underground bands that formed the pre-Nirvana indie-rock scene. These labels presided over the shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock that were emerging. Twin/Tone originated in the Minneapolis punk rock scene. The label was begun by Peter Jesperson, music and sports writer Charley Hallman, and Paul Stark. Releases by the pop/rock group The Suburbs were both Twin/Tone's first release (The Suburbs EP in 1978) and its last (Viva! Suburbs! in 1994). Jesperson signed the Replacements to the label immediately after the band's debut at the Longhorn Bar in Minneapolis. By 1984, the label had released 41 records and grown large enough to support three paid staff members, with its biggest-selling records including the Suburbs' debut and the first two discs by the Replacements. Other groups that signed with Twin/Tone include the Magnolias, Babes in Toyland, Information Society, Agitpop, the Jayhawks, Poster Children, Soul Asylum, the Wallets, Curtiss A, and Pennsylvania-based Ween. British alternative-rock musician Robyn Hitchcock also released his 1990 solo album Eye through the label. The label was headquartered at 2541 Nicollet Avenue in Minneapolis, which had previously been home to Kay Bank Studios, where garage-rock hits such as the Castaways' \"Liar, Liar\" and the Trashmen's \"Surfin' Bird\" had been recorded in the 1960s. For a time, H\u00FCsker D\u00FC had an office space next door to Twin/Tone at 2539. H\u00FCsker D\u00FC's Grant Hart would later name his first solo work, 2541, after the location. By 1994, Twin/Tone had released more than 300 records by 100 bands and had begun to develop an umbrella relationship with several smaller, mostly Minnesota-based indie labels, including: \n* TRG Records \n* Hot Records \n* Amphetamine Reptile Records \n* Wide Angle Records \n* Atomic Theory Records \n* Hakatak International Records \n* Boy's Life Records \n* Skene! Records \n* Coyote/Lost Records \n* Medium Cool Records \n* Clean Records \n* Spanish Fly Records \n* Prospective Records \n* UltraModern Records \n* Red Decibel Records \n* No Alternative Records \n* Guilt Ridden Pop Records In 1995, Twin/Tone was recognized as a \"significant regional label\" by Billboard magazine. In 1998, Stark decided to stop releasing physical product in favor of digital media. The company is currently described as being \"in mothballs\", releasing only limited amounts of out-of-print material on custom-burned CDs, though some of the more significant material was licensed to Restless Records, part of Rykodisc. Hallman died in 2015. In 2017, the label was revived by Stark and Jesperson to release the Suicide Commandos comeback album Time Bomb."@en . . "Twin/Tone Records \u2013 niezale\u017Cna wytw\u00F3rnia p\u0142ytowa za\u0142o\u017Cona w 1977 roku w Minneapolis w stanie Minnesota. Firma dzia\u0142a\u0142a do 1994 i wydawa\u0142a albumy popularnych miejscowych zespo\u0142\u00F3w the Replacements i Soul Asylum. Wytw\u00F3rnia przyczyni\u0142a si\u0119 do zyskania przez scen\u0119 muzyczn\u0105 Twin Cities og\u00F3lnokrajowej uwagi w latach osiemdziesi\u0105tych. Wraz z innymi niezale\u017Cnymi ameryka\u0144skimi wydawnictwami, takimi jak SST Records, Touch and Go Records i Dischord, Twin/Tone pomog\u0142a w utworzeniu og\u00F3lnokrajowej sieci zespo\u0142\u00F3w undergroundowych, kt\u00F3re uformowa\u0142y scen\u0119 indie rockow\u0105 przez er\u0105 Nirvany. Wytw\u00F3rnie te przewodzi\u0142y przej\u015Bciu od hardcore punku, w\u00F3wczas dominuj\u0105cego w ameryka\u0144skim podziemiu, do bardziej zr\u00F3\u017Cnicowanych from muzyki alternatywnej. Do ko\u0144ca istnienia wytw\u00F3rnia wyda\u0142a ponad 300 album\u00F3w. W 1994 rozpocz\u0119\u0142a wsp\u00F3\u0142prac\u0119 z mniejszymi, niezale\u017Cnymi wydawnictwami (g\u0142\u00F3wnie z Minneapolis), m.in. Amphetamine Reptile Records. W 1995 magazyn Billboard nazwa\u0142 Twin/Tone \u201Ewa\u017Cn\u0105 regionaln\u0105 wytw\u00F3rni\u0105\u201D. W 2017 wydawnictwo zosta\u0142o na kr\u00F3tki czas reaktywowane przez Starka i Jespersona, w celu wydania powrotnego albumu the Suicide Commandos."@pl . . "Twin/Tone Records"@en . . . . . . . . . ""@en . "A Twin/Tone Records foi uma editora discogr\u00E1fica americana independente."@pt . . . . . . . . . . . . . . "Twin/Tone Records logo,"@en . . . . . . "U.S."@en . . . . . . . "1977"^^ . . . "Twin/Tone Records"@en . . . "Twin/Tone Records \u2013 niezale\u017Cna wytw\u00F3rnia p\u0142ytowa za\u0142o\u017Cona w 1977 roku w Minneapolis w stanie Minnesota. Firma dzia\u0142a\u0142a do 1994 i wydawa\u0142a albumy popularnych miejscowych zespo\u0142\u00F3w the Replacements i Soul Asylum. Wytw\u00F3rnia przyczyni\u0142a si\u0119 do zyskania przez scen\u0119 muzyczn\u0105 Twin Cities og\u00F3lnokrajowej uwagi w latach osiemdziesi\u0105tych. Wraz z innymi niezale\u017Cnymi ameryka\u0144skimi wydawnictwami, takimi jak SST Records, Touch and Go Records i Dischord, Twin/Tone pomog\u0142a w utworzeniu og\u00F3lnokrajowej sieci zespo\u0142\u00F3w undergroundowych, kt\u00F3re uformowa\u0142y scen\u0119 indie rockow\u0105 przez er\u0105 Nirvany. Wytw\u00F3rnie te przewodzi\u0142y przej\u015Bciu od hardcore punku, w\u00F3wczas dominuj\u0105cego w ameryka\u0144skim podziemiu, do bardziej zr\u00F3\u017Cnicowanych from muzyki alternatywnej."@pl . . . . . . . . . . . . . . . . ""@en . . . "Twin/Tone Records"@en . . "1838126"^^ . . "Twin/Tone Records"@pl . . . . . . . . . .