. . "La Symphonie no 46 en si majeur Hob. I:46, est une symphonie du compositeur autrichien Joseph Haydn, compos\u00E9e en 1772."@fr . . . . . . "Sinfonia n. 46 (Haydn)"@it . . . "Die Sinfonie H-Dur Hoboken-Verzeichnis I:46 komponierte Joseph Haydn im Jahr 1772 w\u00E4hrend seiner Anstellung als Kapellmeister beim F\u00FCrsten Nikolaus I. Esterh\u00E1zy."@de . . . "5642"^^ . . "Sinfon\u00EDa n.\u00BA 46 (Haydn)"@es . . "Symfonie nr. 46 (Haydn)"@nl . "La Sinfon\u00EDa n.\u00BA 46 en si mayor, Hoboken I/46, es una sinfon\u00EDa del compositor austr\u00EDaco Joseph Haydn, compuesta en 1772, durante el periodo Sturm und Drang del compositor."@es . "Die Sinfonie H-Dur Hoboken-Verzeichnis I:46 komponierte Joseph Haydn im Jahr 1772 w\u00E4hrend seiner Anstellung als Kapellmeister beim F\u00FCrsten Nikolaus I. Esterh\u00E1zy."@de . . . . "Symphony No. 46 (Haydn)"@en . . . "B\u5927\u8ABF\u4EA4\u97FF\u66F2\uFF0C\u4F5C\u54C1\u865FHob. I:46\uFF0C\u662F\u6D77\u9813\u7DE8\u865F\u7B2C46\u865F\u7684\u4EA4\u97FF\u66F2\u4F5C\u54C1\uFF0C\u4F5C\u65BC1772\u5E74\uFF0C\u5176\u8ABF\u6027\u662F\u7F55\u898B\u65BC\u7576\u4EE3\u7684B\u5927\u8ABF\uFF0C\u5176\u66F2\u5F0F\u70BA\u56DB\u6A02\u7AE0\u9AD4\u88C1\u3002"@zh . "7900444"^^ . . . . . . . . "La Sinfon\u00EDa n.\u00BA 46 en si mayor, Hoboken I/46, es una sinfon\u00EDa del compositor austr\u00EDaco Joseph Haydn, compuesta en 1772, durante el periodo Sturm und Drang del compositor."@es . "La Sinfonia n. 46 in si maggiore, Hoboken I:46, fu composta da Joseph Haydn nel 1772. Insieme alla Sinfonia n. 42 in re maggiore ed alla Sinfonia n. 45 in fa diesis minore (Sinfonia degli addii) viene considerata appartenente al periodo Sturm und Drang del compositore; con l'espressione mediata dal titolo del dramma di Klinger del 1776 che ha dato il nome al noto movimento letterario preromantico, gli storiografi musicali infatti indicano spesso alcuni fenomeni che caratterizzarono l'area tedesca nel periodo 1840-1880."@it . . . . . . . . . "1115235440"^^ . "\u4EA4\u97FF\u66F2\u7B2C46\u756A \u30ED\u9577\u8ABF Hob. I:46 \u306F\u3001\u30D5\u30E9\u30F3\u30C4\u30FB\u30E8\u30FC\u30BC\u30D5\u30FB\u30CF\u30A4\u30C9\u30F3\u304C1772\u5E74\u306B\u4F5C\u66F2\u3057\u305F\u4EA4\u97FF\u66F2\u3002"@ja . "Symphonie no 46 de Joseph Haydn"@fr . . "\u4EA4\u97FF\u66F2\u7B2C46\u756A (\u30CF\u30A4\u30C9\u30F3)"@ja . "De Symfonie nr. 46 is een symfonie van Joseph Haydn, voltooid in 1772. Het is een typisch werk uit de Sturm und Drang-periode van Haydn."@nl . . "De Symfonie nr. 46 is een symfonie van Joseph Haydn, voltooid in 1772. Het is een typisch werk uit de Sturm und Drang-periode van Haydn."@nl . . . . . . . . . . . . . . "Joseph Haydn's Symphony No. 46 in B major, Hoboken I/46, was composed in 1772, during his Sturm und Drang period. The work is scored for two oboes, bassoon, two horns and strings. The work is written in standard four movement format. 1. \n* Vivace, 44 2. \n* Poco adagio in B minor, 68 3. \n* Menuet e Trio (Trio in B minor): Allegretto, 34 4. \n* Finale: Presto e scherzando, 22 The key of B major, which is highly unusual in the Classical period, sets the tone of the work, which is one of unease, restlessness and searching. The high-pitched horns add a touch of eeriness. The first movement starts with a four-note motif in unison, reminiscent of the Symphony No. 44 (Trauer), but quasi-inverted. It is developed in various keys, with frequent modulations into the minor and to other remote keys. In a deliberate 'surprise', the movement seems to enter the recapitulation seconds after the development begins, before jumping back to a dramatic development passage. The recapitulation continues the development still further, moving into dissonance, before an abrupt ending. The second movement is in B minor. It is a rhapsodic pastorale, rocking along over a running figure in the bass, with a syncopated figure in the muted violins maintaining the tension. The minuet is more assertive in tone, but its confidence is undermined by a plaintive, almost solemn, trio, again in B minor. The trio is \"tuneless\", similar to the Trio of the minuet in Symphony No. 29, and Haydn may have intended for a solo instrument to improvise a theme over the accompaniment. Many of Haydn\u2019s symphonies contain more startling surprises than the one which has made his \"Surprise\" Symphony famous. The surprise here comes in the final movement. The opening is a typical energetic theme in the violins which is rapidly taken up and developed, with the horns prominent. The music rushes on only to break off suddenly, interrupted by the closing passage of the minuet, followed by the repeat of the whole of the second half of the minuet. The horns then burst in again with the main finale theme, but fade away and the music stutters almost to a halt. Then, on an underlying pedal on the horns, the strings take the movement and symphony to a rapid and abrupt close. Although it is not known if he was familiar with this symphony, Ludwig van Beethoven would later do the same thing in the finale of his Fifth Symphony, interrupting the work with a reprise of material from the preceding movement before returning to the current movement's theme. Since all of the movements have the same tonic, the work is homotonal."@en . . "B\u5927\u8ABF\u4EA4\u97FF\u66F2\uFF0C\u4F5C\u54C1\u865FHob. I:46\uFF0C\u662F\u6D77\u9813\u7DE8\u865F\u7B2C46\u865F\u7684\u4EA4\u97FF\u66F2\u4F5C\u54C1\uFF0C\u4F5C\u65BC1772\u5E74\uFF0C\u5176\u8ABF\u6027\u662F\u7F55\u898B\u65BC\u7576\u4EE3\u7684B\u5927\u8ABF\uFF0C\u5176\u66F2\u5F0F\u70BA\u56DB\u6A02\u7AE0\u9AD4\u88C1\u3002"@zh . . "\u7B2C46\u865F\u4EA4\u97FF\u66F2 (\u6D77\u9813)"@zh . "46. Sinfonie (Haydn)"@de . "\u4EA4\u97FF\u66F2\u7B2C46\u756A \u30ED\u9577\u8ABF Hob. I:46 \u306F\u3001\u30D5\u30E9\u30F3\u30C4\u30FB\u30E8\u30FC\u30BC\u30D5\u30FB\u30CF\u30A4\u30C9\u30F3\u304C1772\u5E74\u306B\u4F5C\u66F2\u3057\u305F\u4EA4\u97FF\u66F2\u3002"@ja . . . "La Symphonie no 46 en si majeur Hob. I:46, est une symphonie du compositeur autrichien Joseph Haydn, compos\u00E9e en 1772."@fr . . "La Sinfonia n. 46 in si maggiore, Hoboken I:46, fu composta da Joseph Haydn nel 1772. Insieme alla Sinfonia n. 42 in re maggiore ed alla Sinfonia n. 45 in fa diesis minore (Sinfonia degli addii) viene considerata appartenente al periodo Sturm und Drang del compositore; con l'espressione mediata dal titolo del dramma di Klinger del 1776 che ha dato il nome al noto movimento letterario preromantico, gli storiografi musicali infatti indicano spesso alcuni fenomeni che caratterizzarono l'area tedesca nel periodo 1840-1880."@it . . . . . . . . . . "Joseph Haydn's Symphony No. 46 in B major, Hoboken I/46, was composed in 1772, during his Sturm und Drang period. The work is scored for two oboes, bassoon, two horns and strings. The work is written in standard four movement format. 1. \n* Vivace, 44 2. \n* Poco adagio in B minor, 68 3. \n* Menuet e Trio (Trio in B minor): Allegretto, 34 4. \n* Finale: Presto e scherzando, 22 The key of B major, which is highly unusual in the Classical period, sets the tone of the work, which is one of unease, restlessness and searching. The high-pitched horns add a touch of eeriness."@en . .