. "\u30B9\u30C8\u30C3\u30D7\u30E2\u30FC\u30B7\u30E7\u30F3\u30FB\u30A2\u30CB\u30E1\u30FC\u30B7\u30E7\u30F3\uFF08Stop motion animation\uFF09\u3068\u306F\u3001\u9759\u6B62\u3057\u3066\u3044\u308B\u7269\u4F53\u30921\u30B3\u30DE\u6BCE\u306B\u5C11\u3057\u305A\u3064\u52D5\u304B\u3057\u30AB\u30E1\u30E9\u3067\u64AE\u5F71\u3057\u3001\u3042\u305F\u304B\u3082\u305D\u308C\u81EA\u8EAB\u304C\u9023\u7D9A\u3057\u3066\u52D5\u3044\u3066\u3044\u308B\u304B\u306E\u3088\u3046\u306B\u898B\u305B\u308B\u6620\u753B\u306E\u64AE\u5F71\u6280\u8853\u3001\u6280\u6CD5\u3002\u30A2\u30CB\u30E1\u30FC\u30B7\u30E7\u30F3\u306E\u4E00\u7A2E\u3067\u3042\u308A\u3001SFX\u306E\u4E00\u7A2E\u3002\u30B3\u30DE\u64AE\u308A\uFF08\u30B3\u30DE\u3069\u308A\uFF09\u3068\u3082\u3044\u3046\u3002"@ja . . . . "\u062A\u0642\u0646\u064A\u0629 \u0625\u064A\u0642\u0627\u0641 \u0627\u0644\u062D\u0631\u0643\u0629\u060C \u062A\u0639\u0631\u0641 \u0623\u064A\u0636\u0627\u064B \u0628\u062A\u0642\u0646\u064A\u0629 \u0627\u0644\u0625\u0637\u0627\u0631\u0627\u062A \u0627\u0644\u062B\u0627\u0628\u062A\u0629 \u0623\u0648 \u0641\u0646 \u0627\u0644\u062A\u0635\u0648\u064A\u0631 \u0627\u0644\u0645\u062A\u0639\u0627\u0642\u0628\u060C \u0648\u0647\u064A \u062A\u0642\u0646\u064A\u0629 \u062A\u062D\u0631\u064A\u0643 \u0627\u0644\u0631\u0633\u0648\u0645 \u0648\u0627\u0644\u0635\u0648\u0631 \u0639\u0646 \u0637\u0631\u064A\u0642 \u0627\u0644\u062A\u0644\u0627\u0639\u0628 \u0628\u0647\u0627 \u0644\u062A\u0638\u0647\u0631 \u0648\u0643\u0623\u0646\u0647\u0627 \u062A\u062A\u062D\u0631\u0643 \u0630\u0627\u062A\u064A\u064B\u0627\u060C \u064A\u062D\u062F\u062B \u0630\u0644\u0643 \u0639\u0646 \u0637\u0631\u064A\u0642 \u062A\u0635\u0648\u064A\u0631 \u0627\u0644\u063A\u0631\u0636 -\u0627\u0644\u062C\u0633\u0645 \u0627\u0644\u0645\u0631\u0627\u062F \u062A\u062D\u0631\u064A\u0643\u0647- \u0635\u0648\u0631\u064B\u0627 \u0645\u062A\u0639\u0627\u0642\u0628\u0629\u060C \u0645\u0639 \u0625\u0636\u0627\u0641\u0629 \u062A\u063A\u064A\u064A\u0631 \u0628\u0633\u064A\u0637 \u0641\u064A \u0643\u0644 \u0635\u0648\u0631\u0629\u060C \u0628\u062D\u064A\u062B \u064A\u0643\u0648\u0646 \u0627\u0644\u0641\u0631\u0642 \u0628\u064A\u0646 \u0623\u064A \u0635\u0648\u0631\u0629 \u0648\u0627\u0644\u0635\u0648\u0631\u0629 \u0627\u0644\u062A\u064A \u062A\u0644\u064A\u0647\u0627 \u0647\u0648 \u062D\u0631\u0643\u0629 \u0628\u0633\u064A\u0637\u0629 \u0644\u0627 \u062A\u062A\u0639\u062F\u0649 1/24 \u0645\u0646 \u0627\u0644\u062B\u0627\u0646\u064A\u0629 \u0645\u0646 \u0632\u0645\u0646 \u0627\u0644\u062D\u0631\u0643\u0629 \u0627\u0644\u0637\u0628\u064A\u0639\u064A\u060C \u0648\u0639\u0646\u062F \u0639\u0631\u0636 \u0647\u0630\u0647 \u0627\u0644\u0635\u0648\u0631 \u0628\u0634\u0643\u0644 \u0645\u062A\u0633\u0644\u0633\u0644 \u0648\u0633\u0631\u064A\u0639 \u064A\u062D\u062F\u062B \u0639\u0646\u062F \u0627\u0644\u0645\u062A\u0641\u0631\u062C \u0625\u064A\u0647\u0627\u0645 \u0628\u0627\u0644\u062D\u0631\u0643\u0629. \u0648\u0639\u0627\u062F\u0629\u064B \u064A\u062A\u0645 \u0627\u0633\u062A\u062E\u062F\u0627\u0645 \u0627\u0644\u062F\u0645\u0649 \u0630\u0627\u062A \u0627\u0644\u0645\u0641\u0627\u0635\u0644 \u0627\u0644\u0645\u062A\u062D\u0631\u0643\u0629 \u0623\u0648 \u062F\u0645\u0649 \u0627\u0644\u0635\u0644\u0635\u0627\u0644 \u0641\u064A \u0647\u0630\u0647 \u0627\u0644\u062A\u0642\u0646\u064A\u0629 \u0648\u0630\u0644\u0643 \u0644\u0633\u0647\u0648\u0644\u0629 \u062A\u062D\u0631\u064A\u0643\u0647\u0627 \u0648\u062A\u063A\u064A\u064A\u0631 \u0623\u0648\u0636\u0627\u0639\u0647\u0627\u060C \u0648\u064A\u0637\u0644\u0642 \u0627\u0633\u0645 \u0639\u0644\u0649 \u0627\u0644\u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u062A\u064A \u062A\u0633\u062A\u062E\u062F\u0645 \u0644\u062F\u0627\u0626\u0646 \u0627\u0644\u0628\u0644\u0627\u0633\u062A\u064A\u0633\u064A\u0646. \u0648\u0644\u0627 \u064A\u0634\u062A\u0631\u0637 \u0641\u0642\u0637 \u0627\u0633\u062A\u062E\u062F\u0627\u0645 \u0627\u0644\u062F\u0645\u0649 \u0623\u0648 \u0627\u0644\u0646\u0645\u0627\u0630\u062C \u0627\u0644\u0645\u062C\u0633\u0645\u0629 \u0628\u0644 \u064A\u0645\u0643\u0646 \u0623\u064A\u0636\u0627\u064B \u0627\u0633\u062A\u062E\u062F\u0627\u0645 \u0634\u062E\u0635\u064A\u0627\u062A \u0628\u0634\u0631\u064A\u0629 \u0623\u0648 \u0627\u0644\u0623\u062C\u0647\u0632\u0629 \u0627\u0644\u0643\u0647\u0631\u0628\u0627\u0626\u064A\u0629 \u0627\u0644\u0645\u0646\u0632\u0644\u064A\u0629 \u0623\u0648 \u063A\u064A\u0631\u0647\u0627 \u0644\u0625\u0636\u0627\u0641\u0629 \u062A\u0623\u062B\u064A\u0631 \u0643\u0648\u0645\u064A\u062F\u064A\u060C \u0648\u064A\u0637\u0644\u0642 \u0627\u0633\u0645 \u0641\u0646 \u062A\u062D\u0631\u064A\u0643 \u0627\u0644\u0645\u062C\u0633\u0645\u0627\u062A \u0639\u0644\u0649 \u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u062D\u0631\u0643\u0629 \u0627\u0644\u062B\u0627\u0628\u062A\u0629 \u0627\u0644\u062A\u064A \u062A\u0633\u062A\u062E\u062F\u0645 \u0627\u0644\u0623\u062C\u0633\u0627\u0645 \u0627\u0644\u0645\u0627\u062F\u064A\u0629 \u0627\u0644\u0635\u0644\u0628\u0629 \u063A\u064A\u0631 \u0627\u0644\u0644\u062F\u0627\u0626\u0646 \u0623\u0648 \u062F\u0645\u0649 \u0627\u0644\u0643\u0627\u0626\u0646\u0627\u062A."@ar . . "\uC2A4\uD1B1 \uBAA8\uC158(stop motion)\uC740 \uC815\uC9C0\uD558\uACE0 \uC788\uB294 \uBB3C\uCCB4\uB97C 1\uD504\uB808\uC784\uB9C8\uB2E4 \uC870\uAE08\uC529 \uC774\uB3D9\uD558\uC5EC, \uCE74\uBA54\uB77C\uB85C \uCD2C\uC601\uD558\uC5EC \uB9C8\uCE58 \uC790\uC2E0\uC774 \uACC4\uC18D\uD574\uC11C \uC6C0\uC9C1\uC774\uACE0 \uC788\uB294 \uAC83\uCC98\uB7FC \uBCF4\uC5EC\uC8FC\uB294 \uC601\uD654 \uCD2C\uC601 \uAE30\uC220, \uAE30\uBC95\uC774\uB2E4.\uC815\uC9C0 \uB3D9\uC791, \uC6C0\uC9C1\uC774\uACE0 \uC788\uB294 \uC601\uC0C1\uC744 \uD544\uC694\uD55C \uC21C\uAC04\uC5D0 \uD544\uC694\uD55C \uC2DC\uAC04\uB9CC\uD07C \uC815\uC9C0\uC2DC\uD0A8 \uC0C1\uD0DC\uC758 \uD654\uBA74 \uB610\uB294 \uADF8 \uAE30\uBC95\uC744 \uB9D0\uD55C\uB2E4. \uC601\uD654 \uD544\uB984\uC740 \uC601\uC0C1\uC758 \uC6B4\uB3D9\u00B7\uC815\uC9C0\uC5D0 \uAD00\uACC4\uC5C6\uC774 \uD56D\uC0C1 \uAC19\uC740 \uC18D\uB3C4\uB85C \uAE30\uACC4\uB97C \uB3CC\uB9AC\uAE30 \uB54C\uBB38\uC5D0 \uC601\uC0C1\uC744 \uC815\uC9C0\uC2DC\uCF1C \uB450\uB294 \uACBD\uC6B0\uB77C\uBA74, \uADF8 \uC601\uC0C1\uC744 \uD544\uC694\uD55C \uC2DC\uAC04\uB9CC\uD07C \uD544\uB984 \uC704\uC5D0 \uBB18\uC0AC\uD558\uC9C0 \uC54A\uC73C\uBA74 \uC548 \uB41C\uB2E4. \uB530\uB77C\uC11C \uC560\uB2C8\uBA54\uC774\uC158(animation) \uC601\uD654\uC758 \uACBD\uC6B0\uB294 \uD544\uC694\uD55C \uC21C\uAC04\uC758 \uADF8\uB9BC\uC744 \uD544\uC694\uD55C \uC2DC\uAC04 \uC218\uB9CC\uD07C \uCD2C\uC601\uD558\uACE0 \uC2E4\uC0AC(\u5BE6\u5BEB) \uC601\uD654\uC758 \uACBD\uC6B0\uB294 1\uD504\uB808\uC784\uB9CC \uCD2C\uC601\uD558\uACE0 \uD544\uC694\uD55C \uD504\uB808\uC784 \uC218\uB9CC\uD07C \uBCF5\uC0AC\uD574\uC11C \uC5F0\uC18D\uD574 \uBD99\uC774\uBA74 \uB41C\uB2E4. \uC601\uC0AC\uAE30 \uC989 \uC7AC\uC0DD\uC7A5\uCE58\uC5D0\uC11C \uD544\uB984\uB9CC\uC744 \uC790\uC720\uB86D\uAC8C \uC815\uC9C0\uC2DC\uD0AC \uC218 \uC788\uB294 \uAE30\uB2A5\uC774 \uC788\uC73C\uBA74, \uBB3C\uB860 \uADF8\uAC83\uB9CC\uC73C\uB85C\uB3C4 \uAC00\uB2A5\uD55C \uAC83\uC774\uB2E4. \uC2A4\uD1B1 \uBAA8\uC158\uC758 \uD6A8\uACFC\uB294 \uC6B4\uB3D9\uC758 \uC815\uC9C0 \uADF8 \uC790\uCCB4\uAC00 \uC2DC\uAC01\uC801\uC778 \uC790\uADF9\uD6A8\uACFC\uB97C \uAC00\uC9C0\uBA70, \uB610 \uC5B4\uB290 \uC21C\uAC04\uC758 \uC6C0\uC9C1\uC784\uC744 \uBA48\uCD94\uAC8C \uD568\uC73C\uB85C\uC368 \uADF8 \uC21C\uAC04\uC744 \uD574\uBA85\uD558\uAC70\uB098 \uAC15\uC870\uD558\uB294 \uB370 \uC774\uC6A9\uB41C\uB2E4."@ko . . . . . . . . . . . . . . . "Haltomovo estas tekniko de animacio kreata de statika pupo a\u016D modelo movigita po unu foto, kiu konsistas en la \u015Dajnigo de la movo de senmovaj a\u0135oj pere de serio de sinsekvaj fiksaj bildoj. Oni uzas anka\u016D la anglismon stop motion kiu eniris en praktika uzado tute \u0135use. Tradicie estis uzataj anka\u016D aliaj esprimoj kiaj fotoanimacio, animacio voluma, bildohaltado, krankuzado, animacio fotalfota, animacio bildalbilda, se citi nur kelkajn ekzemplojn."@eo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u041A\u0443\u043A\u043E\u043B\u044C\u043D\u0430\u044F \u0430\u043D\u0438\u043C\u0430\u0446\u0438\u044F"@ru . . . . . . . "\u0625\u064A\u0642\u0627\u0641 \u0627\u0644\u062D\u0631\u0643\u0629 (\u062A\u0642\u0646\u064A\u0629 \u062A\u0635\u0648\u064A\u0631)"@ar . . . . . . . . . . . . . . . . . . . . . . "Animacja poklatkowa (ang. stop motion) \u2013 animacja stworzona na podstawie klatek b\u0119d\u0105cych zdj\u0119ciami. Animator do zrobienia ka\u017Cdej klatki przekszta\u0142ca nieznacznie obiekty \u2013 zmienia ich po\u0142o\u017Cenie wzgl\u0119dem nieruchomego t\u0142a lub innych animowanych obiekt\u00F3w (obiektem mo\u017Ce by\u0107 dowolny kszta\u0142t linearny, p\u0142aski, albo przestrzenny). Po po\u0142\u0105czeniu klatek animowane obiekty wy\u015Bwietlane w formie filmu sprawiaj\u0105 wra\u017Cenie ruchu. Jednym z prekursor\u00F3w animacji, kt\u00F3ry przyczyni\u0142 si\u0119 do rozwoju techniki poklatkowej, by\u0142 L\u00E9on Gaumont (1864\u20131946), kt\u00F3ry w roku 1900 uzyska\u0142 francuski patent na animacj\u0119 poklatkow\u0105. Poklatkowa technika realizacji to metoda rejestracji obrazu wykorzystywana g\u0142\u00F3wnie w klasycznym filmie animowanym oraz w filmach naukowych (za jej pomoc\u0105 rejestruje si\u0119 np. wzrost ro\u015Blin, ruch cia\u0142 niebieskich, zmiany zachodz\u0105ce w organizmie; proces, kt\u00F3ry w rzeczywisto\u015Bci trwa kilka dni lub tygodni, zostaje skr\u00F3cony do kilkudziesi\u0119ciu sekund)."@pl . . . . . . . "La animaci\u00F3n en volumen\u200B o animaci\u00F3n fotograma a fotograma\u200B (a veces referida con su t\u00E9rmino en ingl\u00E9s, stop motion) es una t\u00E9cnica de animaci\u00F3n que consiste en aparentar el movimiento de objetos est\u00E1ticos por medio de una serie de im\u00E1genes fijas sucesivas. Stop motion es un anglicismo que empez\u00F3 a penetrar en el uso de la lengua espa\u00F1ola en tiempos relativamente recientes. Tradicionalmente, en lengua espa\u00F1ola, se ha designado esta t\u00E9cnica con muchos t\u00E9rminos diferentes, como por ejemplo \u00ABanimaci\u00F3n en volumen\u00BB, \u00ABparada de imagen\u00BB, \u00ABpaso de manivela\u00BB, \u00ABanimaci\u00F3n foto a foto\u00BB, \u00ABanimaci\u00F3n fotograma por fotograma\u00BB o \u00ABanimaci\u00F3n cuadro por cuadro\u00BB. En general se usan esos t\u00E9rminos o se denomina \u00ABanimaciones fotograma a fotograma\u00BB a las que no entran ni en la categor\u00EDa del dibujo animado ni en la de la animaci\u00F3n por ordenador; esto es, que no fueron dibujadas o pintadas ni a mano ni por ordenador, sino que fueron creadas tomando im\u00E1genes de la realidad. As\u00ED pues, el fotograma a fotograma se utiliza para producir movimientos animados de cualquier objeto, ya sea r\u00EDgido o maleable, como por ejemplo juguetes, bloques de construcci\u00F3n, mu\u00F1ecos articulados o personajes creados con plastilina. Podr\u00EDa tambi\u00E9n definirse esta t\u00E9cnica como animaci\u00F3n artesanal, debido a que se construye el movimiento manipulando un objeto, con las propias manos, fotograma a fotograma. Se trabajan diversos materiales (plastilina, arena, recortes de papel, tizas sobre suelos y muros, etc.) de manera progresiva, adelante, sin posibilidad alguna de retroceso."@es . . . . . . . . . "Stop-motion"@nl . . "Stop motion"@eu . . . . . . . . "Gerak henti (bahasa Inggris: stop motion atau stop frame) adalah sebuah teknik animasi untuk membuat objek yang dimanipulasi secara fisik agar terlihat bergerak dengan sendirinya. Objek tersebut digerakan sedikit demi sedikit di setiap frame yang akan difoto sehingga menciptakan ilusi pergerakan saat serangkaian frame tersebut dimainkan secara berurutan dan berkelanjutan. Boneka dengan sendi yang digerakan atau figur tanah liat sering digunakan dalam gerak henti karena alasan kemudahan meletakkannya kembali. Animasi gerak henti yang menggunakan tanah liat disebut animasi tanah liat atau .- nadia"@in . . . . . . "\u5B9A\u683C\u52D5\u756B (\u82F1\u8A9E\uFF1AStop motion animation)\uFF0C\u53C8\u540D\u505C\u683C\u52D5\u756B\u3001\u9010\u683C\u52D5\u756B\u3001\u9010\u5E27\u52A8\u753B\uFF0C\u662F\u4E00\u79CD\u52A8\u753B\u6280\u672F\uFF0C\u5176\u539F\u7406\u5373\u5C06\u6BCF\u5E27\u4E0D\u540C\u7684\u56FE\u50CF\u8FDE\u7EED\u64AD\u653E\uFF0C\u4ECE\u800C\u4EA7\u751F\u52A8\u753B\u6548\u679C\u3002\u6700\u57FA\u672C\u88FD\u4F5C\u5B9A\u683C\u52D5\u756B\u7684\u65B9\u6CD5\u662F\u5229\u7528\u76F8\u6A5F\u4F5C\u62CD\u651D\u5DE5\u5177\uFF0C\u70BA\u4E3B\u8981\u5C0D\u8C61\u62CD\u651D\u4E00\u9023\u4E32\u7684\u76F8\u7247\uFF0C\u6BCF\u5F35\u76F8\u7247\u4E4B\u9593\u70BA\u62CD\u651D\u5C0D\u8C61\u4F5C\u5C0F\u91CF\u79FB\u52D5\uFF0C\u6700\u5F8C\u628A\u6574\u8F2F\u76F8\u7247\u5FEB\u901F\u5730\u9023\u7E8C\u64AD\u653E\u4FBF\u5B8C\u6210\uFF08\u6BCF\u79D2\u5927\u7D04\u9700\u898124\u5F35\u76F8\u7247\uFF09\u3002\u6A61\u76AE\u6CE5\u56E0\u4E3A\u6613\u4E8E\u6539\u52A8\uFF0C\u662F\u5B9A\u683C\u52D5\u756B\u5E38\u9078\u7528\u7684\u6750\u6599\uFF0C\u5176\u6210\u54C1\u88AB\u79F0\u4E3A\u9ECF\u571F\u52A8\u753B\u3002"@zh . . . . . . . . . . . . "L'animation en volume ou animation pas-\u00E0-pas (\u00E9galement d\u00E9sign\u00E9e par le terme anglais stop motion) est une technique d'animation utilis\u00E9e avec des objets r\u00E9els, dot\u00E9s de volume. Alors que les objets sont immobiles en eux-m\u00EAmes, cette technique permet de cr\u00E9er l'illusion qu'ils sont dot\u00E9s d'un mouvement naturel. Diff\u00E9rents types d'objets sont utilis\u00E9s \u00E0 cette fin : des figurines articul\u00E9es, des maquettes articul\u00E9es, du papier pli\u00E9, de la p\u00E2te \u00E0 modeler, etc. Des exemples c\u00E9l\u00E8bres de films ayant recouru \u00E0 cette technique sont King Kong (1933), de nombreux films fantastiques de la seconde moiti\u00E9 du XXe si\u00E8cle dont ceux du c\u00E9l\u00E8bre Ray Harryhausen (1920-2013) ou, plus r\u00E9cemment, L'\u00CEle aux chiens (2018), de Wes Anderson, parmi bien d'autres exemples. Dans la plupart des \u0153uvres visuelles o\u00F9 cette technique est utilis\u00E9e, un d\u00E9cor constitu\u00E9 d\u2019objets est film\u00E9 \u00E0 l\u2019aide d\u2019une cam\u00E9ra d\u00E9di\u00E9e \u00E0 l\u2019animation, c\u2019est-\u00E0-dire pouvant enregistrer sur une pellicule cin\u00E9matographique un seul photogramme chaque fois qu'elle est enclench\u00E9e, telle un appareil photo (technique de l'image par image), ou \u00E0 l'aide d'une cam\u00E9ra \u00E0 m\u00E9moire num\u00E9rique. Entre chaque prise de vue d'une ou deux images, les objets de la sc\u00E8ne sont l\u00E9g\u00E8rement d\u00E9plac\u00E9s ou transform\u00E9s. Lors de la restitution \u00E0 la cadence normale de projection, ces objets \u2014 pourtant immobiles lors des prises de vue \u2014 donnent l\u2019illusion de bouger par eux-m\u00EAmes. La technique est semblable \u00E0 celle du dessin anim\u00E9 mais avec des objets en trois dimensions."@fr . . . . . . "Gerak henti"@in . . . . . . . . . . . "1123697033"^^ . . . . "\u041A\u0443\u043A\u043E\u043B\u044C\u043D\u0430\u044F \u0430\u043D\u0438\u043C\u0430\u0446\u0438\u044F, \u043A\u0443\u043A\u043E\u043B\u044C\u043D\u0430\u044F \u043C\u0443\u043B\u044C\u0442\u0438\u043F\u043B\u0438\u043A\u0430\u0446\u0438\u044F \u2014 \u043C\u0435\u0442\u043E\u0434 \u043E\u0431\u044A\u0451\u043C\u043D\u043E\u0439 \u043C\u0443\u043B\u044C\u0442\u0438\u043F\u043B\u0438\u043A\u0430\u0446\u0438\u0438. \u041F\u0440\u0438 \u0441\u043E\u0437\u0434\u0430\u043D\u0438\u0438 \u0438\u0441\u043F\u043E\u043B\u044C\u0437\u0443\u044E\u0442\u0441\u044F \u0441\u0446\u0435\u043D\u0430-\u043C\u0430\u043A\u0435\u0442 \u0438 \u043A\u0443\u043A\u043B\u044B-\u0430\u043A\u0442\u0451\u0440\u044B. \u0421\u0446\u0435\u043D\u0430 \u0444\u043E\u0442\u043E\u0433\u0440\u0430\u0444\u0438\u0440\u0443\u0435\u0442\u0441\u044F \u043F\u043E\u043A\u0430\u0434\u0440\u043E\u0432\u043E, \u043F\u043E\u0441\u043B\u0435 \u043A\u0430\u0436\u0434\u043E\u0433\u043E \u043A\u0430\u0434\u0440\u0430 \u0432 \u0441\u0446\u0435\u043D\u0443 \u0432\u043D\u043E\u0441\u044F\u0442\u0441\u044F \u043C\u0438\u043D\u0438\u043C\u0430\u043B\u044C\u043D\u044B\u0435 \u0438\u0437\u043C\u0435\u043D\u0435\u043D\u0438\u044F (\u043D\u0430\u043F\u0440\u0438\u043C\u0435\u0440, \u0438\u0437\u043C\u0435\u043D\u044F\u0435\u0442\u0441\u044F \u043F\u043E\u0437\u0430 \u043A\u0443\u043A\u043B\u044B). \u041F\u0440\u0438 \u0432\u043E\u0441\u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0438 \u043F\u043E\u043B\u0443\u0447\u0435\u043D\u043D\u043E\u0439 \u043F\u043E\u0441\u043B\u0435\u0434\u043E\u0432\u0430\u0442\u0435\u043B\u044C\u043D\u043E\u0441\u0442\u0438 \u043A\u0430\u0434\u0440\u043E\u0432 \u0432\u043E\u0437\u043D\u0438\u043A\u0430\u0435\u0442 \u0438\u043B\u043B\u044E\u0437\u0438\u044F \u0434\u0432\u0438\u0436\u0435\u043D\u0438\u044F \u043E\u0431\u044A\u0435\u043A\u0442\u043E\u0432. \u041F\u043E\u0437\u0432\u043E\u043B\u044F\u0435\u0442 \u0441\u0430\u043C\u044B\u0439 \u0448\u0438\u0440\u043E\u043A\u0438\u0439 \u0432\u044B\u0431\u043E\u0440 \u043C\u0430\u0442\u0435\u0440\u0438\u0430\u043B\u043E\u0432 \u0438 \u0442\u0435\u0445\u043D\u0438\u043A\u0438 \u0432\u044B\u043F\u043E\u043B\u043D\u0435\u043D\u0438\u044F \u0434\u0435\u043A\u043E\u0440\u0430\u0446\u0438\u0439, \u0444\u0438\u0433\u0443\u0440, \u043E\u0431\u044A\u0435\u043A\u0442\u043E\u0432."@ru . . . . . . "Passo uno"@it . . . . "Animacja poklatkowa (ang. stop motion) \u2013 animacja stworzona na podstawie klatek b\u0119d\u0105cych zdj\u0119ciami. Animator do zrobienia ka\u017Cdej klatki przekszta\u0142ca nieznacznie obiekty \u2013 zmienia ich po\u0142o\u017Cenie wzgl\u0119dem nieruchomego t\u0142a lub innych animowanych obiekt\u00F3w (obiektem mo\u017Ce by\u0107 dowolny kszta\u0142t linearny, p\u0142aski, albo przestrzenny). Po po\u0142\u0105czeniu klatek animowane obiekty wy\u015Bwietlane w formie filmu sprawiaj\u0105 wra\u017Cenie ruchu. Jednym z prekursor\u00F3w animacji, kt\u00F3ry przyczyni\u0142 si\u0119 do rozwoju techniki poklatkowej, by\u0142 L\u00E9on Gaumont (1864\u20131946), kt\u00F3ry w roku 1900 uzyska\u0142 francuski patent na animacj\u0119 poklatkow\u0105."@pl . "La tecnica passo uno, chiamata anche ripresa a passo uno o animazione a passo uno (in inglese stop-motion o anche frame by frame) \u00E8 una tecnica di ripresa cinematografica e di animazione. Con l'espressione \"passo uno\" si pu\u00F2 intendere sia la tecnica impiegata che il prodotto ottenuto con la stessa."@it . . . . "Animacja poklatkowa"@pl . . . . . "Stop-Motion ist eine Filmtechnik, bei der eine Illusion von Bewegung erzeugt wird, indem einzelne Bilder (Frames) von unbewegten Motiven aufgenommen und anschlie\u00DFend aneinandergereiht werden. Sie kommt bei Trickfilmen, aber auch als Spezialeffekt bei Realfilmen zum Einsatz. Ausgangspunkt ist dabei der Stopptrick."@de . . . . . . . . . . . . . . . . . . . "Stop motion (engelska: 'stopp-r\u00F6relse') \u00E4r en av tre huvudsakliga animationstekniker. Den bygger p\u00E5 enbildstagningar av figurer och milj\u00F6er som successivt flyttas/byter st\u00E4llning mellan tagningarna. Tekniken anv\u00E4nds ofta till \"dockfilm\", med ledade eller andra typer av dockor som rollfigurer."@sv . . . . . . . . . . "Stop-motion"@ca . . . . . . "Stop motion is an animated filmmaking technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back. Any kind of object can thus be animated, but puppets with movable joints (puppet animation) or plasticine figures (clay animation or claymation) are most commonly used. Puppets, models or clay figures built around an armature are used in model animation. Stop motion with live actors is often referred to as pixilation. Stop motion of flat materials such as paper, fabrics or photographs is usually called cutout animation."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Stop-motion of stopframeanimatie is een filmtechniek waarmee speciale effecten in films kunnen worden gecre\u00EBerd. De techniek is al bijna net zo oud als filmen zelf en was voor de komst van digitale animatie een van de primaire special-effects-technieken in de filmindustrie."@nl . . . . . . . . . "La animaci\u00F3n en volumen\u200B o animaci\u00F3n fotograma a fotograma\u200B (a veces referida con su t\u00E9rmino en ingl\u00E9s, stop motion) es una t\u00E9cnica de animaci\u00F3n que consiste en aparentar el movimiento de objetos est\u00E1ticos por medio de una serie de im\u00E1genes fijas sucesivas. Stop motion es un anglicismo que empez\u00F3 a penetrar en el uso de la lengua espa\u00F1ola en tiempos relativamente recientes. Tradicionalmente, en lengua espa\u00F1ola, se ha designado esta t\u00E9cnica con muchos t\u00E9rminos diferentes, como por ejemplo \u00ABanimaci\u00F3n en volumen\u00BB, \u00ABparada de imagen\u00BB, \u00ABpaso de manivela\u00BB, \u00ABanimaci\u00F3n foto a foto\u00BB, \u00ABanimaci\u00F3n fotograma por fotograma\u00BB o \u00ABanimaci\u00F3n cuadro por cuadro\u00BB."@es . . . "Stop-Motion"@de . . . "L'stop-motion \u00E9s una t\u00E8cnica d'animaci\u00F3 que consisteix en capturar fotografies consecutives d'un objecte movent-lo una mica entre fotografia i fotografia de manera que, visualitzant-les r\u00E0pidament, hom creu que l'objecte es mou. Generalment, es denominen animacions d'stop-motion totes aquelles animacions que no s\u00F3n realitzades amb dibuixos animats (tamb\u00E9 anomenades animaci\u00F3 tradicional 2D), ni tampoc creades completament dins l'ordinador (animaci\u00F3 3D), sin\u00F3 que s'han creat a partir d'imatges de la realitat.Aix\u00ED doncs, l'stop-motion es fa servir per a produir moviments animats de qualsevol objecte, tant si \u00E9s r\u00EDgid com modelable: joguines, blocs de construcci\u00F3, ninots articulats, personatges creats amb plastilina... Tamb\u00E9 es desenvolupen animacions en stop-motion for\u00E7a interessants amb altr"@ca . . . . . "Stop motion, pook\u00E9nkov\u00E1 nebo f\u00E1zov\u00E1 animace je technika animace, p\u0159i n\u00ED\u017E je re\u00E1ln\u00FD objekt mezi jednotliv\u00FDmi sn\u00EDmky ru\u010Dn\u011B upravov\u00E1n a posouv\u00E1n o mal\u00E9 \u00FAseky tak, aby po spojen\u00ED vyvolala animace dojem spojitosti. Hlavn\u00ED v\u00FDhodou t\u00E9to techniky je, \u017Ee dovoluje animovat t\u00E9m\u011B\u0159 cokoli. Nev\u00FDhodou je velk\u00E1 \u010Dasov\u00E1 n\u00E1ro\u010Dnost. Nap\u0159\u00EDklad celove\u010Dern\u00ED sn\u00EDmek Wallace & Gromit: Proklet\u00ED kr\u00E1l\u00EDkodlaka nato\u010Den\u00FD technikou stop motion se to\u010Dil cel\u00FDch p\u011Bt let."@cs . . . . "L'animation en volume ou animation pas-\u00E0-pas (\u00E9galement d\u00E9sign\u00E9e par le terme anglais stop motion) est une technique d'animation utilis\u00E9e avec des objets r\u00E9els, dot\u00E9s de volume. Alors que les objets sont immobiles en eux-m\u00EAmes, cette technique permet de cr\u00E9er l'illusion qu'ils sont dot\u00E9s d'un mouvement naturel. Diff\u00E9rents types d'objets sont utilis\u00E9s \u00E0 cette fin : des figurines articul\u00E9es, des maquettes articul\u00E9es, du papier pli\u00E9, de la p\u00E2te \u00E0 modeler, etc. Des exemples c\u00E9l\u00E8bres de films ayant recouru \u00E0 cette technique sont King Kong (1933), de nombreux films fantastiques de la seconde moiti\u00E9 du XXe si\u00E8cle dont ceux du c\u00E9l\u00E8bre Ray Harryhausen (1920-2013) ou, plus r\u00E9cemment, L'\u00CEle aux chiens (2018), de Wes Anderson, parmi bien d'autres exemples."@fr . . . "\u041B\u044F\u043B\u044C\u043A\u043E\u0432\u0430 \u0430\u043D\u0456\u043C\u0430\u0446\u0456\u044F (\u0437\u0430\u0441\u0442. \u0443\u043A\u0440. \u043B\u044F\u043B\u044C\u043A\u043E\u0432\u0430 \u043C\u0443\u043B\u044C\u0442\u0438\u043F\u043B\u0456\u043A\u0430\u0446\u0456\u044F) \u2014 \u043D\u0430\u043F\u0440\u044F\u043C \u0430\u043D\u0456\u043C\u0430\u0446\u0456\u0457, \u0449\u043E \u0431\u0430\u0437\u0443\u0454\u0442\u044C\u0441\u044F \u043D\u0430 \u043E\u0431'\u0454\u043C\u043D\u0438\u0445 \u0441\u0446\u0435\u043D\u0430\u0445-\u043C\u0430\u043A\u0435\u0442\u0430\u0445 \u0437 \u043B\u044F\u043B\u044C\u043A\u0430\u043C\u0438-\u0430\u043A\u0442\u043E\u0440\u0430\u043C\u0438. \u041E\u0431'\u0454\u043C\u043D\u0430 \u0441\u0446\u0435\u043D\u0430 \u0444\u043E\u0442\u043E\u0433\u0440\u0430\u0444\u0443\u0454\u0442\u044C\u0441\u044F \u043C\u0435\u0442\u043E\u0434\u043E\u043C \u043F\u043E\u043A\u0430\u0434\u0440\u043E\u0432\u043E\u0457 \u0437\u0439\u043E\u043C\u043A\u0438, \u043F\u0456\u0441\u043B\u044F \u043A\u043E\u0436\u043D\u043E\u0433\u043E \u043A\u0430\u0434\u0440\u0443 \u0432 \u0441\u0446\u0435\u043D\u0443 \u0432\u043D\u043E\u0441\u044F\u0442\u044C\u0441\u044F \u043C\u0456\u043D\u0456\u043C\u0430\u043B\u044C\u043D\u0456 \u0437\u043C\u0456\u043D\u0438 (\u043D\u0430\u043F\u0440\u0438\u043A\u043B\u0430\u0434, \u0437\u043C\u0456\u043D\u044E\u0454\u0442\u044C\u0441\u044F \u043F\u043E\u0437\u0430 \u043B\u044F\u043B\u044C\u043A\u0438). \u041F\u0440\u0438 \u0432\u0456\u0434\u0442\u0432\u043E\u0440\u0435\u043D\u043D\u0456 \u0441\u0435\u0440\u0456\u0457 \u0437\u043D\u0456\u043C\u043A\u0456\u0432 \u0437 \u0447\u0430\u0441\u0442\u043E\u0442\u043E\u044E \u0437\u043C\u0456\u043D\u0438 \u043A\u0430\u0434\u0440\u0456\u0432 \u0432\u0438\u043D\u0438\u043A\u0430\u0454 \u0456\u043B\u044E\u0437\u0456\u044F \u0440\u0443\u0445\u0443 \u043E\u0431'\u0454\u043A\u0442\u0456\u0432."@uk . "62552"^^ . . . . . "Stop motion, pook\u00E9nkov\u00E1 nebo f\u00E1zov\u00E1 animace je technika animace, p\u0159i n\u00ED\u017E je re\u00E1ln\u00FD objekt mezi jednotliv\u00FDmi sn\u00EDmky ru\u010Dn\u011B upravov\u00E1n a posouv\u00E1n o mal\u00E9 \u00FAseky tak, aby po spojen\u00ED vyvolala animace dojem spojitosti. Hlavn\u00ED v\u00FDhodou t\u00E9to techniky je, \u017Ee dovoluje animovat t\u00E9m\u011B\u0159 cokoli. Nev\u00FDhodou je velk\u00E1 \u010Dasov\u00E1 n\u00E1ro\u010Dnost. Nap\u0159\u00EDklad celove\u010Dern\u00ED sn\u00EDmek Wallace & Gromit: Proklet\u00ED kr\u00E1l\u00EDkodlaka nato\u010Den\u00FD technikou stop motion se to\u010Dil cel\u00FDch p\u011Bt let. Ke zn\u00E1m\u00FDm animovan\u00FDm film\u016Fm nato\u010Den\u00FDch kompletn\u011B pook\u00E9nkovou animac\u00ED pat\u0159\u00ED Ukraden\u00E9 V\u00E1noce, Mrtv\u00E1 nev\u011Bsta Tima Burtona, Fantastick\u00FD pan Li\u0161\u00E1k ji\u017E zm\u00EDn\u011Bn\u00FD Wallace a Gromit a nebo seri\u00E1l Ove\u010Dka Shaun. Mezi zn\u00E1m\u00E9 \u010Desk\u00E9 re\u017Eis\u00E9ry to\u010D\u00EDc\u00ED technikou stop motion pat\u0159\u00ED Ji\u0159\u00ED Trnka, B\u0159etislav Pojar, Jan \u0160vankmajer, Herm\u00EDna T\u00FDrlov\u00E1, Karel Zeman nebo Ji\u0159\u00ED Barta."@cs . . . . . . . . . . . . . . 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"\uC2A4\uD1B1 \uBAA8\uC158"@ko . . "Stop Motion em ingl\u00EAs ou quadro-a-quadro \u00E9 uma t\u00E9cnica de anima\u00E7\u00E3o muito usada com recursos de uma m\u00E1quina fotogr\u00E1fica ou de um computador. Utilizam-se modelos reais em diversos materiais, sendo os mais comuns a madeira de \u00E1rvore que tenha troncos e a massa de modelar. No cinema, o material utilizado tem de ser mais resistente e male\u00E1vel, visto que os modelos precisam durar meses, pois os eventos de moda para cada um tem um desgaste diferente. Nem toda anima\u00E7\u00E3o em stop motion \u00E9 composta apenas por objetos, atores humanos tamb\u00E9m podem ser utilizados. S\u00E3o necess\u00E1rios aproximadamente 24 quadros para criar um segundo de anima\u00E7\u00E3o. Dependendo do processo, s\u00E3o tiradas at\u00E9 600 fotos ou mais dos artistas."@pt . . . . . . . . . . "Stop motion"@en . . . . . . . . . . "Stop motion"@sv . . . . . . . "Stop Motion em ingl\u00EAs ou quadro-a-quadro \u00E9 uma t\u00E9cnica de anima\u00E7\u00E3o muito usada com recursos de uma m\u00E1quina fotogr\u00E1fica ou de um computador. Utilizam-se modelos reais em diversos materiais, sendo os mais comuns a madeira de \u00E1rvore que tenha troncos e a massa de modelar. No cinema, o material utilizado tem de ser mais resistente e male\u00E1vel, visto que os modelos precisam durar meses, pois os eventos de moda para cada um tem um desgaste diferente. Nem toda anima\u00E7\u00E3o em stop motion \u00E9 composta apenas por objetos, atores humanos tamb\u00E9m podem ser utilizados. S\u00E3o necess\u00E1rios aproximadamente 24 quadros para criar um segundo de anima\u00E7\u00E3o. Dependendo do processo, s\u00E3o tiradas at\u00E9 600 fotos ou mais dos artistas. Os modelos s\u00E3o movimentados e fotografados quadro a quadro. Esses quadros s\u00E3o posteriormente montados em uma pel\u00EDcula cinematogr\u00E1fica, criando a impress\u00E3o de movimento. Nessa fase, podem ser acrescentados efeitos sonoros, como fala ou m\u00FAsica. Um dos mais conhecidos filmes feitos com a t\u00E9cnica de stop motion foi O Estranho Mundo de Jack (1993), de Henry Selick e roteiro de Tim Burton. A Fuga das Galinhas (2000) de Peter Lord e Nick Park , Wallace e Gromit (2005) de e Nick Park, Coraline e o Mundo Secreto (2009) de Henry Selick, O Fant\u00E1stico Sr. Raposo (2009), de Wes Anderson, al\u00E9m de A Festa do Monstro Maluco (1967), A Noiva Cad\u00E1ver (2005) e Frankenweenie (2012), dirigidos respectivamente por , Henry Selick e Tim Burton, s\u00E3o exemplos de filmes em stop motion. Foi tamb\u00E9m utilizado nas aberturas das temporadas de 1979 dos seriados El Chavo del Ocho e El Chapul\u00EDn Colorado. S\u00E3o v\u00E1rias as vertentes do cinema que utilizam essa t\u00E9cnica, mas ela \u00E9 usada principalmente em trabalhos de anima\u00E7\u00E3o. Portugal tamb\u00E9m tem algumas anima\u00E7\u00F5es em stop motion ou o verdadeiro \"boneco animado\", sendo a mais relevante nesses \u00FAltimos temos a galardoada curta A Suspeita de Jos\u00E9 Miguel Ribeiro. As caracter\u00EDsticas de movimento s\u00E3o inst\u00E1veis. Os filmes em stop motion podem ser feitos em casa, apenas utilizando \"miniaturas\"; podem ser uma simples brincadeira, pelo fato de sempre empregarem bonequinhos e por esse tipo de anima\u00E7\u00E3o chamar mais aten\u00E7\u00E3o do p\u00FAblico infantil. Esta t\u00E9cnica tamb\u00E9m foi utilizada para apresentar aos alunos conceitos e t\u00E9cnicas de educa\u00E7\u00E3o b\u00E1sica. O trabalho de Koun-Tem, Chun-Huang e Ming-Chi demonstrou que esta pr\u00E1tica \u00E9 \u00FAtil como estrat\u00E9gia de alfabetiza\u00E7\u00E3o midi\u00E1tica. Stop motion tamb\u00E9m \u00E9 muito usado em v\u00EDdeos de Garry's Mod, onde geralmente s\u00E3o usados elementos de Team Fortress 2, Half-Life 2 e Left for Dead."@pt . . . . . . . "Stop-motion of stopframeanimatie is een filmtechniek waarmee speciale effecten in films kunnen worden gecre\u00EBerd. De techniek is al bijna net zo oud als filmen zelf en was voor de komst van digitale animatie een van de primaire special-effects-technieken in de filmindustrie."@nl . . . . . . . . . . . . . . . . . . "\uC2A4\uD1B1 \uBAA8\uC158(stop motion)\uC740 \uC815\uC9C0\uD558\uACE0 \uC788\uB294 \uBB3C\uCCB4\uB97C 1\uD504\uB808\uC784\uB9C8\uB2E4 \uC870\uAE08\uC529 \uC774\uB3D9\uD558\uC5EC, \uCE74\uBA54\uB77C\uB85C \uCD2C\uC601\uD558\uC5EC \uB9C8\uCE58 \uC790\uC2E0\uC774 \uACC4\uC18D\uD574\uC11C \uC6C0\uC9C1\uC774\uACE0 \uC788\uB294 \uAC83\uCC98\uB7FC \uBCF4\uC5EC\uC8FC\uB294 \uC601\uD654 \uCD2C\uC601 \uAE30\uC220, \uAE30\uBC95\uC774\uB2E4.\uC815\uC9C0 \uB3D9\uC791, \uC6C0\uC9C1\uC774\uACE0 \uC788\uB294 \uC601\uC0C1\uC744 \uD544\uC694\uD55C \uC21C\uAC04\uC5D0 \uD544\uC694\uD55C \uC2DC\uAC04\uB9CC\uD07C \uC815\uC9C0\uC2DC\uD0A8 \uC0C1\uD0DC\uC758 \uD654\uBA74 \uB610\uB294 \uADF8 \uAE30\uBC95\uC744 \uB9D0\uD55C\uB2E4. \uC601\uD654 \uD544\uB984\uC740 \uC601\uC0C1\uC758 \uC6B4\uB3D9\u00B7\uC815\uC9C0\uC5D0 \uAD00\uACC4\uC5C6\uC774 \uD56D\uC0C1 \uAC19\uC740 \uC18D\uB3C4\uB85C \uAE30\uACC4\uB97C \uB3CC\uB9AC\uAE30 \uB54C\uBB38\uC5D0 \uC601\uC0C1\uC744 \uC815\uC9C0\uC2DC\uCF1C \uB450\uB294 \uACBD\uC6B0\uB77C\uBA74, \uADF8 \uC601\uC0C1\uC744 \uD544\uC694\uD55C \uC2DC\uAC04\uB9CC\uD07C \uD544\uB984 \uC704\uC5D0 \uBB18\uC0AC\uD558\uC9C0 \uC54A\uC73C\uBA74 \uC548 \uB41C\uB2E4. \uB530\uB77C\uC11C \uC560\uB2C8\uBA54\uC774\uC158(animation) \uC601\uD654\uC758 \uACBD\uC6B0\uB294 \uD544\uC694\uD55C \uC21C\uAC04\uC758 \uADF8\uB9BC\uC744 \uD544\uC694\uD55C \uC2DC\uAC04 \uC218\uB9CC\uD07C \uCD2C\uC601\uD558\uACE0 \uC2E4\uC0AC(\u5BE6\u5BEB) \uC601\uD654\uC758 \uACBD\uC6B0\uB294 1\uD504\uB808\uC784\uB9CC \uCD2C\uC601\uD558\uACE0 \uD544\uC694\uD55C \uD504\uB808\uC784 \uC218\uB9CC\uD07C \uBCF5\uC0AC\uD574\uC11C \uC5F0\uC18D\uD574 \uBD99\uC774\uBA74 \uB41C\uB2E4. \uC601\uC0AC\uAE30 \uC989 \uC7AC\uC0DD\uC7A5\uCE58\uC5D0\uC11C \uD544\uB984\uB9CC\uC744 \uC790\uC720\uB86D\uAC8C \uC815\uC9C0\uC2DC\uD0AC \uC218 \uC788\uB294 \uAE30\uB2A5\uC774 \uC788\uC73C\uBA74, \uBB3C\uB860 \uADF8\uAC83\uB9CC\uC73C\uB85C\uB3C4 \uAC00\uB2A5\uD55C \uAC83\uC774\uB2E4. \uC2A4\uD1B1 \uBAA8\uC158\uC758 \uD6A8\uACFC\uB294 \uC6B4\uB3D9\uC758 \uC815\uC9C0 \uADF8 \uC790\uCCB4\uAC00 \uC2DC\uAC01\uC801\uC778 \uC790\uADF9\uD6A8\uACFC\uB97C \uAC00\uC9C0\uBA70, \uB610 \uC5B4\uB290 \uC21C\uAC04\uC758 \uC6C0\uC9C1\uC784\uC744 \uBA48\uCD94\uAC8C \uD568\uC73C\uB85C\uC368 \uADF8 \uC21C\uAC04\uC744 \uD574\uBA85\uD558\uAC70\uB098 \uAC15\uC870\uD558\uB294 \uB370 \uC774\uC6A9\uB41C\uB2E4."@ko . . . "Stop Motion animazioak sortzeko teknika bat da: objektuen gainean eskuz mugimendu txiki progresiboak aplikatzen dira eta aldiro argazkia egiten da. Argazki horiekin bideo editore baten bidez sekuentziak sortzen dira mugimenduaren ilusioa sortuz. Orokorrean panpinak erabiltzen dira, bai buztin edo plastilinazkoak edota artikulazio mugikorrak dituztenak. Zenbaitetan pertsonekin ere egiten dira efektu komikoak lortzeko asmotan. Stop Motion kategorian sakatuta teknika honen bidez egindako hainbat film ospetsuen informazioa ikus dezakezu."@eu . . . . . "\u30B9\u30C8\u30C3\u30D7\u30E2\u30FC\u30B7\u30E7\u30F3\u30FB\u30A2\u30CB\u30E1\u30FC\u30B7\u30E7\u30F3\uFF08Stop motion animation\uFF09\u3068\u306F\u3001\u9759\u6B62\u3057\u3066\u3044\u308B\u7269\u4F53\u30921\u30B3\u30DE\u6BCE\u306B\u5C11\u3057\u305A\u3064\u52D5\u304B\u3057\u30AB\u30E1\u30E9\u3067\u64AE\u5F71\u3057\u3001\u3042\u305F\u304B\u3082\u305D\u308C\u81EA\u8EAB\u304C\u9023\u7D9A\u3057\u3066\u52D5\u3044\u3066\u3044\u308B\u304B\u306E\u3088\u3046\u306B\u898B\u305B\u308B\u6620\u753B\u306E\u64AE\u5F71\u6280\u8853\u3001\u6280\u6CD5\u3002\u30A2\u30CB\u30E1\u30FC\u30B7\u30E7\u30F3\u306E\u4E00\u7A2E\u3067\u3042\u308A\u3001SFX\u306E\u4E00\u7A2E\u3002\u30B3\u30DE\u64AE\u308A\uFF08\u30B3\u30DE\u3069\u308A\uFF09\u3068\u3082\u3044\u3046\u3002"@ja . . "\u30B9\u30C8\u30C3\u30D7\u30E2\u30FC\u30B7\u30E7\u30F3\u30FB\u30A2\u30CB\u30E1\u30FC\u30B7\u30E7\u30F3"@ja . . . . . . . . . . . . "Stop motion is an animated filmmaking technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back. Any kind of object can thus be animated, but puppets with movable joints (puppet animation) or plasticine figures (clay animation or claymation) are most commonly used. Puppets, models or clay figures built around an armature are used in model animation. Stop motion with live actors is often referred to as pixilation. Stop motion of flat materials such as paper, fabrics or photographs is usually called cutout animation."@en . . . . . . . . "\u041A\u0443\u043A\u043E\u043B\u044C\u043D\u0430\u044F \u0430\u043D\u0438\u043C\u0430\u0446\u0438\u044F, \u043A\u0443\u043A\u043E\u043B\u044C\u043D\u0430\u044F \u043C\u0443\u043B\u044C\u0442\u0438\u043F\u043B\u0438\u043A\u0430\u0446\u0438\u044F \u2014 \u043C\u0435\u0442\u043E\u0434 \u043E\u0431\u044A\u0451\u043C\u043D\u043E\u0439 \u043C\u0443\u043B\u044C\u0442\u0438\u043F\u043B\u0438\u043A\u0430\u0446\u0438\u0438. \u041F\u0440\u0438 \u0441\u043E\u0437\u0434\u0430\u043D\u0438\u0438 \u0438\u0441\u043F\u043E\u043B\u044C\u0437\u0443\u044E\u0442\u0441\u044F \u0441\u0446\u0435\u043D\u0430-\u043C\u0430\u043A\u0435\u0442 \u0438 \u043A\u0443\u043A\u043B\u044B-\u0430\u043A\u0442\u0451\u0440\u044B. \u0421\u0446\u0435\u043D\u0430 \u0444\u043E\u0442\u043E\u0433\u0440\u0430\u0444\u0438\u0440\u0443\u0435\u0442\u0441\u044F \u043F\u043E\u043A\u0430\u0434\u0440\u043E\u0432\u043E, \u043F\u043E\u0441\u043B\u0435 \u043A\u0430\u0436\u0434\u043E\u0433\u043E \u043A\u0430\u0434\u0440\u0430 \u0432 \u0441\u0446\u0435\u043D\u0443 \u0432\u043D\u043E\u0441\u044F\u0442\u0441\u044F \u043C\u0438\u043D\u0438\u043C\u0430\u043B\u044C\u043D\u044B\u0435 \u0438\u0437\u043C\u0435\u043D\u0435\u043D\u0438\u044F (\u043D\u0430\u043F\u0440\u0438\u043C\u0435\u0440, \u0438\u0437\u043C\u0435\u043D\u044F\u0435\u0442\u0441\u044F \u043F\u043E\u0437\u0430 \u043A\u0443\u043A\u043B\u044B). \u041F\u0440\u0438 \u0432\u043E\u0441\u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0438 \u043F\u043E\u043B\u0443\u0447\u0435\u043D\u043D\u043E\u0439 \u043F\u043E\u0441\u043B\u0435\u0434\u043E\u0432\u0430\u0442\u0435\u043B\u044C\u043D\u043E\u0441\u0442\u0438 \u043A\u0430\u0434\u0440\u043E\u0432 \u0432\u043E\u0437\u043D\u0438\u043A\u0430\u0435\u0442 \u0438\u043B\u043B\u044E\u0437\u0438\u044F \u0434\u0432\u0438\u0436\u0435\u043D\u0438\u044F \u043E\u0431\u044A\u0435\u043A\u0442\u043E\u0432. \u041F\u043E\u0437\u0432\u043E\u043B\u044F\u0435\u0442 \u0441\u0430\u043C\u044B\u0439 \u0448\u0438\u0440\u043E\u043A\u0438\u0439 \u0432\u044B\u0431\u043E\u0440 \u043C\u0430\u0442\u0435\u0440\u0438\u0430\u043B\u043E\u0432 \u0438 \u0442\u0435\u0445\u043D\u0438\u043A\u0438 \u0432\u044B\u043F\u043E\u043B\u043D\u0435\u043D\u0438\u044F \u0434\u0435\u043A\u043E\u0440\u0430\u0446\u0438\u0439, \u0444\u0438\u0433\u0443\u0440, \u043E\u0431\u044A\u0435\u043A\u0442\u043E\u0432."@ru . . . . "Stop motion"@cs . . . . "La tecnica passo uno, chiamata anche ripresa a passo uno o animazione a passo uno (in inglese stop-motion o anche frame by frame) \u00E8 una tecnica di ripresa cinematografica e di animazione. Con l'espressione \"passo uno\" si pu\u00F2 intendere sia la tecnica impiegata che il prodotto ottenuto con la stessa."@it . . . . . . . . . . . "Gerak henti (bahasa Inggris: stop motion atau stop frame) adalah sebuah teknik animasi untuk membuat objek yang dimanipulasi secara fisik agar terlihat bergerak dengan sendirinya. Objek tersebut digerakan sedikit demi sedikit di setiap frame yang akan difoto sehingga menciptakan ilusi pergerakan saat serangkaian frame tersebut dimainkan secara berurutan dan berkelanjutan. Boneka dengan sendi yang digerakan atau figur tanah liat sering digunakan dalam gerak henti karena alasan kemudahan meletakkannya kembali. Animasi gerak henti yang menggunakan tanah liat disebut animasi tanah liat atau .- nadia"@in . . "Haltomovo"@eo . . "\u041B\u044F\u043B\u044C\u043A\u043E\u0432\u0430 \u0430\u043D\u0456\u043C\u0430\u0446\u0456\u044F"@uk . "L'stop-motion \u00E9s una t\u00E8cnica d'animaci\u00F3 que consisteix en capturar fotografies consecutives d'un objecte movent-lo una mica entre fotografia i fotografia de manera que, visualitzant-les r\u00E0pidament, hom creu que l'objecte es mou. Generalment, es denominen animacions d'stop-motion totes aquelles animacions que no s\u00F3n realitzades amb dibuixos animats (tamb\u00E9 anomenades animaci\u00F3 tradicional 2D), ni tampoc creades completament dins l'ordinador (animaci\u00F3 3D), sin\u00F3 que s'han creat a partir d'imatges de la realitat.Aix\u00ED doncs, l'stop-motion es fa servir per a produir moviments animats de qualsevol objecte, tant si \u00E9s r\u00EDgid com modelable: joguines, blocs de construcci\u00F3, ninots articulats, personatges creats amb plastilina... Tamb\u00E9 es desenvolupen animacions en stop-motion for\u00E7a interessants amb altres materials, com ara la sorra, els retalls de paper o els guixos sobre terra i parets. Podr\u00EDem definir aquesta manera d'animar com animaci\u00F3 en estat pur, ja que es construeix el moviment fotograma a fotograma, manipulant l'objecte o el ninot amb les pr\u00F2pies mans, de manera progressiva, cap endavant, sense cap mena de possibilitat de retroc\u00E9s."@ca . . . . . . . . . . . . . . . . . "Stop motion"@pt . . . "Animation en volume"@fr . . . . . . . . . "Animaci\u00F3n en volumen"@es . . . . . . . . . . . . "Stop Motion animazioak sortzeko teknika bat da: objektuen gainean eskuz mugimendu txiki progresiboak aplikatzen dira eta aldiro argazkia egiten da. Argazki horiekin bideo editore baten bidez sekuentziak sortzen dira mugimenduaren ilusioa sortuz. Orokorrean panpinak erabiltzen dira, bai buztin edo plastilinazkoak edota artikulazio mugikorrak dituztenak. Zenbaitetan pertsonekin ere egiten dira efektu komikoak lortzeko asmotan. Stop Motion kategorian sakatuta teknika honen bidez egindako hainbat film ospetsuen informazioa ikus dezakezu."@eu . . . . . . . . . "\u5B9A\u683C\u52A8\u753B"@zh . . . . . . . "Stop motion (engelska: 'stopp-r\u00F6relse') \u00E4r en av tre huvudsakliga animationstekniker. Den bygger p\u00E5 enbildstagningar av figurer och milj\u00F6er som successivt flyttas/byter st\u00E4llning mellan tagningarna. Tekniken anv\u00E4nds ofta till \"dockfilm\", med ledade eller andra typer av dockor som rollfigurer."@sv . . . . . . . . . . . . . . . . "27036"^^ . . . . . . "\u5B9A\u683C\u52D5\u756B (\u82F1\u8A9E\uFF1AStop motion animation)\uFF0C\u53C8\u540D\u505C\u683C\u52D5\u756B\u3001\u9010\u683C\u52D5\u756B\u3001\u9010\u5E27\u52A8\u753B\uFF0C\u662F\u4E00\u79CD\u52A8\u753B\u6280\u672F\uFF0C\u5176\u539F\u7406\u5373\u5C06\u6BCF\u5E27\u4E0D\u540C\u7684\u56FE\u50CF\u8FDE\u7EED\u64AD\u653E\uFF0C\u4ECE\u800C\u4EA7\u751F\u52A8\u753B\u6548\u679C\u3002\u6700\u57FA\u672C\u88FD\u4F5C\u5B9A\u683C\u52D5\u756B\u7684\u65B9\u6CD5\u662F\u5229\u7528\u76F8\u6A5F\u4F5C\u62CD\u651D\u5DE5\u5177\uFF0C\u70BA\u4E3B\u8981\u5C0D\u8C61\u62CD\u651D\u4E00\u9023\u4E32\u7684\u76F8\u7247\uFF0C\u6BCF\u5F35\u76F8\u7247\u4E4B\u9593\u70BA\u62CD\u651D\u5C0D\u8C61\u4F5C\u5C0F\u91CF\u79FB\u52D5\uFF0C\u6700\u5F8C\u628A\u6574\u8F2F\u76F8\u7247\u5FEB\u901F\u5730\u9023\u7E8C\u64AD\u653E\u4FBF\u5B8C\u6210\uFF08\u6BCF\u79D2\u5927\u7D04\u9700\u898124\u5F35\u76F8\u7247\uFF09\u3002\u6A61\u76AE\u6CE5\u56E0\u4E3A\u6613\u4E8E\u6539\u52A8\uFF0C\u662F\u5B9A\u683C\u52D5\u756B\u5E38\u9078\u7528\u7684\u6750\u6599\uFF0C\u5176\u6210\u54C1\u88AB\u79F0\u4E3A\u9ECF\u571F\u52A8\u753B\u3002"@zh . . . . . . . . . . . . . . . "Haltomovo estas tekniko de animacio kreata de statika pupo a\u016D modelo movigita po unu foto, kiu konsistas en la \u015Dajnigo de la movo de senmovaj a\u0135oj pere de serio de sinsekvaj fiksaj bildoj. Oni uzas anka\u016D la anglismon stop motion kiu eniris en praktika uzado tute \u0135use. Tradicie estis uzataj anka\u016D aliaj esprimoj kiaj fotoanimacio, animacio voluma, bildohaltado, krankuzado, animacio fotalfota, animacio bildalbilda, se citi nur kelkajn ekzemplojn."@eo . . . . . . "Stop-Motion ist eine Filmtechnik, bei der eine Illusion von Bewegung erzeugt wird, indem einzelne Bilder (Frames) von unbewegten Motiven aufgenommen und anschlie\u00DFend aneinandergereiht werden. Sie kommt bei Trickfilmen, aber auch als Spezialeffekt bei Realfilmen zum Einsatz. Ausgangspunkt ist dabei der Stopptrick."@de . . . . .