"Smallcreep's Day"@fr . . "17095"^^ . . "Romani"@en . . "Smallcreep's Day is the first studio album by English guitarist and songwriter Mike Rutherford, released in February 1980 on Charisma Records. It was recorded in 1979 during a period of inactivity from his rock band Genesis, during which Rutherford and keyboardist Tony Banks recorded their first solo albums. The 24-minute title track is based on the 1965 novel Smallcreep's Day by Peter Currell Brown which tells the story of Mr. Smallcreep and the journey of self-discovery he takes through the assembly line of the factory he has worked in for forty years."@en . . . "1982"^^ . . . . . . . . . . . . . . . . . . . . "*Progressive rock\n*pop rock"@en . . . . . . . "Smallcreep's Day is the first studio album by English guitarist and songwriter Mike Rutherford, released in February 1980 on Charisma Records. It was recorded in 1979 during a period of inactivity from his rock band Genesis, during which Rutherford and keyboardist Tony Banks recorded their first solo albums. The 24-minute title track is based on the 1965 novel Smallcreep's Day by Peter Currell Brown which tells the story of Mr. Smallcreep and the journey of self-discovery he takes through the assembly line of the factory he has worked in for forty years."@en . . "Overnight Job"@en . . "1094552311"^^ . "Smallcreep's Day"@it . . "Moonshine"@en . . . "Smallcreep's Day is het eerste soloalbum van toenmalige Genesisgitarist en -bassist Mike Rutherford. Het album werd in 1979 uitgegeven, en geproduceerd door David Hentschel. Het titelnummer, dat op de lp de volledige a-kant besloeg, is ge\u00EFnspireerd op de gelijknamige surrealistische roman van . Hentschel, die het album produceerde, was in hetzelfde jaar ook als producent betrokken bij het Genesis-album Duke. Rutherford liet zich muzikaal bijstaan door onder andere mede-Genesisoprichter Ant Phillips. At the End of the Day was een tijdlang de eindtune van de / van de TROS gepresenteerd door Wim van Putten."@nl . . . . "Every Road"@en . . "Smallcreep's Day \u00E8 il primo album in studio del musicista britannico Mike Rutherford, pubblicato nel 1980 dalla Charisma Records."@it . "Smallcreep's Day\"\n* I. \"Between the Tick & the Tock\"\n* II. \"Working in Line\"\n* III. \"After Hours\"\n* IV. \"Cats and Rats \"\n* V. \"Smallcreep Alone\"\n* VI. \"Out into the Daylight\"\n* VII. \"At the End of the Day"@en . . "Smallcreep's Day (album)"@en . . . . . "1979"^^ . "Smallcreep's Day est le premier album solo du bassiste de Genesis, Mike Rutherford. Il sort le 15 f\u00E9vrier 1980 sur le label Charisma Records (Passport Records aux USA) et est produit par David Hentschel."@fr . "294.0"^^ . . "Cd-cover-mike-rutherford-smallcreeps-day.jpg"@en . . . . "Smallcreep's Day est le premier album solo du bassiste de Genesis, Mike Rutherford. Il sort le 15 f\u00E9vrier 1980 sur le label Charisma Records (Passport Records aux USA) et est produit par David Hentschel."@fr . . . . . "344.0"^^ . . . . "327.0"^^ . . . "Side two"@en . . . . . . . . . . . "1481.0"^^ . . . . . . . "1980-02-15"^^ . . . . . . . . . "Smallcreep's Day"@en . . . . . . . "Smallcreep's Day"@nl . . "255.0"^^ . . . "3568486"^^ . . . . "studio"@en . . . "386.0"^^ . "Smallcreep's Day is het eerste soloalbum van toenmalige Genesisgitarist en -bassist Mike Rutherford. Het album werd in 1979 uitgegeven, en geproduceerd door David Hentschel. Het titelnummer, dat op de lp de volledige a-kant besloeg, is ge\u00EFnspireerd op de gelijknamige surrealistische roman van . Hentschel, die het album produceerde, was in hetzelfde jaar ook als producent betrokken bij het Genesis-album Duke. Rutherford liet zich muzikaal bijstaan door onder andere mede-Genesisoprichter Ant Phillips. At the End of the Day was een tijdlang de eindtune van de / van de TROS gepresenteerd door Wim van Putten."@nl . . . "Time and Time Again"@en . . . "3088.0"^^ . . . . . . . . . . . . "Smallcreep's Day \u00E8 il primo album in studio del musicista britannico Mike Rutherford, pubblicato nel 1980 dalla Charisma Records."@it . . . . . . . . . . . . . "Side one"@en . . . .