"\u5728\u97F3\u4E50\u8BB0\u8C31\u4E2D\uFF0C\u5341\u516D\u5206\u97F3\u7B26\u662F\u4E00\u79CD\u97F3\u7B26\u65F6\u503C\u3002\u5728\u4E94\u7EBF\u8C31\u8BB0\u6CD5\u4E2D\uFF0C\u5341\u516D\u5206\u97F3\u7B26\u8868\u793A\u4E3A\u4E00\u4E2A\u5B9E\u5FC3\u7684\u692D\u5706\u7B26\u5934\u52A0\u4E0A\u4E00\u4E2A\u5E26\u4E24\u6761\u65D7\u5E1C\u72B6\u7684\u7B26\u5C3E\u7684\u7B26\u687F\uFF08\u5982\u53F3\u56FE\u5DE6\u8FB9\u7684\u8BB0\u53F7\uFF09\u3002\u5F53\u5341\u516D\u5206\u97F3\u7B26\u4E0E\u5176\u5B83\u6709\u7B26\u5C3E\u7684\u97F3\u7B26\u8FDE\u5199\u65F6\uFF0C\u53EF\u4EE5\u5171\u7528\u7B26\u5C3E\uFF08\u4E5F\u662F\u4E00\u822C\u7684\u60C5\u5F62\uFF09\uFF0C\u8FD9\u65F6\u65D7\u5E1C\u72B6\u7684\u7B26\u5C3E\u53D8\u4E3A\u4E24\u6839\u8FDE\u63A5\u7528\u7684\u77ED\u7EBF\u3002\u5F53\u7B26\u5934\u4F4D\u4E8E\u4E94\u7EBF\u8C31\u7B2C\u4E09\u7EBF\u4E0A\u65B9\uFF08\u5305\u62EC\u7B2C\u4E09\u7EBF\uFF09\u65F6\uFF0C\u7B26\u5E72\u671D\u4E0B\uFF0C\u5426\u5219\u7B26\u5E72\u671D\u4E0A\uFF0C\u7B26\u5E72\u6539\u53D8\u65B9\u5411\u65F6\uFF0C\u7B26\u5934\u7684\u5DE6\u53F3\u65B9\u5411\u4E5F\u8981\u4F5C\u76F8\u5E94\u6539\u53D8\uFF08\u89C1\u56FE\uFF09\u3002\u7B26\u5C3E\u7684\u4E0A\u4E0B\u65B9\u5411\u4E5F\u6539\u53D8\uFF0C\u4F46\u59CB\u7EC8\u5728\u7B26\u5E72\u53F3\u8FB9\uFF08\u89C1\u56FE\uFF09\u3002\u5341\u516D\u5206\u97F3\u7B26\u7684\u97F3\u957F\u662F\u5168\u97F3\u7B26\u7684\u5341\u516D\u5206\u4E4B\u4E00\uFF0C\u53734/4\u62CD\u4E2D\u7684\u56DB\u5206\u4E4B\u4E00\u62CD\uFF0C3/8\u62166/8\u62CD\u4E2D\u7684\u534A\u62CD\u3002\u4E8C\u5206\u97F3\u7B26\u7684\u97F3\u957F\u662F\u5176\u516B\u500D\uFF0C\u56DB\u5206\u97F3\u7B26\u7684\u97F3\u957F\u662F\u5176\u56DB\u500D\uFF0C\u516B\u5206\u97F3\u7B26\u7684\u97F3\u957F\u662F\u5176\u4E8C\u500D\uFF0C\u516D\u5341\u56DB\u5206\u97F3\u7B26\u7684\u97F3\u957F\u662F\u5176\u56DB\u5206\u4E4B\u4E00\u3002 \u5728Unicode\u4E2D\uFF0C\u6709\u7684\u4E24\u4E2A\u5341\u516D\u5206\u97F3\u7B26\u7684\u7F16\u7801\u662F U+266C\uFF08\u266C\uFF09\uFF0C\u6216\u662F\u5341\u9032\u5236Alt\u9375+9836\u3002 \u5728\u4F11\u6B62\u7B26\u4E2D\uFF0C\u5BF9\u5E94\u6709\u7740\u540C\u6837\u97F3\u957F\u7684\u662F\u5341\u516D\u5206\u4F11\u6B62\u7B26\uFF0C\u5728\u4E94\u7EBF\u8C31\u4E2D\u8868\u793A\u4E3A\u7C7B\u4F3C\u4E24\u4E2A\u4E0A\u4E0B\u8FDE\u7740\u7684\u516B\u5206\u4F11\u6B62\u7B26\u7684\u8BB0\u53F7\uFF0C\u5199\u5728\u8C31\u8868\u7B2C\u4E8C\u95F4\u81F3\u7B2C\u56DB\u95F4\uFF08\u5982\u53F3\u56FE\u53F3\u8FB9\u7684\u8BB0\u53F7\uFF09\u3002"@zh . . "\uC2ED\uC721\uBD84\uC74C\uD45C"@ko . . . "3267"^^ . . . . "\u0630\u0627\u062A \u0627\u0644\u0633\u0646\u064A\u0646 \u0647\u064A \u0631\u0645\u0632 \u0645\u0648\u0633\u064A\u0642\u064A \u064A\u0643\u062A\u0628 \u0639\u0644\u0649 \u0627\u0644\u0645\u062F\u0631\u062C \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A \u0644\u0644\u062F\u0644\u0627\u0644\u0629 \u0639\u0644\u0649 \u0646\u063A\u0645\u0629\u060C \u0648 \u062A\u0633\u0627\u0648\u064A \u0641\u064A \u0627\u0644\u0645\u062F\u0629 \u0646\u0635\u0641 \u0630\u0627\u062A \u0627\u0644\u0633\u0646."@ar . . . "1070570662"^^ . . . . "Sixteenth note"@en . "\uC2ED\uC721\uBD84\uC74C\uD45C(\uBB38\uD654\uC5B4: \uC2ED\uB959\uBD84\uC18C\uB9AC\uD45C; \uC601\uC5B4: sixteenth note, semiquaver)\uB294 \uC74C\uD45C \uAC00\uC6B4\uB370 \uD558\uB098\uB85C, \uAE30\uB465\uACFC \uB450 \uAC1C\uC758 \uAF2C\uB9AC\uAC00 \uB2EC\uB9B0 \uAC80\uC740\uC0C9 \uD0C0\uC6D0\uD615\uC774\uACE0, \uC628\uC74C\uD45C\uC758 16\uBD84\uC758 \uC77C\uC5D0 \uD574\uB2F9\uD55C\uB2E4."@ko . . "\u0630\u0627\u062A \u0627\u0644\u0633\u0646\u064A\u0646 \u0647\u064A \u0631\u0645\u0632 \u0645\u0648\u0633\u064A\u0642\u064A \u064A\u0643\u062A\u0628 \u0639\u0644\u0649 \u0627\u0644\u0645\u062F\u0631\u062C \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A \u0644\u0644\u062F\u0644\u0627\u0644\u0629 \u0639\u0644\u0649 \u0646\u063A\u0645\u0629\u060C \u0648 \u062A\u0633\u0627\u0648\u064A \u0641\u064A \u0627\u0644\u0645\u062F\u0629 \u0646\u0635\u0641 \u0630\u0627\u062A \u0627\u0644\u0633\u0646."@ar . . . . . "\u5341\u516D\u5206\u97F3\u7B26"@ja . . . . "Sechzehntelnote"@de . . "\u0428\u0435\u0441\u0442\u043D\u0430\u0434\u0446\u0430\u0442\u0430\u044F \u043D\u043E\u0442\u0430"@ru . "La semicorchea es una figura musical que equivale a 1/16 del valor de la figura redonda. El antepasado de la semicorchea es la semifusa de la notaci\u00F3n mensural, que no se debe confundir con la figura de semifusa actual.\u200B\u200B\u200B\u200B"@es . "In music, a 1/16, sixteenth note (American) or semiquaver (British) is a note played for half the duration of an eighth note (quaver), hence the names. It is the equivalent of the semifusa in mensural notation, first found in 15th-century notation. In Unicode, U+266C (\u266C) is a pair of beamed semiquavers. The note derives from the semifusa in mensural notation. However, semifusa also designates the modern sixty-fourth note in Spanish, Catalan and Portuguese."@en . "\u5341\u516D\u5206\u97F3\u7B26"@zh . . "Kortxeaerdia musikan biribil baten hamaseirena irauten duen bat da. Erresuma Batuan eta Kanadan semiquaver (kortxea erdia) deitzen da, eta AEBetan sixteenth note (nota hamaseirena). Zenbait kortxeaerdi bata besteagandik gertu eta konpas berean daudenean, plikak bi barra beltz horizontalekin lotzen dira. , irudi hauek modu bananduan idazten dira, kantatu behar diren silabak adieraziz. Erdi kortxeak, bi isats edo neuma daramatza. Kortxearen erdia irauten duen musika irudia fusa da."@eu . "Semicolcheia \u00E9 a Figura musical cuja dura\u00E7\u00E3o \u00E9 de 1/16 de uma semibreve ou metade de uma colcheia. A semicolcheia \u00E9 representada por um quadrado preenchido com haste e duas bandeirolas. Esta nota musical vale 0.25.Quando a nota \u00E9 escrita at\u00E9 a terceira linha da pauta a haste fica \u00E0 direita da nota e virada para cima. Quando a nota est\u00E1 acima da terceira linha, a haste fica \u00E0 esquerda da nota e virada para baixo. As bandeirolas sempre ficam \u00E0 direita da haste. A dura\u00E7\u00E3o de colcheia \u00E9 uma linha longa na diagonal com duas bandeirolas."@pt . . "21243005"^^ . . "Semicolcheia"@pt . "\uC2ED\uC721\uBD84\uC74C\uD45C(\uBB38\uD654\uC5B4: \uC2ED\uB959\uBD84\uC18C\uB9AC\uD45C; \uC601\uC5B4: sixteenth note, semiquaver)\uB294 \uC74C\uD45C \uAC00\uC6B4\uB370 \uD558\uB098\uB85C, \uAE30\uB465\uACFC \uB450 \uAC1C\uC758 \uAF2C\uB9AC\uAC00 \uB2EC\uB9B0 \uAC80\uC740\uC0C9 \uD0C0\uC6D0\uD615\uC774\uACE0, \uC628\uC74C\uD45C\uC758 16\uBD84\uC758 \uC77C\uC5D0 \uD574\uB2F9\uD55C\uB2E4."@ko . "Una nota semicorxera \u00E9s el s\u00EDmbol utilitzat per indicar un so amb una duraci\u00F3 de temps que equival a mitja corxera. El seu silenci equivalent \u00E9s el \"silenci de semicorxera\", que significa que durant el temps equivalent a la semicorxera no s'efectua cap so. A la m\u00FAsica vocal les figures s'escriuen de manera separada o enganxades indicant, respectivament, si corresponen a s\u00EDl\u00B7labes diferents o a la mateixa s\u00EDl\u00B7laba."@ca . "\u5341\u516D\u5206\u97F3\u7B26\uFF08\u3058\u3085\u3046\u308D\u304F\u3076\u304A\u3093\u3077\u3001\u30A2\u30E1\u30EA\u30AB\u82F1\u8A9E\uFF1Asixteenth note\u3001\u30A4\u30AE\u30EA\u30B9\u82F1\u8A9E\uFF1Asemiquaver\uFF09\u306F\u3001\u516B\u5206\u97F3\u7B26\u306E\u534A\u5206\u306E\u9577\u3055\u3067\u6F14\u594F\u3055\u308C\u308B\u97F3\u7B26\u300215\u4E16\u7D00\u306E\u8A18\u8B5C\u6CD5\u306B\u521D\u3081\u3066\u898B\u3089\u308C\u308B\u306B\u304A\u3051\u308Bsemifusa\u306B\u76F8\u5F53\u3059\u308B\u3002 16\u5206\u97F3\u7B26\u306F\u3001\u6955\u5186\u3067\u4E2D\u9ED2\u306E\u7B26\u982D\u30682\u3064\u306E\u65D7\u304C\u3064\u3044\u305F\u307E\u3063\u3059\u3050\u306A\u7B26\u5E79\u3067\u66F8\u304B\u308C\u308B\uFF08\u56F31\u53C2\u7167\uFF09\u30021\u3064\u306E16\u5206\u97F3\u7B26\u306B\u306F\u5E38\u306B\u65D7\u304C\u4ED8\u3044\u3066\u3044\u308B\u304C\u30012\u3064\u4EE5\u4E0A\u306E16\u5206\u97F3\u7B26\u306F\u901A\u5E38\u307E\u3068\u307E\u3063\u3066\u6841\u3067\u3064\u306A\u3052\u3089\u308C\u308B\u3002\u76F8\u5F53\u3059\u308B\u8A18\u53F7\u306B16\u5206\u4F11\u7B26\u304C\u3042\u308A\u3001\u540C\u3058\u6642\u9593\u306E\u4F11\u6B62\u3092\u8868\u3059\u3002\u5E79\u306E\u3042\u308B\u5168\u3066\u306E\u97F3\u7B26\u3068\u540C\u69D8\u300116\u5206\u97F3\u7B26\u306F\u4E94\u7DDA\u8B5C\u306E\u4E2D\u7DDA\u3088\u308A\u4E0B\u306B\u3042\u308B\uFF08\u58F0\u697D\u3067\u306F\u4E2D\u7DDA\u4E0A\u306B\u3042\u308B\u5834\u5408\u3082\uFF09\u3068\u304D\u306F\u3001\u5E79\u3092\u7B26\u982D\u306E\u53F3\u5074\u3067\u4E0A\u5411\u304D\u306B\u66F8\u304D\u3001\u4E2D\u7DDA\u4E0A\uFF08\u5668\u697D\u306B\u304A\u3044\u3066\uFF09\u307E\u305F\u306F\u4E2D\u7DDA\u3088\u308A\u4E0A\u306B\u3042\u308B\u3068\u304D\u306F\u3001\u5E79\u3092\u7B26\u982D\u306E\u5DE6\u5074\u3067\u4E0B\u5411\u304D\u306B\u66F8\u304F\u3002\u65D7\u306F\u5E38\u306B\u5E79\u306E\u53F3\u5074\u306B\u3042\u308A\u3001\u53F3\u306B\u30AB\u30FC\u30D6\u3057\u3066\u3044\u308B\u3002\u4E0A\u3092\u5411\u3044\u305F\u5E79\u3067\u306F\u65D7\u306F\u4E0A\u304B\u3089\u59CB\u307E\u3063\u3066\u4E0B\u306B\u30AB\u30FC\u30D6\u3057\u3001\u4E0B\u3092\u5411\u3044\u305F\u5E79\u3067\u306F\u65D7\u306F\u4E0B\u304B\u3089\u59CB\u307E\u3063\u3066\u4E0A\u306B\u30AB\u30FC\u30D6\u3059\u308B\u3002\u8907\u6570\u306E16\u5206\u97F3\u7B26\u30848\u5206\u97F3\u7B26\uFF08\u307E\u305F\u306F32\u5206\u97F3\u7B26\u306A\u3069\uFF09\u304C\u96A3\u308A\u5408\u3063\u3066\u3044\u308B\u5834\u5408\u306B\u306F\u65D7\u306F\u6841\u306B\u3088\u308A\u3064\u306A\u3050\u3053\u3068\u304C\u3067\u304D\u308B\uFF08\u56F32\u53C2\u7167\uFF09\u300216\u5206\u97F3\u7B26\u30688\u5206\u97F3\u7B26\u306E\u8868\u8A18\u306F\u4F3C\u3066\u3044\u308B\u305F\u3081\u6CE8\u610F\u304C\u5FC5\u8981\u3067\u3042\u308B\u3002\u540C\u69D8\u306E\u30EB\u30FC\u30EB\u306F32\u5206\u97F3\u7B26\u308464\u5206\u97F3\u7B26\u306E\u3088\u3046\u306A\u5C0F\u3055\u306A\u533A\u5206\u306B\u3082\u9069\u7528\u3055\u308C\u308B\u3002 Unicode\u306B\u304A\u3044\u3066\u3001U+266C (\u266C) \u306F\u6841\u3067\u3064\u306A\u304C\u308C\u305F16\u5206\u97F3\u7B26\u3067\u3042\u308B\u3002 \u306Esemifusa\u306B\u7531\u6765\u3059\u308B\u304C\u3001semifusa\u306F\u73FE\u5728\u3001\u30B9\u30DA\u30A4\u30F3\u8A9E\u3001\u30AB\u30BF\u30EB\u30FC\u30CB\u30E3\u8A9E\u3001\u30DD\u30EB\u30C8\u30AC\u30EB\u8A9E\u3067\u306F64\u5206\u97F3\u7B26\u3092\u610F\u5473\u3059\u308B\u3002"@ja . "Szesnastka \u2013 nuta w notacji muzycznej trwaj\u0105ca tyle, co jedna szesnasta ca\u0142ej nuty, dzieli si\u0119 na dwie trzydziestodw\u00F3jki. Szesnastka przedstawiana jest jako owalna, zaczerniona z lask\u0105 oraz podw\u00F3jn\u0105 . Szesnastki poni\u017Cej trzeciej linii z zasady zapisuje si\u0119 w ten spos\u00F3b, \u017Ce laski znajduj\u0105 si\u0119 po prawej stronie g\u0142\u00F3wki i skierowane s\u0105 do g\u00F3ry. Od trzeciej linii wzwy\u017C laski umieszcza si\u0119 po lewej stronie g\u0142\u00F3wki i skierowane s\u0105 one w d\u00F3\u0142. Chor\u0105giewki zawsze umieszcza si\u0119 po prawej stronie kreski. Je\u015Bli kilka szesnastek s\u0105siaduje ze sob\u0105, mo\u017Cna je po\u0142\u0105czy\u0107 w grup\u0119 za pomoc\u0105 podw\u00F3jnej belki."@pl . . . . . . "\u5341\u516D\u5206\u97F3\u7B26\uFF08\u3058\u3085\u3046\u308D\u304F\u3076\u304A\u3093\u3077\u3001\u30A2\u30E1\u30EA\u30AB\u82F1\u8A9E\uFF1Asixteenth note\u3001\u30A4\u30AE\u30EA\u30B9\u82F1\u8A9E\uFF1Asemiquaver\uFF09\u306F\u3001\u516B\u5206\u97F3\u7B26\u306E\u534A\u5206\u306E\u9577\u3055\u3067\u6F14\u594F\u3055\u308C\u308B\u97F3\u7B26\u300215\u4E16\u7D00\u306E\u8A18\u8B5C\u6CD5\u306B\u521D\u3081\u3066\u898B\u3089\u308C\u308B\u306B\u304A\u3051\u308Bsemifusa\u306B\u76F8\u5F53\u3059\u308B\u3002 16\u5206\u97F3\u7B26\u306F\u3001\u6955\u5186\u3067\u4E2D\u9ED2\u306E\u7B26\u982D\u30682\u3064\u306E\u65D7\u304C\u3064\u3044\u305F\u307E\u3063\u3059\u3050\u306A\u7B26\u5E79\u3067\u66F8\u304B\u308C\u308B\uFF08\u56F31\u53C2\u7167\uFF09\u30021\u3064\u306E16\u5206\u97F3\u7B26\u306B\u306F\u5E38\u306B\u65D7\u304C\u4ED8\u3044\u3066\u3044\u308B\u304C\u30012\u3064\u4EE5\u4E0A\u306E16\u5206\u97F3\u7B26\u306F\u901A\u5E38\u307E\u3068\u307E\u3063\u3066\u6841\u3067\u3064\u306A\u3052\u3089\u308C\u308B\u3002\u76F8\u5F53\u3059\u308B\u8A18\u53F7\u306B16\u5206\u4F11\u7B26\u304C\u3042\u308A\u3001\u540C\u3058\u6642\u9593\u306E\u4F11\u6B62\u3092\u8868\u3059\u3002\u5E79\u306E\u3042\u308B\u5168\u3066\u306E\u97F3\u7B26\u3068\u540C\u69D8\u300116\u5206\u97F3\u7B26\u306F\u4E94\u7DDA\u8B5C\u306E\u4E2D\u7DDA\u3088\u308A\u4E0B\u306B\u3042\u308B\uFF08\u58F0\u697D\u3067\u306F\u4E2D\u7DDA\u4E0A\u306B\u3042\u308B\u5834\u5408\u3082\uFF09\u3068\u304D\u306F\u3001\u5E79\u3092\u7B26\u982D\u306E\u53F3\u5074\u3067\u4E0A\u5411\u304D\u306B\u66F8\u304D\u3001\u4E2D\u7DDA\u4E0A\uFF08\u5668\u697D\u306B\u304A\u3044\u3066\uFF09\u307E\u305F\u306F\u4E2D\u7DDA\u3088\u308A\u4E0A\u306B\u3042\u308B\u3068\u304D\u306F\u3001\u5E79\u3092\u7B26\u982D\u306E\u5DE6\u5074\u3067\u4E0B\u5411\u304D\u306B\u66F8\u304F\u3002\u65D7\u306F\u5E38\u306B\u5E79\u306E\u53F3\u5074\u306B\u3042\u308A\u3001\u53F3\u306B\u30AB\u30FC\u30D6\u3057\u3066\u3044\u308B\u3002\u4E0A\u3092\u5411\u3044\u305F\u5E79\u3067\u306F\u65D7\u306F\u4E0A\u304B\u3089\u59CB\u307E\u3063\u3066\u4E0B\u306B\u30AB\u30FC\u30D6\u3057\u3001\u4E0B\u3092\u5411\u3044\u305F\u5E79\u3067\u306F\u65D7\u306F\u4E0B\u304B\u3089\u59CB\u307E\u3063\u3066\u4E0A\u306B\u30AB\u30FC\u30D6\u3059\u308B\u3002\u8907\u6570\u306E16\u5206\u97F3\u7B26\u30848\u5206\u97F3\u7B26\uFF08\u307E\u305F\u306F32\u5206\u97F3\u7B26\u306A\u3069\uFF09\u304C\u96A3\u308A\u5408\u3063\u3066\u3044\u308B\u5834\u5408\u306B\u306F\u65D7\u306F\u6841\u306B\u3088\u308A\u3064\u306A\u3050\u3053\u3068\u304C\u3067\u304D\u308B\uFF08\u56F32\u53C2\u7167\uFF09\u300216\u5206\u97F3\u7B26\u30688\u5206\u97F3\u7B26\u306E\u8868\u8A18\u306F\u4F3C\u3066\u3044\u308B\u305F\u3081\u6CE8\u610F\u304C\u5FC5\u8981\u3067\u3042\u308B\u3002\u540C\u69D8\u306E\u30EB\u30FC\u30EB\u306F32\u5206\u97F3\u7B26\u308464\u5206\u97F3\u7B26\u306E\u3088\u3046\u306A\u5C0F\u3055\u306A\u533A\u5206\u306B\u3082\u9069\u7528\u3055\u308C\u308B\u3002 Unicode\u306B\u304A\u3044\u3066\u3001U+266C (\u266C) \u306F\u6841\u3067\u3064\u306A\u304C\u308C\u305F16\u5206\u97F3\u7B26\u3067\u3042\u308B\u3002"@ja . "La semicorchea es una figura musical que equivale a 1/16 del valor de la figura redonda. El antepasado de la semicorchea es la semifusa de la notaci\u00F3n mensural, que no se debe confundir con la figura de semifusa actual.\u200B\u200B\u200B\u200B"@es . . . . . . . . . . . . . "Kortxeaerdi"@eu . . . . "Semicorxera"@ca . . . . . "Sextondelsnot"@sv . . . . "Una nota semicorxera \u00E9s el s\u00EDmbol utilitzat per indicar un so amb una duraci\u00F3 de temps que equival a mitja corxera. El seu silenci equivalent \u00E9s el \"silenci de semicorxera\", que significa que durant el temps equivalent a la semicorxera no s'efectua cap so. A la m\u00FAsica vocal les figures s'escriuen de manera separada o enganxades indicant, respectivament, si corresponen a s\u00EDl\u00B7labes diferents o a la mateixa s\u00EDl\u00B7laba."@ca . "\u5728\u97F3\u4E50\u8BB0\u8C31\u4E2D\uFF0C\u5341\u516D\u5206\u97F3\u7B26\u662F\u4E00\u79CD\u97F3\u7B26\u65F6\u503C\u3002\u5728\u4E94\u7EBF\u8C31\u8BB0\u6CD5\u4E2D\uFF0C\u5341\u516D\u5206\u97F3\u7B26\u8868\u793A\u4E3A\u4E00\u4E2A\u5B9E\u5FC3\u7684\u692D\u5706\u7B26\u5934\u52A0\u4E0A\u4E00\u4E2A\u5E26\u4E24\u6761\u65D7\u5E1C\u72B6\u7684\u7B26\u5C3E\u7684\u7B26\u687F\uFF08\u5982\u53F3\u56FE\u5DE6\u8FB9\u7684\u8BB0\u53F7\uFF09\u3002\u5F53\u5341\u516D\u5206\u97F3\u7B26\u4E0E\u5176\u5B83\u6709\u7B26\u5C3E\u7684\u97F3\u7B26\u8FDE\u5199\u65F6\uFF0C\u53EF\u4EE5\u5171\u7528\u7B26\u5C3E\uFF08\u4E5F\u662F\u4E00\u822C\u7684\u60C5\u5F62\uFF09\uFF0C\u8FD9\u65F6\u65D7\u5E1C\u72B6\u7684\u7B26\u5C3E\u53D8\u4E3A\u4E24\u6839\u8FDE\u63A5\u7528\u7684\u77ED\u7EBF\u3002\u5F53\u7B26\u5934\u4F4D\u4E8E\u4E94\u7EBF\u8C31\u7B2C\u4E09\u7EBF\u4E0A\u65B9\uFF08\u5305\u62EC\u7B2C\u4E09\u7EBF\uFF09\u65F6\uFF0C\u7B26\u5E72\u671D\u4E0B\uFF0C\u5426\u5219\u7B26\u5E72\u671D\u4E0A\uFF0C\u7B26\u5E72\u6539\u53D8\u65B9\u5411\u65F6\uFF0C\u7B26\u5934\u7684\u5DE6\u53F3\u65B9\u5411\u4E5F\u8981\u4F5C\u76F8\u5E94\u6539\u53D8\uFF08\u89C1\u56FE\uFF09\u3002\u7B26\u5C3E\u7684\u4E0A\u4E0B\u65B9\u5411\u4E5F\u6539\u53D8\uFF0C\u4F46\u59CB\u7EC8\u5728\u7B26\u5E72\u53F3\u8FB9\uFF08\u89C1\u56FE\uFF09\u3002\u5341\u516D\u5206\u97F3\u7B26\u7684\u97F3\u957F\u662F\u5168\u97F3\u7B26\u7684\u5341\u516D\u5206\u4E4B\u4E00\uFF0C\u53734/4\u62CD\u4E2D\u7684\u56DB\u5206\u4E4B\u4E00\u62CD\uFF0C3/8\u62166/8\u62CD\u4E2D\u7684\u534A\u62CD\u3002\u4E8C\u5206\u97F3\u7B26\u7684\u97F3\u957F\u662F\u5176\u516B\u500D\uFF0C\u56DB\u5206\u97F3\u7B26\u7684\u97F3\u957F\u662F\u5176\u56DB\u500D\uFF0C\u516B\u5206\u97F3\u7B26\u7684\u97F3\u957F\u662F\u5176\u4E8C\u500D\uFF0C\u516D\u5341\u56DB\u5206\u97F3\u7B26\u7684\u97F3\u957F\u662F\u5176\u56DB\u5206\u4E4B\u4E00\u3002 \u5728Unicode\u4E2D\uFF0C\u6709\u7684\u4E24\u4E2A\u5341\u516D\u5206\u97F3\u7B26\u7684\u7F16\u7801\u662F U+266C\uFF08\u266C\uFF09\uFF0C\u6216\u662F\u5341\u9032\u5236Alt\u9375+9836\u3002 \u5728\u4F11\u6B62\u7B26\u4E2D\uFF0C\u5BF9\u5E94\u6709\u7740\u540C\u6837\u97F3\u957F\u7684\u662F\u5341\u516D\u5206\u4F11\u6B62\u7B26\uFF0C\u5728\u4E94\u7EBF\u8C31\u4E2D\u8868\u793A\u4E3A\u7C7B\u4F3C\u4E24\u4E2A\u4E0A\u4E0B\u8FDE\u7740\u7684\u516B\u5206\u4F11\u6B62\u7B26\u7684\u8BB0\u53F7\uFF0C\u5199\u5728\u8C31\u8868\u7B2C\u4E8C\u95F4\u81F3\u7B2C\u56DB\u95F4\uFF08\u5982\u53F3\u56FE\u53F3\u8FB9\u7684\u8BB0\u53F7\uFF09\u3002"@zh . . . . "Semicolcheia \u00E9 a Figura musical cuja dura\u00E7\u00E3o \u00E9 de 1/16 de uma semibreve ou metade de uma colcheia. A semicolcheia \u00E9 representada por um quadrado preenchido com haste e duas bandeirolas. Esta nota musical vale 0.25.Quando a nota \u00E9 escrita at\u00E9 a terceira linha da pauta a haste fica \u00E0 direita da nota e virada para cima. Quando a nota est\u00E1 acima da terceira linha, a haste fica \u00E0 esquerda da nota e virada para baixo. As bandeirolas sempre ficam \u00E0 direita da haste. A dura\u00E7\u00E3o de colcheia \u00E9 uma linha longa na diagonal com duas bandeirolas. Quando h\u00E1 mais de uma semicolcheia na seq\u00FC\u00EAncia elas s\u00E3o agrupadas para facilitar a leitura. O agrupamento \u00E9 feito mantendo a figura e sua haste e substituindo as bandeirolas por duas linhas de uni\u00E3o entre as hastes. Quando a maior parte das notas do grupo est\u00E1 abaixo da terceira linha, o agrupamento \u00E9 feito acima da nota. Quando a maior parte est\u00E1 acima da terceira linha o agrupamento \u00E9 feito abaixo das notas. Em geral o agrupamento \u00E9 feito de forma a compor uma unidade de tempo (quatro semicolcheias em compassos 2/4, 3/4 ou 4/4, seis semicolcheias em compassos compostos - 6/8, 9/8 ou 12/8 e oito semicolcheias em compassos 2/2 ou 4/2). A Contagem Sil\u00E1bica para 4 semicolcheias agrupadas \u00E9 T\u00C1-FA-TEI-FI. Para 6 semicolcheias agrupadas, em compassos compostos, l\u00EA-se T\u00C1-RA-PI-RI-TI-RI."@pt . . . "Szesnastka"@pl . . "\u0630\u0627\u062A \u0627\u0644\u0633\u0646\u064A\u0646 (\u0645\u0648\u0633\u064A\u0642\u0649)"@ar . "Semicroma"@it . "In music, a 1/16, sixteenth note (American) or semiquaver (British) is a note played for half the duration of an eighth note (quaver), hence the names. It is the equivalent of the semifusa in mensural notation, first found in 15th-century notation. Sixteenth notes are notated with an oval, filled-in note head and a straight note stem with two flags (see Figure 1). A single sixteenth note is always stemmed with flags, while two or more are usually beamed in groups. A corresponding symbol is the sixteenth rest (or semiquaver rest), which denotes a silence for the same duration. As with all notes with stems, sixteenth notes are drawn with stems to the right of the notehead, facing up, when they are below the middle line of the musical staff (or on the middle line, in vocal music). When they are on the middle line (in instrumental music) or above it, they are drawn with stems on the left of the note head, facing down. Flags are always on the right side of the stem, and curve to the right. On stems facing up, the flags start at the top and curve down; for downward facing stems, the flags start at the bottom of the stem and curve up. When multiple sixteenth notes or eighth notes (or thirty-second notes, etc.) are next to each other, the flags may be connected with a beam, like the notes in Figure 2. Note the similarities in notating sixteenth notes and eighth notes. Similar rules apply to smaller divisions such as thirty-second notes (demisemiquavers) and sixty-fourth notes (hemidemisemiquavers). In Unicode, U+266C (\u266C) is a pair of beamed semiquavers. The note derives from the semifusa in mensural notation. However, semifusa also designates the modern sixty-fourth note in Spanish, Catalan and Portuguese."@en . . "Semicorchea"@es . . "Nella notazione musicale, la semicroma o sedicesimo \u00E8 un valore musicale eseguito con la durata pari a un sedicesimo del valore dell'intero. \u00C8 rappresentata da un cerchio (o ovale) pieno con un'asticella verticale (gambo) sul lato destro (se rivolta in alto) o sul lato sinistro (se rivolta in basso) e due linee ondulate (cediglie). Quando questa figura musicale viene eseguita con uno strumento a fiato, \u00E8 consigliato pronunciare con lo schiocco di lingua, la sillaba TO. Se la nota si trova subito prima della relativa pausa allora si pronuncer\u00E0 TO-UN se invece si trova subito dopo si pronuncer\u00E0 UN-TO"@it . "Szesnastka \u2013 nuta w notacji muzycznej trwaj\u0105ca tyle, co jedna szesnasta ca\u0142ej nuty, dzieli si\u0119 na dwie trzydziestodw\u00F3jki. Szesnastka przedstawiana jest jako owalna, zaczerniona z lask\u0105 oraz podw\u00F3jn\u0105 . Szesnastki poni\u017Cej trzeciej linii z zasady zapisuje si\u0119 w ten spos\u00F3b, \u017Ce laski znajduj\u0105 si\u0119 po prawej stronie g\u0142\u00F3wki i skierowane s\u0105 do g\u00F3ry. Od trzeciej linii wzwy\u017C laski umieszcza si\u0119 po lewej stronie g\u0142\u00F3wki i skierowane s\u0105 one w d\u00F3\u0142. Chor\u0105giewki zawsze umieszcza si\u0119 po prawej stronie kreski. Je\u015Bli kilka szesnastek s\u0105siaduje ze sob\u0105, mo\u017Cna je po\u0142\u0105czy\u0107 w grup\u0119 za pomoc\u0105 podw\u00F3jnej belki."@pl . . "Nella notazione musicale, la semicroma o sedicesimo \u00E8 un valore musicale eseguito con la durata pari a un sedicesimo del valore dell'intero. \u00C8 rappresentata da un cerchio (o ovale) pieno con un'asticella verticale (gambo) sul lato destro (se rivolta in alto) o sul lato sinistro (se rivolta in basso) e due linee ondulate (cediglie). Quando questa figura musicale viene eseguita con uno strumento a fiato, \u00E8 consigliato pronunciare con lo schiocco di lingua, la sillaba TO. Se la nota si trova subito prima della relativa pausa allora si pronuncer\u00E0 TO-UN se invece si trova subito dopo si pronuncer\u00E0 UN-TO"@it . "Kortxeaerdia musikan biribil baten hamaseirena irauten duen bat da. Erresuma Batuan eta Kanadan semiquaver (kortxea erdia) deitzen da, eta AEBetan sixteenth note (nota hamaseirena). Zenbait kortxeaerdi bata besteagandik gertu eta konpas berean daudenean, plikak bi barra beltz horizontalekin lotzen dira. , irudi hauek modu bananduan idazten dira, kantatu behar diren silabak adieraziz. Erdi kortxeak, bi isats edo neuma daramatza. Kortxearen erdia irauten duen musika irudia fusa da."@eu . .