. . . . "38900"^^ . . . . . . . . . . . "1119607733"^^ . . "Lo spazio scenico o scena (dal greco \u03C3\u03BA\u03B7\u03BD\u03AE sk\u0113n\u1E15) \u00E8 quel luogo collocato di fronte alla cavea in cui si svolge un evento spettacolare. Quando \u00E8 definito architettonicamente da un edificio teatrale, si identifica con il palcoscenico che in realt\u00E0 ne \u00E8 un elemento."@it . . . "Spazio scenico"@it . "2935"^^ . . . . . . . . . "Scenario"@en . "In the performing arts, a scenario (/s\u026A\u02C8n\u0251\u02D0ri.o\u028A/, US also /s\u026A\u02C8n\u025B\u0259ri.o\u028A, -\u02C8n\u00E6r-/; Italian: [\u0283e\u02C8na\u02D0rjo]; from Italian scenario 'that which is pinned to the scenery') is a synoptical collage of an event or series of actions and events. In the commedia dell'arte, it was an outline of entrances, exits, and action describing the plot of a play, and was literally pinned to the back of the scenery. It is also known as canovaccio or \"that which is pinned to the canvas\" of which the scenery was constructed."@en . . . . . . "Escenari"@ca . "Lo spazio scenico o scena (dal greco \u03C3\u03BA\u03B7\u03BD\u03AE sk\u0113n\u1E15) \u00E8 quel luogo collocato di fronte alla cavea in cui si svolge un evento spettacolare. Quando \u00E8 definito architettonicamente da un edificio teatrale, si identifica con il palcoscenico che in realt\u00E0 ne \u00E8 un elemento."@it . . "Un escenari \u00E9s l'espai f\u00EDsic destinat a la interpretaci\u00F3 de produccions d'arts esc\u00E8niques. L'escenari acull els int\u00E8rprets mentre fan l'espectacle i fa de punt focal per al p\u00FAblic. L'espai esc\u00E8nic pot utilitzar-se d'una manera m\u00E9s o menys cl\u00E0ssica o innovadora, i ent\u00E8s com a espai art\u00EDstic pot referir-se a un terme propi de l'art d'avantguarda que supera en dimensions f\u00EDsiques i conceptuals a l'escenari tradicional, vulnerant el principi cl\u00E0ssic de separaci\u00F3 amb el p\u00FAblic o quarta paret. Hi ha quatre tipus d'escenaris que varien quant al seu \u00FAs i en relaci\u00F3 amb el p\u00FAblic. La forma m\u00E9s comuna a Occident \u00E9s l'escenari tipus prosceni, en el que el p\u00FAblic es localitza a un costat de l'escenari i la resta dels costats queden ocults. Els s\u00F3n similars als tipus prosceni, per\u00F2 amb una plataforma o \u00E0rea d'interpretaci\u00F3 que s'est\u00E9n cap al p\u00FAblic de manera que aquest se situa en tres costats. En un escenari dit \"\" el p\u00FAblic es localitza en els quatre costats de l'escenari. Un quart tipus d'escenari \u00E9s aquell que es constru\u00EFx espec\u00EDficament per a una representaci\u00F3 o que involucra un espai preexistent (per exemple la coberta d'un vaixell) i l'adaptat com a escenari."@ca . "Un escenari \u00E9s l'espai f\u00EDsic destinat a la interpretaci\u00F3 de produccions d'arts esc\u00E8niques. L'escenari acull els int\u00E8rprets mentre fan l'espectacle i fa de punt focal per al p\u00FAblic. L'espai esc\u00E8nic pot utilitzar-se d'una manera m\u00E9s o menys cl\u00E0ssica o innovadora, i ent\u00E8s com a espai art\u00EDstic pot referir-se a un terme propi de l'art d'avantguarda que supera en dimensions f\u00EDsiques i conceptuals a l'escenari tradicional, vulnerant el principi cl\u00E0ssic de separaci\u00F3 amb el p\u00FAblic o quarta paret."@ca . . . . . . . . . "In the performing arts, a scenario (/s\u026A\u02C8n\u0251\u02D0ri.o\u028A/, US also /s\u026A\u02C8n\u025B\u0259ri.o\u028A, -\u02C8n\u00E6r-/; Italian: [\u0283e\u02C8na\u02D0rjo]; from Italian scenario 'that which is pinned to the scenery') is a synoptical collage of an event or series of actions and events. In the commedia dell'arte, it was an outline of entrances, exits, and action describing the plot of a play, and was literally pinned to the back of the scenery. It is also known as canovaccio or \"that which is pinned to the canvas\" of which the scenery was constructed. Surviving scenarios from the Renaissance contain little other than character names, brief descriptions of action, and references to specific lazzi with no further explanation. It is believed that a scenario formed the basis for a fully improvisational performance, though it is also likely that they were simple reminders of the plot for those members of the cast who were literate. Modern commedia troupes most often make use of a script with varying degrees of additional improvisation. In the creation of an opera or ballet, a scenario is often developed initially to indicate how the original source, if any, is to be adapted and to summarize the aspects of character, staging, plot, etc. that can be expanded later in a fully developed libretto, or script. This sketch can be helpful in \"pitching\" the idea to a prospective producer, director or composer. In the filmmaking of the early 20th century, film scenarios (also called \"treatments\" or \"synopses\") were short written scripts to provide narrative coherence that had previously been improvised. They could consist of a simple list of scene headings or scene headings with a detailed explication of the action in each scene. At this time in the silent era, scripts had yet to include individual shots or dialogue. These scenario scripts evolved into lengthier continuity scripts, which listed a number of shots within each scene, thus providing continuity to streamline the filmmaking process."@en . . . .