. . . . . . . . . . . . . . . . "1118836546"^^ . . "2011-04-30"^^ . . . . . . . . . . . "Primavera"@en . "\uC0B0\uB4DC\uB85C \uBCF4\uD2F0\uCCBC\uB9AC"@ko . . . . . "Sandro Botticelli, w\u0142a\u015Bc. Alessandro di Mariano Filipepi (ur. 1 marca 1445 we Florencji, zm. przed 17 maja 1510 tam\u017Ce) \u2013 w\u0142oski malarz szko\u0142y florenckiej tworz\u0105cy we wczesnym (quattrocento) oraz dojrza\u0142ym okresie odrodzenia."@pl . . . . "Italian"@en . . . . . . . . . . . . "2017-09-30"^^ . . . . . . . . . . . . . . . "Sandro Botticelli"@eo . . . . . . "\u0421\u0430\u0301\u043D\u0434\u0440\u043E \u0411\u043E\u0442\u0442\u0438\u0447\u0435\u0301\u043B\u043B\u0438 (\u0438\u0442\u0430\u043B. Sandro Botticelli, \u043D\u0430\u0441\u0442\u043E\u044F\u0449\u0435\u0435 \u0438\u043C\u044F \u0410\u043B\u0435\u0441\u0441\u0430\u0301\u043D\u0434\u0440\u043E \u0434\u0438 \u041C\u0430\u0440\u0438\u0430\u0301\u043D\u043E \u0434\u0438 \u0412\u0430\u0301\u043D\u043D\u0438 \u0424\u0438\u043B\u0438\u043F\u0435\u0301\u043F\u0438 (\u0438\u0442\u0430\u043B. Alessandro di Mariano di Vanni Filipepi); 1445 \u2014 17 \u043C\u0430\u044F 1510) \u2014 \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u0438\u0439 \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0435\u0446, \u043E\u0434\u0438\u043D \u0438\u0437 \u0437\u043D\u0430\u0447\u0438\u043C\u044B\u0445 \u043C\u0430\u0441\u0442\u0435\u0440\u043E\u0432 \u044D\u043F\u043E\u0445\u0438 \u0440\u0430\u043D\u043D\u0435\u0433\u043E \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u043E\u0433\u043E \u0412\u043E\u0437\u0440\u043E\u0436\u0434\u0435\u043D\u0438\u044F, \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043B\u044C \u0444\u043B\u043E\u0440\u0435\u043D\u0442\u0438\u0439\u0441\u043A\u043E\u0439 \u0448\u043A\u043E\u043B\u044B \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0438 \u043F\u0435\u0440\u0438\u043E\u0434\u0430 \u043A\u0432\u0430\u0442\u0440\u043E\u0447\u0435\u043D\u0442\u043E. \u0410\u0432\u0442\u043E\u0440 \u043A\u0430\u0440\u0442\u0438\u043D \u00AB\u0412\u0435\u0441\u043D\u0430\u00BB, \u00AB\u0412\u0435\u043D\u0435\u0440\u0430 \u0438 \u041C\u0430\u0440\u0441\u00BB, \u0430 \u0442\u0430\u043A\u0436\u0435 \u00AB\u0420\u043E\u0436\u0434\u0435\u043D\u0438\u0435 \u0412\u0435\u043D\u0435\u0440\u044B\u00BB, \u043A\u043E\u0442\u043E\u0440\u044B\u0435 \u043F\u0440\u0438\u043D\u0435\u0441\u043B\u0438 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u0443 \u043C\u0438\u0440\u043E\u0432\u0443\u044E \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u043E\u0441\u0442\u044C."@ru . . . . . . . "Alessandro di Mariano di Vanni Filipepi, apodado Sandro Botticelli (Florencia, 1 de marzo de 1445\u200B- Florencia, 17 de mayo de 1510), fue un pintor del Quattrocento italiano. Pertenece, a su vez, a la tercera generaci\u00F3n cuatrocentista, encabezada por Lorenzo de M\u00E9dici el Magn\u00EDfico y Angelo Poliziano. Procuraron la libertad de conducirse humanamente, recogida de la antig\u00FCedad cl\u00E1sica.\u200B Giorgio Vasari narra, en su Vita de Botticelli, desde su infancia hasta su muerte. Esta obra pertenece a Le vite de' pi\u00F9 eccellenti pittori, scultori e architettori. Menos de cien a\u00F1os despu\u00E9s, esta etapa, bajo el mecenazgo de Lorenzo de M\u00E9dici, fue considerada por Giorgio Vasari como una \u00ABedad de oro\u00BB. Esto se debe al esplendor art\u00EDstico alcanzado en la Florencia de fines del siglo XV."@es . . . . . "\u6851\u5FB7\u7F57\u00B7\u6CE2\u63D0\u5207\u5229"@zh . . . . . . . . . "\u30B5\u30F3\u30C9\u30ED\u30FB\u30DC\u30C3\u30C6\u30A3\u30C1\u30A7\u30C3\u30EA"@ja . . "\u0421\u0430\u0301\u043D\u0434\u0440\u043E \u0411\u043E\u0442\u0442\u0456\u0447\u0435\u0301\u043B\u043B\u0456 (\u0456\u0442\u0430\u043B. Sandro Botticelli; 1445 \u2014 17 \u0442\u0440\u0430\u0432\u043D\u044F 1510) \u2014 \u0456\u0442\u0430\u043B\u0456\u0439\u0441\u044C\u043A\u0438\u0439 \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0435\u0446\u044C \u0444\u043B\u043E\u0440\u0435\u043D\u0442\u0456\u0439\u0441\u044C\u043A\u043E\u0457 \u0448\u043A\u043E\u043B\u0438. \u0421\u043F\u0440\u0430\u0432\u0436\u043D\u0454 \u0456\u043C'\u044F \u2014 \u0410\u043B\u0435\u0441\u0441\u0430\u043D\u0434\u0440\u043E \u0434\u0456 \u041C\u0430\u0440\u0456\u0430\u043D\u043E \u0434\u0456 \u0412\u0430\u043D\u043D\u0456 \u0424\u0456\u043B\u0456\u043F\u0435\u043F\u0456 (Alessandro di Mariano di Vanni Filipepi)."@uk . . . . "Alessandro di Mariano di Vanni Filipepi (c.\u20091445 \u2013 May 17, 1510), known as Sandro Botticelli (/\u02CCbo\u028Ati\u02C8t\u0283\u025Bli/, Italian: [\u02C8sandro botti\u02C8t\u0283\u025Blli]), was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period."@en . "Alessandro Filipepi, beter bekend als Sandro Botticelli (Florence, rond 1445 \u2013 aldaar, 17 mei 1510), was een kunstschilder uit de Italiaanse renaissance."@nl . "Probable self-portrait of Botticelli, in his Adoration of the Magi ."@en . . . . . . . . . . "Sandro Botticelli (Flor\u00E8ncia, 1 de mar\u00E7 del 1445 - Flor\u00E8ncia, 17 de maig del 1510) fou un pintor del . El seu nom familiar era Allessandro di Mariano Filipepi, per\u00F2 se l'anomenava Botticelli perqu\u00E8 va ser aprenent del pintor i artes\u00E0 Botticello. No es coneix gaire la seva vida, per la seva voluntat de privadesa i la manca de documents. Se sap que va ser acollit pels M\u00E8dici i d'altres fam\u00EDlies florentines prominents entre el 1483 i el 1500. Botticelli no va firmar la major part dels seus quadres, per aix\u00F2 nom\u00E9s es pot con\u00E8ixer l'ordre cronol\u00F2gic per l'envelliment de la tela en qu\u00E8 estan pintades les obres."@ca . . . . . . . . . . . "Alessandro di Mariano di Vanni Filipepi (c.\u20091445 \u2013 May 17, 1510), known as Sandro Botticelli (/\u02CCbo\u028Ati\u02C8t\u0283\u025Bli/, Italian: [\u02C8sandro botti\u02C8t\u0283\u025Blli]), was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the Madonna and Child, many in the round tondo shape) and also some portraits. His best-known works are The Birth of Venus and Primavera, both in the Uffizi in Florence, which holds many of Botticelli\u2019s works. Botticelli lived all his life in the same neighbourhood of Florence; his only significant times elsewhere were the months he spent painting in Pisa in 1474 and the Sistine Chapel in Rome in 1481\u201382. Only one of Botticelli's paintings, the Mystic Nativity (National Gallery, London) is inscribed with a date (1501), but others can be dated with varying degrees of certainty on the basis of archival records, so the development of his style can be traced with some confidence. He was an independent master for all the 1470s, which saw his reputation soar. The 1480s were his most successful decade, the one in which his large mythological paintings were completed along with many of his most famous Madonnas. By the 1490s his style became more personal and to some extent mannered. His last works show him moving in a direction opposite to that of Leonardo da Vinci (seven years his junior) and the new generation of painters creating the High Renaissance style, and instead returning to a style that many have described as more Gothic or \"archaic.\""@en . . . . . . . . . . . . . . "\u0623\u0644\u0633\u0646\u062F\u0631\u0648 \u062F\u064A \u0645\u0627\u0631\u064A\u0627\u0646\u0648 \u062F\u064A \u0641\u064A\u0644\u064A\u0628\u064A\u0628\u064A (\u0628\u0627\u0644\u0625\u064A\u0637\u0627\u0644\u064A\u0629: Alessandro di Mariano dei Filipepi)\u200F \u0627\u0644\u0645\u0644\u0642\u0628 \u0628\u064F\u0648\u062A\u0650\u062A\u0652\u0634\u0650\u064A\u0644\u0650\u0651\u064A (Botticelli \u0648\u062A\u0644\u0641\u0638 \u200E[b\u0254tti\u02C8t\u0283\u025Blli]\u200F \u0628\u0627\u0644\u0625\u064A\u0637\u0627\u0644\u064A\u0629) \u0627\u0644\u0630\u064A \u0639\u0627\u0634 \u0641\u064A \u0641\u0644\u0648\u0631\u0646\u0633\u0627 1445-1510 \u0647\u0648 \u0631\u0633\u0627\u0645 \u0625\u064A\u0637\u0627\u0644\u064A \u0645\u0646 \u0639\u0635\u0631 \u0627\u0644\u0646\u0647\u0636\u0629. \u064A\u0639\u0646\u064A \u0644\u0642\u0628\u0647 \u0628\u0627\u0644\u0625\u0637\u0627\u0644\u064A\u0629 '\u0628\u0631\u0645\u064A\u0644 \u0635\u063A\u064A\u0631'. \u0628\u062F\u0623 \u062D\u064A\u0627\u062A\u0647 \u0635\u0628\u064A\u0627 \u0641\u064A \u062D\u0627\u0646\u0648\u062A \u0635\u0627\u0626\u063A \u0628\u0641\u0644\u0648\u0631\u0646\u0633\u0627. \u0648\u064A\u062D\u062F\u062B\u0646\u0627 \u0641\u0627\u0632\u0627\u0631\u064A \u0648\u0622\u062E\u0631\u0648\u0646 \u0623\u0646 \u0633\u0627\u0646\u062F\u0631\u0648 \u0641\u062A\u0646 \u0628\u0641\u0646 \u0627\u0644\u062A\u0635\u0648\u064A\u0631 \u0641\u064A \u0635\u063A\u0631\u0647 \u0641\u0627\u0644\u062D\u0642\u0647 \u0648\u0627\u0644\u062F\u0647 \u0628\u0645\u0631\u0633\u0645 \u0641\u064A\u0644\u064A\u0628\u0648 \u0644\u064A\u0628\u064A. \u0648\u0638\u0644\u062A \u062A\u0623\u062B\u064A\u0631\u0627\u062A \u0644\u064A\u0628\u064A \u0645\u0644\u0627 \u0632\u0645\u0629 \u0644\u0633\u0627\u0646\u062F\u0631\u0648 \u0627\u0644\u0630\u064A \u062A\u062A\u0644\u0645\u0630 \u0639\u0644\u064A\u0647 \u0637\u0648\u0627\u0644 \u062D\u064A\u0627\u062A\u0647 \u0627\u0644\u0641\u0646\u064A\u0629. \u0648\u0643\u0627\u0646 \u0641\u064A\u0644\u064A\u0628\u0648 \u0644\u064A\u0628\u064A \u0645\u0646 \u0627\u0644\u0645\u062A\u0627\u062B\u0631\u064A\u0646 \u0628\u0623\u0633\u0644\u0648\u0628 \u0645\u0627\u0632\u0627\u062A\u0634\u0648\u0641\u064A \u0641\u0646 \u0627\u0644\u062A\u0635\u0648\u064A\u0631 \u0648\u0623\u0633\u0644\u0648\u0628 \u062F\u0648\u0646\u0627\u062A\u064A\u0644\u0648 \u0641\u064A \u0641\u0646 \u0627\u0644\u0646\u062D\u062A\u060C \u0641\u062A\u0631\u062C\u0645 \u0645\u0631\u0648\u0646\u0629 \u0645\u0627\u0632\u0627\u062A\u0634\u064A\u0648 \u0648\u0627\u0644\u062F\u064A\u0646\u0627\u0645\u064A\u0629 \u0627\u0644\u062F\u0631\u0627\u0645\u064A\u0629 \u0644\u062F\u0648\u0646\u0627\u062A\u064A\u0644\u0648 \u0625\u0644\u0649 \u0631\u0624\u064A\u062A\u0647 \u0627\u0644\u062E\u0627\u0635\u0629."@ar . . . "1510-05-17"^^ . . . . . . . . . . "Alessandro di Mariano di Vanni Filipepi ou Sandro Botticelli (Floren\u00E7a, 1\u00BA de mar\u00E7o de 1445 \u2013 17 de maio de 1510), foi um pintor italiano. Assim como um de seus irm\u00E3os, havia sido apelidado de \"botticelli\", que significa em italiano \"pequeno tonel\", o ep\u00EDteto substitui o \"es panucam\" sobrenome de fam\u00EDlia, passando a identificar o futuro pintor. Aprendiz no ateli\u00EA de Filippo Lippi, estudou na Escola Florentina do Renascimento e igualmente receptivo \u00E0s aquisi\u00E7\u00F5es introduzidas por Masaccio na pintura do Quatrocento e \u00E0s tend\u00EAncias do G\u00F3tico tardio, seguiu os preceitos da perspectiva central e estudou as esculturas da Antiguidade, evoluindo posteriormente para a acentua\u00E7\u00E3o das formas decorativas e da aten\u00E7\u00E3o dispensada \u00E0 harmonia linear do tra\u00E7ado e ao vigor e pureza do colorido. Suas obras ta"@pt . . . . . . . . . . . . . . . . . . . . . "\u0421\u0430\u0301\u043D\u0434\u0440\u043E \u0411\u043E\u0442\u0442\u0438\u0447\u0435\u0301\u043B\u043B\u0438 (\u0438\u0442\u0430\u043B. Sandro Botticelli, \u043D\u0430\u0441\u0442\u043E\u044F\u0449\u0435\u0435 \u0438\u043C\u044F \u0410\u043B\u0435\u0441\u0441\u0430\u0301\u043D\u0434\u0440\u043E \u0434\u0438 \u041C\u0430\u0440\u0438\u0430\u0301\u043D\u043E \u0434\u0438 \u0412\u0430\u0301\u043D\u043D\u0438 \u0424\u0438\u043B\u0438\u043F\u0435\u0301\u043F\u0438 (\u0438\u0442\u0430\u043B. Alessandro di Mariano di Vanni Filipepi); 1445 \u2014 17 \u043C\u0430\u044F 1510) \u2014 \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u0438\u0439 \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0435\u0446, \u043E\u0434\u0438\u043D \u0438\u0437 \u0437\u043D\u0430\u0447\u0438\u043C\u044B\u0445 \u043C\u0430\u0441\u0442\u0435\u0440\u043E\u0432 \u044D\u043F\u043E\u0445\u0438 \u0440\u0430\u043D\u043D\u0435\u0433\u043E \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u043E\u0433\u043E \u0412\u043E\u0437\u0440\u043E\u0436\u0434\u0435\u043D\u0438\u044F, \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043B\u044C \u0444\u043B\u043E\u0440\u0435\u043D\u0442\u0438\u0439\u0441\u043A\u043E\u0439 \u0448\u043A\u043E\u043B\u044B \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0438 \u043F\u0435\u0440\u0438\u043E\u0434\u0430 \u043A\u0432\u0430\u0442\u0440\u043E\u0447\u0435\u043D\u0442\u043E. \u0410\u0432\u0442\u043E\u0440 \u043A\u0430\u0440\u0442\u0438\u043D \u00AB\u0412\u0435\u0441\u043D\u0430\u00BB, \u00AB\u0412\u0435\u043D\u0435\u0440\u0430 \u0438 \u041C\u0430\u0440\u0441\u00BB, \u0430 \u0442\u0430\u043A\u0436\u0435 \u00AB\u0420\u043E\u0436\u0434\u0435\u043D\u0438\u0435 \u0412\u0435\u043D\u0435\u0440\u044B\u00BB, \u043A\u043E\u0442\u043E\u0440\u044B\u0435 \u043F\u0440\u0438\u043D\u0435\u0441\u043B\u0438 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u0443 \u043C\u0438\u0440\u043E\u0432\u0443\u044E \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u043E\u0441\u0442\u044C."@ru . . . . . . . . "\u30B5\u30F3\u30C9\u30ED\u30FB\u30DC\u30C3\u30C6\u30A3\u30C1\u30A7\u30C3\u30EA\uFF08\u30A4\u30BF\u30EA\u30A2\u8A9E: Sandro Botticelli, 1445\u5E743\u67081\u65E5[1444\u5E74\u3068\u3082]- 1510\u5E745\u670817\u65E5\uFF09\u306F\u3001\u30EB\u30CD\u30B5\u30F3\u30B9\u671F\u306E\u30A4\u30BF\u30EA\u30A2\u306E\u30D5\u30A3\u30EC\u30F3\u30C4\u30A7\u751F\u307E\u308C\u306E\u753B\u5BB6\u3067\u3001\u672C\u540D\u306F\u30A2\u30EC\u30C3\u30B5\u30F3\u30C9\u30ED\u30FB\u30C7\u30A3\u30FB\u30DE\u30EA\u30A2\u30FC\u30CE\u30FB\u30D5\u30A3\u30EA\u30DA\u30FC\u30D4 (Alessandro di Mariano Filipepi) \u3068\u3044\u3044\u3001\u30DC\u30C3\u30C6\u30A3\u30C1\u30A7\u30C3\u30EA\u306F\u5144\u304C\u592A\u3063\u3066\u3044\u305F\u3053\u3068\u304B\u3089\u4ED8\u3044\u305F\u300C\u5C0F\u3055\u306A\u6A3D\u300D\u3068\u3044\u3046\u610F\u5473\u306E\u3042\u3060\u540D\u3067\u3042\u308B\u3002\u30DC\u30C3\u30C6\u30A3\u30C1\u30A7\u30EB\u30EA\u3001\u30DC\u30C3\u30C6\u30A3\u30C1\u30A7\u30EA\u3001\u30DC\u30C6\u30A3\u30C1\u30A7\u30EA\u3001\u30DC\u30C6\u30A3\u30C1\u30A7\u30C3\u30EA\u306A\u3069\u3068\u8868\u8A18\u3055\u308C\u308B\u3053\u3068\u3082\u3042\u308B\u3002"@ja . . . "\u039F \u0391\u03BB\u03B5\u03C3\u03C3\u03AC\u03BD\u03C4\u03C1\u03BF \u03BD\u03C4\u03B9 \u039C\u03B1\u03C1\u03B9\u03AC\u03BD\u03BF \u03A6\u03B9\u03BB\u03B9\u03C0\u03AD\u03C0\u03B9 (Alessandro di Mariano di Vanni Filipepi, 1 \u039C\u03B1\u03C1\u03C4\u03AF\u03BF\u03C5 1445 \u2013 17 \u039C\u03B1\u0390\u03BF\u03C5 1510), \u03B3\u03BD\u03C9\u03C3\u03C4\u03CC\u03C2 \u03C0\u03B5\u03C1\u03B9\u03C3\u03C3\u03CC\u03C4\u03B5\u03C1\u03BF \u03C9\u03C2 \u03A3\u03AC\u03BD\u03C4\u03C1\u03BF \u039C\u03C0\u03BF\u03C4\u03C4\u03B9\u03C4\u03C3\u03AD\u03BB\u03BB\u03B9, (Sandro Botticelli) \u03AE\u03C4\u03B1\u03BD \u03B4\u03B9\u03B1\u03BA\u03B5\u03BA\u03C1\u03B9\u03BC\u03AD\u03BD\u03BF\u03C2 \u0399\u03C4\u03B1\u03BB\u03CC\u03C2 \u03B6\u03C9\u03B3\u03C1\u03AC\u03C6\u03BF\u03C2 \u03C4\u03B7\u03C2 \u03B1\u03BD\u03B1\u03B3\u03AD\u03BD\u03BD\u03B7\u03C3\u03B7\u03C2. \u0391\u03C0\u03BF\u03C4\u03AD\u03BB\u03B5\u03C3\u03B5 \u03AD\u03BD\u03B1\u03BD \u03B1\u03C0\u03CC \u03C4\u03BF\u03C5\u03C2 \u03C0\u03B9\u03BF \u03B3\u03BD\u03C9\u03C3\u03C4\u03BF\u03CD\u03C2 \u03BA\u03B1\u03B9 \u03B5\u03C0\u03B9\u03C4\u03C5\u03C7\u03B7\u03BC\u03AD\u03BD\u03BF\u03C5\u03C2 \u03BA\u03B1\u03BB\u03BB\u03B9\u03C4\u03AD\u03C7\u03BD\u03B5\u03C2 \u03C4\u03B7\u03C2 \u03B5\u03C0\u03BF\u03C7\u03AE\u03C2 \u03C4\u03BF\u03C5, \u03C4\u03BF\u03C5 \u03BF\u03C0\u03BF\u03AF\u03BF\u03C5 \u03B7 \u03C6\u03AE\u03BC\u03B7 \u03AC\u03C1\u03C7\u03B9\u03C3\u03B5 \u03BD\u03B1 \u03B5\u03BE\u03B1\u03BD\u03B5\u03BC\u03AF\u03B6\u03B5\u03C4\u03B1\u03B9 \u03BA\u03B1\u03C4\u03AC \u03C4\u03B9\u03C2 \u03B1\u03C1\u03C7\u03AD\u03C2 \u03C4\u03BF\u03C5 16\u03BF\u03C5 \u03B1\u03B9\u03CE\u03BD\u03B1, \u03CC\u03C4\u03B1\u03BD \u03BF\u03B9 \u03C6\u03B9\u03BB\u03BF\u03C3\u03BF\u03C6\u03B9\u03BA\u03AD\u03C2 \u03B9\u03B4\u03AD\u03B5\u03C2 \u03C0\u03BF\u03C5 \u03B4\u03B9\u03B1\u03C0\u03B5\u03C1\u03BD\u03BF\u03CD\u03C3\u03B1\u03BD \u03C4\u03BF\u03C5\u03C2 \u03C0\u03AF\u03BD\u03B1\u03BA\u03AD\u03C2 \u03C4\u03BF\u03C5 \u03AC\u03C1\u03C7\u03B9\u03C3\u03B1\u03BD \u03BD\u03B1 \u03B5\u03BA\u03C4\u03BF\u03C0\u03AF\u03B6\u03BF\u03BD\u03C4\u03B1\u03B9. \u03A4\u03BF \u03B5\u03BD\u03B4\u03B9\u03B1\u03C6\u03AD\u03C1\u03BF\u03BD \u03B3\u03B9\u03B1 \u03C4\u03BF \u03AD\u03C1\u03B3\u03BF \u03C4\u03BF\u03C5 \u03B1\u03BD\u03B1\u03B8\u03B5\u03C1\u03BC\u03AC\u03BD\u03B8\u03B7\u03BA\u03B5 \u03C3\u03C4\u03B1 \u03BC\u03AD\u03C3\u03B1 \u03C4\u03BF\u03C5 19\u03BF\u03C5 \u03B1\u03B9\u03CE\u03BD\u03B1, \u03BF\u03C0\u03CC\u03C4\u03B5 \u03B1\u03C0\u03AD\u03BA\u03C4\u03B7\u03C3\u03B5 \u03B1\u03C5\u03C4\u03AE \u03C4\u03B7 \u03B8\u03AD\u03C3\u03B7 \u03BA\u03B1\u03B9 \u03C4\u03B7\u03BD \u03B1\u03BD\u03B1\u03B3\u03BD\u03CE\u03C1\u03B9\u03C3\u03B7 \u03C0\u03BF\u03C5 \u03BA\u03B1\u03C4\u03AD\u03C7\u03B5\u03B9 \u03BC\u03AD\u03C7\u03C1\u03B9 \u03C3\u03AE\u03BC\u03B5\u03C1\u03B1."@el . . . . . . . . . . . . . "P\u00E9int\u00E9ir sa luath-Athbheochan a rugadh i bhFirenze na hIod\u00E1ile mar Alessandro Filipepi ab ea Sandro Botticelli (1 M\u00E1rta 1445 \u2013 17 Bealtaine 1510). I measc a sh\u00E1rshaothar t\u00E1 Nascita di Venere (Breith V\u00E9ineas) is Primavera (an tEarrach), agus cuid de na freasc\u00F3nna sa S\u00E9ip\u00E9al Sist\u00EDneach sa Vatac\u00E1in."@ga . . "\u0633\u0627\u0646\u062F\u0631\u0648 \u0628\u0648\u062A\u064A\u062A\u0634\u064A\u0644\u064A"@ar . . . . . . . "October 2022"@en . . . . "P\u00E9int\u00E9ir sa luath-Athbheochan a rugadh i bhFirenze na hIod\u00E1ile mar Alessandro Filipepi ab ea Sandro Botticelli (1 M\u00E1rta 1445 \u2013 17 Bealtaine 1510). I measc a sh\u00E1rshaothar t\u00E1 Nascita di Venere (Breith V\u00E9ineas) is Primavera (an tEarrach), agus cuid de na freasc\u00F3nna sa S\u00E9ip\u00E9al Sist\u00EDneach sa Vatac\u00E1in."@ga . . . . . . . . . . . . . . . . . . . . . . "30"^^ . . . . . . . . "Sandro Botticelli"@en . . . . . . . . . . . "The Birth of Venus"@en . . . . . . . . . . . . . . . . . . "Alessandro di Mariano di Vanni Filipepi, conosciuto col nome d'arte di Sandro Botticelli (Firenze, 1\u00BA marzo 1445 \u2013 Firenze, 17 maggio 1510), \u00E8 stato un pittore italiano inquadrabile nella corrente artistica del Rinascimento. In un'et\u00E0 dell'oro per il mondo dell'arte, il pittore ebbe una formazione di scuola fiorentina sotto Filippo Lippi e con il patronato della famiglia Medici, riuscendo a sviluppare uno stile elegante che proponeva un nuovo modello di bellezza ideale e che incarnava i gusti e la raffinatezza della societ\u00E0 dell'epoca. La sua arte sub\u00EC anche l'influenza di Andrea del Verrocchio e dei fratelli Antonio e Piero del Pollaiolo. Eccellente ritrattista, Botticelli fu un autore poliedrico e il suo corpus spazia dai soggetti di carattere mitologico-allegorico ai soggetti di carattere religioso. La sua fama oggi \u00E8 legata soprattutto alle opere mitologiche, delle quali sono emblema due dipinti in particolare: questi sono due grandi tele custodite entrambe agli Uffizi di Firenze e sono la Nascita di Venere e la Primavera, che sono oggi tra i dipinti pi\u00F9 famosi al mondo, tanto da essere considerate due icone del Rinascimento italiano e dell'arte occidentale, grazie anche ai profondi significati filosofici e letterari riscontrabili in esse. Mentre per quanto riguarda l'altro caposaldo dell'arte botticelliana, la produzione sacra, degna di nota \u00E8 la cospicua produzione di Madonne col Bambino, realizzate preferibilmente in tondo e per le quali lui e la sua bottega divennero celebri; ma l'apice di questo genere \u00E8 certamente rappresentato dai grandi affreschi realizzati per la Cappella Sistina a Roma. Tuttavia, nell'ultima parte della sua vita, l'arte e lo spirito di Botticelli subirono una crisi che culmin\u00F2 in un esasperato misticismo, anche per via dell'influenza del Savonarola. Cos\u00EC, oltre all'unico vero erede Filippino Lippi, suo allievo e collaboratore, dopo la morte di Botticelli la sua reputazione fu eclissata profondamente e i suoi dipinti rimasero quasi dimenticati nelle chiese e nei palazzi per i quali erano stati creati, cos\u00EC come i suoi affreschi nella Sistina che furono messi in ombra da quelli straordinari di Michelangelo. Il lungo abbandono ebbe fine a partire dal XIX secolo, venendo riscoperto dalla storiografia artistica anche grazie e soprattutto all'influenza che ebbe sui Preraffaelliti. Maestro del sacro e del profano, \u00E8 stato descritto come un outsider nella corrente principale della pittura italiana, avendo egli un interesse limitato per molti degli aspetti associati alla pittura del Quattrocento, come l'ispirazione diretta all'arte classica e la rappresentazione realistica di anatomia umana, prospettiva e paesaggio. Infatti, la sua formazione gli ha permesso di rappresentare questi aspetti della pittura, senza per\u00F2 lasciarsi omologare dallo scenario contemporaneo."@it . . . "Sandro Botticelli"@de . . . . . . . . . "\u0421\u0430\u043D\u0434\u0440\u043E \u0411\u043E\u0442\u0442\u0456\u0447\u0435\u043B\u043B\u0456"@uk . . . . . . . . . . . . "Alessandro di Mariano di Vanni Filipepi ou Sandro Botticelli (Floren\u00E7a, 1\u00BA de mar\u00E7o de 1445 \u2013 17 de maio de 1510), foi um pintor italiano. Assim como um de seus irm\u00E3os, havia sido apelidado de \"botticelli\", que significa em italiano \"pequeno tonel\", o ep\u00EDteto substitui o \"es panucam\" sobrenome de fam\u00EDlia, passando a identificar o futuro pintor. Aprendiz no ateli\u00EA de Filippo Lippi, estudou na Escola Florentina do Renascimento e igualmente receptivo \u00E0s aquisi\u00E7\u00F5es introduzidas por Masaccio na pintura do Quatrocento e \u00E0s tend\u00EAncias do G\u00F3tico tardio, seguiu os preceitos da perspectiva central e estudou as esculturas da Antiguidade, evoluindo posteriormente para a acentua\u00E7\u00E3o das formas decorativas e da aten\u00E7\u00E3o dispensada \u00E0 harmonia linear do tra\u00E7ado e ao vigor e pureza do colorido. Suas obras tardias revelariam ainda um expressionismo tr\u00E1gico, de agita\u00E7\u00E3o vision\u00E1ria, fruto certamente da prega\u00E7\u00E3o de Savonarola. Sandro Botticelli usava todas as cores, em especial cores frias. Foi ainda destacado retratista e seu talento excepcional de transpor para a linguagem formal as concep\u00E7\u00F5es de seus clientes tornou-o um dos pintores mais disputados de seu tempo. Sua reputa\u00E7\u00E3o, alvo de um curto reavivar de interesse no s\u00E9culo XVI, logo esvaiu-se, e somente com o reaparecimento de uma crescente curiosidade pelo Renascimento, registrada no s\u00E9culo XIX, e, em particular, pela interpreta\u00E7\u00E3o filos\u00F3fica de suas obras, \u00E9 que sua arte volta a adquirir o \u00EAxito e a fama que mant\u00E9m at\u00E9 hoje."@pt . "Sandro BOTTICELLI ([\u02C8sandro botti\u02C8t\u0361\u0283\u025Blli], esperantigite Sandro Bottit\u0109elli) (1444/5-1510), origine nomi\u011Dis Alessandro di Mariano Filipepi, estis itala pentristo de Florenco dum la Renesanco.Li estas la fama pentristo de La Primavera (\"Printempo\") kaj Nascita di Venere (\"Naski\u011Do de Venuso\"), amba\u016D nun en la muzeo de Uffizi en Florenco. Li pentris en pre\u011Dejoj en Florenco kaj en la Siksta Kapelo en Romo kaj por la familio Medici, pentrinte \u0109efe pri temoj kristanaj kaj mitaj. Li ne fami\u011Dis \u011Dis la 19-a jarcento, nur preska\u016D tri jarcentojn post sia morto."@eo . . "Alessandro di Mariano di Vanni Filipepi, Sandro Botticelli izenaz ezaguna (Florentzia, Florentziako Errepublika, 1445eko martxoaren 1a \u2013 Florentzia, Florentziako Errepublika, 1510eko maiatzaren 17a) Pizkundeko Quattrocentoko italiar margolaria izan zen, . Nahiz eta haren ospea XIX. mendearen amaierara arte ez berreskuratu, gaur egun, bestek beste Udaberria edo Venusen jaiotza margolanei esker, haren marraren dohaina goraipatzen da: haren lanak Florentziako artelanen artean ezagunenetakoak dira."@eu . "\u6851\u5FB7\u7F57\u00B7\u6CE2\u63D0\u5207\u5229\uFF08Sandro Botticelli\uFF0C1445\u5E743\u67081\u65E5\uFF0D1510\u5E745\u670817\u65E5\uFF09\uFF0C\u539F\u540D\u4E9A\u5386\u6851\u5FB7\u7F57\u00B7\u83F2\u5229\u4F69\u76AE\uFF08Alessandro Filipepi\uFF09\u662F\u6B27\u6D32\u6587\u827A\u590D\u5174\u65E9\u671F\u7684\u827A\u672F\u5BB6\u3002"@zh . . . "Sandro Botticelli"@it . . "Sandro Botticelli, f\u00F6dd Alessandro di Mariano di Vanni Filipepi den 1 mars 1445 i Florens, Italien, d\u00F6d 17 maj 1510 i Florens, var en italiensk m\u00E5lare verksam under ungren\u00E4ssansen (Quattrocento)."@sv . . . . . . . . . . . . . . "\u6851\u5FB7\u7F57\u00B7\u6CE2\u63D0\u5207\u5229\uFF08Sandro Botticelli\uFF0C1445\u5E743\u67081\u65E5\uFF0D1510\u5E745\u670817\u65E5\uFF09\uFF0C\u539F\u540D\u4E9A\u5386\u6851\u5FB7\u7F57\u00B7\u83F2\u5229\u4F69\u76AE\uFF08Alessandro Filipepi\uFF09\u662F\u6B27\u6D32\u6587\u827A\u590D\u5174\u65E9\u671F\u7684\u827A\u672F\u5BB6\u3002"@zh . . "Alessandro di Mariano Filipepi, zn\u00E1m\u00FD jako Sandro Botticelli (1. b\u0159ezna 1444 Florencie, It\u00E1lie \u2013 17. kv\u011Btna 1510, tamt\u00E9\u017E) byl italsk\u00FD renesan\u010Dn\u00ED mal\u00ED\u0159, p\u0159edstavitel florentsk\u00E9 \u0161koly. Botticelli pat\u0159\u00ED k nejv\u00FDznamn\u011Bj\u0161\u00EDm p\u0159edstavitel\u016Fm italsk\u00E9ho quattrocenta. Botticelli vytvo\u0159il sv\u016Fj vlastn\u00ED sv\u00E9bytn\u00FD styl, vyzna\u010Duj\u00EDc\u00ED se eleganc\u00ED proveden\u00ED s d\u016Frazem na linii a detail. Podrobnosti na jeho obrazech n\u011Bkdy p\u016Fsob\u00ED jako ok\u00E1zal\u00E1 z\u00E1ti\u0161\u00ED. Jeho malba je charakteristick\u00E1 v\u00FDraznou kresebnost\u00ED. N\u011Bkter\u00E9 obrazy maj\u00ED melancholickou atmosf\u00E9ru, citov\u00FD aspekt obraz\u016F b\u00FDv\u00E1 zd\u016Frazn\u011Bn dynamick\u00FDmi k\u0159ivkami lini\u00ED. V pojet\u00ED krajiny vych\u00E1zel z vl\u00E1msk\u00E9ho mal\u00ED\u0159stv\u00ED. P\u0159ibli\u017En\u011B od roku 1490 se za\u010Dal v\u011Bnovat p\u0159edev\u0161\u00EDm n\u00E1bo\u017Eensk\u00E9 tematice. Jeho obrazy odr\u00E1\u017Eely apokalyptick\u00E9 n\u00E1lady konce 15. stolet\u00ED. Do vystoupen\u00ED fanatick\u00E9ho kazatele Savonarola byl pod vlivem novoplatonismu, kter\u00FD se sna\u017Eil skloubit antick\u00E9 ide\u00E1ly s k\u0159es\u0165ansk\u00FDmi."@cs . . . . . . . . . "Sandro Botticelli"@en . . . . . . . . . "Alessandro di Mariano di Vanni Filipepi"@en . . . . . . . . "Sandro Botticelli"@ca . "Sandro Botticelli"@eu . . . . . . . . . . . . . . . "Sandro Botticelli"@pt . . "Sandro Botticelli"@fr . . . . . . . . . . . . . . . . . "yes"@en . . "Sandro Botticelli (Flor\u00E8ncia, 1 de mar\u00E7 del 1445 - Flor\u00E8ncia, 17 de maig del 1510) fou un pintor del . El seu nom familiar era Allessandro di Mariano Filipepi, per\u00F2 se l'anomenava Botticelli perqu\u00E8 va ser aprenent del pintor i artes\u00E0 Botticello. No es coneix gaire la seva vida, per la seva voluntat de privadesa i la manca de documents. Se sap que va ser acollit pels M\u00E8dici i d'altres fam\u00EDlies florentines prominents entre el 1483 i el 1500. Botticelli no va firmar la major part dels seus quadres, per aix\u00F2 nom\u00E9s es pot con\u00E8ixer l'ordre cronol\u00F2gic per l'envelliment de la tela en qu\u00E8 estan pintades les obres."@ca . . . . . . "The Adoration of the Magi"@en . . "Sandro Botticelli"@cs . . . . "Alessandro di Mariano di Vanni Filipepi yang lebih dikenal dengan nama Sandro Botticelli atau Il Botticello (si tong kecil; lahir 1 Maret 1445, wafat 17 Mei 1510) adalah seorang pelukis Italia dari Florentina pada masa Renaissance Awal (Quattrocentro). Kurang dari seratus tahun kemudian gerakan ini yang didukung oleh Lorenzo de Medici dinilai oleh Giorgio Vasari sebagai sebuah zaman keemasan --- sebuah pemikiran yang ia utarakan pada puncak kejayaan Botticelli. Reputasi yang diperolehnya setelah ia wafat tidak begitu dikenal hingga akhir abad ke-19. Semenjak itu karya-karyanya terlihat menjadi contoh utama dari keanggunan lukisan-ukisan zaman Renaissance awal. Lukisan-lukisannya \"Kelahiran Venus\" dan \"Primavera\" telah menjadi karya-karya agung kesenian Florentina yang paling dikenal."@in . . . . . . . . . . . . "\u0421\u0430\u0301\u043D\u0434\u0440\u043E \u0411\u043E\u0442\u0442\u0456\u0447\u0435\u0301\u043B\u043B\u0456 (\u0456\u0442\u0430\u043B. Sandro Botticelli; 1445 \u2014 17 \u0442\u0440\u0430\u0432\u043D\u044F 1510) \u2014 \u0456\u0442\u0430\u043B\u0456\u0439\u0441\u044C\u043A\u0438\u0439 \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0435\u0446\u044C \u0444\u043B\u043E\u0440\u0435\u043D\u0442\u0456\u0439\u0441\u044C\u043A\u043E\u0457 \u0448\u043A\u043E\u043B\u0438. \u0421\u043F\u0440\u0430\u0432\u0436\u043D\u0454 \u0456\u043C'\u044F \u2014 \u0410\u043B\u0435\u0441\u0441\u0430\u043D\u0434\u0440\u043E \u0434\u0456 \u041C\u0430\u0440\u0456\u0430\u043D\u043E \u0434\u0456 \u0412\u0430\u043D\u043D\u0456 \u0424\u0456\u043B\u0456\u043F\u0435\u043F\u0456 (Alessandro di Mariano di Vanni Filipepi)."@uk . . . . . . . . . . . . . . . . . . . . . . . . . . "Alessandro di Mariano di Vanni Filipepi, dit Sandro Botticelli, est un peintre italien, n\u00E9 \u00E0 Florence le 1er mars 1445 et mort le 17 mai 1510 dans la m\u00EAme ville. Botticelli est l'un des peintres les plus importants de la Renaissance italienne et de l'histoire de l'art."@fr . . . "\u0421\u0430\u043D\u0434\u0440\u043E \u0411\u043E\u0442\u0442\u0438\u0447\u0435\u043B\u043B\u0438"@ru . . . "Alessandro di Mariano di Vanni Filipepi, apodado Sandro Botticelli (Florencia, 1 de marzo de 1445\u200B- Florencia, 17 de mayo de 1510), fue un pintor del Quattrocento italiano. Pertenece, a su vez, a la tercera generaci\u00F3n cuatrocentista, encabezada por Lorenzo de M\u00E9dici el Magn\u00EDfico y Angelo Poliziano. Procuraron la libertad de conducirse humanamente, recogida de la antig\u00FCedad cl\u00E1sica.\u200B Giorgio Vasari narra, en su Vita de Botticelli, desde su infancia hasta su muerte. Esta obra pertenece a Le vite de' pi\u00F9 eccellenti pittori, scultori e architettori. Menos de cien a\u00F1os despu\u00E9s, esta etapa, bajo el mecenazgo de Lorenzo de M\u00E9dici, fue considerada por Giorgio Vasari como una \u00ABedad de oro\u00BB. Esto se debe al esplendor art\u00EDstico alcanzado en la Florencia de fines del siglo XV. La reputaci\u00F3n p\u00F3stuma del artista disminuy\u00F3 notablemente en los siglos siguientes, pero fue recuperada a finales del siglo XIX; desde entonces, su obra se ha considerado exponente m\u00E1ximo de la gracia lineal de la pintura del primer Renacimiento. El nacimiento de Venus y La primavera son, actualmente, dos de las obras maestras florentinas m\u00E1s conocidas. Se expusieron por primera vez en la galer\u00EDa de los Uffizi, Florencia, en 1815."@es . . . "\uC0B0\uB4DC\uB85C \uBCF4\uD2F0\uCCBC\uB9AC(Sandro Botticelli, \uBB38\uD654\uC5B4: \uC2FC\uB4DC\uB85C \uBCF4\uB760\uCCBC\uB9AC, 1445\uB144 3\uC6D4 1\uC77C ~ 1510\uB144 5\uC6D4 17\uC77C)\uB294 \uC774\uD0C8\uB9AC\uC544 \uCD08\uAE30 \uB974\uB124\uC0C1\uC2A4 \uC2DC\uB300\uC758 \uB300\uD45C\uC801\uC778 \uD654\uAC00\uC774\uB2E4. \uBCF8\uBA85\uC740 \uC54C\uB808\uC0B0\uB4DC\uB85C \uB514 \uB9C8\uB9AC\uC544\uB178 \uD544\uB9AC\uD398\uD53C(Alessandro di Mariano Fillipepi)\uC774\uC9C0\uB9CC, \"\uC791\uC740 \uC220\uD1B5\"\uC774\uB77C\uB294 \uB73B\uC744 \uAC00\uC9C4 \uBCF4\uD2F0\uCCBC\uB9AC\uB77C\uB294 \uC774\uB984\uC73C\uB85C \uB354 \uC798 \uC54C\uB824\uC838 \uC788\uB2E4. \uBA54\uB514\uCE58 \uAC00\uBB38\uACFC \uADF8 \uAC00\uBB38\uC758 \uCD94\uC885\uC790\uB4E4\uC758 \uC774\uBBF8\uC9C0\uB97C \uAC01\uC778\uC2DC\uD0A8 \uADF8\uC758 \uCD08\uC0C1\uD654\uAC00 \uC544\uC8FC \uC911\uC694\uD55C \uC758\uBBF8\uB97C \uC9C0\uB2CC\uB2E4. \uADF8\uC758 \uD6C4\uAE30 \uC791\uD488\uC740 \uACE0\uB515 \uC591\uC2DD\uC744 \uC7AC\uC218\uC6A9\uD558\uBA74\uC11C \uAC10\uC815\uC801\uC73C\uB85C \uAC15\uD55C \uD45C\uD604\uC744 \uB4DC\uB7EC\uB0B4\uB294 \uD2B9\uC9D5\uC744 \uC9C0\uB154\uB2E4. \uADF8\uC758 \uD68C\uD654\uAC00 \uC9C0\uB2C8\uACE0 \uC788\uB294 \uBA87 \uAC00\uC9C0 \uC694\uC18C\uB97C 19\uC138\uAE30 \uB77C\uD30C\uC5D8 \uC804\uD30C\uC758 \uD654\uAC00\uB4E4\uC774 \uC7AC\uC218\uC6A9\uD588\uACE0, \uC720\uAC90\uD2B8\uC288\uD2F8\uB3C4 \uC120\uACFC \uC7A5\uC2DD\uC744 \uCC98\uB9AC\uD558\uB294 \uBC29\uC2DD\uC5D0\uC11C \uADF8\uB85C\uBD80\uD130 \uBA87 \uAC00\uC9C0\uB97C \uCC28\uC6A9\uD558\uAE30\uB3C4 \uD588\uB2E4. \uADF8\uC758 \uC544\uBC84\uC9C0\uC778 \uB9C8\uB9AC\uC544\uB178 \uB514 \uBC18\uB2C8(Mariano di Vanni)\uB294 \uC81C\uD601\uC5C5\uC790\uC774\uB2E4."@ko . . . . . "\u039F \u0391\u03BB\u03B5\u03C3\u03C3\u03AC\u03BD\u03C4\u03C1\u03BF \u03BD\u03C4\u03B9 \u039C\u03B1\u03C1\u03B9\u03AC\u03BD\u03BF \u03A6\u03B9\u03BB\u03B9\u03C0\u03AD\u03C0\u03B9 (Alessandro di Mariano di Vanni Filipepi, 1 \u039C\u03B1\u03C1\u03C4\u03AF\u03BF\u03C5 1445 \u2013 17 \u039C\u03B1\u0390\u03BF\u03C5 1510), \u03B3\u03BD\u03C9\u03C3\u03C4\u03CC\u03C2 \u03C0\u03B5\u03C1\u03B9\u03C3\u03C3\u03CC\u03C4\u03B5\u03C1\u03BF \u03C9\u03C2 \u03A3\u03AC\u03BD\u03C4\u03C1\u03BF \u039C\u03C0\u03BF\u03C4\u03C4\u03B9\u03C4\u03C3\u03AD\u03BB\u03BB\u03B9, (Sandro Botticelli) \u03AE\u03C4\u03B1\u03BD \u03B4\u03B9\u03B1\u03BA\u03B5\u03BA\u03C1\u03B9\u03BC\u03AD\u03BD\u03BF\u03C2 \u0399\u03C4\u03B1\u03BB\u03CC\u03C2 \u03B6\u03C9\u03B3\u03C1\u03AC\u03C6\u03BF\u03C2 \u03C4\u03B7\u03C2 \u03B1\u03BD\u03B1\u03B3\u03AD\u03BD\u03BD\u03B7\u03C3\u03B7\u03C2. \u0391\u03C0\u03BF\u03C4\u03AD\u03BB\u03B5\u03C3\u03B5 \u03AD\u03BD\u03B1\u03BD \u03B1\u03C0\u03CC \u03C4\u03BF\u03C5\u03C2 \u03C0\u03B9\u03BF \u03B3\u03BD\u03C9\u03C3\u03C4\u03BF\u03CD\u03C2 \u03BA\u03B1\u03B9 \u03B5\u03C0\u03B9\u03C4\u03C5\u03C7\u03B7\u03BC\u03AD\u03BD\u03BF\u03C5\u03C2 \u03BA\u03B1\u03BB\u03BB\u03B9\u03C4\u03AD\u03C7\u03BD\u03B5\u03C2 \u03C4\u03B7\u03C2 \u03B5\u03C0\u03BF\u03C7\u03AE\u03C2 \u03C4\u03BF\u03C5, \u03C4\u03BF\u03C5 \u03BF\u03C0\u03BF\u03AF\u03BF\u03C5 \u03B7 \u03C6\u03AE\u03BC\u03B7 \u03AC\u03C1\u03C7\u03B9\u03C3\u03B5 \u03BD\u03B1 \u03B5\u03BE\u03B1\u03BD\u03B5\u03BC\u03AF\u03B6\u03B5\u03C4\u03B1\u03B9 \u03BA\u03B1\u03C4\u03AC \u03C4\u03B9\u03C2 \u03B1\u03C1\u03C7\u03AD\u03C2 \u03C4\u03BF\u03C5 16\u03BF\u03C5 \u03B1\u03B9\u03CE\u03BD\u03B1, \u03CC\u03C4\u03B1\u03BD \u03BF\u03B9 \u03C6\u03B9\u03BB\u03BF\u03C3\u03BF\u03C6\u03B9\u03BA\u03AD\u03C2 \u03B9\u03B4\u03AD\u03B5\u03C2 \u03C0\u03BF\u03C5 \u03B4\u03B9\u03B1\u03C0\u03B5\u03C1\u03BD\u03BF\u03CD\u03C3\u03B1\u03BD \u03C4\u03BF\u03C5\u03C2 \u03C0\u03AF\u03BD\u03B1\u03BA\u03AD\u03C2 \u03C4\u03BF\u03C5 \u03AC\u03C1\u03C7\u03B9\u03C3\u03B1\u03BD \u03BD\u03B1 \u03B5\u03BA\u03C4\u03BF\u03C0\u03AF\u03B6\u03BF\u03BD\u03C4\u03B1\u03B9. \u03A4\u03BF \u03B5\u03BD\u03B4\u03B9\u03B1\u03C6\u03AD\u03C1\u03BF\u03BD \u03B3\u03B9\u03B1 \u03C4\u03BF \u03AD\u03C1\u03B3\u03BF \u03C4\u03BF\u03C5 \u03B1\u03BD\u03B1\u03B8\u03B5\u03C1\u03BC\u03AC\u03BD\u03B8\u03B7\u03BA\u03B5 \u03C3\u03C4\u03B1 \u03BC\u03AD\u03C3\u03B1 \u03C4\u03BF\u03C5 19\u03BF\u03C5 \u03B1\u03B9\u03CE\u03BD\u03B1, \u03BF\u03C0\u03CC\u03C4\u03B5 \u03B1\u03C0\u03AD\u03BA\u03C4\u03B7\u03C3\u03B5 \u03B1\u03C5\u03C4\u03AE \u03C4\u03B7 \u03B8\u03AD\u03C3\u03B7 \u03BA\u03B1\u03B9 \u03C4\u03B7\u03BD \u03B1\u03BD\u03B1\u03B3\u03BD\u03CE\u03C1\u03B9\u03C3\u03B7 \u03C0\u03BF\u03C5 \u03BA\u03B1\u03C4\u03AD\u03C7\u03B5\u03B9 \u03BC\u03AD\u03C7\u03C1\u03B9 \u03C3\u03AE\u03BC\u03B5\u03C1\u03B1."@el . . . . . . . . "Sandro Botticelli (* 1. M\u00E4rz 1445 in Florenz; \u2020 1510, begraben am 17. Mai 1510 ebenda; auch Alessandro di Mariano Filipepi oder Sandro di Mariano di Vanni Filipepi, gen. Botticelli) war einer der bedeutendsten italienischen Maler und Zeichner der fr\u00FChen Renaissance."@de . . . . . . . . . . . "InternetArchiveBot"@en . . . . . "Alessandro di Mariano di Vanni Filipepi"@en . . . . . . . "Sandro Botticelli"@ga . . . . . . . . "Sandro Botticelli"@en . . . . . . . . . . . . "Alessandro di Mariano di Vanni Filipepi, dit Sandro Botticelli, est un peintre italien, n\u00E9 \u00E0 Florence le 1er mars 1445 et mort le 17 mai 1510 dans la m\u00EAme ville. Botticelli est l'un des peintres les plus importants de la Renaissance italienne et de l'histoire de l'art."@fr . . . . "Alessandro Filipepi, beter bekend als Sandro Botticelli (Florence, rond 1445 \u2013 aldaar, 17 mei 1510), was een kunstschilder uit de Italiaanse renaissance."@nl . "Sandro Botticelli"@pl . . . . . . . . "Other works"@en . . . . . "Sandro Botticelli"@nl . . . . . . . . "\u30B5\u30F3\u30C9\u30ED\u30FB\u30DC\u30C3\u30C6\u30A3\u30C1\u30A7\u30C3\u30EA\uFF08\u30A4\u30BF\u30EA\u30A2\u8A9E: Sandro Botticelli, 1445\u5E743\u67081\u65E5[1444\u5E74\u3068\u3082]- 1510\u5E745\u670817\u65E5\uFF09\u306F\u3001\u30EB\u30CD\u30B5\u30F3\u30B9\u671F\u306E\u30A4\u30BF\u30EA\u30A2\u306E\u30D5\u30A3\u30EC\u30F3\u30C4\u30A7\u751F\u307E\u308C\u306E\u753B\u5BB6\u3067\u3001\u672C\u540D\u306F\u30A2\u30EC\u30C3\u30B5\u30F3\u30C9\u30ED\u30FB\u30C7\u30A3\u30FB\u30DE\u30EA\u30A2\u30FC\u30CE\u30FB\u30D5\u30A3\u30EA\u30DA\u30FC\u30D4 (Alessandro di Mariano Filipepi) \u3068\u3044\u3044\u3001\u30DC\u30C3\u30C6\u30A3\u30C1\u30A7\u30C3\u30EA\u306F\u5144\u304C\u592A\u3063\u3066\u3044\u305F\u3053\u3068\u304B\u3089\u4ED8\u3044\u305F\u300C\u5C0F\u3055\u306A\u6A3D\u300D\u3068\u3044\u3046\u610F\u5473\u306E\u3042\u3060\u540D\u3067\u3042\u308B\u3002\u30DC\u30C3\u30C6\u30A3\u30C1\u30A7\u30EB\u30EA\u3001\u30DC\u30C3\u30C6\u30A3\u30C1\u30A7\u30EA\u3001\u30DC\u30C6\u30A3\u30C1\u30A7\u30EA\u3001\u30DC\u30C6\u30A3\u30C1\u30A7\u30C3\u30EA\u306A\u3069\u3068\u8868\u8A18\u3055\u308C\u308B\u3053\u3068\u3082\u3042\u308B\u3002"@ja . . . . "Sandro Botticelli, w\u0142a\u015Bc. Alessandro di Mariano Filipepi (ur. 1 marca 1445 we Florencji, zm. przed 17 maja 1510 tam\u017Ce) \u2013 w\u0142oski malarz szko\u0142y florenckiej tworz\u0105cy we wczesnym (quattrocento) oraz dojrza\u0142ym okresie odrodzenia."@pl . "83226"^^ . . . . . . . . "Alessandro di Mariano Filipepi, zn\u00E1m\u00FD jako Sandro Botticelli (1. b\u0159ezna 1444 Florencie, It\u00E1lie \u2013 17. kv\u011Btna 1510, tamt\u00E9\u017E) byl italsk\u00FD renesan\u010Dn\u00ED mal\u00ED\u0159, p\u0159edstavitel florentsk\u00E9 \u0161koly. Botticelli pat\u0159\u00ED k nejv\u00FDznamn\u011Bj\u0161\u00EDm p\u0159edstavitel\u016Fm italsk\u00E9ho quattrocenta. Do vystoupen\u00ED fanatick\u00E9ho kazatele Savonarola byl pod vlivem novoplatonismu, kter\u00FD se sna\u017Eil skloubit antick\u00E9 ide\u00E1ly s k\u0159es\u0165ansk\u00FDmi."@cs . "2020-01-22"^^ . . . . . . . "Alessandro di Mariano di Vanni Filipepi, Sandro Botticelli izenaz ezaguna (Florentzia, Florentziako Errepublika, 1445eko martxoaren 1a \u2013 Florentzia, Florentziako Errepublika, 1510eko maiatzaren 17a) Pizkundeko Quattrocentoko italiar margolaria izan zen, . Nahiz eta haren ospea XIX. mendearen amaierara arte ez berreskuratu, gaur egun, bestek beste Udaberria edo Venusen jaiotza margolanei esker, haren marraren dohaina goraipatzen da: haren lanak Florentziako artelanen artean ezagunenetakoak dira."@eu . . . "Sandro Botticelli (* 1. M\u00E4rz 1445 in Florenz; \u2020 1510, begraben am 17. Mai 1510 ebenda; auch Alessandro di Mariano Filipepi oder Sandro di Mariano di Vanni Filipepi, gen. Botticelli) war einer der bedeutendsten italienischen Maler und Zeichner der fr\u00FChen Renaissance. Im Geist der Fr\u00FChrenaissance und des Humanismus malte Botticelli, beeinflusst von Filippo Lippi, Masaccio und Antonio Pollaiuolo, Andachtsbilder, Altarbilder sowie Bilder aus dem Themenbereich der griechischen Mythologie und Allegorien mit Gegenwartsbezug. Von herausragender Bedeutung ist seine Portr\u00E4tkunst, die nachhaltig das Image der Medici und ihrer Parteig\u00E4nger gepr\u00E4gt hat. Sein Sp\u00E4twerk tr\u00E4gt emotional expressive Z\u00FCge mit R\u00FCckbezug auf die Gotik.Einige Elemente seiner Malerei wurden sp\u00E4ter von den Pr\u00E4raffaeliten im 19. Jahrhundert wieder aufgegriffen. Auch der Jugendstil machte in Linie und Ornament Anleihen bei ihm."@de . . . "Sandro Botticelli"@es . . . . . . . "Alessandro di Mariano di Vanni Filipepi yang lebih dikenal dengan nama Sandro Botticelli atau Il Botticello (si tong kecil; lahir 1 Maret 1445, wafat 17 Mei 1510) adalah seorang pelukis Italia dari Florentina pada masa Renaissance Awal (Quattrocentro). Kurang dari seratus tahun kemudian gerakan ini yang didukung oleh Lorenzo de Medici dinilai oleh Giorgio Vasari sebagai sebuah zaman keemasan --- sebuah pemikiran yang ia utarakan pada puncak kejayaan Botticelli. Reputasi yang diperolehnya setelah ia wafat tidak begitu dikenal hingga akhir abad ke-19. Semenjak itu karya-karyanya terlihat menjadi contoh utama dari keanggunan lukisan-ukisan zaman Renaissance awal. Lukisan-lukisannya \"Kelahiran Venus\" dan \"Primavera\" telah menjadi karya-karya agung kesenian Florentina yang paling dikenal."@in . "Painting"@en . . . 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"Sandro BOTTICELLI ([\u02C8sandro botti\u02C8t\u0361\u0283\u025Blli], esperantigite Sandro Bottit\u0109elli) (1444/5-1510), origine nomi\u011Dis Alessandro di Mariano Filipepi, estis itala pentristo de Florenco dum la Renesanco.Li estas la fama pentristo de La Primavera (\"Printempo\") kaj Nascita di Venere (\"Naski\u011Do de Venuso\"), amba\u016D nun en la muzeo de Uffizi en Florenco. Li pentris en pre\u011Dejoj en Florenco kaj en la Siksta Kapelo en Romo kaj por la familio Medici, pentrinte \u0109efe pri temoj kristanaj kaj mitaj. Li ne fami\u011Dis \u011Dis la 19-a jarcento, nur preska\u016D tri jarcentojn post sia morto. En La Primavera (1477-78), la tri virinoj, kiuj dancas kune, simbolas la tri monatojn de printempo. La Naski\u011Do de Venuso (1485-86) montras la unuan nudan homon en E\u016Dropa belarto ekde la romianoj. La virino, kiu modelis Venera-n, aperas en multaj el la pentra\u0135oj de Botticelli (\u015Di estas en La Primavera) kaj fakte \u015Di estis la bokuzino de Amerigo Vespucci, el kies nomo venas la nomo de la kontinento Ameriko. Unu el la italaj e\u016Dro-moneroj montras detalon el La Naski\u011Do de Venuso. Lia nomo, Botticelli, devenis de lia frato, Giovanni, lombardo, kiu nomi\u011Dis Il Botticello (La Bareleto)."@eo . . . . . . "Sandro Botticelli"@sv . . . . . . . . . "Sandro Botticelli"@in . . . . . . . . "Florence, Republic of Florence"@en . . "73515"^^ . . "Alessandro di Mariano di Vanni Filipepi, conosciuto col nome d'arte di Sandro Botticelli (Firenze, 1\u00BA marzo 1445 \u2013 Firenze, 17 maggio 1510), \u00E8 stato un pittore italiano inquadrabile nella corrente artistica del Rinascimento."@it . . . . . . "\u03A3\u03AC\u03BD\u03C4\u03C1\u03BF \u039C\u03C0\u03BF\u03C4\u03C4\u03B9\u03C4\u03C3\u03AD\u03BB\u03BB\u03B9"@el . . . "Sandro Botticelli, f\u00F6dd Alessandro di Mariano di Vanni Filipepi den 1 mars 1445 i Florens, Italien, d\u00F6d 17 maj 1510 i Florens, var en italiensk m\u00E5lare verksam under ungren\u00E4ssansen (Quattrocento)."@sv . "Florence, Republic of Florence"@en . . . . . . . . . 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