. "Vocals"@en . . "2003"^^ . . . . . . . . . . . "Rapper, Producer, Entrepreneur"@en . . . . . . . . . . . . . . . . . . . "Sony Distribution, Warner Bros. Distribution, Gangster & Gentleman Records Inc."@en . "Le Roi Heenok, de son vrai nom Henoc Beaus\u00E9jour, n\u00E9 le 18 novembre 1973 \u00E0 Montr\u00E9al, au Qu\u00E9bec, est un rappeur et auteur-compositeur-interpr\u00E8te canadien, d'origine ha\u00EFtienne. Roi Heenok se fait conna\u00EEtre en 2004 gr\u00E2ce \u00E0 un buzz g\u00E9n\u00E9r\u00E9 par son site web, comprenant de nombreuses vid\u00E9os. En d\u00E9cembre 2007, Roi Heenok annonce le lancement de sa marque de v\u00EAtements, Ghetto Elegance. En 2008, il est appr\u00E9hend\u00E9 par la police de Montr\u00E9al pour possession ill\u00E9gale d'armes, de drogue, et de quelques milliers de dollars et v\u00EAtements vol\u00E9s."@fr . . "6047"^^ . . . . . . . . . . "Roi Heenok"@en . . . . . . "Henoc Beaus\u00E9jour"@en . . . . . . . . . . . "1973-11-18"^^ . . "Henoc Beaus\u00E9jour (French pronunciation: \u200B[en\u0254k bose\u0292u\u0281]; born November 18, 1973), known by his stage name Roi Heenok (/rw\u0251\u02D0 hi\u02D0n\u0252k/), is a Canadian rapper, producer and entrepreneur of Haitian descent from Montreal, Quebec. Roi Heenok has achieved notoriety in France and the French rap market since 2004 as a result of his successful use of Internet marketing. An avant-gardist who always commands his crowd, Roi Heenok was the first viral video star at a time when YouTube & DailyMotion were only starting to be used as branding tools. Considered a legend in the French rap world, Roi Heenok is known for his unique and authentic style of Queens Bridge French rap. Roi Heenok has worked with legendary artist Raekwon from the Wu-Tang Clan, G.O.D Pt.3 from Infamous Mobb, Green Money, Alibi Montana & Le Gued Muss. His music has appeared on the album of Sony artist La Fouine. Roi Heenok has released three mixtapes: 'Propagande Am\u00E9ricaine : La Dose ((Warner distribution), Europe & Quebecor distribution, Canada) in 2005, Cocaino Rap Musique Vol.1 (Sony distribution) in 2007 & Cocaino Rap Musique Vol.2 (Believe distribution), France in 2009. He released his first Independent album under his label Gangster & Gentleman Inc. on 12/12/12, entitled Noirs et Professionnels exclusively on iTunes. Roi Heenok has starred in three movie projects: directed by Mohammed Mazouz & Romain Gavras, 'Le Monde Selon Roi Heenok' & 'Le Retour \u00E0 Queens Bridge' directed by Amine Bouziane, Julien Lafond & Henoc Beaus\u00E9jour. Roi Heenok founded his first clothing line Ghetto Elegance in 2008"@en . "2003"^^ . . . . . . . "1973-11-18"^^ . . . "Henoc Beaus\u00E9jour"@en . . . . . . . . . . . . . . . . . . . . . . "Henoc Beaus\u00E9jour (French pronunciation: \u200B[en\u0254k bose\u0292u\u0281]; born November 18, 1973), known by his stage name Roi Heenok (/rw\u0251\u02D0 hi\u02D0n\u0252k/), is a Canadian rapper, producer and entrepreneur of Haitian descent from Montreal, Quebec. Roi Heenok has starred in three movie projects: directed by Mohammed Mazouz & Romain Gavras, 'Le Monde Selon Roi Heenok' & 'Le Retour \u00E0 Queens Bridge' directed by Amine Bouziane, Julien Lafond & Henoc Beaus\u00E9jour. Roi Heenok founded his first clothing line Ghetto Elegance in 2008"@en . . . "Roi Heenok"@fr . "Montreal, Quebec, Canada"@en . "1086224147"^^ . . "Le Roi Heenok, de son vrai nom Henoc Beaus\u00E9jour, n\u00E9 le 18 novembre 1973 \u00E0 Montr\u00E9al, au Qu\u00E9bec, est un rappeur et auteur-compositeur-interpr\u00E8te canadien, d'origine ha\u00EFtienne. Roi Heenok se fait conna\u00EEtre en 2004 gr\u00E2ce \u00E0 un buzz g\u00E9n\u00E9r\u00E9 par son site web, comprenant de nombreuses vid\u00E9os. En d\u00E9cembre 2007, Roi Heenok annonce le lancement de sa marque de v\u00EAtements, Ghetto Elegance. En 2008, il est appr\u00E9hend\u00E9 par la police de Montr\u00E9al pour possession ill\u00E9gale d'armes, de drogue, et de quelques milliers de dollars et v\u00EAtements vol\u00E9s."@fr . . "Roi Heenok"@en . . . . "Roi Heenok"@en . "21355175"^^ . . . . . . . . . . . .