. . . . "Over-the-shoulder shot"@en . . . . . "Inquadratura di quinta"@it . . . . . . . . . . . "Nel cinema un'inquadratura di quinta \u00E8 la ripresa di un oggetto o personaggio effettuata da sopra la spalla di un altro soggetto o di un interlocutore. La schiena del soggetto di spalle viene usata per incorniciare l'immagine. Questo tipo di inquadratura \u00E8 molto comune nel dialogo tra due personaggi e viene normalmente seguita da una ripresa pi\u00F9 ampia che aiuta lo spettatore ad inserire i personaggi nel contesto circostante."@it . . . . . "No mundo cinematogr\u00E1fico Over the Shoulder \u00E9 um termo em ingl\u00EAs que se refere a um enquadramento de c\u00E2mera enquanto se filma algo ou algu\u00E9m a partir da perspectiva ou \u00E2ngulo da filmadora sobre o ombro de outra pessoa. Este \u00E2ngulo \u00E9 comumente utilizado como contra-plano e para estabelecer o assunto de interesse ocorrente. Este tipo de filmagem \u00E9 tamb\u00E9m muto comum em entrevistas televisivas. No cinema ele se faz presente muitas das vezes quando dois personagens est\u00E3o tendo uma discuss\u00E3o e, geralmente, segue de um \u00E2ngulo amplo, assim ajudando o p\u00FAblico a ter uma melhor no\u00E7\u00E3o da ambienta\u00E7\u00E3o."@pt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "7575690"^^ . . . . . "The over-the-shoulder shot (OTS) is a camera angle used in film and television, where the camera is placed above the back of the shoulder and head of a subject. This shot is most commonly used to present conversational back and forth between two subjects. With the camera placed behind one character, the shot then frames the sequence from the perspective of that character. The over-the-shoulder shot is then utilised in a shot-reverse-shot sequence where both subject's OTS perspectives are edited consecutively to create a back and forth interplay, capturing dialogue and reactions. This inclusion of the back of the shoulder allows audiences to understand the spatial relationships between two subjects, while still being able to capture a closer shot of each subject\u2019s facial expression. In film"@en . . "\u0641\u064A \u0627\u0644\u0623\u0641\u0644\u0627\u0645 \u0623\u0648 \u0627\u0644\u0641\u064A\u062F\u064A\u0648\u0647\u0627\u062A \u0644\u0642\u0637\u0629 \u0645\u0646 \u0641\u0648\u0642 \u0627\u0644\u0643\u062A\u0641 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Over the shoulder shot)\u200F (\u0627\u062E\u062A\u0635\u0627\u0631:OTS) \u0623\u0648 \u0644\u0642\u0637\u0629 \u0645\u0646 \u0627\u0644\u0645\u0646\u0638\u0648\u0631 \u0627\u0644\u062B\u0627\u0644\u062B (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Third-person shot)\u200F \u0647\u064A \u0644\u0642\u0637\u0629 \u0644\u0634\u064A\u0621 \u0623\u0648 \u0634\u062E\u0635 \u0623\u062E\u062F\u062A \u0645\u0646 \u0645\u0646\u0638\u0648\u0631 \u0623\u0648 \u0632\u0627\u0648\u064A\u0629 \u0643\u0627\u0645\u064A\u0631\u0627 \u0643\u062A\u0641 \u0634\u062E\u0635 \u0622\u062E\u0631\u060C \u064A\u0633\u062A\u062E\u062F\u0645 \u0631\u0623\u0633 \u0647\u0630\u0627 \u0627\u0644\u0634\u062E\u0635 \u0648\u0627\u0644\u062C\u0647\u0629 \u0627\u0644\u062E\u0644\u0641\u064A\u0629 \u0645\u0646 \u0643\u062A\u0641\u0647 \u0644\u062A\u0623\u0637\u064A\u0631 \u0635\u0648\u0631\u0629 \u0627\u0644\u0634\u064A\u0621 \u0623\u0648 \u0627\u0644\u0634\u062E\u0635 \u0627\u0644\u0630\u064A \u062A\u0634\u064A\u0631 \u0625\u0644\u064A\u0647 \u0627\u0644\u0643\u0627\u0645\u064A\u0631\u0627. \u0647\u0630\u0627 \u0627\u0644\u0646\u0648\u0639 \u0645\u0646 \u0627\u0644\u0644\u0642\u0637\u0627\u062A \u0634\u0627\u0626\u0639 \u0628\u0634\u0643\u0644 \u0643\u0628\u064A\u0631 \u0623\u062B\u0646\u0627\u0621 \u0627\u0644\u0645\u062D\u0627\u062F\u062B\u0629 \u0628\u064A\u0646 \u0634\u062E\u0635\u064A\u062A\u064A\u0646\u060C \u0648\u064A\u062A\u0628\u0639 \u0639\u0627\u062F\u0629 \u0644\u0642\u0637\u0629 \u062A\u0623\u0633\u064A\u0633\u064A\u0629 \u0645\u0645\u0627 \u064A\u0633\u0627\u0639\u062F \u0627\u0644\u0645\u0634\u0627\u0647\u062F\u064A\u0646 \u0639\u0644\u0649 \u0648\u0636\u0639 \u0627\u0644\u0634\u062E\u0635\u064A\u0627\u062A \u0641\u064A \u0645\u062C\u0627\u0644\u0647\u0627."@ar . . . "Nel cinema un'inquadratura di quinta \u00E8 la ripresa di un oggetto o personaggio effettuata da sopra la spalla di un altro soggetto o di un interlocutore. La schiena del soggetto di spalle viene usata per incorniciare l'immagine. Questo tipo di inquadratura \u00E8 molto comune nel dialogo tra due personaggi e viene normalmente seguita da una ripresa pi\u00F9 ampia che aiuta lo spettatore ad inserire i personaggi nel contesto circostante."@it . . . "Over the Shoulder"@pt . . "No mundo cinematogr\u00E1fico Over the Shoulder \u00E9 um termo em ingl\u00EAs que se refere a um enquadramento de c\u00E2mera enquanto se filma algo ou algu\u00E9m a partir da perspectiva ou \u00E2ngulo da filmadora sobre o ombro de outra pessoa. Este \u00E2ngulo \u00E9 comumente utilizado como contra-plano e para estabelecer o assunto de interesse ocorrente. Este tipo de filmagem \u00E9 tamb\u00E9m muto comum em entrevistas televisivas. No cinema ele se faz presente muitas das vezes quando dois personagens est\u00E3o tendo uma discuss\u00E3o e, geralmente, segue de um \u00E2ngulo amplo, assim ajudando o p\u00FAblico a ter uma melhor no\u00E7\u00E3o da ambienta\u00E7\u00E3o."@pt . . "\u0641\u064A \u0627\u0644\u0623\u0641\u0644\u0627\u0645 \u0623\u0648 \u0627\u0644\u0641\u064A\u062F\u064A\u0648\u0647\u0627\u062A \u0644\u0642\u0637\u0629 \u0645\u0646 \u0641\u0648\u0642 \u0627\u0644\u0643\u062A\u0641 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Over the shoulder shot)\u200F (\u0627\u062E\u062A\u0635\u0627\u0631:OTS) \u0623\u0648 \u0644\u0642\u0637\u0629 \u0645\u0646 \u0627\u0644\u0645\u0646\u0638\u0648\u0631 \u0627\u0644\u062B\u0627\u0644\u062B (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Third-person shot)\u200F \u0647\u064A \u0644\u0642\u0637\u0629 \u0644\u0634\u064A\u0621 \u0623\u0648 \u0634\u062E\u0635 \u0623\u062E\u062F\u062A \u0645\u0646 \u0645\u0646\u0638\u0648\u0631 \u0623\u0648 \u0632\u0627\u0648\u064A\u0629 \u0643\u0627\u0645\u064A\u0631\u0627 \u0643\u062A\u0641 \u0634\u062E\u0635 \u0622\u062E\u0631\u060C \u064A\u0633\u062A\u062E\u062F\u0645 \u0631\u0623\u0633 \u0647\u0630\u0627 \u0627\u0644\u0634\u062E\u0635 \u0648\u0627\u0644\u062C\u0647\u0629 \u0627\u0644\u062E\u0644\u0641\u064A\u0629 \u0645\u0646 \u0643\u062A\u0641\u0647 \u0644\u062A\u0623\u0637\u064A\u0631 \u0635\u0648\u0631\u0629 \u0627\u0644\u0634\u064A\u0621 \u0623\u0648 \u0627\u0644\u0634\u062E\u0635 \u0627\u0644\u0630\u064A \u062A\u0634\u064A\u0631 \u0625\u0644\u064A\u0647 \u0627\u0644\u0643\u0627\u0645\u064A\u0631\u0627. \u0647\u0630\u0627 \u0627\u0644\u0646\u0648\u0639 \u0645\u0646 \u0627\u0644\u0644\u0642\u0637\u0627\u062A \u0634\u0627\u0626\u0639 \u0628\u0634\u0643\u0644 \u0643\u0628\u064A\u0631 \u0623\u062B\u0646\u0627\u0621 \u0627\u0644\u0645\u062D\u0627\u062F\u062B\u0629 \u0628\u064A\u0646 \u0634\u062E\u0635\u064A\u062A\u064A\u0646\u060C \u0648\u064A\u062A\u0628\u0639 \u0639\u0627\u062F\u0629 \u0644\u0642\u0637\u0629 \u062A\u0623\u0633\u064A\u0633\u064A\u0629 \u0645\u0645\u0627 \u064A\u0633\u0627\u0639\u062F \u0627\u0644\u0645\u0634\u0627\u0647\u062F\u064A\u0646 \u0639\u0644\u0649 \u0648\u0636\u0639 \u0627\u0644\u0634\u062E\u0635\u064A\u0627\u062A \u0641\u064A \u0645\u062C\u0627\u0644\u0647\u0627."@ar . . . . . . . . . . . . . . . . . . . . "1111723792"^^ . . . . . . "The over-the-shoulder shot (OTS) is a camera angle used in film and television, where the camera is placed above the back of the shoulder and head of a subject. This shot is most commonly used to present conversational back and forth between two subjects. With the camera placed behind one character, the shot then frames the sequence from the perspective of that character. The over-the-shoulder shot is then utilised in a shot-reverse-shot sequence where both subject's OTS perspectives are edited consecutively to create a back and forth interplay, capturing dialogue and reactions. This inclusion of the back of the shoulder allows audiences to understand the spatial relationships between two subjects, while still being able to capture a closer shot of each subject\u2019s facial expression. In film and television, the filmmaker or cinematographer\u2019s choice of an OTS shot\u2019s camera height, the use of focus and lenses affect the way audiences interpret subjects and their relationships to others and space."@en . . . . . . . . . "26652"^^ . . . . . . . . "\u0644\u0642\u0637\u0629 \u0645\u0646 \u0641\u0648\u0642 \u0627\u0644\u0643\u062A\u0641"@ar . .