. "Olivier Eug\u00E8ne Prosper Charles MESSIAEN (naski\u011Dis la 10-an de decembro 1908 en Avignon, Francio; mortis la 27-an de aprilo 1992 en Parizo) estis franca komponisto, kompozicio-instruisto kaj orgenisto. Li estas konsiderata kiel unu el la plej elstaraj komponistoj de la 20-a jarcento."@eo . . . . . . . . . "Olivier Eug\u00E8ne Prosper Charles MESSIAEN (naski\u011Dis la 10-an de decembro 1908 en Avignon, Francio; mortis la 27-an de aprilo 1992 en Parizo) estis franca komponisto, kompozicio-instruisto kaj orgenisto. Li estas konsiderata kiel unu el la plej elstaraj komponistoj de la 20-a jarcento."@eo . . . . . "Olivier Messiaen (Avignon, Frantzia, 1908ko abenduaren 10a - Paris, Frantzia, 1992ko apirilaren 27a) frantses musikagilea, organista eta irakaslea izan zen."@eu . . . . . . "Olivier Messiaen"@eo . . . . . "75837"^^ . . . . . . . "Olivier Messiaen"@ca . . . "Olivier Eug\u00E8ne Prosper Charles Messiaen (UK: /\u02C8m\u025Bsi\u00E6\u0303/, US: /m\u025B\u02C8sj\u00E6\u0303, me\u026A\u02C8sj\u00E6\u0303, m\u025B\u02C8sj\u0252\u0303/; French: [\u0254livje \u00F8\u0292\u025Bn p\u0281\u0254sp\u025B\u0281 \u0283a\u0281l m\u025Bsj\u0251\u0303]; 10 December 1908 \u2013 27 April 1992) was a French composer, organist, and ornithologist who was one of the major composers of the 20th century. His music is rhythmically complex; harmonically and melodically he employs a system he called modes of limited transposition, which he abstracted from the systems of material generated by his early compositions and improvisations. He wrote music for chamber ensembles and orchestra, vocal music, as well as for solo organ and piano, and also experimented with the use of novel electronic instruments developed in Europe during his lifetime. Messiaen entered the Paris Conservatoire at the age of 11 and studied with Paul Dukas, Maurice Emmanuel, Charles-Marie Widor and Marcel Dupr\u00E9, among others. He was appointed organist at the \u00C9glise de la Sainte-Trinit\u00E9, Paris, in 1931, a post held for 61 years until his death. He taught at the Schola Cantorum de Paris during the 1930s. After the fall of France in 1940, Messiaen was interned for nine months in the German prisoner of war camp Stalag VIII-A, where he composed his Quatuor pour la fin du temps (\"Quartet for the end of time\") for the four instruments available in the prison\u2014piano, violin, cello and clarinet. The piece was first performed by Messiaen and fellow prisoners for an audience of inmates and prison guards. He was appointed professor of harmony soon after his release in 1941 and professor of composition in 1966 at the Paris Conservatoire, positions that he held until his retirement in 1978. His many distinguished pupils included Iannis Xenakis, George Benjamin, Alexander Goehr, Pierre Boulez, Tristan Murail, Karlheinz Stockhausen, and Yvonne Loriod, who became his second wife. Messiaen perceived colours when he heard certain musical chords (a phenomenon known as synaesthesia); according to him, combinations of these colours were important in his compositional process. He travelled widely and wrote works inspired by diverse influences, including Japanese music, the landscape of Bryce Canyon in Utah, and the life of St. Francis of Assisi. For a short period Messiaen experimented with the parametrisation associated with \"total serialism\", in which field he is often cited as an innovator. His style absorbed many global musical influences such as Indonesian gamelan (tuned percussion often features prominently in his orchestral works). He found birdsong fascinating, notating bird songs worldwide and incorporating birdsong transcriptions into his music. His innovative use of colour, his conception of the relationship between time and music, and his use of birdsong are among the features that make Messiaen's music distinctive."@en . . . . . . . . . . "Olivier Messiaen (Avinh\u00E3o, 10 de dezembro de 1908 \u2013 Clichy, 27 de abril de 1992) foi um compositor, organista e ornitologista franc\u00EAs. Autor de vasta produ\u00E7\u00E3o, que se estende pela m\u00FAsica para \u00F3rg\u00E3o, piano, de c\u00E2mara, vocal (com ou sem instrumentos), concertante, sinf\u00F3nica, coral-sinf\u00F3nica e uma \u00F3pera \u2013 S\u00E9timo Quadro do S\u00E3o Francisco de Assis."@pt . "Olivier Messiaen (Avi\u00F1\u00F3n, 10 de diciembre de 1908-Clichy, \u00CEle-de-France, 27 de abril de 1992) fue un compositor, organista, pedagogo y ornit\u00F3logo franc\u00E9s, uno de los m\u00FAsicos m\u00E1s destacados de toda la centuria. Tanto su fascinaci\u00F3n por el hinduismo, su admiraci\u00F3n por la naturaleza y los p\u00E1jaros, su profunda fe cristiana y su amor por el color instrumental, fueron primordiales para su formaci\u00F3n como persona y artista."@es . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Olivier Messiaen (10. prosince 1908 Avignon \u2013 27. dubna 1992 Clichy) byl francouzsk\u00FD hudebn\u00ED skladatel."@cs . . "\u30AA\u30EA\u30F4\u30A3\u30A8\uFF1D\u30A6\u30B8\u30A7\u30FC\u30CC\uFF1D\u30D7\u30ED\u30B9\u30DA\u30FC\u30EB\uFF1D\u30B7\u30E3\u30EB\u30EB\u30FB\u30E1\u30B7\u30A2\u30F3\uFF08Olivier-Eug\u00E8ne-Prosper-Charles Messiaen, 1908\u5E7412\u670810\u65E5 - 1992\u5E744\u670827\u65E5\uFF09\u306F\u3001\u30D5\u30E9\u30F3\u30B9\u3001\u30A2\u30F4\u30A3\u30CB\u30E7\u30F3\u751F\u307E\u308C\u306E\u73FE\u4EE3\u97F3\u697D\u306E\u4F5C\u66F2\u5BB6\u3001\u30AA\u30EB\u30AC\u30F3\u594F\u8005\u3001\u30D4\u30A2\u30CB\u30B9\u30C8\u3001\u97F3\u697D\u6559\u80B2\u8005\u3067\u3042\u308B\u3002"@ja . . . . . . . . . . . . . . . . . . . "Olivier Messiaen"@es . . . . . . . . . . . . . . . . . . . "Olivier Messiaen"@eu . . . . . . "146595"^^ . "Olivier Eug\u00E8ne Prosper Charles Messiaen (Avignone, 10 dicembre 1908 \u2013 Clichy, 27 aprile 1992) \u00E8 stato un compositore, pianista, organista e ornitologo francese. Si iscrisse al conservatorio di Parigi all'et\u00E0 di 11 anni ed ebbe tra i suoi insegnanti Paul Dukas, Maurice Emmanuel, Charles-Marie Widor e Marcel Dupr\u00E9. Nel 1931 ottenne il posto di organista della chiesa della Sainte-Trinit\u00E9 a Parigi, incarico che mantenne fino alla morte. Nel 1940, durante l'invasione tedesca della Francia fu fatto prigioniero e internato nello Stalag VIII-A, un campo di lavoro presso G\u00F6rlitz. Qui, trovando casualmente tra i suoi compagni di prigionia tre musicisti, compose, col beneplacito del responsabile del campo appassionato di musica, una delle sue composizioni pi\u00F9 note, il Quatuor pour la fin du temps (Quartetto per la fine del tempo) per clarinetto, violino, violoncello e pianoforte. La prima fu eseguita il 15 gennaio 1941 davanti a circa quattrocento fra prigionieri e guardie. Poco dopo la sua liberazione, nel 1941 ottenne l'incarico di professore di armonia al conservatorio di Parigi, a cui si aggiunse nel 1966 quello di professore di composizione, posti che mantenne fino al pensionamento nel 1978. Tra i suoi numerosi allievi si distinsero particolarmente Pierre Boulez, Yvonne Loriod (che divenne poi la sua seconda moglie), Karlheinz Stockhausen, Iannis Xenakis, George Benjamin, Leopoldo La Rosa e Jennifer Bate, organista britannica considerata la sua maggiore interprete, che fino alla morte si \u00E8 esibita in concerto utilizzando le partiture originali del compositore. Messiaen si interess\u00F2 alla musica indiana (pi\u00F9 precisamente alla musica carnatica) e dell'antica Grecia, e in particolare al loro ritmo: molte sue opere hanno una struttura ritmica assai complessa o inusuale. Dal punto di vista armonico e melodico si distinse per l'introduzione e l'uso di particolari scale musicali a cui diede il nome di modi a trasposizione limitata. L'impiego di questi modi gli permise di esplorare la relazione tra l'udito e gli altri sensi, realizzando una musica sinestetica, in cui l'incontro e la sovrapposizione di accordi doveva creare l'impressione di vedere certi ben determinati accostamenti di colore. Per un breve periodo speriment\u00F2 anche il serialismo integrale, anticipando per certi aspetti l'opera del suo allievo Boulez. A rendere ancora pi\u00F9 eclettico e inconfondibile il suo stile \u00E8 l'uso di strumenti esotici o curiosi come il gamelan e le onde Martenot (Jeanne Loriod, sorella della sua seconda moglie, era una virtuosa di questo strumento). A dispetto dello stile cos\u00EC vario e inusuale, la maggior parte delle sue composizioni (con la notevole eccezione di quelle ispirate al canto degli uccelli) sono di carattere sacro o mistico e dipingono quello che egli stesso chiamava \u00ABl'aspetto meraviglioso della fede\u00BB, testimoniando il suo credo nella religione cattolica. Messiaen era affascinato dal canto degli uccelli, era suo convincimento che essi fossero i pi\u00F9 grandi musicisti sulla Terra e piuttosto che compositore, si considerava pi\u00F9 \"un ornitologo e un ritmista\". Nei suoi numerosi viaggi in tutto il mondo, ebbe modo di ascoltare e registrare il canto di numerosi uccelli, realizzando delle trascrizioni (soprattutto per pianoforte ma anche per orchestra), tra cui la pi\u00F9 celebre \u00E8 il (Catalogo d'uccelli), composto tra il 1956 e il 1958. Oltre a essere composizioni a s\u00E9 stanti, tali trascrizioni vennero inserite in gran parte delle sue opere pi\u00F9 famose, come nella Sinfonia Turangal\u00EEla e nel San Francesco d'Assisi. L'uso innovativo di ritmo, melodia e armonia, la sua personale concezione delle relazioni tra tempo, musica e colore, la passione per il canto degli uccelli e la sua sincera e profonda ispirazione religiosa, nonch\u00E9 il suo ruolo di didatta, hanno contribuito a fare di Messiaen uno dei pi\u00F9 grandi e influenti compositori del XX secolo."@it . "Olivier Messiaen"@de . . . . . . . "Olivier Eug\u00E8ne Prosper Charles Messiaen (Avignone, 10 dicembre 1908 \u2013 Clichy, 27 aprile 1992) \u00E8 stato un compositore, pianista, organista e ornitologo francese. Si iscrisse al conservatorio di Parigi all'et\u00E0 di 11 anni ed ebbe tra i suoi insegnanti Paul Dukas, Maurice Emmanuel, Charles-Marie Widor e Marcel Dupr\u00E9. Nel 1931 ottenne il posto di organista della chiesa della Sainte-Trinit\u00E9 a Parigi, incarico che mantenne fino alla morte. Nel 1940, durante l'invasione tedesca della Francia fu fatto prigioniero e internato nello Stalag VIII-A, un campo di lavoro presso G\u00F6rlitz. Qui, trovando casualmente tra i suoi compagni di prigionia tre musicisti, compose, col beneplacito del responsabile del campo appassionato di musica, una delle sue composizioni pi\u00F9 note, il Quatuor pour la fin du temps (Qu"@it . . . . . . "Awards for Olivier Messiaen"@en . . "Links to related articles"@en . . "\u5967\u7ACB\u4F5B\u00B7\u6885\u6E58\uFF08\u6CD5\u8A9E\uFF1AOlivier Messiaen\uFF1B\u6CD5\u8BED\u53D1\u97F3\uFF1A[\u0254livje m\u025Bsj\u0251\u0303]\uFF0C1908\u5E7412\u670810\u65E5\uFF0D1992\u5E744\u670827\u65E5\uFF09\uFF0C\u6CD5\u570B\u4F5C\u66F2\u5BB6\u3001\u98A8\u7434\u5BB6\u3001\u97F3\u4E50\u6559\u80B2\u5BB6\uFF0C\u666E\u904D\u516C\u8A8D\u70BA\u4E8C\u5341\u4E16\u7D00\u6700\u5177\u4EE3\u8868\u6027\u7684\u4F5C\u66F2\u5BB6\u4E4B\u4E00\u3002\u4ED6\u7684\u97F3\u6A02\u5E38\u878D\u5165\u8907\u96DC\u7684\u7BC0\u594F\u8A9E\u8A00\uFF08\u4ED6\u79C1\u4E0B\u937E\u611B\u53E4\u5E0C\u81D8\u548C\u5370\u5EA6\u97F3\u6A02\uFF09\uFF0C\u4E26\u4EE5\u300C\u300D\uFF08\u6885\u6E58\u81EA\u4ED6\u65E9\u671F\u4F5C\u54C1\u4E2D\u63D0\u51FA\u7684\u6982\u5FF5\uFF09\u92EA\u9673\u51FA\u548C\u8072\u8207\u65CB\u5F8B\u3002\u6885\u6E58\u8EAB\u70BA\u4E00\u4F4D\u5929\u4E3B\u6559\u5F92\uFF0C\u66F2\u4F5C\u4E2D\u5E38\u6D41\u9732\u51FA\u4ED6\u5C0D\u4FE1\u4EF0\u7684\u8654\u8AA0\u3002 \u4ED6\u6642\u5E38\u9060\u884C\uFF0C\u56E0\u800C\u5728\u4F5C\u54C1\u4E2D\u878D\u5165\u4E86\u591A\u6A23\u5143\u7D20\uFF0C\u4F8B\u5982\u65E5\u672C\u97F3\u6A02\u3001\u7336\u4ED6\u5DDE\u5E03\u840A\u65AF\u5CFD\u8C37\u570B\u5BB6\u516C\u5712\u7684\u98A8\u666F\u4EE5\u53CA\u8056\u65B9\u6FDF\u5404\u7684\u751F\u6D3B\u7B49\u3002\u6885\u6E58\u66FE\u5F62\u5BB9\uFF0C\u7576\u4ED6\u807D\u898B\u548C\u97F3\u3001\u5C24\u5176\u662F\u6839\u64DA\u4ED6\u7684\u97F3\u6A02\u8ABF\u5F0F\u6240\u8B5C\u51FA\u7684\u548C\u8072\u6642\uFF0C\u6703\u4E0D\u7531\u81EA\u4E3B\u7522\u751F\u5171\u9CF4\u3001\u806F\u60F3\u5230\u8272\u5F69\uFF08\u5373\u6240\u8B02\u7684\u806F\u89BA\u73FE\u8C61\uFF09\uFF0C\u9032\u800C\u5C07\u9019\u4E9B\u8272\u5F69\u7D50\u5408\u3001\u8F49\u5316\u5165\u65CB\u5F8B\u4E4B\u4E2D\u3002\u6709\u4E00\u6BB5\u6642\u9593\uFF0C\u4ED6\u5168\u5FC3\u6295\u5165\u95DC\u65BC\u300C\u5168\u5E8F\u5217\u4E3B\u7FA9\u300D\u53C3\u6578\u5316\u7684\u5BE6\u9A57\uFF0C\u56E0\u6B64\u88AB\u5F8C\u4E16\u8A8D\u5B9A\u662F\u5E8F\u5217\u4E3B\u7FA9\u9818\u57DF\u7684\u9769\u65B0\u5148\u92D2\u3002\u4ED6\u662F\u9996\u4F4D\u5728\u7BA1\u5F26\u6A02\u66F2\u4E2D\u4F7F\u7528\u99AC\u7279\u8AFE\u7434\u7684\u4F5C\u66F2\u5BB6\u4E4B\u4E00\u3002 \u6885\u897F\u5B89\u5C0D\u8ABF\u6027\u3001\u548C\u8072\u3001\u5341\u4E8C\u97F3\u5217\u3001\u9CE5\u6B4C\u3001\u5E0C\u81D8\u7BC0\u594F\u3001\u5370\u5EA6\u7BC0\u594F\u7B49\u7B49\u90FD\u6709\u6DF1\u5165\u7684\u7814\u7A76\uFF0C\u5176\u97F3\u6A02\u7406\u8AD6\u8457\u4F5C\u6709\u300A\u6211\u7684\u97F3\u6A02\u8A9E\u8A00\u300B\uFF08Technique de mon langage musical\uFF09\u548C\u300A\u7BC0\u594F\u3001\u8272\u5F69\u8207\u9CE5\u9CF4\u7684\u7406\u8AD6\u300B\uFF08Trait\u00E9 de rythme, de couleur, et d'ornithologie\uFF09\u7B49\u3002\u4ED6\u4E26\u4E14\u662F\u570B\u7ACB\u5DF4\u9ECE\u97F3\u6A02\u9662\u7684\u6559\u6388\uFF0C\u9580\u751F\u6709\u5E03\u83B1\u5179\u3001\u65BD\u6258\u514B\u8C6A\u68EE\u3001\uFF08\u5F8C\u4F86\u6210\u70BA\u6885\u897F\u5B89\u7B2C\u4E8C\u4EFB\u59BB\u5B50\uFF09\u3001\u6FA4\u7D0D\u57FA\u65AF\u3001\u9673\u5176\u92FC\u3001\u5F35\u660A\u7B49\u4EBA\u3002"@zh . . . . . "Olivier Messiaen"@it . . . . . . . . "\u041E\u043B\u0438\u0432\u044C\u0435\u0301 \u042D\u0436\u0435\u0301\u043D \u0428\u0430\u0440\u043B\u044C \u041F\u0440\u043E\u0441\u043F\u0435\u0301\u0440 \u041C\u0435\u0441\u0441\u0438\u0430\u0301\u043D (\u0444\u0440. Olivier Eug\u00E8ne Charles Prosper Messiaen [\u0254li\u02C8vje m\u025B\u02C8sj\u025B\u0303]}; 10 \u0434\u0435\u043A\u0430\u0431\u0440\u044F 1908, \u0410\u0432\u0438\u043D\u044C\u043E\u043D \u2014 27 \u0430\u043F\u0440\u0435\u043B\u044F 1992, \u041A\u043B\u0438\u0448\u0438-\u043B\u0430-\u0413\u0430\u0440\u0435\u043D\u043D) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A \u043C\u0443\u0437\u044B\u043A\u0438, \u043F\u0435\u0434\u0430\u0433\u043E\u0433."@ru . . . . "\u041C\u0435\u0441\u0441\u0438\u0430\u043D, \u041E\u043B\u0438\u0432\u044C\u0435"@ru . . . . . . . . . . . . . . . . . . . "\u041E\u043B\u0456\u0432'\u0454\u0301 \u041C\u0435\u0441\u0441\u0456\u0430\u0301\u043D (\u0444\u0440. Olivier Messiaen; 10 \u0433\u0440\u0443\u0434\u043D\u044F 1908, \u0410\u0432\u0456\u043D\u044C\u0439\u043E\u043D, \u0424\u0440\u0430\u043D\u0446\u0456\u044F \u2014 27 \u043A\u0432\u0456\u0442\u043D\u044F 1992, \u041F\u0430\u0440\u0438\u0436) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u043E\u0440\u0433\u0430\u043D\u0456\u0441\u0442, \u043C\u0443\u0437\u0438\u0447\u043D\u0438\u0439 \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A, \u043F\u0435\u0434\u0430\u0433\u043E\u0433."@uk . . . "\u30AA\u30EA\u30F4\u30A3\u30A8\uFF1D\u30A6\u30B8\u30A7\u30FC\u30CC\uFF1D\u30D7\u30ED\u30B9\u30DA\u30FC\u30EB\uFF1D\u30B7\u30E3\u30EB\u30EB\u30FB\u30E1\u30B7\u30A2\u30F3\uFF08Olivier-Eug\u00E8ne-Prosper-Charles Messiaen, 1908\u5E7412\u670810\u65E5 - 1992\u5E744\u670827\u65E5\uFF09\u306F\u3001\u30D5\u30E9\u30F3\u30B9\u3001\u30A2\u30F4\u30A3\u30CB\u30E7\u30F3\u751F\u307E\u308C\u306E\u73FE\u4EE3\u97F3\u697D\u306E\u4F5C\u66F2\u5BB6\u3001\u30AA\u30EB\u30AC\u30F3\u594F\u8005\u3001\u30D4\u30A2\u30CB\u30B9\u30C8\u3001\u97F3\u697D\u6559\u80B2\u8005\u3067\u3042\u308B\u3002"@ja . "Olivier Messiaen"@cs . . "1124890155"^^ . . . . . . . "Olivier Messiaen (Avi\u00F1\u00F3n, 10 de diciembre de 1908-Clichy, \u00CEle-de-France, 27 de abril de 1992) fue un compositor, organista, pedagogo y ornit\u00F3logo franc\u00E9s, uno de los m\u00FAsicos m\u00E1s destacados de toda la centuria. Tanto su fascinaci\u00F3n por el hinduismo, su admiraci\u00F3n por la naturaleza y los p\u00E1jaros, su profunda fe cristiana y su amor por el color instrumental, fueron primordiales para su formaci\u00F3n como persona y artista. Ingres\u00F3 en el Conservatorio de Par\u00EDs a la edad de 11 a\u00F1os, y tuvo como profesores a Paul Dukas, Marcel Dupr\u00E9, Maurice Emmanuel y Charles-Marie Widor. Fue designado organista en la Iglesia de la Santa Trinidad de Par\u00EDs en 1931, puesto que ocup\u00F3 hasta su muerte. En 1940, en la batalla de Francia, Messiaen fue hecho prisionero de guerra, y mientras estaba encarcelado compuso su Quatuor pour la fin du temps (Cuarteto para el fin del tiempo) para los cuatro instrumentos disponibles all\u00ED: piano, viol\u00EDn, violonchelo y clarinete. La obra fue estrenada por Messiaen y sus amigos prisioneros ante una audiencia de prisioneros y vigilantes.\u200B Al salir de prisi\u00F3n en 1941, pronto Messiaen fue nombrado profesor de armon\u00EDa, y luego profesor de composici\u00F3n en 1966 en el Conservatorio de Par\u00EDs, puesto que mantuvo hasta su retiro en 1978. Entre sus distinguidos alumnos est\u00E1n Pierre Boulez, Yvonne Loriod (quien despu\u00E9s ser\u00EDa la segunda esposa de Messiaen, y la int\u00E9rprete por excelencia de sus obras escritas para piano o con piano solista), Karlheinz Stockhausen, Iannis Xenakis, Ida Gotkovsky, William Bolcom y George Benjamin. La m\u00FAsica de Messiaen es r\u00EDtmicamente compleja (\u00E9l estaba interesado en los ritmos de la antigua Grecia y de or\u00EDgenes hind\u00FAes), y se basa arm\u00F3nica y mel\u00F3dicamente en los modos de transposici\u00F3n limitada, que fueron una innovaci\u00F3n propia de Messiaen. Muchas de sus composiciones representan lo que \u00E9l llam\u00F3 \u00ABlos aspectos maravillosos de la fe\u00BB, mostrando su inquebrantable catolicismo. Viaj\u00F3 mucho y escribi\u00F3 sus obras inspirado por diversas influencias tales como la m\u00FAsica japonesa, el paisaje del Ca\u00F1\u00F3n de Bryce en Utah o la vida de San Francisco de As\u00EDs. Messiaen experiment\u00F3 una cierta sinestesia manifestada como una percepci\u00F3n de colores cuando o\u00EDa ciertas armon\u00EDas. Durante un per\u00EDodo muy corto, Messiaen experiment\u00F3 con el serialismo integral, en cuyo campo es citado a menudo como un innovador. Su estilo absorbi\u00F3 muchas influencias musicales ex\u00F3ticas tales como gamelan de Indonesia (la percusi\u00F3n afinada tiene a menudo un prominente papel en sus obras orquestales), y tambi\u00E9n us\u00F3 las ondas Martenot. Messiaen estaba fascinado por el \u00ABcanto de los p\u00E1jaros\u00BB; dec\u00EDa que los p\u00E1jaros eran los mejores m\u00FAsicos y se consideraba a s\u00ED mismo tanto ornit\u00F3logo como compositor. Transcrib\u00EDa el canto de los p\u00E1jaros en sus viajes por todo el mundo, e incorpor\u00F3 las transcripciones de estos cantos en gran parte de su m\u00FAsica. Su uso innovador del color, su concepci\u00F3n personal de la relaci\u00F3n entre el tiempo y la m\u00FAsica, su uso del canto de los p\u00E1jaros, y su intento de expresar profundas ideas religiosas, todo se combina de tal modo que hace casi imposible confundir una composici\u00F3n de Messiaen con una obra de cualquier otro compositor contempor\u00E1neo occidental."@es . . . . . "Olivier Eug\u00E8ne Prosper Charles Messiaen (/\u0254livje\u02D0 m\u025Bsj\u0251\u0303/), f\u00F6dd 10 december 1908 i Avignon, d\u00F6d 27 april 1992 i Clichy, var en fransk tons\u00E4ttare, organist och musikl\u00E4rare. Messiaen r\u00E4knas till de mest betydelsefulla och inflytelserika europeiska tons\u00E4ttarna under 1900-talet. Han utvecklade en egen musikalisk stil som utgick fr\u00E5n v\u00E4sterl\u00E4ndsk konstmusik, men han infogade \u00E4ven element fr\u00E5n indisk och annan asiatisk musik, antik grekisk metrik och f\u00E5gels\u00E5ng. M\u00E5nga av hans musikaliska verk avspeglar hans starka katolska tro. \u00C4ven som l\u00E4rare var han betydelsefull f\u00F6r konstmusikens utveckling under andra h\u00E4lften av 1900-talet.\u00C5r 2008 var det 100 \u00E5r sedan Messiaen f\u00F6ddes vilket uppm\u00E4rksammades genom festivaler och konserter \u00F6ver hela v\u00E4rlden."@sv . . "Olivier Eug\u00E8ne Prosper Charles Messiaen (Aussprache [m\u025Bsj\u0251\u0303]) (* 10. Dezember 1908 in Avignon; \u2020 27. April 1992 in Clichy, Hauts-de-Seine) war ein franz\u00F6sischer Komponist, Kompositionslehrer und Organist. Er besch\u00E4ftigte sich au\u00DFerdem mit der Ornithologie."@de . "Olivier Eug\u00E8ne Prosper Charles Messiaen (ur. 10 grudnia 1908 w Awinionie, zm. 27 kwietnia 1992 w Clichy) \u2013 francuski kompozytor, organista i pedagog; z zami\u0142owania ornitolog. W wieku 11 lat wst\u0105pi\u0142 do konserwatorium paryskiego, gdzie studiowa\u0142 gr\u0119 na organach i kompozycj\u0119, a w\u015Br\u00F3d jego nauczycieli znale\u017Ali si\u0119: Paul Dukas, Maurice Emmanuel, Charles-Marie Widor i Marcel Dupr\u00E9. W 1931 zosta\u0142 g\u0142\u00F3wnym organist\u0105 ko\u015Bcio\u0142a \u015Aw. Tr\u00F3jcy w Pary\u017Cu i pozosta\u0142 na tym stanowisku przez 61 lat. Do najs\u0142ynniejszych jego student\u00F3w nale\u017Celi Pierre Boulez, Yvonne Loriod (zosta\u0142a drug\u0105 \u017Con\u0105 kompozytora), Karlheinz Stockhausen, Iannis Xenakis, Gerard Grisey, i Betsy Jolas. Do najwi\u0119kszych kompozytorskich dokona\u0144 Messiaena nale\u017Ca\u0142, zaliczany tak\u017Ce do najwspanialszych dzie\u0142 muzycznych XX wieku Quatuor pour la fin du temps (Kwartet na koniec czasu) skomponowany przez niego w czasie uwi\u0119zienia w niemieckim obozie jenieckim Stalag VIII A w G\u00F6rlitz w 1940. Prawykonanie kwartetu na fortepian, klarnet, skrzypce i wiolonczel\u0119 mia\u0142o miejsce w tym samym obozie. Instrumentalistami byli sam Messiaen i trzej jego obozowi towarzysze. Charakterystycznymi dla tw\u00F3rczo\u015Bci Messiaena by\u0142y utwory organowe."@pl . . . . . . . . . . . . "\u039F \u039F\u03BB\u03B9\u03B2\u03B9\u03AD \u039C\u03B5\u03C3\u03B9\u03AC\u03BD(Olivier Messiaen, \u0391\u03B2\u03B9\u03BD\u03B9\u03CC\u03BD, 10 \u0394\u03B5\u03BA\u03B5\u03BC\u03B2\u03C1\u03AF\u03BF\u03C5 1908 \u2013 , 27 \u0391\u03C0\u03C1\u03B9\u03BB\u03AF\u03BF\u03C5 1992) \u03AE\u03C4\u03B1\u03BD \u0393\u03AC\u03BB\u03BB\u03BF\u03C2 \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B7\u03C2, \u03BF\u03C1\u03B3\u03B1\u03BD\u03AF\u03C3\u03C4\u03B1\u03C2 \u03BA\u03B1\u03B9 \u03BF\u03C1\u03BD\u03B9\u03B8\u03BF\u03BB\u03CC\u03B3\u03BF\u03C2. \u0398\u03B5\u03C9\u03C1\u03B5\u03AF\u03C4\u03B1\u03B9 \u03AD\u03BD\u03B1\u03C2 \u03B1\u03C0\u03CC \u03C4\u03BF\u03C5\u03C2 \u03BC\u03B5\u03B3\u03B1\u03BB\u03CD\u03C4\u03B5\u03C1\u03BF\u03C5\u03C2 \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B5\u03C2 \u03C4\u03BF\u03C5 20\u03BF\u03CD \u03B1\u03B9\u03CE\u03BD\u03B1, \u03C0\u03BF\u03C5 \u03B5\u03C0\u03B7\u03C1\u03AD\u03B1\u03C3\u03B5 \u03C0\u03BB\u03AE\u03B8\u03BF\u03C2 \u03C3\u03C5\u03BD\u03B8\u03B5\u03C4\u03CE\u03BD \u03C4\u03B7\u03C2 \u03BD\u03B5\u03CC\u03C4\u03B5\u03C1\u03B7\u03C2 \u03B3\u03B5\u03BD\u03B9\u03AC\u03C2. \u03A5\u03C0\u03AE\u03C1\u03BE\u03B5 \u03BC\u03AF\u03B1 \u03B1\u03C0\u03CC \u03C4\u03B9\u03C2 \u03B7\u03B3\u03B5\u03C4\u03B9\u03BA\u03AD\u03C2 \u03BC\u03BF\u03C1\u03C6\u03AD\u03C2 \u03C4\u03BF\u03C5 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03BF\u03CD \u03BA\u03B9\u03BD\u03AE\u03BC\u03B1\u03C4\u03BF\u03C2 \u00AB\u039D\u03AD\u03B1 \u0393\u03B1\u03BB\u03BB\u03AF\u03B1\u00BB. \u0397 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE \u03C4\u03BF\u03C5 \u03C7\u03B1\u03C1\u03B1\u03BA\u03C4\u03B7\u03C1\u03AF\u03B6\u03B5\u03C4\u03B1\u03B9 \u03B1\u03C0\u03CC \u03C0\u03BF\u03BB\u03C5\u03C1\u03C1\u03C5\u03B8\u03BC\u03AF\u03B1 (\u03C4\u03BF \u03B5\u03BD\u03B4\u03B9\u03B1\u03C6\u03AD\u03C1\u03BF\u03BD \u03C4\u03BF\u03C5 \u03B3\u03B9\u03B1 \u03C4\u03BF\u03BD \u03C1\u03C5\u03B8\u03BC\u03CC \u03C3\u03C4\u03B7\u03BD \u0391\u03C1\u03C7\u03B1\u03AF\u03B1 \u0395\u03BB\u03BB\u03AC\u03B4\u03B1 \u03BA\u03B1\u03B9 \u03C4\u03B7\u03BD \u0391\u03C1\u03C7\u03B1\u03AF\u03B1 \u0399\u03BD\u03B4\u03AF\u03B1 \u03AE\u03C4\u03B1\u03BD \u03BC\u03B5\u03B3\u03AC\u03BB\u03BF), \u03B5\u03BD\u03CE \u03B1\u03C0\u03CC \u03B1\u03C1\u03BC\u03BF\u03BD\u03B9\u03BA\u03AE \u03BA\u03B1\u03B9 \u03BC\u03B5\u03BB\u03C9\u03B4\u03B9\u03BA\u03AE \u03AC\u03C0\u03BF\u03C8\u03B7 \u03B2\u03B1\u03C3\u03AF\u03B6\u03B5\u03C4\u03B1\u03B9 \u03C3\u03B5 \u03C4\u03C1\u03CC\u03C0\u03BF\u03C5\u03C2. \u03A0\u03BF\u03BB\u03BB\u03AC \u03AD\u03C1\u03B3\u03B1 \u03C4\u03BF\u03C5 \u03B1\u03BD\u03C4\u03B9\u03BA\u03B1\u03C4\u03BF\u03C0\u03C4\u03C1\u03AF\u03B6\u03BF\u03C5\u03BD \u03C4\u03B7\u03BD \u03C0\u03AF\u03C3\u03C4\u03B7 \u03C3\u03C4\u03BF \u0398\u03B5\u03CC, \u03BA\u03B1\u03B8\u03CE\u03C2 \u03BF \u03AF\u03B4\u03B9\u03BF\u03C2 \u03C5\u03C0\u03AE\u03C1\u03BE\u03B5 \u03B2\u03B1\u03B8\u03B9\u03AC \u03B8\u03C1\u03B7\u03C3\u03BA\u03B5\u03C5\u03CC\u03BC\u03B5\u03BD\u03BF\u03C2 \u03C9\u03C2 \u03C0\u03C1\u03BF\u03C2 \u03C4\u03BF\u03BD \u03A1\u03C9\u03BC\u03B1\u03B9\u03BF\u03BA\u03B1\u03B8\u03BF\u03BB\u03B9\u03BA\u03B9\u03C3\u03BC\u03CC, \u03B5\u03BD\u03CE \u03C6\u03AD\u03C1\u03B5\u03C4\u03B1\u03B9 \u03BD\u03B1 \u03B4\u03AD\u03C7\u03B8\u03B7\u03BA\u03B5 \u03AD\u03BD\u03C4\u03BF\u03BD\u03B7 \u03B5\u03C0\u03B9\u03C1\u03C1\u03BF\u03AE \u03C4\u03C9\u03BD \u039A\u03BB\u03C9\u03BD\u03C4 \u039D\u03C4\u03B5\u03BC\u03C0\u03C5\u03C3\u03C3\u03CD \u03BA\u03B1\u03B9 \u0399\u03B3\u03BA\u03CC\u03C1 \u03A3\u03C4\u03C1\u03B1\u03B2\u03AF\u03BD\u03C3\u03BA\u03B9."@el . . "Olivier Messiaen (Avinh\u00E3o, 10 de dezembro de 1908 \u2013 Clichy, 27 de abril de 1992) foi um compositor, organista e ornitologista franc\u00EAs. Autor de vasta produ\u00E7\u00E3o, que se estende pela m\u00FAsica para \u00F3rg\u00E3o, piano, de c\u00E2mara, vocal (com ou sem instrumentos), concertante, sinf\u00F3nica, coral-sinf\u00F3nica e uma \u00F3pera \u2013 S\u00E9timo Quadro do S\u00E3o Francisco de Assis."@pt . . . . "Olivier Messiaen (10. prosince 1908 Avignon \u2013 27. dubna 1992 Clichy) byl francouzsk\u00FD hudebn\u00ED skladatel."@cs . . . . . . . . . . . . . . "Olivier Messiaen"@pt . . . . . . "\u5967\u7ACB\u4F5B\u00B7\u6885\u6E58\uFF08\u6CD5\u8A9E\uFF1AOlivier Messiaen\uFF1B\u6CD5\u8BED\u53D1\u97F3\uFF1A[\u0254livje m\u025Bsj\u0251\u0303]\uFF0C1908\u5E7412\u670810\u65E5\uFF0D1992\u5E744\u670827\u65E5\uFF09\uFF0C\u6CD5\u570B\u4F5C\u66F2\u5BB6\u3001\u98A8\u7434\u5BB6\u3001\u97F3\u4E50\u6559\u80B2\u5BB6\uFF0C\u666E\u904D\u516C\u8A8D\u70BA\u4E8C\u5341\u4E16\u7D00\u6700\u5177\u4EE3\u8868\u6027\u7684\u4F5C\u66F2\u5BB6\u4E4B\u4E00\u3002\u4ED6\u7684\u97F3\u6A02\u5E38\u878D\u5165\u8907\u96DC\u7684\u7BC0\u594F\u8A9E\u8A00\uFF08\u4ED6\u79C1\u4E0B\u937E\u611B\u53E4\u5E0C\u81D8\u548C\u5370\u5EA6\u97F3\u6A02\uFF09\uFF0C\u4E26\u4EE5\u300C\u300D\uFF08\u6885\u6E58\u81EA\u4ED6\u65E9\u671F\u4F5C\u54C1\u4E2D\u63D0\u51FA\u7684\u6982\u5FF5\uFF09\u92EA\u9673\u51FA\u548C\u8072\u8207\u65CB\u5F8B\u3002\u6885\u6E58\u8EAB\u70BA\u4E00\u4F4D\u5929\u4E3B\u6559\u5F92\uFF0C\u66F2\u4F5C\u4E2D\u5E38\u6D41\u9732\u51FA\u4ED6\u5C0D\u4FE1\u4EF0\u7684\u8654\u8AA0\u3002 \u4ED6\u6642\u5E38\u9060\u884C\uFF0C\u56E0\u800C\u5728\u4F5C\u54C1\u4E2D\u878D\u5165\u4E86\u591A\u6A23\u5143\u7D20\uFF0C\u4F8B\u5982\u65E5\u672C\u97F3\u6A02\u3001\u7336\u4ED6\u5DDE\u5E03\u840A\u65AF\u5CFD\u8C37\u570B\u5BB6\u516C\u5712\u7684\u98A8\u666F\u4EE5\u53CA\u8056\u65B9\u6FDF\u5404\u7684\u751F\u6D3B\u7B49\u3002\u6885\u6E58\u66FE\u5F62\u5BB9\uFF0C\u7576\u4ED6\u807D\u898B\u548C\u97F3\u3001\u5C24\u5176\u662F\u6839\u64DA\u4ED6\u7684\u97F3\u6A02\u8ABF\u5F0F\u6240\u8B5C\u51FA\u7684\u548C\u8072\u6642\uFF0C\u6703\u4E0D\u7531\u81EA\u4E3B\u7522\u751F\u5171\u9CF4\u3001\u806F\u60F3\u5230\u8272\u5F69\uFF08\u5373\u6240\u8B02\u7684\u806F\u89BA\u73FE\u8C61\uFF09\uFF0C\u9032\u800C\u5C07\u9019\u4E9B\u8272\u5F69\u7D50\u5408\u3001\u8F49\u5316\u5165\u65CB\u5F8B\u4E4B\u4E2D\u3002\u6709\u4E00\u6BB5\u6642\u9593\uFF0C\u4ED6\u5168\u5FC3\u6295\u5165\u95DC\u65BC\u300C\u5168\u5E8F\u5217\u4E3B\u7FA9\u300D\u53C3\u6578\u5316\u7684\u5BE6\u9A57\uFF0C\u56E0\u6B64\u88AB\u5F8C\u4E16\u8A8D\u5B9A\u662F\u5E8F\u5217\u4E3B\u7FA9\u9818\u57DF\u7684\u9769\u65B0\u5148\u92D2\u3002\u4ED6\u662F\u9996\u4F4D\u5728\u7BA1\u5F26\u6A02\u66F2\u4E2D\u4F7F\u7528\u99AC\u7279\u8AFE\u7434\u7684\u4F5C\u66F2\u5BB6\u4E4B\u4E00\u3002"@zh . "\u039F\u03BB\u03B9\u03B2\u03B9\u03AD \u039C\u03B5\u03C3\u03B9\u03AC\u03BD"@el . "\u041E\u043B\u0438\u0432\u044C\u0435\u0301 \u042D\u0436\u0435\u0301\u043D \u0428\u0430\u0440\u043B\u044C \u041F\u0440\u043E\u0441\u043F\u0435\u0301\u0440 \u041C\u0435\u0441\u0441\u0438\u0430\u0301\u043D (\u0444\u0440. Olivier Eug\u00E8ne Charles Prosper Messiaen [\u0254li\u02C8vje m\u025B\u02C8sj\u025B\u0303]}; 10 \u0434\u0435\u043A\u0430\u0431\u0440\u044F 1908, \u0410\u0432\u0438\u043D\u044C\u043E\u043D \u2014 27 \u0430\u043F\u0440\u0435\u043B\u044F 1992, \u041A\u043B\u0438\u0448\u0438-\u043B\u0430-\u0413\u0430\u0440\u0435\u043D\u043D) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A \u043C\u0443\u0437\u044B\u043A\u0438, \u043F\u0435\u0434\u0430\u0433\u043E\u0433."@ru . . . . . . . . . "\uC62C\uB9AC\uBE44\uC5D0 \uBA54\uC2DC\uC559(Olivier Messiaen, 1908\uB144 12\uC6D4 10\uC77C - 1992\uB144 4\uC6D4 27\uC77C)\uC740 \uD504\uB791\uC2A4\uC758 \uC791\uACE1\uAC00, \uC624\uB974\uAC00\uB2C8\uC2A4\uD2B8, \uC870\uB958\uD559\uC790\uC774\uB2E4. \uD504\uB791\uC2A4\uC758 \uC544\uBE44\uB1FD\uC5D0\uC11C \uD0DC\uC5B4\uB0AC\uB2E4. \uC544\uBC84\uC9C0\uB294 \uC601\uBB38\uD559\uC790\uC774\uACE0 \uC5B4\uBA38\uB2C8\uB294 \uC2DC\uC778\uC774\uC5C8\uB2E4. \uC870\uC62E\uAE40\uC774 \uC81C\uD55C\uB418\uB294 \uC120\uBC95\uC744 \uC37C\uB2E4."@ko . . . . . . . . . . "Olivier Messiaen"@in . . . . . "\u041E\u043B\u0456\u0432'\u0454\u0301 \u041C\u0435\u0441\u0441\u0456\u0430\u0301\u043D (\u0444\u0440. Olivier Messiaen; 10 \u0433\u0440\u0443\u0434\u043D\u044F 1908, \u0410\u0432\u0456\u043D\u044C\u0439\u043E\u043D, \u0424\u0440\u0430\u043D\u0446\u0456\u044F \u2014 27 \u043A\u0432\u0456\u0442\u043D\u044F 1992, \u041F\u0430\u0440\u0438\u0436) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u043E\u0440\u0433\u0430\u043D\u0456\u0441\u0442, \u043C\u0443\u0437\u0438\u0447\u043D\u0438\u0439 \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A, \u043F\u0435\u0434\u0430\u0433\u043E\u0433."@uk . . . . . . . . . . . "\u0627\u0648\u0644\u064A\u0641\u064A\u064A\u0647 \u0645\u0633\u064A\u0627\u0646 (\u0628\u0627\u0644\u0641\u0631\u0646\u0633\u064A\u0629: Olivier Messiaen)\u200F(10 \u062F\u064A\u0633\u0645\u0628\u0631 1908 - 27 \u0623\u0628\u0631\u064A\u0644 1992) \u0643\u0627\u0646 \u0645\u0644\u062D\u0646\u0627\u064B \u0641\u0631\u0646\u0633\u064B\u0627\u064F \u0648\u0639\u0627\u0632\u0641 \u0623\u0631\u063A\u0646 \u0648\u0623\u062E\u0635\u0627\u0626\u064A \u0641\u064A \u0639\u0644\u0645 \u0627\u0644\u0637\u064A\u0648\u0631\u060C \u0648\u064A\u064F\u0639\u062F \u0648\u0627\u062D\u062F \u0645\u0646 \u0643\u0628\u0627\u0631 \u0627\u0644\u0645\u0644\u062D\u0646\u064A\u0646 \u0641\u064A \u0627\u0644\u0642\u0631\u0646 \u0627\u0644\u0639\u0634\u0631\u064A\u0646\u060C \u062A\u062A\u0645\u064A\u0632 \u0645\u0648\u0633\u064A\u0642\u0627\u0647 \u0628\u0623\u0646\u0647\u0627 \u0645\u0639\u0642\u062F\u0629 \u0628\u0634\u0643\u0644 \u0645\u062A\u0648\u0627\u0632\u0646 \u0648\u0645\u062A\u0646\u0627\u0633\u0642\u060C \u0648\u064A\u0633\u062A\u062E\u062F\u0645 \u0648\u0633\u0627\u0626\u0644 \u062A\u0628\u062F\u064A\u0644 \u0645\u062D\u062F\u0648\u062F\u0629 \u0633\u0627\u0641\u0631 \u0639\u0644\u0649 \u0646\u0637\u0627\u0642 \u0648\u0627\u0633\u0639 \u0648\u0643\u062A\u0628 \u0627\u0644\u0639\u062F\u064A\u062F \u0645\u0646 \u0627\u0644\u0623\u0639\u0645\u0627\u0644 \u0627\u0644\u0645\u0633\u062A\u0648\u062D\u0627\u0629 \u0645\u0646 \u062A\u0623\u062B\u064A\u0631\u0627\u062A \u0645\u0648\u0633\u064A\u0642\u0649 \u0645\u062A\u0646\u0648\u0639\u0629 \u0645\u062B\u0644 \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u064A\u0627\u0628\u0627\u0646\u064A\u0629\u060C \u0648\u0627\u0644\u0645\u0646\u0627\u0638\u0631 \u0627\u0644\u0637\u0628\u064A\u0639\u064A\u0629 \u0645\u0646 \u0628\u0631\u0627\u064A\u0633 \u0643\u0627\u0646\u064A\u0648\u0646"@ar . . . . . . . . . . . . . . . . . . . . . . "Olivier Eug\u00E8ne Prosper Charles Messiaen (UK: /\u02C8m\u025Bsi\u00E6\u0303/, US: /m\u025B\u02C8sj\u00E6\u0303, me\u026A\u02C8sj\u00E6\u0303, m\u025B\u02C8sj\u0252\u0303/; French: [\u0254livje \u00F8\u0292\u025Bn p\u0281\u0254sp\u025B\u0281 \u0283a\u0281l m\u025Bsj\u0251\u0303]; 10 December 1908 \u2013 27 April 1992) was a French composer, organist, and ornithologist who was one of the major composers of the 20th century. His music is rhythmically complex; harmonically and melodically he employs a system he called modes of limited transposition, which he abstracted from the systems of material generated by his early compositions and improvisations. He wrote music for chamber ensembles and orchestra, vocal music, as well as for solo organ and piano, and also experimented with the use of novel electronic instruments developed in Europe during his lifetime."@en . . . "\u0623\u0648\u0644\u064A\u0641\u064A\u064A\u0647 \u0645\u0633\u064A\u0627\u0646"@ar . . . . . . . . . . . "\u041E\u043B\u0456\u0432'\u0454 \u041C\u0435\u0441\u0441\u0456\u0430\u043D"@uk . . . . . . . . . . . . . . . . . . . . . . "\u5965\u5229\u7EF4\u57C3\u00B7\u6885\u897F\u5B89"@zh . . . "Olivier Eug\u00E8ne Prosper Charles Messiaen (Aussprache [m\u025Bsj\u0251\u0303]) (* 10. Dezember 1908 in Avignon; \u2020 27. April 1992 in Clichy, Hauts-de-Seine) war ein franz\u00F6sischer Komponist, Kompositionslehrer und Organist. Er besch\u00E4ftigte sich au\u00DFerdem mit der Ornithologie."@de . . . . . . "\uC62C\uB9AC\uBE44\uC5D0 \uBA54\uC2DC\uC559(Olivier Messiaen, 1908\uB144 12\uC6D4 10\uC77C - 1992\uB144 4\uC6D4 27\uC77C)\uC740 \uD504\uB791\uC2A4\uC758 \uC791\uACE1\uAC00, \uC624\uB974\uAC00\uB2C8\uC2A4\uD2B8, \uC870\uB958\uD559\uC790\uC774\uB2E4. \uD504\uB791\uC2A4\uC758 \uC544\uBE44\uB1FD\uC5D0\uC11C \uD0DC\uC5B4\uB0AC\uB2E4. \uC544\uBC84\uC9C0\uB294 \uC601\uBB38\uD559\uC790\uC774\uACE0 \uC5B4\uBA38\uB2C8\uB294 \uC2DC\uC778\uC774\uC5C8\uB2E4. \uC870\uC62E\uAE40\uC774 \uC81C\uD55C\uB418\uB294 \uC120\uBC95\uC744 \uC37C\uB2E4."@ko . . . . . . "\u039F \u039F\u03BB\u03B9\u03B2\u03B9\u03AD \u039C\u03B5\u03C3\u03B9\u03AC\u03BD(Olivier Messiaen, \u0391\u03B2\u03B9\u03BD\u03B9\u03CC\u03BD, 10 \u0394\u03B5\u03BA\u03B5\u03BC\u03B2\u03C1\u03AF\u03BF\u03C5 1908 \u2013 , 27 \u0391\u03C0\u03C1\u03B9\u03BB\u03AF\u03BF\u03C5 1992) \u03AE\u03C4\u03B1\u03BD \u0393\u03AC\u03BB\u03BB\u03BF\u03C2 \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B7\u03C2, \u03BF\u03C1\u03B3\u03B1\u03BD\u03AF\u03C3\u03C4\u03B1\u03C2 \u03BA\u03B1\u03B9 \u03BF\u03C1\u03BD\u03B9\u03B8\u03BF\u03BB\u03CC\u03B3\u03BF\u03C2. \u0398\u03B5\u03C9\u03C1\u03B5\u03AF\u03C4\u03B1\u03B9 \u03AD\u03BD\u03B1\u03C2 \u03B1\u03C0\u03CC \u03C4\u03BF\u03C5\u03C2 \u03BC\u03B5\u03B3\u03B1\u03BB\u03CD\u03C4\u03B5\u03C1\u03BF\u03C5\u03C2 \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B5\u03C2 \u03C4\u03BF\u03C5 20\u03BF\u03CD \u03B1\u03B9\u03CE\u03BD\u03B1, \u03C0\u03BF\u03C5 \u03B5\u03C0\u03B7\u03C1\u03AD\u03B1\u03C3\u03B5 \u03C0\u03BB\u03AE\u03B8\u03BF\u03C2 \u03C3\u03C5\u03BD\u03B8\u03B5\u03C4\u03CE\u03BD \u03C4\u03B7\u03C2 \u03BD\u03B5\u03CC\u03C4\u03B5\u03C1\u03B7\u03C2 \u03B3\u03B5\u03BD\u03B9\u03AC\u03C2. \u03A5\u03C0\u03AE\u03C1\u03BE\u03B5 \u03BC\u03AF\u03B1 \u03B1\u03C0\u03CC \u03C4\u03B9\u03C2 \u03B7\u03B3\u03B5\u03C4\u03B9\u03BA\u03AD\u03C2 \u03BC\u03BF\u03C1\u03C6\u03AD\u03C2 \u03C4\u03BF\u03C5 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03BF\u03CD \u03BA\u03B9\u03BD\u03AE\u03BC\u03B1\u03C4\u03BF\u03C2 \u00AB\u039D\u03AD\u03B1 \u0393\u03B1\u03BB\u03BB\u03AF\u03B1\u00BB. \u0397 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE \u03C4\u03BF\u03C5 \u03C7\u03B1\u03C1\u03B1\u03BA\u03C4\u03B7\u03C1\u03AF\u03B6\u03B5\u03C4\u03B1\u03B9 \u03B1\u03C0\u03CC \u03C0\u03BF\u03BB\u03C5\u03C1\u03C1\u03C5\u03B8\u03BC\u03AF\u03B1 (\u03C4\u03BF \u03B5\u03BD\u03B4\u03B9\u03B1\u03C6\u03AD\u03C1\u03BF\u03BD \u03C4\u03BF\u03C5 \u03B3\u03B9\u03B1 \u03C4\u03BF\u03BD \u03C1\u03C5\u03B8\u03BC\u03CC \u03C3\u03C4\u03B7\u03BD \u0391\u03C1\u03C7\u03B1\u03AF\u03B1 \u0395\u03BB\u03BB\u03AC\u03B4\u03B1 \u03BA\u03B1\u03B9 \u03C4\u03B7\u03BD \u0391\u03C1\u03C7\u03B1\u03AF\u03B1 \u0399\u03BD\u03B4\u03AF\u03B1 \u03AE\u03C4\u03B1\u03BD \u03BC\u03B5\u03B3\u03AC\u03BB\u03BF), \u03B5\u03BD\u03CE \u03B1\u03C0\u03CC \u03B1\u03C1\u03BC\u03BF\u03BD\u03B9\u03BA\u03AE \u03BA\u03B1\u03B9 \u03BC\u03B5\u03BB\u03C9\u03B4\u03B9\u03BA\u03AE \u03AC\u03C0\u03BF\u03C8\u03B7 \u03B2\u03B1\u03C3\u03AF\u03B6\u03B5\u03C4\u03B1\u03B9 \u03C3\u03B5 \u03C4\u03C1\u03CC\u03C0\u03BF\u03C5\u03C2. \u03A0\u03BF\u03BB\u03BB\u03AC \u03AD\u03C1\u03B3\u03B1 \u03C4\u03BF\u03C5 \u03B1\u03BD\u03C4\u03B9\u03BA\u03B1\u03C4\u03BF\u03C0\u03C4\u03C1\u03AF\u03B6\u03BF\u03C5\u03BD \u03C4\u03B7\u03BD \u03C0\u03AF\u03C3\u03C4\u03B7 \u03C3\u03C4\u03BF \u0398\u03B5\u03CC, \u03BA\u03B1\u03B8\u03CE\u03C2 \u03BF \u03AF\u03B4\u03B9\u03BF\u03C2 \u03C5\u03C0\u03AE\u03C1\u03BE\u03B5 \u03B2\u03B1\u03B8\u03B9\u03AC \u03B8\u03C1\u03B7\u03C3\u03BA\u03B5\u03C5\u03CC\u03BC\u03B5\u03BD\u03BF\u03C2 \u03C9\u03C2 \u03C0\u03C1\u03BF\u03C2 \u03C4\u03BF\u03BD \u03A1\u03C9\u03BC\u03B1\u03B9\u03BF\u03BA\u03B1\u03B8\u03BF\u03BB\u03B9\u03BA\u03B9\u03C3\u03BC\u03CC, \u03B5\u03BD\u03CE \u03C6\u03AD\u03C1\u03B5\u03C4\u03B1\u03B9 \u03BD\u03B1 \u03B4\u03AD\u03C7\u03B8\u03B7\u03BA\u03B5 \u03AD\u03BD\u03C4\u03BF\u03BD\u03B7 \u03B5\u03C0\u03B9\u03C1\u03C1\u03BF\u03AE \u03C4\u03C9\u03BD \u039A\u03BB\u03C9\u03BD\u03C4 \u039D\u03C4\u03B5\u03BC\u03C0\u03C5\u03C3\u03C3\u03CD \u03BA\u03B1\u03B9 \u0399\u03B3\u03BA\u03CC\u03C1 \u03A3\u03C4\u03C1\u03B1\u03B2\u03AF\u03BD\u03C3\u03BA\u03B9."@el . . "Olivier Eug\u00E8ne Prosper Charles Messiaen (Avignon, 10 december 1908 \u2013 Parijs, 27 april 1992) was een Franse componist, organist en pianist. Hij geldt als een van de belangrijkste en invloedrijkste componisten van de twintigste eeuw, wiens onconventionele werk sterk be\u00EFnvloed is door de rooms-katholieke geloofsleer."@nl . . . . "\uC62C\uB9AC\uBE44\uC5D0 \uBA54\uC2DC\uC559"@ko . . "Olivier Messiaen [m\u025Bsj\u0251\u0303], n\u00E9 le 10 d\u00E9cembre 1908 \u00E0 Avignon (Vaucluse) et mort le 27 avril 1992 \u00E0 Clichy (Hauts-de-Seine), est un compositeur, organiste et pianiste fran\u00E7ais. Son \u0153uvre trouve ses sources dans une profonde ferveur catholique, un go\u00FBt prononc\u00E9 pour le plain-chant m\u00E9di\u00E9val, les rythmes indiens (Taal) ainsi que grecs. Son enseignement au Conservatoire national sup\u00E9rieur de musique de Paris a \u00E9galement contribu\u00E9 \u00E0 sa notori\u00E9t\u00E9 internationale, tant la liste de ses \u00E9l\u00E8ves est longue et prestigieuse."@fr . . . . . . . . "Olivier Messiaen [m\u025Bsj\u0251\u0303], n\u00E9 le 10 d\u00E9cembre 1908 \u00E0 Avignon (Vaucluse) et mort le 27 avril 1992 \u00E0 Clichy (Hauts-de-Seine), est un compositeur, organiste et pianiste fran\u00E7ais. Son \u0153uvre trouve ses sources dans une profonde ferveur catholique, un go\u00FBt prononc\u00E9 pour le plain-chant m\u00E9di\u00E9val, les rythmes indiens (Taal) ainsi que grecs. L'Ascension (1933), le Quatuor pour la fin du Temps (1940), les Vingt Regards sur l'Enfant-J\u00E9sus (1944), la Turangal\u00EEla-Symphonie (1946-48), Saint Fran\u00E7ois d'Assise et la Messe de la Pentec\u00F4te, entre autres \u0153uvres majeures, ont contribu\u00E9 \u00E0 faire d'Olivier Messiaen l'un des compositeurs les plus influents de la musique contemporaine de la seconde moiti\u00E9 du XXe si\u00E8cle. Son enseignement au Conservatoire national sup\u00E9rieur de musique de Paris a \u00E9galement contribu\u00E9 \u00E0 sa notori\u00E9t\u00E9 internationale, tant la liste de ses \u00E9l\u00E8ves est longue et prestigieuse."@fr . . . . . . . . "Olivier Messiaen"@sv . . . . . . "Olivier Messiaen"@nl . . . . . "Olivier Messiaen (Aviny\u00F3, 10 de desembre de 1908 - Clichy, \u00CEle-de-France, 27 d'abril de 1992) va ser un compositor, organista i ornit\u00F2leg franc\u00E8s. Va ser un dels compositors m\u00E9s importants del segle xx pels seus estudis sobre escales, ritmes i timbres. Important organista i tamb\u00E9 professor de la major part dels serialistes joves de postguerra de tot Europa. Autor de moltes obres importants com la Simfonia Turangalila, l'\u00F2pera Saint Fran\u00E7ois d'Assise, Quatuor pour la fin du temps, Oiseaux exotiques, La Transfiguration de Notre Seigneur J\u00E9sus-Christ, Des canyons aux \u00E9toiles i un llarg etc\u00E8tera en el qual s'inclou un ampli cat\u00E0leg d'obres per a piano i orgue."@ca . . . . . . "Olivier Messiaen"@pl . . . . . . . . . "Olivier Messiaen"@fr . . . . . . . . . . "Olivier Messiaen"@en . . . . . . . . . . "Olivier Messiaen (Avignon, Frantzia, 1908ko abenduaren 10a - Paris, Frantzia, 1992ko apirilaren 27a) frantses musikagilea, organista eta irakaslea izan zen."@eu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Olivier Eug\u00E8ne Prosper Charles Messiaen (Avignon, 10 december 1908 \u2013 Parijs, 27 april 1992) was een Franse componist, organist en pianist. Hij geldt als een van de belangrijkste en invloedrijkste componisten van de twintigste eeuw, wiens onconventionele werk sterk be\u00EFnvloed is door de rooms-katholieke geloofsleer."@nl . . . . . . . . . . . . . . "Olivier Messiaen (Aviny\u00F3, 10 de desembre de 1908 - Clichy, \u00CEle-de-France, 27 d'abril de 1992) va ser un compositor, organista i ornit\u00F2leg franc\u00E8s. Va ser un dels compositors m\u00E9s importants del segle xx pels seus estudis sobre escales, ritmes i timbres. Important organista i tamb\u00E9 professor de la major part dels serialistes joves de postguerra de tot Europa. Autor de moltes obres importants com la Simfonia Turangalila, l'\u00F2pera Saint Fran\u00E7ois d'Assise, Quatuor pour la fin du temps, Oiseaux exotiques, La Transfiguration de Notre Seigneur J\u00E9sus-Christ, Des canyons aux \u00E9toiles i un llarg etc\u00E8tera en el qual s'inclou un ampli cat\u00E0leg d'obres per a piano i orgue."@ca . "Olivier Eug\u00E8ne Prosper Charles Messiaen (ur. 10 grudnia 1908 w Awinionie, zm. 27 kwietnia 1992 w Clichy) \u2013 francuski kompozytor, organista i pedagog; z zami\u0142owania ornitolog. W wieku 11 lat wst\u0105pi\u0142 do konserwatorium paryskiego, gdzie studiowa\u0142 gr\u0119 na organach i kompozycj\u0119, a w\u015Br\u00F3d jego nauczycieli znale\u017Ali si\u0119: Paul Dukas, Maurice Emmanuel, Charles-Marie Widor i Marcel Dupr\u00E9. W 1931 zosta\u0142 g\u0142\u00F3wnym organist\u0105 ko\u015Bcio\u0142a \u015Aw. Tr\u00F3jcy w Pary\u017Cu i pozosta\u0142 na tym stanowisku przez 61 lat. Do najs\u0142ynniejszych jego student\u00F3w nale\u017Celi Pierre Boulez, Yvonne Loriod (zosta\u0142a drug\u0105 \u017Con\u0105 kompozytora), Karlheinz Stockhausen, Iannis Xenakis, Gerard Grisey, i Betsy Jolas."@pl . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u30AA\u30EA\u30F4\u30A3\u30A8\u30FB\u30E1\u30B7\u30A2\u30F3"@ja . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Olivier Eug\u00E8ne Prosper Charles Messiaen (UK /\u02C8m\u025Bsi\u00E6\u0303/, US /m\u025B\u02C8sj\u00E6\u0303, me\u026A\u02C8sj\u00E6\u0303, m\u025B\u02C8sj\u0252\u0303/; bahasa Prancis: [\u0254livje m\u025Bsj\u0251\u0303]; 10 Desember 1908 \u2013 27 April 1992) adalah seorang komponis Prancis, organis, dan ornitologis, ia merupakan salah satu komposer utama pada abad ke-20."@in . . . . . . . . . . . . . . . . . . . . . . . . "Olivier Eug\u00E8ne Prosper Charles Messiaen (UK /\u02C8m\u025Bsi\u00E6\u0303/, US /m\u025B\u02C8sj\u00E6\u0303, me\u026A\u02C8sj\u00E6\u0303, m\u025B\u02C8sj\u0252\u0303/; bahasa Prancis: [\u0254livje m\u025Bsj\u0251\u0303]; 10 Desember 1908 \u2013 27 April 1992) adalah seorang komponis Prancis, organis, dan ornitologis, ia merupakan salah satu komposer utama pada abad ke-20."@in . . . "Olivier Eug\u00E8ne Prosper Charles Messiaen (/\u0254livje\u02D0 m\u025Bsj\u0251\u0303/), f\u00F6dd 10 december 1908 i Avignon, d\u00F6d 27 april 1992 i Clichy, var en fransk tons\u00E4ttare, organist och musikl\u00E4rare. Messiaen r\u00E4knas till de mest betydelsefulla och inflytelserika europeiska tons\u00E4ttarna under 1900-talet. Han utvecklade en egen musikalisk stil som utgick fr\u00E5n v\u00E4sterl\u00E4ndsk konstmusik, men han infogade \u00E4ven element fr\u00E5n indisk och annan asiatisk musik, antik grekisk metrik och f\u00E5gels\u00E5ng. M\u00E5nga av hans musikaliska verk avspeglar hans starka katolska tro. \u00C4ven som l\u00E4rare var han betydelsefull f\u00F6r konstmusikens utveckling under andra h\u00E4lften av 1900-talet.\u00C5r 2008 var det 100 \u00E5r sedan Messiaen f\u00F6ddes vilket uppm\u00E4rksammades genom festivaler och konserter \u00F6ver hela v\u00E4rlden."@sv . . . . . 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