. . . . . . . . . . . . . "14220736"^^ . . . . . . . . "1116651138"^^ . . . . . . . . . . . . . . "No\u00EBl Carroll (ur. w 1947) \u2013 ameryka\u0144ski filozof, uwa\u017Cany za jednego z najwa\u017Cniejszych przedstawicieli wsp\u00F3\u0142czesnej filozofii sztuki. Filozof znany jest z publikacji dotycz\u0105cych filmoznawstwa, a jego g\u0142\u00F3wnym polem pracy jest estetyka, teoria nowych medi\u00F3w i filozofia historii. Pe\u0142na lista publikacji Carrolla liczy ponad 100 pozycji. Wsp\u00F3\u0142tw\u00F3rca kognitywnej metody badania dzie\u0142a filmowego."@pl . . . . . "No\u00EBl Carroll"@pl . . . . . . . . . . . . . . . "No\u00EBl Carroll (born 1947) is an American philosopher considered to be one of the leading figures in contemporary philosophy of art. Although Carroll is best known for his work in the philosophy of film (he is a proponent of cognitive film theory), he has also published journalism, works on philosophy of art generally, theory of media, and also philosophy of history. As of 2012, he is a distinguished professor of philosophy at the CUNY Graduate Center."@en . . . . . . . . . . "No\u00EBl Edward Carroll (* 1947 in New York City) ist ein US-amerikanischer Philosoph. Er gilt als einer der weltweit f\u00FChrenden Kunstphilosophen."@de . . . . . . "No\u00EBl Carroll, n\u00E9 le 25 d\u00E9cembre 1947 \u00E0 Far Rockaway (Queens, New York), est un philosophe am\u00E9ricain qui fait autorit\u00E9 pour ses analyses esth\u00E9tiques dans le domaine du cin\u00E9ma. Il travaille \u00E9galement sur la philosophie de l'art en g\u00E9n\u00E9ral, la th\u00E9orie des m\u00E9dias, ou encore la philosophie de l'histoire. Il est actuellement professeur \u00E0 l'universit\u00E9 Temple. En tant que journaliste, il a publi\u00E9 de nombreux articles dans Chicago Reader, Artforum, In These Times, Dance Magazine, Soho Weekly News et The Village Voice."@fr . . "No\u00EBl Carroll, n\u00E9 le 25 d\u00E9cembre 1947 \u00E0 Far Rockaway (Queens, New York), est un philosophe am\u00E9ricain qui fait autorit\u00E9 pour ses analyses esth\u00E9tiques dans le domaine du cin\u00E9ma. Il travaille \u00E9galement sur la philosophie de l'art en g\u00E9n\u00E9ral, la th\u00E9orie des m\u00E9dias, ou encore la philosophie de l'histoire. Il est actuellement professeur \u00E0 l'universit\u00E9 Temple. En tant que journaliste, il a publi\u00E9 de nombreux articles dans Chicago Reader, Artforum, In These Times, Dance Magazine, Soho Weekly News et The Village Voice."@fr . . . . . . . . . . . . . . . . . . . . . . "\u041D\u043E\u0435\u043B\u044C \u041A\u0435\u0440\u0440\u043E\u043B\u043B"@uk . . . . . . . . . . . . . "\u041D\u043E\u0301\u0435\u043B\u044C \u041A\u0435\u0301\u0440\u0440\u043E\u043B\u043B (\u0430\u043D\u0433\u043B. No\u00EBl Carroll, \u043D\u0430\u0440. 1947, , \u041A\u0432\u0456\u043D\u0437, \u041D\u044C\u044E-\u0419\u043E\u0440\u043A) \u2014 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u0438\u0439 \u0444\u0456\u043B\u043E\u0441\u043E\u0444 \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0430 \u0442\u0430 \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A \u043A\u0456\u043D\u043E. \u041F\u0440\u0435\u0437\u0438\u0434\u0435\u043D\u0442 \u0410\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u043E\u0433\u043E \u0442\u043E\u0432\u0430\u0440\u0438\u0441\u0442\u0432\u0430 \u0435\u0441\u0442\u0435\u0442\u0438\u043A\u0456\u0432, \u0432\u0456\u0434\u043E\u043C\u0438\u0439 \u0447\u0435\u0440\u0435\u0437 \u0441\u0432\u043E\u044E \u043F\u0440\u0430\u0446\u044E \u00AB\u0424\u0456\u043B\u043E\u0441\u043E\u0444\u0456\u044F \u0436\u0430\u0445\u0456\u0442\u044C, \u0430\u0431\u043E \u041F\u0430\u0440\u0430\u0434\u043E\u043A\u0441\u0438 \u0441\u0435\u0440\u0446\u044F\u00BB (1990) \u0442\u0430 \u0430\u043D\u0442\u043E\u043B\u043E\u0433\u0456\u044E \u0437 \u041F\u043E\u0441\u0442-\u0422\u0435\u043E\u0440\u0456\u0457, \u044F\u043A\u0443 \u0432\u0456\u043D \u0443\u043A\u043B\u0430\u0434\u0430\u0432 \u0440\u0430\u0437\u043E\u043C \u0456\u0437 \u0414\u0435\u0432\u0456\u0434\u043E\u043C \u0411\u043E\u0440\u0434\u0432\u0435\u043B\u043B\u043E\u043C."@uk . . . . . . "No\u00EBl Carroll"@it . . . "\u0646\u0648\u064A\u0644 \u0643\u0627\u0631\u0648\u0644"@ar . . . . "No\u00EBl Carroll (ur. w 1947) \u2013 ameryka\u0144ski filozof, uwa\u017Cany za jednego z najwa\u017Cniejszych przedstawicieli wsp\u00F3\u0142czesnej filozofii sztuki. Filozof znany jest z publikacji dotycz\u0105cych filmoznawstwa, a jego g\u0142\u00F3wnym polem pracy jest estetyka, teoria nowych medi\u00F3w i filozofia historii. Pe\u0142na lista publikacji Carrolla liczy ponad 100 pozycji. Wsp\u00F3\u0142tw\u00F3rca kognitywnej metody badania dzie\u0142a filmowego."@pl . "No\u00EBl Carroll (born 1947) is an American philosopher considered to be one of the leading figures in contemporary philosophy of art. Although Carroll is best known for his work in the philosophy of film (he is a proponent of cognitive film theory), he has also published journalism, works on philosophy of art generally, theory of media, and also philosophy of history. As of 2012, he is a distinguished professor of philosophy at the CUNY Graduate Center."@en . . . . . . "No\u00EBl Carroll"@fr . . . . "\u0646\u0648\u064A\u0644 \u0643\u0627\u0631\u0648\u0644 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: No\u00EBl Carroll)\u200F \u0647\u0648 \u0641\u064A\u0644\u0633\u0648\u0641 \u0623\u0645\u0631\u064A\u0643\u064A\u060C \u0648\u0644\u062F \u0641\u064A 25 \u062F\u064A\u0633\u0645\u0628\u0631 1947 \u0641\u064A \u200F \u0641\u064A \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629."@ar . . "\u041A\u044D\u0440\u0440\u043E\u043B\u043B, \u041D\u043E\u044D\u043B\u044C"@ru . . "9347"^^ . . . . . . . . . . . . . . . . . . . . . . . . "No\u00EBl Edward Carroll (* 1947 in New York City) ist ein US-amerikanischer Philosoph. Er gilt als einer der weltweit f\u00FChrenden Kunstphilosophen."@de . . . . . . . . . . . . . . "No\u00EBl Carroll (New York, 1947) \u00E8 un filosofo statunitense, considerato come uno dei pi\u00F9 importanti teorici dell'estetica contemporanea. Fra i suoi interessi e studi vi sono anche quelli relativi alla teoria dei media e alla filosofia della storia. \u00C8 conosciuto anche per le sue opere sulla filosofia del cinema. Attualmente Carroll \u00E8 Distinguished Professor presso il Graduate Center dell'Universit\u00E0 della Citt\u00E0 di New York. Ha conseguito due dottorati di ricerca, in studi cinematografici ed in filosofia. Come giornalista ha pubblicato numerosi articoli per Chicago Reader, Artforum, In These Times, Dance Magazine, Soho Weekly News e The Village Voice."@it . . . . . . . . . . . . . . . . . . "No\u00EBl Carroll (Philosoph)"@de . . . . . . . . . . . "\u041D\u043E\u044D\u043B\u044C \u041A\u044D\u0440\u0440\u043E\u043B\u043B (\u0430\u043D\u0433\u043B. No\u00EBl Carroll; \u0440\u043E\u0434. 25 \u0434\u0435\u043A\u0430\u0431\u0440\u044F 1947, \u0424\u0430\u0440-\u0420\u043E\u043A\u0430\u0432\u0435\u0439[d], \u041D\u044C\u044E-\u0419\u043E\u0440\u043A, \u0421\u0428\u0410) \u2014 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0439 \u0444\u0438\u043B\u043E\u0441\u043E\u0444, \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u043E\u0432\u0435\u0434, \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A \u043A\u0438\u043D\u043E."@ru . . "No\u00EBl Carroll (New York, 1947) \u00E8 un filosofo statunitense, considerato come uno dei pi\u00F9 importanti teorici dell'estetica contemporanea. Fra i suoi interessi e studi vi sono anche quelli relativi alla teoria dei media e alla filosofia della storia. \u00C8 conosciuto anche per le sue opere sulla filosofia del cinema. Attualmente Carroll \u00E8 Distinguished Professor presso il Graduate Center dell'Universit\u00E0 della Citt\u00E0 di New York. Ha conseguito due dottorati di ricerca, in studi cinematografici ed in filosofia. Come giornalista ha pubblicato numerosi articoli per Chicago Reader, Artforum, In These Times, Dance Magazine, Soho Weekly News e The Village Voice."@it . . . . . "\u0646\u0648\u064A\u0644 \u0643\u0627\u0631\u0648\u0644 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: No\u00EBl Carroll)\u200F \u0647\u0648 \u0641\u064A\u0644\u0633\u0648\u0641 \u0623\u0645\u0631\u064A\u0643\u064A\u060C \u0648\u0644\u062F \u0641\u064A 25 \u062F\u064A\u0633\u0645\u0628\u0631 1947 \u0641\u064A \u200F \u0641\u064A \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629."@ar . . . . . . . . . "\u041D\u043E\u0301\u0435\u043B\u044C \u041A\u0435\u0301\u0440\u0440\u043E\u043B\u043B (\u0430\u043D\u0433\u043B. No\u00EBl Carroll, \u043D\u0430\u0440. 1947, , \u041A\u0432\u0456\u043D\u0437, \u041D\u044C\u044E-\u0419\u043E\u0440\u043A) \u2014 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u0438\u0439 \u0444\u0456\u043B\u043E\u0441\u043E\u0444 \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0430 \u0442\u0430 \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A \u043A\u0456\u043D\u043E. \u041F\u0440\u0435\u0437\u0438\u0434\u0435\u043D\u0442 \u0410\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u043E\u0433\u043E \u0442\u043E\u0432\u0430\u0440\u0438\u0441\u0442\u0432\u0430 \u0435\u0441\u0442\u0435\u0442\u0438\u043A\u0456\u0432, \u0432\u0456\u0434\u043E\u043C\u0438\u0439 \u0447\u0435\u0440\u0435\u0437 \u0441\u0432\u043E\u044E \u043F\u0440\u0430\u0446\u044E \u00AB\u0424\u0456\u043B\u043E\u0441\u043E\u0444\u0456\u044F \u0436\u0430\u0445\u0456\u0442\u044C, \u0430\u0431\u043E \u041F\u0430\u0440\u0430\u0434\u043E\u043A\u0441\u0438 \u0441\u0435\u0440\u0446\u044F\u00BB (1990) \u0442\u0430 \u0430\u043D\u0442\u043E\u043B\u043E\u0433\u0456\u044E \u0437 \u041F\u043E\u0441\u0442-\u0422\u0435\u043E\u0440\u0456\u0457, \u044F\u043A\u0443 \u0432\u0456\u043D \u0443\u043A\u043B\u0430\u0434\u0430\u0432 \u0440\u0430\u0437\u043E\u043C \u0456\u0437 \u0414\u0435\u0432\u0456\u0434\u043E\u043C \u0411\u043E\u0440\u0434\u0432\u0435\u043B\u043B\u043E\u043C."@uk . . . . . . . . . . . . . . . . . . . "No\u00EBl Carroll"@en . . . "\u041D\u043E\u044D\u043B\u044C \u041A\u044D\u0440\u0440\u043E\u043B\u043B (\u0430\u043D\u0433\u043B. No\u00EBl Carroll; \u0440\u043E\u0434. 25 \u0434\u0435\u043A\u0430\u0431\u0440\u044F 1947, \u0424\u0430\u0440-\u0420\u043E\u043A\u0430\u0432\u0435\u0439[d], \u041D\u044C\u044E-\u0419\u043E\u0440\u043A, \u0421\u0428\u0410) \u2014 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0439 \u0444\u0438\u043B\u043E\u0441\u043E\u0444, \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u043E\u0432\u0435\u0434, \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A \u043A\u0438\u043D\u043E."@ru . . . .