. . . . "\u041D\u0438\u043A\u043E\u043B\u044F \u041B\u0435\u0431\u0435\u0433 (\u0444\u0440. Nicolas Leb\u00E8gue, \u043F\u0440\u0438\u0431\u043B\u0438\u0437\u0438\u0442\u0435\u043B\u044C\u043D\u043E 1631 \u2014 6 \u0438\u044E\u043B\u044F 1702) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u043E\u0440\u0433\u0430\u043D\u0438\u0441\u0442 \u0438 \u043A\u043B\u0430\u0432\u0435\u0441\u0438\u043D\u0438\u0441\u0442, \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u0439 \u043F\u0435\u0434\u0430\u0433\u043E\u0433. \u041B\u0435\u0431\u0435\u0433 \u0432\u043D\u0451\u0441 \u0441\u0443\u0449\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u044B\u0439 \u0432\u043A\u043B\u0430\u0434 \u0432 \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u0435 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u043E\u0439 \u043E\u0440\u0433\u0430\u043D\u043D\u043E\u0439 \u0448\u043A\u043E\u043B\u044B, \u0441\u043E\u0437\u0434\u0430\u0432 \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u044F \u0441 \u043E\u0442\u0434\u0435\u043B\u044C\u043D\u044B\u043C\u0438 \u043F\u0430\u0440\u0442\u0438\u044F\u043C\u0438 \u0434\u043B\u044F \u043F\u0435\u0434\u0430\u043B\u044C\u043D\u043E\u0439 \u043A\u043B\u0430\u0432\u0438\u0430\u0442\u0443\u0440\u044B \u0438 \u0440\u0430\u0437\u0432\u0438\u0432\u0430\u044F \u0436\u0430\u043D\u0440 Tierce en taille. \u0415\u0433\u043E \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u044F \u0442\u0430\u043A\u0436\u0435 \u0432\u043A\u043B\u044E\u0447\u0430\u044E\u0442 \u0432 \u0441\u0435\u0431\u044F \u0441\u0430\u043C\u044B\u0435 \u0440\u0430\u043D\u043D\u0438\u0435 \u0438\u0437\u0434\u0430\u043D\u043D\u044B\u0435 \u043D\u0435\u043C\u0435\u0442\u0440\u0438\u0437\u043E\u0432\u0430\u043D\u043D\u044B\u0435 \u043F\u0440\u0435\u043B\u044E\u0434\u0438\u0438 (\u0444\u0440. Pr\u00E9lude non mesur\u00E9)."@ru . . . . . . . "\u041B\u0435\u0431\u0435\u0433, \u041D\u0438\u043A\u043E\u043B\u044F"@ru . . . . . . "Nicolas Antoine Leb\u00E8gue, auch Nicolas Antoine Le B\u00E8gue (* 1631 in Laon; \u2020 6. Juli 1702 in Paris) war ein franz\u00F6sischer Organist, Cembalist und Komponist. Er geh\u00F6rt zu den bedeutendsten und innovativsten Orgelmeistern der \u00C4ra Ludwigs XIV. und ver\u00F6ffentlichte auch zwei B\u00FCcher mit Cembalost\u00FCcken."@de . . . . . . . . "Nicolas-Antoine Leb\u00E8gue (Laon, 1631 - Parijs, 6 juli 1702) was een Frans orgelkundige, componist, clavicinist en vermaard organist. Hij was sinds 1678 organist-titularis van het orgel in de \u00C9glise Saint-Merri in Parijs en organist van de Chapelle royale. Leb\u00E8gue was tevens pedagoog: onder anderen Nicolas de Grigny, en Jean-Fran\u00E7ois Dandrieu waren zijn leerlingen. Leb\u00E8gue publiceerde een tweetal klavecimbelboeken (1677 en 1687), voortbordurend op de stijl van , en drie orgelboeken (1676, 1678 en 1685). In de orgelwerken van het eerste deel toont hij overeenkomst met Guillaume-Gabriel Nivers: een openingsprelude en een ter afsluiting, met daartussen kleurrijke delen voor bijvoorbeeld , de of de en voor de . Het tweede deel is gewijd aan de gezangen voor de mis en het Magnificat en het derde deel bevat stukken gebaseerd op gregoriaanse gezangen; het deel wordt afgesloten met zogenaamde No\u00EBls, variaties op populaire kerstliederen. Leb\u00E8gue was samen met Jacques Thomelin, Jean-Baptiste Buterne en Guillaume-Gabriel Nivers organist aan de Chapelle royale. Na de dood van Thomelin in 1693 nam Fran\u00E7ois Couperin diens plaats in."@nl . . . . "\u041D\u0456\u043A\u043E\u043B\u0430-\u0410\u043D\u0442\u0443\u0430\u043D \u041B\u0435\u0431\u0435\u0491 (\u0444\u0440. Nicolas-Antoine Leb\u00E8gue, 1631, \u041B\u0430\u043D \u2014 6 \u043B\u0438\u043F\u043D\u044F 1702, \u041F\u0430\u0440\u0438\u0436) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u043A\u043B\u0430\u0432\u0435\u0441\u0438\u043D\u0456\u0441\u0442 \u0442\u0430 \u043E\u0440\u0433\u0430\u043D\u0456\u0441\u0442."@uk . "\u039D\u03B9\u03BA\u03BF\u03BB\u03AC \u039B\u03B5\u03BC\u03C0\u03AD\u03B3\u03BA"@el . . . "Nicolas Leb\u00E8gue"@nl . . . "\u041D\u0438\u043A\u043E\u043B\u044F \u041B\u0435\u0431\u0435\u0433 (\u0444\u0440. Nicolas Leb\u00E8gue, \u043F\u0440\u0438\u0431\u043B\u0438\u0437\u0438\u0442\u0435\u043B\u044C\u043D\u043E 1631 \u2014 6 \u0438\u044E\u043B\u044F 1702) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u043E\u0440\u0433\u0430\u043D\u0438\u0441\u0442 \u0438 \u043A\u043B\u0430\u0432\u0435\u0441\u0438\u043D\u0438\u0441\u0442, \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u0439 \u043F\u0435\u0434\u0430\u0433\u043E\u0433. \u041B\u0435\u0431\u0435\u0433 \u0432\u043D\u0451\u0441 \u0441\u0443\u0449\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u044B\u0439 \u0432\u043A\u043B\u0430\u0434 \u0432 \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u0435 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u043E\u0439 \u043E\u0440\u0433\u0430\u043D\u043D\u043E\u0439 \u0448\u043A\u043E\u043B\u044B, \u0441\u043E\u0437\u0434\u0430\u0432 \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u044F \u0441 \u043E\u0442\u0434\u0435\u043B\u044C\u043D\u044B\u043C\u0438 \u043F\u0430\u0440\u0442\u0438\u044F\u043C\u0438 \u0434\u043B\u044F \u043F\u0435\u0434\u0430\u043B\u044C\u043D\u043E\u0439 \u043A\u043B\u0430\u0432\u0438\u0430\u0442\u0443\u0440\u044B \u0438 \u0440\u0430\u0437\u0432\u0438\u0432\u0430\u044F \u0436\u0430\u043D\u0440 Tierce en taille. \u0415\u0433\u043E \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u044F \u0442\u0430\u043A\u0436\u0435 \u0432\u043A\u043B\u044E\u0447\u0430\u044E\u0442 \u0432 \u0441\u0435\u0431\u044F \u0441\u0430\u043C\u044B\u0435 \u0440\u0430\u043D\u043D\u0438\u0435 \u0438\u0437\u0434\u0430\u043D\u043D\u044B\u0435 \u043D\u0435\u043C\u0435\u0442\u0440\u0438\u0437\u043E\u0432\u0430\u043D\u043D\u044B\u0435 \u043F\u0440\u0435\u043B\u044E\u0434\u0438\u0438 (\u0444\u0440. Pr\u00E9lude non mesur\u00E9)."@ru . . "Nicolas Leb\u00E8gue"@en . . . . . . . . . . . . "Nicolas-Antoine Leb\u00E8gue (ou le Begue), n\u00E9 \u00E0 Laon en 1631 et mort \u00E0 Paris le 6 juillet 1702, est un compositeur, organiste et claveciniste fran\u00E7ais."@fr . "Nicolas Leb\u00E8gue"@en . . "1113368488"^^ . . . . . . "Nicolas-Antoine Leb\u00E8gue, o el Begue (Laon el 1631 - Par\u00EDs, 6 de juliol de 1702), va ser un compositor, organista i clavecinista barroc franc\u00E8s. Va n\u00E9ixer a la d\u00E8cada de 1650 es va establir a Par\u00EDs, consolidant-se r\u00E0pidament com un dels millors organistes del pa\u00EDs. Va viure i va treballar a Par\u00EDs fins a la seva mort, per\u00F2 sovint va fer viatges a altres ciutats per consultar sobre temes de construcci\u00F3 i manteniment d'orgues. La reputaci\u00F3 de Leb\u00E8gue avui es basa en la seva m\u00FAsica de teclat. Va fer contribucions particularment importants al desenvolupament de l'escola francesa d'orgue, ideant peces amb peces de pedal independents i desenvolupant el g\u00E8nere Tierce en taille. La seva obra tamb\u00E9 inclou els primers preludis no mesurats publicats, aix\u00ED com alguns de les primeres nadales conegudes."@ca . "Nicolas-Antoine Leb\u00E8gue, tak\u017Ce Le B\u00E8gue (ur. oko\u0142o 1631 w Laon, zm. 6 lipca 1702 w Pary\u017Cu) \u2013 francuski kompozytor, klawesynista i organista."@pl . . . . . . "8248"^^ . . . . . . . . . "Nicolas Leb\u00E8gue"@pl . . . . . . . . "\u041D\u0456\u043A\u043E\u043B\u0430-\u0410\u043D\u0442\u0443\u0430\u043D \u041B\u0435\u0431\u0435\u0491 (\u0444\u0440. Nicolas-Antoine Leb\u00E8gue, 1631, \u041B\u0430\u043D \u2014 6 \u043B\u0438\u043F\u043D\u044F 1702, \u041F\u0430\u0440\u0438\u0436) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u043A\u043B\u0430\u0432\u0435\u0441\u0438\u043D\u0456\u0441\u0442 \u0442\u0430 \u043E\u0440\u0433\u0430\u043D\u0456\u0441\u0442."@uk . "Nicolas Leb\u00E8gue"@pt . "\u039F \u039D\u03B9\u03BA\u03BF\u03BB\u03AC \u039B\u03B5\u03BC\u03C0\u03AD\u03B3\u03BA (\u03B3\u03B1\u03BB\u03BB. Nicolas Leb\u00E8gue (Le B\u00E8gue), \u03C0\u03B5\u03C1. 1631 \u2013 6 \u0399\u03BF\u03C5\u03BB\u03AF\u03BF\u03C5 1702) \u03AE\u03C4\u03B1\u03BD \u0393\u03AC\u03BB\u03BB\u03BF\u03C2 \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B7\u03C2, \u03C4\u03C3\u03B5\u03BC\u03C0\u03B1\u03BB\u03AF\u03C3\u03C4\u03B1\u03C2 \u03BA\u03B1\u03B9 \u03BF\u03C1\u03B3\u03B1\u03BD\u03AF\u03C3\u03C4\u03B1\u03C2 \u03C4\u03B7\u03C2 \u03C0\u03B5\u03C1\u03B9\u03CC\u03B4\u03BF\u03C5 \u03C4\u03BF\u03C5 \u039C\u03C0\u03B1\u03C1\u03CC\u03BA."@el . . . . . . . . "Nicolas-Antoine Leb\u00E8gue (1631 \u2013 6 de julio de 1702) fue un compositor franc\u00E9s del Barroco, organista y clavecinista. Aunque fue un compositor innovador y bastante popular durante su vida, su m\u00FAsica se interpreta o graba raramente hoy d\u00EDa. Es quiz\u00E1 m\u00E1s recordado por haber sido profesor del tambi\u00E9n organista y compositor Nicolas de Grigny, notable contempor\u00E1neo de Fran\u00E7ois Couperin."@es . . "\u039F \u039D\u03B9\u03BA\u03BF\u03BB\u03AC \u039B\u03B5\u03BC\u03C0\u03AD\u03B3\u03BA (\u03B3\u03B1\u03BB\u03BB. Nicolas Leb\u00E8gue (Le B\u00E8gue), \u03C0\u03B5\u03C1. 1631 \u2013 6 \u0399\u03BF\u03C5\u03BB\u03AF\u03BF\u03C5 1702) \u03AE\u03C4\u03B1\u03BD \u0393\u03AC\u03BB\u03BB\u03BF\u03C2 \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B7\u03C2, \u03C4\u03C3\u03B5\u03BC\u03C0\u03B1\u03BB\u03AF\u03C3\u03C4\u03B1\u03C2 \u03BA\u03B1\u03B9 \u03BF\u03C1\u03B3\u03B1\u03BD\u03AF\u03C3\u03C4\u03B1\u03C2 \u03C4\u03B7\u03C2 \u03C0\u03B5\u03C1\u03B9\u03CC\u03B4\u03BF\u03C5 \u03C4\u03BF\u03C5 \u039C\u03C0\u03B1\u03C1\u03CC\u03BA."@el . "Nicolas Leb\u00E8gue"@ca . "Nicolas Leb\u00E8gue"@fr . . . . . . . . . . "Nicolas-Antoine Leb\u00E8gue, o el Begue (Laon el 1631 - Par\u00EDs, 6 de juliol de 1702), va ser un compositor, organista i clavecinista barroc franc\u00E8s. Va n\u00E9ixer a la d\u00E8cada de 1650 es va establir a Par\u00EDs, consolidant-se r\u00E0pidament com un dels millors organistes del pa\u00EDs. Va viure i va treballar a Par\u00EDs fins a la seva mort, per\u00F2 sovint va fer viatges a altres ciutats per consultar sobre temes de construcci\u00F3 i manteniment d'orgues. La reputaci\u00F3 de Leb\u00E8gue avui es basa en la seva m\u00FAsica de teclat. Va fer contribucions particularment importants al desenvolupament de l'escola francesa d'orgue, ideant peces amb peces de pedal independents i desenvolupant el g\u00E8nere Tierce en taille. La seva obra tamb\u00E9 inclou els primers preludis no mesurats publicats, aix\u00ED com alguns de les primeres nadales conegudes."@ca . . . . "Leb%C3%A8gue%2C_Nicolas-Antoine"@en . . . "3900872"^^ . "Nicolas Leb\u00E8gue"@it . . . . . . . . . "Nicolas Leb\u00E8gue"@de . "Nicolas-Antoine Leb\u00E8gue (ou le Begue), n\u00E9 \u00E0 Laon en 1631 et mort \u00E0 Paris le 6 juillet 1702, est un compositeur, organiste et claveciniste fran\u00E7ais."@fr . . . . . . . . "Nicolas-Antoine Leb\u00E8gue, tak\u017Ce Le B\u00E8gue (ur. oko\u0142o 1631 w Laon, zm. 6 lipca 1702 w Pary\u017Cu) \u2013 francuski kompozytor, klawesynista i organista."@pl . . "Nicolas-Antoine Leb\u00E8gue /nik\u0254\u02C8la \u0251\u0303\u02C8twan l\u0259\u02C8b\u025Bg/ (Laon, 1631 \u2013 Parigi, 6 luglio 1702) \u00E8 stato un compositore, organista e clavicembalista francese dell'epoca barocca. Bench\u00E9 fosse ai suoi tempi un compositore innovativo e stimato, la sua musica \u00E8 oggi raramente considerata. \u00C8 ricordato come il maestro di Nicolas de Grigny ed \u00E8 assieme ad esso uno degli esponenti pi\u00F9 importanti della Scuola organistica francese."@it . "Nicolas Leb\u00E8gue"@es . . "Nicolas-Antoine Leb\u00E8gue (also Le B\u00E8gue; c. 1631 \u2013 6 July 1702) was a French Baroque composer, organist and harpsichordist. He was born in Laon and in the 1650s settled in Paris, quickly establishing himself as one of the best organists of the country. He lived and worked in Paris until his death, but frequently made trips to other cities to consult on organ building and maintenance matters. Leb\u00E8gue's reputation today rests on his keyboard music. He made particularly important contributions to the development of the French organ school by devising pieces with independent pedal parts and developing the Tierce en taille genre. His oeuvre also includes the earliest published unmeasured preludes, as well as some of the earliest known no\u00EBls."@en . "Nicolas-Antoine Leb\u00E8gue (ou Le Begue; Laon, 1631 \u2013 Paris, 6 de julho de 1702) foi um compositor, organista e cravista franc\u00EAs. Nascido em Laon, por volta de 1650 se estabeleceu em Paris tornando-se rapidamente um dos maiores organistas da Fran\u00E7a. Viveu e trabalhou em Paris at\u00E9 a sua morte, mas frequentemente viajava a outras cidades para tratar de constru\u00E7\u00E3o e manuten\u00E7\u00E3o de \u00F3rg\u00E3os. Atualmente, Leb\u00E8gue \u00E9 mais conhecido pela sua m\u00FAsica para teclado. Ele contribuiu significativamente para o desenvolvimento da escola francesa de \u00F3rg\u00E3o. A sua obra tamb\u00E9m inclui os primeiros prel\u00FAdios n\u00E3o medidos, bem como alguns dos no\u00EBls mais antigos de que se tem not\u00EDcia."@pt . . . . . "Nicolas-Antoine Leb\u00E8gue (ou Le Begue; Laon, 1631 \u2013 Paris, 6 de julho de 1702) foi um compositor, organista e cravista franc\u00EAs. Nascido em Laon, por volta de 1650 se estabeleceu em Paris tornando-se rapidamente um dos maiores organistas da Fran\u00E7a. Viveu e trabalhou em Paris at\u00E9 a sua morte, mas frequentemente viajava a outras cidades para tratar de constru\u00E7\u00E3o e manuten\u00E7\u00E3o de \u00F3rg\u00E3os. Atualmente, Leb\u00E8gue \u00E9 mais conhecido pela sua m\u00FAsica para teclado. Ele contribuiu significativamente para o desenvolvimento da escola francesa de \u00F3rg\u00E3o. A sua obra tamb\u00E9m inclui os primeiros prel\u00FAdios n\u00E3o medidos, bem como alguns dos no\u00EBls mais antigos de que se tem not\u00EDcia."@pt . "Nicolas-Antoine Leb\u00E8gue (Laon, 1631 - Parijs, 6 juli 1702) was een Frans orgelkundige, componist, clavicinist en vermaard organist. Hij was sinds 1678 organist-titularis van het orgel in de \u00C9glise Saint-Merri in Parijs en organist van de Chapelle royale. Leb\u00E8gue was tevens pedagoog: onder anderen Nicolas de Grigny, en Jean-Fran\u00E7ois Dandrieu waren zijn leerlingen. Leb\u00E8gue was samen met Jacques Thomelin, Jean-Baptiste Buterne en Guillaume-Gabriel Nivers organist aan de Chapelle royale. Na de dood van Thomelin in 1693 nam Fran\u00E7ois Couperin diens plaats in."@nl . . "Nicolas Antoine Leb\u00E8gue, auch Nicolas Antoine Le B\u00E8gue (* 1631 in Laon; \u2020 6. Juli 1702 in Paris) war ein franz\u00F6sischer Organist, Cembalist und Komponist. Er geh\u00F6rt zu den bedeutendsten und innovativsten Orgelmeistern der \u00C4ra Ludwigs XIV. und ver\u00F6ffentlichte auch zwei B\u00FCcher mit Cembalost\u00FCcken."@de . . "\u041D\u0456\u043A\u043E\u043B\u0430 \u041B\u0435\u0431\u0435\u0491"@uk . . . . . . . . . . . . . . . "Nicolas-Antoine Leb\u00E8gue (1631 \u2013 6 de julio de 1702) fue un compositor franc\u00E9s del Barroco, organista y clavecinista. Aunque fue un compositor innovador y bastante popular durante su vida, su m\u00FAsica se interpreta o graba raramente hoy d\u00EDa. Es quiz\u00E1 m\u00E1s recordado por haber sido profesor del tambi\u00E9n organista y compositor Nicolas de Grigny, notable contempor\u00E1neo de Fran\u00E7ois Couperin. Poco se sabe acerca de la juventud y formaci\u00F3n de Leb\u00E8gue. Se sabe que en 1656 viv\u00EDa en Par\u00EDs y que en 1661 era ya conocido como el famoso organista parisino. De hecho, las copias que sobreviven de sus obras son mucho m\u00E1s numerosas que las de otros compositores para \u00F3rgano de la \u00E9poca, dado que aparentemente era un m\u00FAsico muy aclamado. A partir de 1664 es organista en la iglesia de Saint-Merry, y ocupa tal puesto hasta su muerte en 1702. Public\u00F3 tres livres d'orgue (\"libros para \u00F3rgano\") que, de acuerdo con sus prefacios, fueron dise\u00F1ados para mostrar c\u00F3mo tocaban los organistas profesionales de Par\u00EDs. Leb\u00E8gue escribi\u00F3 en los ocho , siguiendo la tradici\u00F3n de los maestros del \u00F3rgano del Renacimiento, como Jean Titelouze, pero las obras de Leb\u00E8gue ya tienden hacia la tonalidad moderna. Cultiv\u00F3 los tipos de piezas cl\u00E1sicas francesas para \u00F3rgano (Plein jeu, Tierce en taille, Echo, Dessus de Cromhorne, etc.) que son est\u00E1ndar en todos los otros compositores franceses para \u00F3rgano del per\u00EDodo, pero adem\u00E1s parece ser un importante eslab\u00F3n entre los organistas del Renacimiento y Johann Sebastian Bach, que copi\u00F3 a mano el Livre d'Orgue (\"Libro para \u00F3rgano\") de De Grigny."@es . "Nicolas-Antoine Leb\u00E8gue (also Le B\u00E8gue; c. 1631 \u2013 6 July 1702) was a French Baroque composer, organist and harpsichordist. He was born in Laon and in the 1650s settled in Paris, quickly establishing himself as one of the best organists of the country. He lived and worked in Paris until his death, but frequently made trips to other cities to consult on organ building and maintenance matters. Leb\u00E8gue's reputation today rests on his keyboard music. He made particularly important contributions to the development of the French organ school by devising pieces with independent pedal parts and developing the Tierce en taille genre. His oeuvre also includes the earliest published unmeasured preludes, as well as some of the earliest known no\u00EBls."@en . . . . "Nicolas-Antoine Leb\u00E8gue /nik\u0254\u02C8la \u0251\u0303\u02C8twan l\u0259\u02C8b\u025Bg/ (Laon, 1631 \u2013 Parigi, 6 luglio 1702) \u00E8 stato un compositore, organista e clavicembalista francese dell'epoca barocca. Bench\u00E9 fosse ai suoi tempi un compositore innovativo e stimato, la sua musica \u00E8 oggi raramente considerata. \u00C8 ricordato come il maestro di Nicolas de Grigny ed \u00E8 assieme ad esso uno degli esponenti pi\u00F9 importanti della Scuola organistica francese."@it . . .