. . "6"^^ . . . . . "Ter\u00E7a menor \u00E9 um intervalo na escala musical. A partir de cada uma das doze notas que comp\u00F5em a m\u00FAsica ocidental, podem ser geradas diversas escalas, que t\u00EAm a fun\u00E7\u00E3o de organizar as notas que funcionam bem juntas na composi\u00E7\u00E3o de uma m\u00FAsica. Na escala diat\u00F4nica, uma das mais populares, existem oito notas, sendo que a oitava \u00E9 novamente a nota original. Nessa escala, a partir da primeira nota, chamada de t\u00F4nica, utiliza-se a f\u00F3rmula TTSTTTS (Tom, Tom, Semitom, Tom, Tom, Tom, Semitom, ou 1, 1, 1/2, 1, 1, 1, 1/2) para chegar \u00E0s outras. Dessa forma, a terceira nota est\u00E1 a dois tons da primeira. Essa seria a ter\u00E7a maior. Para se ter a ter\u00E7a menor, basta recuar um semitom, chegando assim a uma dist\u00E2ncia de um tom e meio. Por exemplo, de acordo com essa f\u00F3rmula, a escala de G (sol maior) \u00E9 composta pelas notas G, A, B, C, D, E, F#, G. A ter\u00E7a maior, portanto, \u00E9 B. Assim, a ter\u00E7a menor, recuando-se meio tom, \u00E9 A# (o mesmo que Bb). Notas com fun\u00E7\u00E3o de menor geralmente s\u00E3o consideradas melanc\u00F3licas ou introspectivas, especialmente a ter\u00E7a menor, embora essa seja uma sensa\u00E7\u00E3o subjetiva. Exemplos de m\u00FAsicas que empregam a ter\u00E7a menor s\u00E3o \"Algu\u00E9m Cantando\" (na frase \"Al-gu\u00E9m cantando longe daqui...\") e \"Baby\" (em \"Vo-c\u00EA precisa saber da piscina...\"), ambas de Caetano Veloso."@pt . . . . . . . "3"^^ . . . . . . . "Minor third"@en . . "sesquitone"@en . . . . . "Ter\u00E7a menor"@pt . . . . . . "Ter\u00E7a menor \u00E9 um intervalo na escala musical. A partir de cada uma das doze notas que comp\u00F5em a m\u00FAsica ocidental, podem ser geradas diversas escalas, que t\u00EAm a fun\u00E7\u00E3o de organizar as notas que funcionam bem juntas na composi\u00E7\u00E3o de uma m\u00FAsica. Na escala diat\u00F4nica, uma das mais populares, existem oito notas, sendo que a oitava \u00E9 novamente a nota original. Nessa escala, a partir da primeira nota, chamada de t\u00F4nica, utiliza-se a f\u00F3rmula TTSTTTS (Tom, Tom, Semitom, Tom, Tom, Tom, Semitom, ou 1, 1, 1/2, 1, 1, 1, 1/2) para chegar \u00E0s outras. Dessa forma, a terceira nota est\u00E1 a dois tons da primeira. Essa seria a ter\u00E7a maior. Para se ter a ter\u00E7a menor, basta recuar um semitom, chegando assim a uma dist\u00E2ncia de um tom e meio. Por exemplo, de acordo com essa f\u00F3rmula, a escala de G (sol maior) \u00E9 compo"@pt . . . "\u77ED\u4E09\u5EA6\uFF08\u305F\u3093\u3055\u3093\u3069\uFF09\u306F\u3001\u5168\u97F3\u968E\u3067\u73FE\u308C\u308B2\u7A2E\u985E\u306E\u4E09\u5EA6\u306E\u97F3\u7A0B\u306E\u3046\u3061\u306E\u3088\u308A\u72ED\u3044\u65B9\u3067\u3042\u308B\u3002\u69CB\u6210\u3068\u3057\u3066\u306F\u697D\u8B5C\u306B\u304A\u3051\u308B\u4E0B\u306E\u65B9\u304B\u3089\u9577\u4E8C\u5EA6\u3068\u77ED\u4E8C\u5EA6\u306E\u97F3\u7A0B\u304B\u3089\u306A\u308B\uFF08\u4F8B\uFF1A\u30C9\u3068\u30EC\u9593\u3001\u30EC\u3068\u30DF\u266D\u9593\u3001\u304B\u3089\u306A\u308B\u30C9\u3068\u30DF\u266D\u9593\u5168\u4F53\u306E\u97F3\u7A0B\uFF09\u3002 \u300C\u77ED\u300D\u306E\u5B57\u306F2\u3064\u306E\u4E09\u5EA6\u306E\u97F3\u7A0B\uFF08\u9577\u4E09\u5EA6\u3068\u77ED\u4E09\u5EA6\uFF09\u306E\u3046\u3061\u306E\u3088\u308A\u72ED\u3044\u307B\u3046\u3067\u3042\u308B\u3053\u3068\u3092\u793A\u3057\u3001\u3082\u3046\u4E00\u3064\u306F\u9577\u4E09\u5EA6\u3068\u547C\u3070\u308C\u308B\u3002\u77ED\u4E09\u5EA6\u306F3\u534A\u97F3\u306E\u97F3\u7A0B\u3067\u3042\u308B\u306E\u306B\u5BFE\u3057\u3066\u9577\u4E09\u5EA6\u306F4\u534A\u97F3\u306E\u97F3\u7A0B\u3067\u3042\u308A\u3001\u77ED\u4E09\u5EA6\u306E\u307B\u3046\u304C1\u534A\u97F3\u97F3\u7A0B\u304C\u72ED\u3044\u3002\u77ED\u4E09\u5EA6\u306Fm3\u3068\u7701\u7565\u3055\u308C\u3001\u305D\u306E\u306F\u9577\u516D\u5EA6\u3067\u3042\u308B\u3002"@ja . "L'intervallo di terza minore \u00E8 l'intervallo esistente fra due note che consiste in 3 semitoni, ovvero in un tono e mezzo. Per esempio, la terza minore del Mi \u00E8 il Sol. Due note che distano fra loro una terza minore suonate insieme, cio\u00E8 in un bicordo armonico, hanno una consonanza imperfetta."@it . . . . . . "415183"^^ . . "3"^^ . . . . "\u5C0F\u4E09\u5EA6"@zh . . . . "\u5728\u897F\u65B9\u6587\u5316\u7684\u53E4\u5178\u97F3\u6A02\u4E2D\uFF0C\u4E00\u500B\u5C0F\u4E09\u5EA6\u662F\u4E00\u500B\u6A6B\u8DE8\u4E09\u500B\u534A\u97F3\u7684\u97F3\u7A0B\u3002\u5728\u4E94\u7DDA\u8B5C\u4E2D\uFF0C\u5C0F\u4E09\u5EA6\u6A6B\u8DE8\u4E09\u500B\u4E94\u7DDA\u8B5C\u4F4D\u7F6E\u3002\u800C\u5C0F\u4E09\u5EA6\uFF08\uFF09\u662F\u5169\u500B\u5E38\u898B\u7684\u4E09\u5EA6\uFF08\u5927\u4E09\u5EA6\u548C\u5C0F\u4E09\u5EA6\uFF09\u7684\u5176\u4E2D\u4E00\u500B\u3002\u5B83\u4E4B\u6240\u4EE5\u88AB\u7A31\u70BA\u5C0F\u4E09\u5EA6\u662F\u56E0\u70BA\u5B83\u662F\u5169\u500B\u4E2D\u6700\u5C0F\u7684\uFF0C\u5927\u4E09\u5EA6\u6BD4\u5C0F\u4E09\u5EA6\u591A\u8DE8\u8D8A\u4E00\u500B\u534A\u5EA6\u3002\u4F8B\u5982\uFF0C\u5F9EA\u5230C\u7684\u97F3\u7A0B\u662F\u4E00\u500B\u5C0F\u4E09\u5EA6\uFF0C\u56E0\u70BAC\u5728A\u7684\u4E09\u500B\u534A\u97F3\u4E4B\u4E0A\uFF0C\u800C\u4E14\u5F9EA\u5230C\u6709\u4E09\u500B\u4E94\u7DDA\u8B5C\u4F4D\u7F6E\u3002\u6E1B\u4E09\u5EA6\u548C\u4E5F\u662F\u8DE8\u8D8A\u4E09\u500B\u4E94\u7DDA\u8B5C\u4F4D\u7F6E\uFF0C\u4F46\u534A\u97F3\u7684\u6578\u91CF\u4E0D\u540C(\u6E1B\u4E09\u5EA6\u70BA\u5169\u500B\u534A\u97F3\uFF0C\u589E\u4E09\u5EA6\u70BA\u4E94\u500B)\u3002 \u5C0F\u4E09\u5EA6\u662F\u6CDB\u97F3\u5217\u4E2D\u7B2C\u4E94\u500B\u5230\u7B2C\u516D\u500B\u4E2D\u7684\u97F3\u7A0B\uFF0C\u800C\u4E14\u662F\u7B2C\u5341\u516D\u500B\u5230\u7B2C\u5341\u4E5D\u500B\u6CDB\u97F3\u7684\u97F3\u7A0B\u3002 \u6709\u4EBA\u8A8D\u70BA\u5C0F\u4E09\u5EA6\u5E38\u7528\u65BC\u97F3\u6A02\u4E2D\u4F86\u8868\u9054\u60B2\u50B7\uFF0C\u800C\u4E14\u784F\u7A76\u986F\u793A\u9019\u5728\u6F14\u8B1B\u4E2D\u4E5F\u80FD\u53CD\u6620\u51FA\u4F86\uFF1A\u5728\u50B7\u5FC3\u7684\u6F14\u8B1B\u4E2D\uFF0C\u6F14\u8B1B\u8005\u6703\u88FD\u9020\u4E00\u500B\u76F8\u4F3C\u5C0F\u4E09\u5EA6\u7684\u97F3\u7A0B\u3002 \u5C0F\u8ABF\u4E4B\u6240\u4EE5\u88AB\u7A31\u70BA\u5C0F\u8ABF\u662F\u56E0\u70BA\u5728\u5C0F\u8ABF\u4E2D\uFF0C\u4E3B\u8ABF\u97F3\uFF08\u7B2C\u4E00\u500B\u97F3\uFF09\u548C\u4E2D\u97F3\uFF08\u7B2C\u4E09\u500B\u97F3\uFF09\u7684\u97F3\u7A0B\u662F\u5C0F\u4E09\u5EA6\u3002\uFF08\u82F1\u6587\uFF1A\uFF09\u4E5F\u662F\u56E0\u6709\u5C0F\u4E09\u5EA6\u800C\u547D\u540D\u3002 \u5728\u7D14\u5F8B\u4E2D\u7684\u5C0F\u4E09\u5EA6\u662F6:5\uFF08\uFF09\uFF0C\u6216315.64\u97F3\u5206\u3002\u5728\u5341\u4E8C\u5E73\u5747\u5F8B\u4E2D\uFF0C\u5C0F\u4E09\u5EA6\u662F\u4E09\u500B\u534A\u97F3\uFF1A21/4:1(\u5927\u7D04\u70BA1.189)\uFF0C\u6216300\u97F3\u5206\u3002\u5341\u4E8C\u5E73\u5747\u5F8B\u4E2D\u7684\u5C0F\u4E09\u5EA6\u6BD4\u7D14\u5F8B\u4E2D\u7684\u5C0F\u4E09\u5EA6\u7A8415.64\u97F3\u5206\u3002\u5728\u4E2D\u5EB8\u5168\u97F3\u5F8B\u4E2D\u6BD4\u8F03\u95CA\uFF0C\u800C\u5728\u4E2D\uFF0C\u5B83\u8207\u7D14\u5F8B\u4E2D\u76846:5\u63A5\u8FD1\u300219:16\u7684\u5C0F\u4E09\u5EA6\u662F297.51\u97F3\u5206\u3002\u5341\u4E8C\u5E73\u5747\u5F8B\u7684\u5C0F\u4E09\u5EA6\uFF08300\u97F3\u5206\uFF09\u6700\u63A5\u8FD116:19\u7684\u5C0F\u4E09\u5EA6\u3002\uFF0816:19\u70BA297.51\u97F3\u5206\uFF0C\u50C5\u5DEE\u5341\u4E8C\u5E73\u5747\u5F8B2.49\u97F3\u5206\u3002\uFF09 \u9084\u6709\u5176\u4ED6\u7684\u5C0F\u4E09\u5EA6\uFF0C\u5982\u542B\u4E03\u5C0F\u4E09\u5EA6\u662F7:6\uFF0C\u800C\u662F13:11\u3002 \u5C0F\u4E09\u5EA6\u88AB\u8A8D\u70BA\u662F\u4E0D\u5B8C\u5168\u548C\u8AE7\uFF08\u82F1\u6587\uFF1Aimperfect consonance\uFF09\uFF0C\u800C\u4E14\u662F\u7E7C\uFF0C\u516B\u5EA6\uFF0C\u7D14\u4E94\u5EA6\uFF0C\u7D14\u56DB\u5EA6\u4E4B\u5F8C\u6700\u548C\u8AE7\u7684\u97F3\u7A0B\u3002"@zh . "In music theory, a minor third is a musical interval that encompasses three half steps, or semitones. Staff notation represents the minor third as encompassing three staff positions (see: interval number). The minor third is one of two commonly occurring thirds. It is called minor because it is the smaller of the two: the major third spans an additional semitone. For example, the interval from A to C is a minor third, as the note C lies three semitones above A. Coincidentally, there are three staff positions from A to C. Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). The minor third is a skip melodically."@en . . "\u5728\u897F\u65B9\u6587\u5316\u7684\u53E4\u5178\u97F3\u6A02\u4E2D\uFF0C\u4E00\u500B\u5C0F\u4E09\u5EA6\u662F\u4E00\u500B\u6A6B\u8DE8\u4E09\u500B\u534A\u97F3\u7684\u97F3\u7A0B\u3002\u5728\u4E94\u7DDA\u8B5C\u4E2D\uFF0C\u5C0F\u4E09\u5EA6\u6A6B\u8DE8\u4E09\u500B\u4E94\u7DDA\u8B5C\u4F4D\u7F6E\u3002\u800C\u5C0F\u4E09\u5EA6\uFF08\uFF09\u662F\u5169\u500B\u5E38\u898B\u7684\u4E09\u5EA6\uFF08\u5927\u4E09\u5EA6\u548C\u5C0F\u4E09\u5EA6\uFF09\u7684\u5176\u4E2D\u4E00\u500B\u3002\u5B83\u4E4B\u6240\u4EE5\u88AB\u7A31\u70BA\u5C0F\u4E09\u5EA6\u662F\u56E0\u70BA\u5B83\u662F\u5169\u500B\u4E2D\u6700\u5C0F\u7684\uFF0C\u5927\u4E09\u5EA6\u6BD4\u5C0F\u4E09\u5EA6\u591A\u8DE8\u8D8A\u4E00\u500B\u534A\u5EA6\u3002\u4F8B\u5982\uFF0C\u5F9EA\u5230C\u7684\u97F3\u7A0B\u662F\u4E00\u500B\u5C0F\u4E09\u5EA6\uFF0C\u56E0\u70BAC\u5728A\u7684\u4E09\u500B\u534A\u97F3\u4E4B\u4E0A\uFF0C\u800C\u4E14\u5F9EA\u5230C\u6709\u4E09\u500B\u4E94\u7DDA\u8B5C\u4F4D\u7F6E\u3002\u6E1B\u4E09\u5EA6\u548C\u4E5F\u662F\u8DE8\u8D8A\u4E09\u500B\u4E94\u7DDA\u8B5C\u4F4D\u7F6E\uFF0C\u4F46\u534A\u97F3\u7684\u6578\u91CF\u4E0D\u540C(\u6E1B\u4E09\u5EA6\u70BA\u5169\u500B\u534A\u97F3\uFF0C\u589E\u4E09\u5EA6\u70BA\u4E94\u500B)\u3002 \u5C0F\u4E09\u5EA6\u662F\u6CDB\u97F3\u5217\u4E2D\u7B2C\u4E94\u500B\u5230\u7B2C\u516D\u500B\u4E2D\u7684\u97F3\u7A0B\uFF0C\u800C\u4E14\u662F\u7B2C\u5341\u516D\u500B\u5230\u7B2C\u5341\u4E5D\u500B\u6CDB\u97F3\u7684\u97F3\u7A0B\u3002 \u6709\u4EBA\u8A8D\u70BA\u5C0F\u4E09\u5EA6\u5E38\u7528\u65BC\u97F3\u6A02\u4E2D\u4F86\u8868\u9054\u60B2\u50B7\uFF0C\u800C\u4E14\u784F\u7A76\u986F\u793A\u9019\u5728\u6F14\u8B1B\u4E2D\u4E5F\u80FD\u53CD\u6620\u51FA\u4F86\uFF1A\u5728\u50B7\u5FC3\u7684\u6F14\u8B1B\u4E2D\uFF0C\u6F14\u8B1B\u8005\u6703\u88FD\u9020\u4E00\u500B\u76F8\u4F3C\u5C0F\u4E09\u5EA6\u7684\u97F3\u7A0B\u3002 \u5C0F\u8ABF\u4E4B\u6240\u4EE5\u88AB\u7A31\u70BA\u5C0F\u8ABF\u662F\u56E0\u70BA\u5728\u5C0F\u8ABF\u4E2D\uFF0C\u4E3B\u8ABF\u97F3\uFF08\u7B2C\u4E00\u500B\u97F3\uFF09\u548C\u4E2D\u97F3\uFF08\u7B2C\u4E09\u500B\u97F3\uFF09\u7684\u97F3\u7A0B\u662F\u5C0F\u4E09\u5EA6\u3002\uFF08\u82F1\u6587\uFF1A\uFF09\u4E5F\u662F\u56E0\u6709\u5C0F\u4E09\u5EA6\u800C\u547D\u540D\u3002 \u5728\u7D14\u5F8B\u4E2D\u7684\u5C0F\u4E09\u5EA6\u662F6:5\uFF08\uFF09\uFF0C\u6216315.64\u97F3\u5206\u3002\u5728\u5341\u4E8C\u5E73\u5747\u5F8B\u4E2D\uFF0C\u5C0F\u4E09\u5EA6\u662F\u4E09\u500B\u534A\u97F3\uFF1A21/4:1(\u5927\u7D04\u70BA1.189)\uFF0C\u6216300\u97F3\u5206\u3002\u5341\u4E8C\u5E73\u5747\u5F8B\u4E2D\u7684\u5C0F\u4E09\u5EA6\u6BD4\u7D14\u5F8B\u4E2D\u7684\u5C0F\u4E09\u5EA6\u7A8415.64\u97F3\u5206\u3002\u5728\u4E2D\u5EB8\u5168\u97F3\u5F8B\u4E2D\u6BD4\u8F03\u95CA\uFF0C\u800C\u5728\u4E2D\uFF0C\u5B83\u8207\u7D14\u5F8B\u4E2D\u76846:5\u63A5\u8FD1\u300219:16\u7684\u5C0F\u4E09\u5EA6\u662F297.51\u97F3\u5206\u3002\u5341\u4E8C\u5E73\u5747\u5F8B\u7684\u5C0F\u4E09\u5EA6\uFF08300\u97F3\u5206\uFF09\u6700\u63A5\u8FD116:19\u7684\u5C0F\u4E09\u5EA6\u3002\uFF0816:19\u70BA297.51\u97F3\u5206\uFF0C\u50C5\u5DEE\u5341\u4E8C\u5E73\u5747\u5F8B2.49\u97F3\u5206\u3002\uFF09 \u9084\u6709\u5176\u4ED6\u7684\u5C0F\u4E09\u5EA6\uFF0C\u5982\u542B\u4E03\u5C0F\u4E09\u5EA6\u662F7:6\uFF0C\u800C\u662F13:11\u3002"@zh . . "300"^^ . . . . . . . . . . . . . . . . . . . "m3"@en . . "1123559680"^^ . . "En musique, une tierce mineure est un intervalle de trois demi-tons. Elle est tr\u00E8s utilis\u00E9e dans la musique occidentale, et forme la base de la gamme mineure. Dans un temp\u00E9rament \u00E9gal \u00E0 douze demi-tons (gamme temp\u00E9r\u00E9e), elle est l'\u00E9quivalent enharmonique de la seconde augment\u00E9e. Un exemple m\u00E9morisable souvent donn\u00E9 pour cet intervalle est les deux premi\u00E8res notes de la m\u00E9lodie tr\u00E8s connue de Greensleeves."@fr . . . . . . . . . . . . . . . . . . . "\u77ED\u4E09\u5EA6\uFF08\u305F\u3093\u3055\u3093\u3069\uFF09\u306F\u3001\u5168\u97F3\u968E\u3067\u73FE\u308C\u308B2\u7A2E\u985E\u306E\u4E09\u5EA6\u306E\u97F3\u7A0B\u306E\u3046\u3061\u306E\u3088\u308A\u72ED\u3044\u65B9\u3067\u3042\u308B\u3002\u69CB\u6210\u3068\u3057\u3066\u306F\u697D\u8B5C\u306B\u304A\u3051\u308B\u4E0B\u306E\u65B9\u304B\u3089\u9577\u4E8C\u5EA6\u3068\u77ED\u4E8C\u5EA6\u306E\u97F3\u7A0B\u304B\u3089\u306A\u308B\uFF08\u4F8B\uFF1A\u30C9\u3068\u30EC\u9593\u3001\u30EC\u3068\u30DF\u266D\u9593\u3001\u304B\u3089\u306A\u308B\u30C9\u3068\u30DF\u266D\u9593\u5168\u4F53\u306E\u97F3\u7A0B\uFF09\u3002 \u300C\u77ED\u300D\u306E\u5B57\u306F2\u3064\u306E\u4E09\u5EA6\u306E\u97F3\u7A0B\uFF08\u9577\u4E09\u5EA6\u3068\u77ED\u4E09\u5EA6\uFF09\u306E\u3046\u3061\u306E\u3088\u308A\u72ED\u3044\u307B\u3046\u3067\u3042\u308B\u3053\u3068\u3092\u793A\u3057\u3001\u3082\u3046\u4E00\u3064\u306F\u9577\u4E09\u5EA6\u3068\u547C\u3070\u308C\u308B\u3002\u77ED\u4E09\u5EA6\u306F3\u534A\u97F3\u306E\u97F3\u7A0B\u3067\u3042\u308B\u306E\u306B\u5BFE\u3057\u3066\u9577\u4E09\u5EA6\u306F4\u534A\u97F3\u306E\u97F3\u7A0B\u3067\u3042\u308A\u3001\u77ED\u4E09\u5EA6\u306E\u307B\u3046\u304C1\u534A\u97F3\u97F3\u7A0B\u304C\u72ED\u3044\u3002\u77ED\u4E09\u5EA6\u306Fm3\u3068\u7701\u7565\u3055\u308C\u3001\u305D\u306E\u306F\u9577\u516D\u5EA6\u3067\u3042\u308B\u3002"@ja . . . . "Terza minore"@it . . "In music theory, a minor third is a musical interval that encompasses three half steps, or semitones. Staff notation represents the minor third as encompassing three staff positions (see: interval number). The minor third is one of two commonly occurring thirds. It is called minor because it is the smaller of the two: the major third spans an additional semitone. For example, the interval from A to C is a minor third, as the note C lies three semitones above A. Coincidentally, there are three staff positions from A to C. Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). The minor third is a skip melodically. Notable examples of ascending minor thirds include the opening two notes of \"Greensleeves\" and of \"Light My Fire\". The minor third may be derived from the harmonic series as the interval between the fifth and sixth harmonics, or from the 19th harmonic. The minor third is commonly used to express sadness in music, and research shows that this mirrors its use in speech, as a tone similar to a minor third is produced during sad speech. It is also a quartal (based on an ascendance of one or more perfect fourths) tertian interval, as opposed to the major third's quintality. The minor third is also obtainable in reference to a fundamental note from the undertone series, while the major third is obtainable as such from the overtone series. (See Otonality and Utonality.) The minor scale is so named because of the presence of this interval between its tonic and mediant (1st and 3rd) scale degrees. Minor chords too take their name from the presence of this interval built on the chord's root (provided that the interval of a perfect fifth from the root is also present or implied). A minor third, in just intonation, corresponds to a pitch ratio of 6:5 or 315.64 cents. In an equal tempered tuning, a minor third is equal to three semitones, a ratio of 21/4:1 (about 1.189), or 300 cents, 15.64 cents narrower than the 6:5 ratio. In other meantone tunings it is wider, and in 19 equal temperament it is very nearly the 6:5 ratio of just intonation; in more complex schismatic temperaments, such as 53 equal temperament, the \"minor third\" is often significantly flat (being close to Pythagorean tuning), although the \"augmented second\" produced by such scales is often within ten cents of a pure 6:5 ratio. If a minor third is tuned in accordance with the fundamental of the overtone series, the result is a ratio of 19:16 or 297.51 cents (the nineteenth harmonic). The 12-TET minor third (300 cents) more closely approximates the nineteenth harmonic with only 2.49 cents error. M. Ergo mistakenly claimed that the nineteenth harmonic was the highest ever written, for the bass-trumpet in Richard Wagner's Der Ring des Nibelungen (1848 to 1874), when Robert Schumann's Op. 86 Konzertst\u00FCck for 4 Horns and Orchestra (1849) features the twentieth harmonic (four octaves and major third above the fundamental) in the first horn part three times. Other pitch ratios are given related names, the septimal minor third with ratio 7:6 and the tridecimal minor third with ratio 13:11 in particular. The minor third is classed as an imperfect consonance and is considered one of the most consonant intervals after the unison, octave, perfect fifth, and perfect fourth. The sopranino saxophone and E\u266D clarinet sound in the concert pitch ( C ) a minor third higher than the written pitch; therefore, to get the sounding pitch one must transpose the written pitch up a minor third. Instruments in A \u2013 most commonly the A clarinet, sound a minor third lower than the written pitch."@en . "Tierce mineure"@fr . . . . . . "316298294"^^ . . . . "L'intervallo di terza minore \u00E8 l'intervallo esistente fra due note che consiste in 3 semitoni, ovvero in un tono e mezzo. Per esempio, la terza minore del Mi \u00E8 il Sol. Due note che distano fra loro una terza minore suonate insieme, cio\u00E8 in un bicordo armonico, hanno una consonanza imperfetta."@it . . . . "8618"^^ . . . "\u77ED\u4E09\u5EA6"@ja . . . . . . . . . . "En musique, une tierce mineure est un intervalle de trois demi-tons. Elle est tr\u00E8s utilis\u00E9e dans la musique occidentale, et forme la base de la gamme mineure. Dans un temp\u00E9rament \u00E9gal \u00E0 douze demi-tons (gamme temp\u00E9r\u00E9e), elle est l'\u00E9quivalent enharmonique de la seconde augment\u00E9e. Un exemple m\u00E9morisable souvent donn\u00E9 pour cet intervalle est les deux premi\u00E8res notes de la m\u00E9lodie tr\u00E8s connue de Greensleeves."@fr . "Minor third"@en . . . . . . . .