. . . . . . . . . . . . . . "2000.0"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "A M\u00FAsica pop mexicana \u00E9 um g\u00EAnero musical produzido no M\u00E9xico, geralmente em l\u00EDngua espanhola. Com um p\u00FAblico particularmente jovem. Tem grande popularidade no M\u00E9xico, Brasil, Am\u00E9rica Latina e Estados Unidos."@pt . . . . . . . . . . . . . . . . . . . . . . . . . . . "Mexican pop"@en . . . . . . . . . . . . . "150"^^ . "3182355"^^ . . . . . "Dulce Maria Teleton 1.jpg"@en . . . . . . . . . . . . "165"^^ . . . . . . . . . . . . . . . . . . . . "Mexican pop is a music genre produced in Mexico, particularly intended for teenagers and young adults. Mexico is the country that exports the most entertainment in Spanish language. Mexican pop was limited to Latin America until the mid-1990s, when an interest towards this type of music increased after Selena's, Luis Miguel's, Paulina Rubio's, Thal\u00EDa's and Ang\u00E9lica Mar\u00EDa's debuts before the mainstream USA audience. In the southwestern United States, Spanish guitar rhythms and Mexican musical influences may have inspired some of the music of American musicians Ritchie Valens, Danny Flores (of The Champs), Sam the Sham, Roy Orbison and later, Herb Alpert. Initially, the public exhibited only moderate interest in them, because the media attention was focused on La Ola Inglesa (British Invasion). In 1954 Andy Russell, relocated to Mexico where he became a star of radio, television, motion pictures, records and nightclubs. During the 1960s and 1970s, most of the pop music produced in Mexico consisted on Spanish-language versions of English-language rock-and-roll hits. Singers and musical groups like C\u00E9sar Costa, Ang\u00E9lica Mar\u00EDa, Enrique Guzm\u00E1n, Alberto V\u00E1zquez, Manolo Mu\u00F1oz, Johnny Laboriel, Julissa or Los Teen Tops performed cover versions of songs by Elvis Presley, Nancy Sinatra, Paul Anka, Joan Baez and others. However, after the substantial success of Mexican-American guitarist Carlos Santana in the United States in the late 1960s, a large number of bands sprang up. Most of these bands sang in both Spanish and English, keeping foreign commercial exposure in mind."@en . . . . "left"@en . . . . "1700.0"^^ . . . . . . . . . . . . . . "1123017399"^^ . . . . . . . . . "Mexican pop is a music genre produced in Mexico, particularly intended for teenagers and young adults. Mexico is the country that exports the most entertainment in Spanish language. Mexican pop was limited to Latin America until the mid-1990s, when an interest towards this type of music increased after Selena's, Luis Miguel's, Paulina Rubio's, Thal\u00EDa's and Ang\u00E9lica Mar\u00EDa's debuts before the mainstream USA audience."@en . . . . . . . . . . . "Mexican pop"@en . . . "United Kingdom, United States, Spain and Mexico"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . "2010"^^ . . . . . . . . "1950.0"^^ . . . . . . . . . . . . . . . . . . . . . . . "1910.0"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ""@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "1800.0"^^ . . . . . . . . . . . . . . . . . . . . "M\u00FAsica pop mexicana"@pt . . . . . . . . . "1990.0"^^ . . . . . . . . . ""@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "1930.0"^^ . . . . . . . . . . . . "A M\u00FAsica pop mexicana \u00E9 um g\u00EAnero musical produzido no M\u00E9xico, geralmente em l\u00EDngua espanhola. Com um p\u00FAblico particularmente jovem. Tem grande popularidade no M\u00E9xico, Brasil, Am\u00E9rica Latina e Estados Unidos."@pt . "1970.0"^^ . . . . . . . . . . . "Belinda .jpg"@en . . . . . . . . . . . . . "Mexican pop music"@en . . . . . . . . . . . . . . . . . "40910"^^ . . . . .